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Lot 132

Sir Peter Blake R.A. (British, born 1932)The Very Best, from Homage to Schwitters Screenprint in colours with silver leaf, 2005, on wove paper, signed, titled and numbered 156/175 in pencil, published by CCA Galleries, London, with full marginsImage 498 x 400mm (19 1/2 x 15 3/8in)Sheet 699 x 595mm (27 1/2 x 23 3/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 172

David Shrigley (British, born 1968)I've Got Your Lipstick Screenprint in colours, 2021, on wove paper, signed with the initials and dated in black ink on the accompanying certificate of authenticity, numbered 14/125 in pencil verso, published by AllRightsReserved, Hong Kong, the full sheet, framedSheet 760 x 560mm (29 7/8 x 22in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 186

The Connor Brothers (British, born 1968)Call Me Anything But Ordinary Hand-painted vintage paperback with acrylic and screenprint in colours, 2018, signed in black ink on the artist's label affixed verso, a unique impression from the edition of two (there were also two artist's proofs), housed in the artist's designated frameOverall 270 x 207 x 32mm (10 5/8 x 8 1/8 x 1 1/4in)Footnotes:ProvenanceJaski Gallery, Amsterdam, whereby acquired by the present owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 174

David Shrigley (British, born 1968)Fucking Ace Screenprint in colours, 2018, on wove paper, signed with the initials, dated and numbered 93/125 in pencil verso, published by Jealous Gallery & Print Studio, London, the full sheet, framedSheet 761 x 559mm (29 7/8 x 22in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 177

Julian Opie (British, born 1958)Gary, popstar, from 1998-1999 Series (Cristea 8) Screenprint, 1999, on Somerset Satin paper, signed, dated and numbered '3/3 PP' in pencil verso, one of three printer's proofs aside from the numbered edition of 40 (there were also ten artist's proofs), printed by Advanced Graphics, published by Alan Cristea Gallery, London, the full sheet, framedSheet 610 x 530mm (24 x 20 7/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 219

Ai Weiwei (Chinese, born 1957)Cats (Pink) Screenprint in pink, 2022, on Somerset Velvet wove paper, signed, dated and numbered 43/300 in pencil, published by Kettle's Yard, Cambridge, with full marginsImage 262 x 367mm (10 3/8 x 14 1/2in)Sheet 447 x 622mm (17 5/8 x 24 1/2in)For further information on this lot please visit Bonhams.com

Lot 134

Sir Peter Blake R.A. (British, born 1932)The Beatles, 1962; Babe Rainbow Screenprint in colours, 2012, on wove paper, signed and numbered 199/500 in pencil, published by Pallant House, London, with full margins, framed; together with Babe Rainbow, screenprint in colours, 1968, on pressed tin, from the unnumbered edition of 10,000, printed and published by Dodo Designs, London, the full sheet, framedSheet 711 x 555mm (28 x 21 7/8in); 661 x 441mm (26 x 17 3/8in)(2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 152

Damien Hirst (British, born 1965)For the Love of God, Believe Screenprint in colours, 2007, on wove paper, signed and numbered from the edition of 1,700 in white crayon, published by White Cube, London, the full sheetSheet 325 x 240mm (12 3/4 x 9in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 59

Patrick Caulfield R.A. (British, 1936-2005)And, with my eyes bolting toward the Unconscious, from Some Poems of Jules Laforgue (Cristea 38l) Screenprint in colours, 1973, on heavy wove paper, signed and numbered 41/100 in pencil (there were also 20 artist's proofs), from Edition C, co-published by Petersburg Press and Waddington Graphics, London, with full marginsImage 409 x 357mm (16 1/8 x 14in)Sheet 610 x 560mm (24 x 22in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 170

Banksy (British, born 1974)Grannies Screenprint in colours, 2006, on Arches 88 wove paper, numbered 15/500 in pencil, published by Pictures on Walls, London, with their blindstamp, with full margins, framedSheet 570 x 765mm (22 1/2 x 30 1/8in)Footnotes:This work is accompanied by the new certificate of authenticity issued by Pest Control Office.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 181

