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Dame Elizabeth Frink RA CH DBE, British 1930-1993- "The Physician`s Tale", 1972; etching with aquatint, signed in pencil, 50x34cm: Harry Thubron, British 1915-1985- "Salamanca"; screenprint in colours, signed, titled, numbered 48/70 and dated 78 in pencil, 73x66cm., (2) (part unframed) (may be subject to Droit de Suite)
British School, late 20th/early 21st century- Untitled abstract composition; screenprint on buff paper, signed and numbered 31/95, 74.5x84.5cm: together with a screenprint of a mountain landscape at night by the same hand, signed, numbered 144/275 and dated 92 in pencil, 74x82cm: together with three etchings printed in colours by a different hand, all of abstract subjects, 94x80cm, 94x80cm and 94x80cm., (5)
Michael Ware, British, 1939- "Mrs Jones Has Fallen Over"; screenprint, signed, titled, dated 75 and numbered 25/40 in pencil, 32x48cm. Note: An edition of this print is in the Tate Collection, reference P03109: together with four further screenprints by the same hand, titled "Rememory", "Automatic Songs", "Dreamcatcher" and one untitled, each signed, dated and numbered in pencil, various sizes: Gandrus, Italian, Late 20th century- "Voglia De Dipiagere"; screenprint, signed, titled and dated 75 in pencil, 68.5x48.5cm: together with six further screenprints by the same hand, each signed and titled, some numbered, various sizes, (12), (unframed), (may be subject to Droit de Suite)
After Romain de Tirtoff, Erté, Russian/French 1892-1900- "Erté", publ by Sevenarts Tokyo, The Erté Gallery, printed in England by Coriander (London) Ltd; poster/screenprint in colours, 75.3x49.2cm: Orotle, late 20th century- "Skokiaan, Louis Armstrong"; etching printed in colours, signed and numbered 125/200 in pencil, 67x42.5cm: together with a further etching printed in colours by the same hand depicting musical instruments, signed and dated 1986 within the plate, signed and numbered 29/150 in pencil, 32x26.5cm: S Dal Baulo, late 20th century, "Start Cord"; collage with mixed technique, signed and titled, 64x95cm: Soderqvist, Scandinavian School, late 20th century- "Abyss 3"; screenprint, signed and titled in pencil, 56.5x47: together with two other late 20th century etchings printed in colours entitled "Adagio I" and "Adagio II", 40.5x30.5cm, (7), (unframed)
Rory McEwen, British 1932-1982- "Tulip Petal #1"; aquatint printed colours, signed, titled, dated 78 and numbered 16/75 in pencil, with blind stamp, 20.5x20.5cm: together with three further aquatints printed in colours by the same hand, one entitled "Tulip Petal #2", two depicting tulips, each signed and numbered in pencil, each bares blind stamp: James Hussey, British b. 1949- "Spring Moon"; screenprint, signed, titled, dated 84 and numbered 163/175, 67x86.5cm: together with three pastel drawings signed Alan Cox and six contemporary prints depicting various scenes by different hands including examples by Peter Gauld, William Ayliffe, A R Neal, Linda Hill and Alyson Hunter, various sizes, (14), (may be subject to Droit de Suite), (unframed)
Terrance Warren, British b.1948- "A Window on Venice"; a suite of three etchings with aquatints, each signed and inscribed A/P, titled on wraps, 14.7x11cm: Martin Leman, British, b.1934- "Cornish Memories I"; etching with aquatint, signed, titled, dated `87 and inscribed A/P in pencil, 15x15cm: together with one mezzotint and three lithographs by the same hand entitled "Panda", "Rosie", "Hill Street Blues" and "Good Companions", all printed in colours, signed, titled and numbered in pencil, various sizes: Bob Saunders, British b.1945- "Purbecks"; screenprint, signed, titled, inscribed 139/175 and embossed with publishers blind stamp, 18.5x22cm: together with a further screenprint by the same artist from the same series entitled "Clevelands", signed, titled, inscribed 139/175 and embossed with publishers blind stamp,18.5x21cm, (10), (may be subject to Droit de Suite), (unframed)
