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Lot 54
WHILHELMINA BARNS-GRAHAM C.B.E. (SCOTTISH 1912-2004) MILLENNIUM SERIES, RED - 2000 Screenprint, 97/100, signed, dated and numbered in pencil; with the accompanying hardcover book ‘W. Barns-Graham: A Studio Life’ by Lynne Green, housed together in red slipbox, as issued (2) the sheet 22cm x 28.5cm (8.75in x 11.25in), unframed The Wilhelmina Barns-Graham Trust, where acquired by the current owner
Lot 58
PATRICK HERON C.B.E. (BRITISH 1920-1999) NO. 6: BLUE WITH LIME, UMBER, DULL RED AND ORANGE IN VIOLET, JANUARY 1976, FROM 'SHAPES OF COLOUR' - 1978 Screenprint, 32/50, signed and numbered in pencil to margin;with NO. 5: LIMES & YELLOWS IN ORANGE, JUNE 1976, printed on the other side of the sheet, as issued, also signed and numbered in pencil to margin, printed by Kelpra Studio, published by Kelpra Editions and Waddington & Tooth Graphics, London the sheet 50cm x 35cm (19.75in x 13.75in) The sheet has been mounted such that either side can be displayed in the frame.
Lot 473
Catherine Yass, British b.1963 - Stall 70, 1996; photographic transparency and light box, H88.8 x W73 x D12.8 cm (ARR) Note: it is the buyer's responsibility to ensure that electrical items are professionally rewired for use. Provenance: Laure Genillard Gallery, London; private collection, UK Note: lots 473 and 474 are exemplary of Yass' practice of layering the positive and negative of photographs and producing them as lightboxes. Since 1995, Yass has been photographing empty public spaces as seen here imbuing the devoid space with energy. She first shoots a positive transparency and then waits a moment that she describes as ‘the gap between illusion and reality’ (Tate Britain 2002, p.12) before taking a negative transparency. A similar work, produced as a screenprint, was commissioned by the Barbican Art Centre, London in 1997 of their stage set behind the theatre. She was short-listed for the Turner Prize in 2002. Her work can be found in numerous international public collections including the Tate, London; Victoria and Albert Museum, London; Scottish National Gallery of Modern Art, Edinburgh; Biblioteca Albertina, Leipzig; National Museum of Women in the Arts Collection, Washington D.C.; The Jewish Museum, New York; Museum of Modern Art, New York and Queensland Art Gallery, Australia.
Lot 474
Catherine Yass, British b.1963 - Stall 58b, 1996; photographic transparency and light box, H88.8 x W73 x D12.8 cm (ARR) Note: it is the buyer's responsibility to ensure that electrical items are professionally rewired for use. Provenance: Laure Genillard Gallery, London; private collection, UK Literature: G. Hilty, 'Catherine Yass', London 2000, no.11 (another example illus.) Note: lots 473 and 474 are exemplary of Yass' practice of layering the positive and negative of photographs and producing them as lightboxes. Since 1995, Yass has been photographing empty public spaces as seen here imbuing the devoid space with energy. She first shoots a positive transparency and then waits a moment that she describes as ‘the gap between illusion and reality’ (Tate Britain 2002, p.12) before taking a negative transparency.A similar work, produced as a screenprint, was commissioned by the Barbican Art Centre, London in 1997 of their stage set behind the theatre.She was short-listed for the Turner Prize in 2002. Her work can be found in numerous international public collections including the Tate, London; Victoria and Albert Museum, London; Scottish National Gallery of Modern Art, Edinburgh; Biblioteca Albertina, Leipzig; National Museum of Women in the Arts Collection, Washington D.C.; The Jewish Museum, New York; Museum of Modern Art, New York and Queensland Art Gallery, Australia.