Harland Miller (British, born 1964)Hate's Outta Date (Blue) Screenprint in colours, 2022, on wove paper, signed and numbered 2/125 in pencil, published by White Cube, London, the full sheetSheet 1000 x 700mm (39 3/8 x 27 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 187

The Connor Brothers (British, born 1968)I Drink to Make Other People More Interesting Hand-painted vintage paperback with acrylic and screenprint in colours, 2020, signed in black ink on the artist's label affixed verso, one of two artist's proofs, a unique impression (the standard edition was two), housed in the artist's designated frameOverall 270 x 207 x 32mm (10 5/8 x 8 1/8 x 1 1/4in)Footnotes:ProvenanceMaddox Gallery, London, whereby acquired by the present owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 58

Patrick Caulfield R.A. (British, 1936-2005)She'll have forgotten her scarf, from Some Poems of Jules Laforgue (Cristea 38q) Screenprint in colours, 1973, on heavy wove paper, signed and numbered 42/100 in pencil (there were also 20 artist's proofs), from Edition C, co-published by Petersburg Press and Waddington Galleries, London, with full marginsImage 410 x 358mm (16 1/8 x 14 1/8in)Sheet 605 x 506mm (23 3/4 x 19 7/8in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 171

Banksy (British, born 1974)Barcode Screenprint in colours, 2004, on wove paper, numbered 79/600 in pencil, with the artist's red ink stamp, published by Pictures on Walls, London, the full sheetSheet 496 x 695mm (19 5/8 x 27 1/2in)Footnotes:This work is accompanied by the new certificate of authenticity issued by Pest Control Office.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 209

David Spiller (British, 1942-2018)Love is the Light (Goofy) Screenprint in colours, 2012, on Arches Satin wove paper, signed, titled and numbered 1/75 in pencil (there were also ten artist's proofs), printed and published by Harwood King Studio, Sussex, with margins, framedImage 762 x 762mm (30 x 30in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 155

Nick Smith (British, born 1984)Instagram, from Psycolourgy Edition Giclée print in colours with screenprint varnish, 2021, on Canson Rag Photographique paper, signed, dated and numbered 251/317 in pencil, published by the artist, London, with his blindstamp, the full sheetSheet 500 x 500mm (19 3/4 x 19 3/4in)Footnotes:'Three months ago I reached out to 550 people in my Instagram DM's. I asked them to send me a colour and a word that they associated with that colour, a process I call 'Psycolourgy'. The result was an entirely abstract work assembled chronologically, left to right in 19 rows of 29.Many of the entries came to me with personal stories, some of which were extraordinarily poignant. It ended up becoming far more than I had anticipated... bringing people together in a time of isolation and division, quite emotional at times. I found the process particularly fascinating, as I had no idea how it was going to end up looking; I was merely the facilitator, offering a platform to you, the creators.'- Nick Smith, 17th June, 2021This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 126

Richard Hamilton (British, 1922-2011)Self-Portrait (Lullin 62) Screenprint in colours, 1967, on Schoellershammer paper, signed and numbered 7/75 in pencil (there were also some artist's proofs), printed by Edition Domberger, Stuttgart, published by the artist, with margins, framedImage 284 x 212mm (11 1/8 x 8 3/8in)Footnotes:ProvenanceFrom the Estate of the late Hilary Gerrard (1933-2023), formerly Business Manager to Ringo Starr from the 1970s onwards.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 48

Dame Elisabeth Frink R.A. (British, 1930-1993)Head I (Wiseman 143) Screenprint in colours, 1988, on BFK Rives wove paper, signed and numbered 23/70 in pencil (there were also seven artist's proofs), printed by Kip Gresham at Chilford Hall Press, with his blindstamp, co-published by Chilford Hall Press, Cambridge and the artist, the full sheet, framedSheet 1080 x 737mm (42 1/2 x 29in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 214