* Pasmore (Victor, 1908-1998). Points of Contact no. 1, 1965, colour screenprint in blue, brown and black, published by Marlborough Classics, signed with initials, and numbered 38/50, some marks and edges with some soiling and fraying, with one or two small stains, sheet size 685 x 1020mm (27 x 40.5ins) Bowness & Lambertini 2. (1)
Donald Hamilton Fraser RA, British 1929-2009- "Loose Spinnaker"; screenprint in colours, signed and numbered 109/225 in pencil, 45x58cm: Donald Hamilton Fraser RA, British 1929-2009- "Launch Wash"; screenprint in colours, signed and numbered 213/225 in pencil, 56x43cm., (2) (may be subject to Droit de Suite)
Nicholas May, British b.1962- "Arabatic Print"; screenprint, signed, titled and numbered 25/65 in pencil, 88x60cm, (may be subject to Droit de Suite) Note: Nicholas May studied at the Bath Academy and then Goldsmiths College, he has had numerous solo exhibitions in London and abroad and his work is featured in the collections of the Tate Gallery, Saatchi Collection and the Arts Council.
Patrick Procktor RWS RE RA, British 1936-2003- "Kabuki", from Chelsea Arts Club Centenary Portfolio, publ. 1991 by Coriander Press; screenprint in colours, signed and numbered 79/100 in pen, blindstamp, 61.2x45.7cm: together with four other prints from the same portfolio by Barry Martin, Stan Smith, Jeffrey Edwards and Niel Bally, all signed and numbered 79/100 in pencil, ea. 61.2x45.7cm, (5), (unframed), (may be subject to Droit de Suite)
Albert Irvin RA, British b.1922- "Battlebridge"; screenprint in colours, signed, numbered 60/75 and dated 82 in pencil, bears publisher`s blind stamp, 59.5x83cm (may be subject to Droit de Suite) Provenance: with Flowers Graphics, London, according to label attached to the reverse of the frame
Sir Eduardo Paolozzi KBE RA, Scottish 1924-2005- "Soho Jazz Festival"; screenprint in colours with green background, signed and dated 1986 in purple, 56.5x41cm: together with another example of the same print with a grey background signed in blue biro by the artist, 56.5x41cm, (2), (unframed), (may be subject to Droit de Suite)
Sir Eduardo Paolozzi KBE RA, Scottish 1924-2005- Bilko and Tony Curtis, from the Hollywood Series, publ. Gresham Studios; screenprint in colours, signed, dated 1995 and numbered 16/30 in pencil, 37x45.2cm: together with another from the same series depicting Groucho Marx and Japanese, signed, dated 1995 and inscribed `GSL I`, 37x45.2cm: Sir Eduardo Paolozzi KBE RA, Scottish 1924-2005- "Unikat"; intaglio print with embossing, signed, titled and dated 1996, 49.5x38cm, (3), (unframed), (may be subject to Droit de Suite)
AMENDMENT - On line three of this lot it should read `Mao` and not `Marilyn Monroe` as described in the catalogue.- After Andy Warhol 1928-1987- "Mao", mid 1980s; after the original edition published by Sunday B Morning in 1972, bears stamps reading `Fill in your own signature` and `Sunday B Morning`, each stamped in ink verso, screenprint in colours, full sheet printed to the edges, full suite of ten images depicting Marilyn Monroe in various colour combinations, loose and boxed as issued, 91.2x91.2cm., ea (10) (unframed)
Sir Terry Frost RA, British 1915-2003- "Untitled (Celebration)", DK118; screenprint in colours, signed, numbered 17/25 and dated 90 in pencil, 28.2x16.5cm: Hubert Andrew Freeth, British 1912-1986- "Ozymandias"; etching with aquatint, signed, titled and numbered 14/20 in pencil, 53x60cm., (2) (may be subject to Droit de Suite)
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12816 item(s)/page