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Click here to subscribeShepard Fairey (b. 1970)JuiceheaD X Osaka Popstar (Waiting Room)Screenprint in colours, 2021, signed and dated by the artist in pencil, also signed by Casey Ryder, John Cafiero, and Rob Vannice, printed and published by Obey Giant, Los Angeles, on wove paper, the full sheet, sheet 610 x 468mm (24 x 18 5/8in)
Andy Warhol (1928-1987) after.Queen Elizabeth II of the United Kingdom 335 (Green) (Diamond Dust), from Reigning Queens (Sunday B. Morning)Screenprint in colours with diamond dust additions, 2022, numbered from the edition of 3500 in pencil verso, on Archival Museum Board, published by Sunday B Morning, with their rubber stamps in blue ink verso, the full sheet printed to the edges, sheet 964 x 776mm (38 x 30 1/2in) This work is accompanied by a certificate of authenticity issued by the publisher.
David Shrigley (b.1968) Pulped Fiction (Nineteen Eighty-Four) The book, 2023, comprising one screenprint and the screenprinted dust jacket, with title-page, text and justification, this copy initialled and dated in pencil, numbered from the first 250 in the edition of 1250, the print also initialled, dated and numbered in pencil verso, co-printed by Aquatint and Jealous Print Studio, published by Shrig Books, London, overall 265 x 210mm (10 3/8 x 8 1/4in) In 2017, a charity shop in Swansea made headlines after exhibiting several hundred copies of Dan Brown's 'The Da Vinci Code' in their window with a sign asking people to stop donating copies. Despite 'The Da Vinci Code' being one of the best-selling novels of all-time, the charity shop was hardly able to re-sell any of the books. This inspired Shrigley who embarked on a project to turn these unwanted copies into a new edition of George Orwell's 'Nineteen Eighty-Four'. The artist asks us to re-focus on Orwell's dystopian novel, which tells the story of Winston Smith, a party member who rebels but ultimately submits to an oppressive regime. Shrigley notes 'This novel is as relevant today as when it was first published in 1950'.
Jamie Hewlett (b.1968)Gorillaz Stained Glass WindowLithograph and screenprint in colours, 2005, numbered from the edition of 500, printed and published by Pictures on Walls, London, with their blindstamp, on the occasion of the Gorillaz second album 'Demon Days', on wove paper, with full margins, sheet 720 x 295mm (28 3/8 x 11 5/8in)
John Piper (1903-1992)Blenheim Bridge (Levinson 416)Screenprint in colours, 1988, signed in pencil, numbered from the edition of 100, printed by Kelpra Studio, published by CCA Galleries, London, and with the accompanying certificate of authenticity, on Arches paper, with full margins, image 420 x 595mm (16 1/2 x 23 1/2in) (framed)
Paul Insect (b.1971)Dead Cow (Mint Green/Lilac)Screenprint in colours, 2007, signed and dated in pencil, numbered from the edition of 50, printed and published by Pictures on Walls, London, with the publisher and the artist's blindstamps, on Arches paper, the full sheet printed to the edges, sheet 765 x 573mm (30 1/8 x 22 1/2in)
David Hockney (b.1937)Remember That You Cannot Look At the Sun or Death for Very LongLithograph printed in colours with screenprint in yellow, 2021, numbered from the edition of 3000 on an adhesive label verso, printed and published by Circa, London, with the accompanying Certificate of Authenticity, on smooth wove paper, with full margins, sheet 894 x 254mm (35 1/4 x 10in)
Shepard Fairey (b. 1970)Obey Peace and Justice Ornament (Black)Screenprint in black, 2012, signed and dated in pencil, annotated 'AP', an artist's proof aside from the edition of 300, printed and published by Obey Giant, Los Angeles, on wove paper, with full margins, sheet 610 x 467mm (24 x 18 3/8in)
Andy Warhol (1928-1987) after.Mona Lisa (Sunday B. Morning)Screenprint in colours, 2019, numbered from the edition of 2,500 in pencil verso, published by Sunday B Morning, with their rubber stamp in blue ink verso, on Archival Museum Board, the full sheet printed to the edges, each sheet 890 x 585mm (35 x 23in) This work is accompanied by a certificate of authenticity issued by the publisher.