Andy Warhol (American, 1928-1987) and Keith Haring (American, 1958-1990)20th Montreux Jazz Festival Screenprint in colours, 1986, on heavy wove paper, printed by Albin Uldry, Bern, Switzerland, the full sheetSheet 1000 x 700mm (39 3/8 x 27 1/2in)For further information on this lot please visit Bonhams.com

Lot 192

The Connor Brothers (British, born 1968)Tell Me Beautiful and Untrue Things Giclée print in colours with screenprint varnish and extensive hand-colouring, 2022, on wove paper, signed, dated and numbered 3/3 in pencil (there were also two artist's proofs), the full sheet, framedSheet 415 x 290mm (16 3/8 x 11 3/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 138

Craigie Aitchison C.B.E., R.S.A., R.A. (British, 1926-2009)Crucifixion 2001 (Peck 16) Screenprint in colours, 2001, on wove paper, signed, dated and numbered 62/75 in pencil verso (there were also ten artist's proofs in Roman numerals), printed and published by Advanced Graphics, London, the full sheet, framedSheet 1397 x 1092mm (55 x 43in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 185

The Connor Brothers (British, born 1968)She Could Speak For A Lifetime And Still Not 'Fell' Known Hand-painted vintage paperback with acrylic and screenprint in colours, 2019, signed in black ink on the label affixed verso, a unique impression from the edition of two (there were also two artist's proofs), housed in the artist's designated frame; together with a signed and dedicated exhibition catalogue from Venet-Haus Galerie, Neu-Ulm, 2016Overall 270 x 207 x 30mm (10 5/8 x 8 1/8 x 1 1/4in)(2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 123

Carlos Cruz-Diez (French/Venezuelan, 1923-2019)Color Aditivo 3, from Serie Medellín Screenprint in colours, 2012, on Somerset Satin wove paper, signed, dated and numbered 54/75 in pencil, published by ArtNexus, Bogota and North Miami, with full margins, framedImage 600 x 600mm (23 5/8 x 23 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 53

Peter Lanyon (British, 1918-1964)(Untitled) Cane Chair Screenprint in colours, circa 1954, on wove paper, signed and numbered 1/11 in pencil (there were also two or three artist's proofs), printed by the artist, the full sheet, framedSheet 500 x 362mm (19 3/4 x 14 1/4in)Footnotes:We are grateful to Martin Lanyon, for his assistance in cataloguing this lot.This print is also sometimes known as Untitled (Garden Furniture).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 115

Adolph Gottlieb (American, 1903-1974)Levitation (Associated American Artists 58) Screenprint in colours, 1969, on wove paper, signed, dated and numbered 54/90 in pencil, published by Marlborough Graphics, Inc., New York, the full sheet, framedImage 533 x 431mm (21 x 17in)Sheet 758 x 556mm (29 7/8 x 21 7/8in)For further information on this lot please visit Bonhams.com

Lot 178

Julian Opie (British, born 1958)Woman Taking Off A Man's Shirt Screenprint in colours, 2003, on wove paper, from the edition of an unknown size, published by K21 Kunstammlung Nordrhein-Westfalen, Düsseldorf, with full margins, framedSheet 1000 x 600mm (39 3/8 x 23 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 62

Sandra Blow R.A. (British, 1925-2006)Allegro (Basford 40) Screenprint in colours with collage elements, 2005, on wove paper, signed and numbered 47/125 in pencil, published by Lund Humphries, London, with full margins, framedImage 210 x 210mm (8 1/4 x 8 1/4in)Sheet 248 x 214mm (9 3/4 x 8 3/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 101

Sandra Blow (1925-2006)Iridescent Wave, 20041/13 artist's proofs, signed and numbered in pencil (in the margin)screenprint with collage55 x 55cm. Very good condition with minor surface scratches, scrapes and chips to frame.