Lot 35
Ronnie Wood (b.1947) Pensive II (Collector's Edition) Inkjet and screenprint in colours on canvas, 2008, signed in gold ink, numbered from the edition of 250, published by Washington Green Fine Art, Birmingham, and with the accompanying certificate of authenticity, image 795 x 1167mm (31 1/4 x 46in)
Lot 6
Bob Dylan (b.1941)Brooklyn Heights, from The Beaten Path, The Silkscreen Collection (2017) (large format)Screenprint in colours, 2017, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art, Birmingham, in association with Black Buffalo Artworks, with the accompanying certificate of authenticity, on vellum white paper, with full margins, sheet 1270 x 977mm (50 x 38 1/2in)
Lot 186
Banksy (British 1974-), 'Toxic Mary', 2004, screenprint in colours on wove paper, numbered from an edition of 600 in pencil, published by Pictures On Walls; sheet: 70 x 50cmARRProvenance: This work is accompanied by a Pest Control Certificate Of Authenticity. sheet: 70 x 50cm Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity. In good condition No knocks or tears to the sheet Very minor wear to the lower left extreme edge of the sheet, visible upon close inspection One very soft handling crease to the upper section of the sheet and one to the lower section, mainly visible in raking light Minor marking to the upper right of the printed image and to upper right hand corner, visible upon close inspection Potentially minor markings to border and to sheet verso, likely due to nature of material This work has been stored flat and has not been framed. Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity.
Lot 136
Bridget Riley (British 1931-), 'Fold', 2004, screenprint in colours on Fabriano paper, signed, titled, dated, and numbered from an edition of 250 in pencil, published by Ridinghouse, London; sheet: 44.5 x 38.1cm; 49 x 44cm inc frameARR †*This lot is to be sold outside of the auctioneers margin scheme, VAT will be added to the hammer price. sheet: 44.5 x 38.1cm; 49 x 44cm inc frame In very good condition No visible knocks, tears or creases to the sheet Very minor imperfection to the upper right hand edge of the sheet and minor 'speckle' to lower right hand corner, visible upon close inspection This work has been framed in a white frame and has been float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.
Lot 187
Banksy (British 1974-), 'Bomb Hugger', 2003, screenprint in colours on wove paper, numbered from an edition of 600 in pencil, published by Pictures On Walls; sheet: 70 x 50cmARR sheet: 70 x 50cm Provenance: This work is accompanied by a Pest Control Certificate of Authenticity. In very good condition No knocks or tears to the sheet There is some light horizontal waving to the sheet, visible in raking light Extremely minor imperfections to extreme left hand corners of the sheet and very soft crease to lower left corner, visible upon very close inspection Potential light markings to border of sheet and verso, likely due to the nature of material This work has been stored flat and has not been framed.Provenance: This work is accompanied by a Pest Control Certificate of Authenticity.
Lot 154
David Shrigley (British 1968-), 'Everything Is Fine', 2023, screenprint in colours with varnish overlay on 410gsm Somerset Satin Tub-sized paper, signed and numbered from an edition of 125 in pencil, published by Shrig Shop; sheet: 75 x 56cmARR sheet: 75 x 56cm In excellent condition No knocks, tears or creases to the sheet Stored inside original packaging No apparent issues.
Lot 267
Pez (French), 'Black Mirror', 2015, screenprint in colours on 300gsm Somerset paper, signed, dated and numbered from an edition of 125 in pencil, published by Classic Nouveau; sheet: 67 x 94cm / 73.5 x 101cm inc frameARR 67 x 94cm In very good condition No visible knocks, tears or creases to the sheet One minor speck to the lower border of the sheet, potentially from time of production Framed edge to edge in a black frame This work has not been examined outside of the frame.
Lot 189
Banksy (British 1974-), 'Trolleys (Black & White)', 2007, two colour screenprint on Arches paper, numbered from an edition of 500 in pencil, published by Pictures On Walls; sheet: 56 x 76cmARRProvenance: This work is accompanied by a Pest Control Certificate Of Authenticity. sheet: 56 x 76cm Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity. In very good condition No knocks or tears to the sheet There are some very soft handling creases to the sheet, visible in raking light There is very light marking line around the border of the sheet recto, and two small signs of tape reminisce to the upper edge of the sheet verso, likely from previous framing Some light markings to the sheet verso mainly round the border, not visible recto Deckled edges in good condition This work has been stored flat and has not been framed. Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity.