Bambi (b.1982)Rock And Roll Kate (Blue)Screenprint in colours, 2012, signed in pencil, inscribed 'A/P', an artist's proof aside from the edition of 50, on watermarked Somerset wove paper, published by Hyde Images Ltd, London, with their blindstamp, the full sheet, 615 x 515mm (24 1/4 x 20 1/4in)
λ ROBIN FOOTITT (BRITISH B. 1982) SHARE Screenprint in colours Signed in pencil and numbered 1/8 71 x 101cm (27¾ x 39¾ in.)Together with another screenprint by the same hand, LIKE, signed in pencil and numbered 1/8. Condition Report: Share - In good original condition, some slight undulation to the sheet. Under glass and unexamined out of frame. Like - There is extensive staining to the paper along the right hand edge. There is creasing to the extreme bottom left and top right corners. Framed and glazed. Condition Report Disclaimer
ARR John Piper (1903-1992) Carew Castle, artist proof, signed lower right, screenprint, 44.5 x 64 cm (SH), frame 65 x 83 cmCondition:The print is a work on paper, framed under glazing - not examined external to the frame. The sheet appears well preserved and stable- no obvious tears/creases etc. Full margins are visible. The colours appear bright and well preserved- no obvious deterioration. There is some minor ageing (yellowing) to the very edges of the sheet by the mount. The frame has some general wear and tear.
Mr Doodle & MAS (AKA Dr Scribble), British b.1994- Woof! & Meow!, 2022; each screenprint on 280gsm Somerset Velvet paper, each signed, dated and numbered '31/88' in ink, each sheet: 48.7 x 60 cm, (unframed) (ARR)Note: the prints are accompanied by certificates of authenticity. Contained within the original Mr Doodle cardboard box and crate.
KAWS,American b.1974-You Should Know I Know, 2015; screenprint in colours on Saunders Waterford 425gsm paper, signed, dated and inscribed 'AP 42/50' in pencil, a proof aside from the numbered edition of 250,published by Pace Editions, Inc., New York, sheet: 94.7 x 81.3 cm, (framed)Note: together with a certificate of provenance issued by Yorkshire Sculpture Park.
William Tillyer, British b.1938-The Garden Fence, c.1970; The Large Bird House, 1971; (i) screenprint in colours on wove, signed and numbered 25/100 in pencil, sheet: 71.2 x 91.8 cm, (ii) etching on wove, signed, titled, dated and inscribed 'AP' in pencil, plate: 47.4 x 35.9 cm, (unframed) (ARR) (2)
Josef Albers, German/American 1888-1976, Homage to the Square (Yellow); Homage to the Square (Orange); each screenprint in colours on wove, each from an unknown edition, each image approx.: 14 x 14 cm, (framed) (2)Note: together with the book 'Josef Albers: Small Paintings', 2004, printed by PJ Print, London, and published by Waddington Galleries.
Banksy, British b. 1974-Get Out While You Can (pink), 2004;screenprint on wove, numbered 170/175 in pencil, published by Pictures on Walls, with their blind stamp, sheet: 50 x 35 cm, (framed) (ARR)Note: together with a certificate of authenticity issued by Pest Control.Provenance: Art Republic, BrightonPrivate UK Collection
Banksy, British b. 1974-Laugh Now But One Day We'll Be in Charge, 2003;screenprint in colours on paper, numbered 493/600 in pencil, published by Pictures on Walls, sheet: 69.5 x 49.5 cm, (framed) (ARR)Note: together with a certificate of authenticity issued by Pest Control.Provenance: Selfridges, LondonPrivate UK Collection
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