Lot 102

Sandra Blow (1925-2006)Transparency, 20046/130, signed and numbered in pencil (in the margin)screenprint with collage71 x 71cm.

Lot 48

Joe Tilson (1928-2023)Ziggurat181/350, signed and numbered in pencil (lower)screenprint28 x 24cm; together with the hardback book, Tilson Pop to Present, Royal Academy of Arts (2). Slight surface abrasions to blue sections on screenprint. Very faint and minor time staining to page edges.

Lot 73

Joe Tilson (1928-2023)Elements, 1972signed in pencil (lower right)screenprint with collage (rope and a feather)72 x 54cm.

Lot 82

David Humphreys (b.1937)Hop Farm Kent71/100, signed tilted, and numbered in pencil (in the margin)screenprint63 x 89cm, unframed; and another screenprint by the same artist, Fernlea, 53 x 76cm, unframed (2). Green - Mount with scuffs, marks and stains. Screenprint appears good bar some handling dents and light creases. Reverse of image one can see clearly the paper condition.Pink - Fingerprints and marks to mount. Upon close inspection and in a certain light are a couple of quite long lines running from the left side. Very, very faint light dents. Small scuff to blue tiled roof. See photos.

Lot 718

† CLARE JANE (British, 21st century); screenprint and embroidery, garden landscape ruins, signed and dated '06, limited edition no.1/5 verso, 160 x 119cm.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

Lot 132

KEITH HARING (1958-1990)Untitled, 1985 Sérigraphie en couleurs sur vélinSignée, datée et numérotée 30/150Editée par le CAPC de Bordeaux à l'occasion de l'exposition monographique de l'artiste en 198560 x 80 cmColour screenprint on vellum, signedn dated and numbered 30/150Footnotes:ProvenanceDon en 1985 du directeur adjoint du CAPC de Bordeaux à l'actuel propriétaire (Une attestation sur l'honneur du commissaire d'exposition pourra être remise à l'acquéreur )For further information on this lot please visit Bonhams.com

Lot 54

MAN RAY (1890-1976)Perpetual Motive, 1972 (Anselmino, 99, vol. II)Sérigraphie en couleurs sur papier calqueMonogrammée et numérotée 24/100Editée par Jacques Ledoux, Belgique 65 x 50 cm Colour screenprint on tracing paper, signed and numeroted 24/100Footnotes:ProvenanceCollection particulière, ParisThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 131

ROY LICHTENSTEIN (1923-1997)The Solomon R. Guggenheim Museum, 1969 (Corlett, 83)Sérigraphie en couleurs sur RivesSignée, datée et numérotée 170/250Editée par la galerie Léo Castelli, New York pour le Musée Solomon R. Guggenheim, New York73 x 73 cmColours screenprint on Rives; signed, dated and numbered 170/250 Footnotes:ProvenanceCollection particulière, ParisFor further information on this lot please visit Bonhams.com

Lot 119

HERVE TELEMAQUE (NE EN 1937)Le retour du printemps, 1974 Sérigraphie en couleursSignée, datée et annotée XXV/LAccompagnée d'un ouvrageEmboîtage entoilé noirÉdition le Soleil Noir, Paris19,5 × 32 cm (sérigraphie) Colour screenprint, signed, dated and justified 'XXV/L'This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 139

KEITH HARING (1958-1990)Untitled, 1986 (Littmann p.58-59)Issues de la suite 'Bad Boys »Trois sérigraphies en noir sur BFK Rives Epreuves d'artiste signées, datées et numérotées « AP 5/5 » au crayon Editées par Bébert, Rotterdam50,5 x 65,4 cmScreenprint on Rives BFK paper, signed in pencil, dated and numbered AP 5/5 », published by Bébert, Rotterdam, with full margins, 19 7/8 x 25 3/4 in. For further information on this lot please visit Bonhams.com