Lot 157
Harland Miller (British 1964-), 'XXX', 2023, screenprint in colours on Somerset paper, signed and numbered from an edition of 75 in pencil, published by The Institute of Contemporary Arts, London; sheet: 96.7 x 70cmARR sheet: 96.7 x 70cm In Excellent Condition No knocks, tears, or creases to the sheet The work is framed to a high standard in a white frame using Artglass AR92 Float mounted leaving all corners and edges of the sheet visible Not examined out of the frame
Lot 155
David Shrigley (British 1968-), 'Live Each Day As If It Were Your First', 2022, screenprint in colours on 410gsm Somerset Tub Sized Paper, signed, dated, and numbered from an edition of 125 in pencil verso, published by Jealous Gallery; sheet; 76 x 56cmARR sheet; 76 x 56cm In excellent condition No knocks, tears or creases to the sheet Stored inside original packaging No apparent issues.
Lot 158
Harland Miller (British 1964-), 'High On Hope', 2019, screenprint in colours on 410gsm Somerset Radiant White tub Sized paper, signed and numbered from an edition of 75 in pencil, published by Counter Editions, printed by K2 Screen, London; sheet: 76 x 60cmARR sheet: 76 x 60cm In Very Good Condition No tears or creases to the sheet Extremely minor soft corners to the upper two corners, only visible under very close inspection The work has been stored flat and never been framed
Lot 223
Shepard Fairey (American 1970-), Sedation Of Millions (HPM)', 2013, screenprint and mixed media collage on wood panel, signed, dated, and numbered from an edition of 6 HPMs in pencil recto and verso; 61 x 45.5 x 5.5cm inc frame61 x 45.5 x 5.5cm inc frameIn very good/artists condition No visible knocks or chips to the panel One light mark/scratch to the left hand side, visible upon close inspection Some imperfections around the edges of the board, likely due to artists condition/due to materials used This work has been framed in a wooden tray frame with no glazing, leaving all corners and edges of the board visible This work has not been examined outside of the frame.
Lot 189a
Banksy (British 1974-), 'Bomb Middle England', 2002, screenprint in colours on wove paper, signed and dated in black ink, numbered 03/500 in pencil, published by Pictures On Walls; sheet: 35 x 98cm (framed)ARRProvenance: This work is accompanied by a Pest Control Certificate Of Authenticity. sheet: 35 x 98cm (framed) Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity. In very good condition No visible knocks, tears or creases to the sheet Very minor irregularity to the lower right hand green section, visible upon close inspection There are some extremely minor 'speckles' to the upper left hand section of background and one to lower left border, these are potentially from time of production and only visible upon very close inspection This work has been framed in a black frame with a black mount This work has not been examined outside of the frame. Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity.
Lot 193a
Invader (French 1969-), 'Camo (S-3C-M3)', 2024, screenprint in colours on Somerset Satin Cotton paper, signed, dated, and numbered from an edition of 100 in pencil, published by Heni Editions; 51 x 51cm (framed)ARR 51 x 51cm (framed) In very good condition No visible knocks, tears or creases to the sheet Deckled edges in good condition This work has been framed in a black frame and has been float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.
Lot 212
Mr Brainwash (French 1966-), 'Queen Of Hearts', 2022, screenprint in colours on archival paper, signed and numbered from an edition of 984 in pencil; sheet: 76 x 96cmARR In good condition No knocks to the sheet One minor surface tear to the upper left hand section of the sheets white border Deckled edges in good condition This work has been attached to a mounting board The work has not been framed.