Lot 917

R B Kitaj RA (1932-2007) - Mrs Gutierrez Describes What the Doctor told Her, screenprint on canvas, signed by the artist in pencil and numbered 52/200, 60 x 40cm Some localised slight surface dirt as a consequence of lacking glass, slightly uneven from poor framing, not laid down

Lot 1721

Des. A. Beeke. Amst., screenprint Rooth NV, Diemen, ca. 1970. 68 x 45 cm. Depicts a G.I. Joe in Roy Lichtenstein style w. text "VIET" in red. (2) "There's plenty of good money to be made by supplying the army with the tools of the trade (...)". Amst., screenprint Rooth NV, Diemen, ca. 1970. 81 x 45 cm. A plane dropping a bomb w. text "VIET" in red. Edges sl. worn, sm. staple holes along top edges. (total 2)

Lot 18

‡ ERIC MALTHOUSE limited edition (21/25) screenprint - 'Touching', dated '68, signed, titled and dated in pencil (I), 46 x 52cmsProvenance: private collection Vale of GlamorganComments: unframed

Lot 612

Otto Piene (1928 Laasphe - 2014 Berlin)Ohne TitelFarbserigraphie/Papier, 1972. Sign., dat. (19)72 u. nummeriert 215/250. Hrsg. Kunstring Folkwang, Essen. Wvz. Rottloff 148. Blatt 99 cm x 64 cm. Rahmen.Screenprint in colours on cardboard, 1972. Hand-signed, dated and numbered 215/250.

Lot 613

Otto Piene (1928 Laasphe - 2014 Berlin)Ohne TitelBlattgroße Farbserigraphie/Papier, 1970. Sign. u. dat. "18-II-(19)70. Wvz. Rottloff 91. Hrsg. Galerie Wendtorf und Swetec, Düsseldorf, in einer Auflage von 200 Exemplaren. 98 cm x 68 cm. Rahmen.Screenprint in colours on paper, 1970. Hand-signed and dated. One of an edition of 200.

Lot 638

Andy Warhol (1928 Pittsburgh - 1987 New York) nach "Goethe". OriginaltitelFarboffset/Papier, 1993. Nach der gleichnamigen Farbserigraphie Warhols von 1983. Copyright Andy Warhol Foundation for the Visual Arts, Inc.; Hrsg. teNeues Publishing Company, New York, und Achenbach Art Edition, Düsseldorf. Blatt 66 cm x 66 cm. Rahmen.After Andy Warhol (1928 - 1987). Offset print in colours, 1993. After the serigraph (screenprint) by Warhol (1983).

Lot 639

Andy Warhol (1928 Pittsburgh - 1987 New York) nach "Marilyn". OriginaltitelFarboffset/Papier, 1993. Nach der gleichnamigen Farbserigraphie Warhols von 1967. Copyright Andy Warhol Foundation for the Visual Arts, Inc.; Hrsg. teNeues Publishing Company, New York, und Achenbach Art Edition, Düsseldorf. Blatt 96 cm x 96 cm. Rahmen.After Andy Warhol (1928 - 1987). Offset print in colours, 1993. After the serigraph (screenprint) by Warhol (1967).

Lot 640

Andy Warhol (1928 Pittsburgh - 1987 New York) nach"Orange Marilyn". OriginaltitelFarboffset/Papier, 1999. Nach der gleichnamigen Farbserigraphie Warhols von 1964. Copyright The Estate of Marilyn Monroe und Andy Warhol Foundation for the Visual Arts, Inc.; Hrsg. teNeues. Blatt 80 cm x 60 cm. Rahmen.After Andy Warhol (1928 - 1987). Offset print in colours, 1998. After the serigraph (screenprint) by Warhol (1964).

Lot 642

Andy Warhol (1928 Pittsburgh - 1987 New York) nachDollar-Zeichen "$ (4)". OriginaltitelFarboffset/Papier, 2000. Nach der gleichnamigen Farbserigraphie Warhols von 1982. Copyright Andy Warhol Foundation for the Visual Arts, Inc.; Hrsg. teNeues Publishing Company, New York, und teNeues Verlag, Kempen. Blatt 80 cm x 60 cm. Rahmen.After Andy Warhol (1928 - 1987). Offset print in colours, 2000. After the serigraph (screenprint) by Warhol (1982).

Lot 118

Tom Phillips (British, b. 1937-2022)  Sing through the Hushed Ear, 1992  Screenprint proof Signed and numbered 46/50 Framed and glazed Original label to Angela Flowers Gallery PLC, London 22 x 15cm (8 2/3" x 6")  Together with the first edition (1912) of  "A HUMAN DOCUMENT"  book by W.H. Mallock (British, b. 1849-1923) Tom Phillips was born in London in 1937. He attended St Catherine’s College, Oxford in 1957, where he read English and at the same time studied drawing at the Ruskin School. In 1961 he went to Camberwell School of Art where his chief source of inspiration was Frank Auerbach. He went on to teach at Bath Academy of Art, Ipswich and Wolverhampton Art College between 1965 and 1972. Phillips’s first solo show was in 1965 at the Artists International Association Gallery in London, followed by an exhibition at the Angela Flowers Gallery in 1970. He won a prize at The John Moores Liverpool Exhibition in 1969 and subsequently went on to exhibit in many solo and group exhibitions around the world. Two early exhibitions of particular significance were the 1973 showing of A Humument in its entirety at the ICA, London and the 1975 retrospective at the Kunsthalle in Basel. In 1989 he had a solo exhibition at the National Portrait Gallery (which holds his portrait of Dame Iris Murdoch) and in 1993 a major exhibition of his work was held at the Royal Academy of Arts. To celebrate his 60th birthday in 1997, retrospectives of his work were held at the Dulwich Picture Gallery and the South London Gallery. More recently in 2001 an exhibition of his drawings was held at the Modern Art Museum, Fort Worth. Phillips was Vice-Chair of the Copyright Council from 1985 to 1989 and was Chairman of the Royal Academy’s Exhibitions Committee from 1995. He curated the Royal Academy’s exhibition Africa: The Art of a Continent (1995) which subsequently travelled to the Martin Gropius Bau, Berlin and the Guggenheim Museum in New York. He was appointed a Member of the Royal Society of Painter Etchers and Engravers in 1987 and an Honorary Member of the Royal Society of Portrait Painters in 1999. He was an Honorary Fellow of St Catherine’s College, Oxford, Leeds University (Bretton Hall) and the London Institute as well as an Honorary Member of the Royal Institute, a Trustee of the National Portrait Gallery (from 1998) and a Trustee of the British Museum (from 1999). Phillips was also a writer and a composer. Much of his music (including the opera Irma) has been broadcast and is available on CD. Tom Phillips lived and worked in London. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 200

Doze Green ( American, b 1964) Mugsy Silver - 2018 Screenprint (silver ink) on black paper Limited edition numbered 13/70 Hand signed and numbered by the artist Framed 70 x 50cm Doze Green (American b 1964)  growing up in the '70s, his art was inspired by newspaper cartoons like Shoe, Saturday morning cartoons on TV and Superhero comics. He began to create his own characters when he was about seven years old. By the time he was twelve he was able to draw sophisticated characters in complete artistic settings. His family encouraged not only his artistic endeavours but also his songwriting.   He attended the High School of Art and Design in New York. The school encouraged artistic expression and even graffiti, which Green did in and around the city. One of his mentors was Donald Joseph White, who signed his graffiti art as DONDI. Green credits DONDI with helping him to create a cleaner, more careful and more sophisticated style than he had been doing before they met.   Green's cousins, who lived in the Bronx, introduced him to Hip-Hop culture and breaking dancing. He became a member of one of the earliest break dancing groups: the Rock Steady Crew. The group watched a lot of Bruce Lee and Kung Fu movies and emulated the characters and the movements. Green said he adopted a 'gangsta’ persona in both his music and his art. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 208