Lot 215
Paul Insect (British 1970-), 'The Reflection (Blue)', 2021, screenprint in colours with a mixture of metallic and pearlised inks and applied glitter on 410gsm Somerset Radiant White Satin paper, signed, dated and numbered from an edition of 100 in pencil, published by Avant Arte; 93cm diameter (Framed)ARR 93cm diameter (Framed) In Excellent Condition No visible knocks, tears or creases to the sheet Framed in a circular white frame by the publisher (as issued) Float mounted leaving all corners and edges of the sheet visible The work has been stored in it's original Avant Arte shipping crate Some minor irregularities to the edges of the frame, from the time of framing and not later damage. Not examined out of the frame In Excellent Condition
Lot 183
Banksy (British 1974-), 'Queen Victoria', 2003, screenprint in colours on wove paper, numbered from an edition of 500 in pencil, published by Pictures On Walls; sheet: 70 x 50cmARRProvenance: This work is accompanied by a Pest Control Certificate of Authenticity. sheet: 70 x 50cm Provenance: This work is accompanied by a Pest Control Certificate of Authenticity. In very good condition No knocks or tears to the sheet There is some light horizontal creasing/waving to the lower section of the sheet, visible in raking light Minor creasing to upper right hand corner/edge and left hand edge of sheet, visible upon close inspection There are some very light marks to black sections and to upper section of red background, these are seen frequently on these editions Minor markings verso, potentially from time of production and not visible recto This work has been stored flat and has not been framed.Provenance: This work is accompanied by a Pest Control Certificate of Authenticity.
Lot 193
Invader (French 1969-), 'Rubik Kubrick I - Alex', 2006, screenprint in colours on wove paper, numbered from an edition of 300 in pencil, published by Pictures On Walls; sheet: 50 x 70cmARR sheet: 50 x 70cm In very good condition No knocks or tears to the sheet Very minor imperfections to the upper corners of the sheet, visible upon very close inspection There are some markings to the upper right edge/lower right corner of the sheet verso, not visible recto and potentially from time of production This work has been stored flat and has not been framed.
Lot 91
Julian Opie (British 1958-), 'Woman Taking Off Man's Shirt. 5', 2003, screenprint in colours on paper, published by K21 Kunstammlung Nordrhein-Westfalen, Dusseldorf; sheet: 100 x 60cmARR sheet: 100 x 60cm In very good condition No knocks, tears or creases to the sheet Some very minor markings verso, visible upon close inspection This work has been stored rolled and has not been framed
Lot 229
Dolk (Norwegian 1979-), 'Pig Mask (Pink)', 2012, screenprint on 300gsm Conqueror Connoisseur Soft White paper, signed and numbered from an edition of 15 in pencil, published by Handmadeposters; sheet: 65 x 65cmARR sheet: 65 x 65cm In very good condition No knocks, tears or creases to the sheet Stored flat, not framed.
Lot 132
Andy Warhol (American 1928-1987), 'Jacqueline Kennedy II (Jackie II), from 11 Pop Artists, Volume II (F. & S. 14)', 1966, screenprint in colours on wove paper, stamp signed in black ink and numbered from an edition of 200 in pencil verso, published by Original Editions, New York; 76.5 x 93.5inc frame76.5 x 93.5inc frameIn good condition No visible tears to the sheet There are some small sections of creasing/skimming to the sheet, mostly shown to right edge/lower corner, lower middle edge and left hand sectionSome light handling creases, shown predominantly in raking light There are some minor markings shown mainly to the lower centre section of the background and upper corners, visible upon close inspectionLight markings to the sheet verso, likely due to age of workThere are four tabs/tape to the sheet verso, due to mounting/framingThis work has been framed in a black frame with a black mountThis work has been examined inside and outside of the frame.
Lot 104
Nick Smith (British), 'Bathers at Asnières', 2023, Giclee with screenprint varnish on Canson Rag Photographique 310 gsm paper, signed, dated and numbered from an edition of 33, sheet; 74 × 102 cmARR sheet; 74 × 102 cm In good condition No knocks or tears to the sheet There is some soft creasing to the left and right lower section of the sheets white border, this can be seen recto and verso upon close inspection Minor crease to lower left hand corner of the sheet This work has been stored flat and has not been framed.
Lot 96
Mehdi Ghadyanloo (Iranian 1981-), 'Logic Of Metaphysics', 2015, screenprint in colours on wove paper, signed and inscribed AP in pencil, the regular edition of 24, published by Howard Griffin Gallery; sheet: 72 x 102cmsheet: 72 x 102cmIn very good condition No knocks or tears to the sheet Very minor crease to lower left hand corner of the sheet, visible upon close inspection Some very light markings to the sheet verso, potentially from time of prouductionThere is some light wear to the extreme edges of the sheet, this is commonly seen on full bleed prints This work has been stored flat and has not been framed.
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14868 item(s)/page