Michael Heindorff (German, b. 1949) Tasso's Trees VI, 1977  Screenprint on paper Limited edition No 81/100 Signed by the artist 91 x 68cm  ( 36" x 26 3/4") From the Bernard Jacobson Gallery Collection Michael Heindorff (born 1949, Germany) is a well known painter and printmaker who lives and works in both London and Berlin. He attended the Art College and University of Braunschweig (1970-74) and the Royal College of Art, London (1975-77). Michael Heindorff has exhibited extensively internationally, including at the Bernard Jacobson Gallery, London, New York and Los Angeles; Bradford Print Biennale; Victoria and Albert Museum; and Marlborough Fine Art, London. He was elected a member of The London Group in 1981. His work is held in several public collections including the Tate Gallery, Arts Council Collection, British Council, London Transport Museum, MOMA New York, Royal Academy Collection and Victoria Gallery & Museum, Liverpool. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 132

Screenprint titled Blue Beacon. Signed bottom right numbered 193/250. Sight size 22" x 30"

Lot 133

Screenprint titled House With Trailer . Signed bottom right numbered 54/200. Sight size 22" x 30"

Lot 134

Screenprint titled Yankee Clipper. Signed bottom right numbered 90/250. Sight size 22" x 30"

Lot 105

Tom Wesselmann (1931 - 2004), The Great American Nude, unsigned, screenprint, 32 x 37.5 cm, framed and glazed 38.5 x 38.5 cm The Estate of Dame Barbara Mary Quant, DBE CH FCSD RDIRemnants of Multiples Inc., New York label verso

Lot 75

Ronald Brooks Kitaj (1932 - 2007) American, 'Truman in the White House', screenprint on paper, signed and editioned in pencil, 8/70, 59 cm x 83 cm, glazed and framed 81 cm x 106 cm.The Estate of Dame Barbara Mary Quant, DBE CH FCSD RDI

Lot 92

Joe Tilson (b.1928), Ziggurat 6, offset lithograph, signed, dated and editioned in pencil 'Joe Tilson 1966', 11/7, 56 x 85 cm, framed and glazed 80.5 cm x 110 cm, together with Eduardo Paolozzi (1924-2005), 'Theory of Relativity', screenprint, signed and editioned in pencil, 71/75, 97 cm x 63 cm, framed 115 cm x 79 cm. (both af)Qty: 2The Estate of Dame Barbara Mary Quant, DBE CH FCSD RDIZiggurat 6 displays noticeable scratches to the print and dirt on the inner frame, Theory of Relativity is unglazed, there is light scratching present on the print and dirt throughout

Lot 731

Y SANDOR BORTNYIK (Hungarian 1893-1976) Untitled, screenprint, a pair, signed in pencil, limited edition no 110/140 and dated (19)72, plate size 9 3/4" x 7 1/4”, framed (subject to Artists Resale Right) (Est. plus 24% premium inc. VAT)Condition Report: very good

Lot 732

Y SANDOR BORTNYIK (Hungarian 1893-1976) Untitled, screenprint, signed in pencil and dated (19)72 limited edition, 5 3/4" x 5 3/4”, framed (subject to Artists Resale Right) (Est. plus 24% premium inc. VAT)Condition Report: Condition very good

Lot 860

Full title: Gustave Camus (1914-1984): Untitled, screenprint in colours, ed. XIII/XXVDescription:Work: 69,5 x 49,5 cm Frame: 99,5 x 79,5 cmCondition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com

Lot 864

Full title: Andy Warhol (1928-1987, after): 'Marilyn Monroe', screenprint in colours, ed. Sunday B. MorningsDescription:Work: 91 x 90,5 cm Frame: 103 x 103 cm This screenprint in colour has the number '11.24' in the collection of Sunday B. Mornings (link).Condition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com

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