We found 12813 price guide item(s) matching your search

After Kenneth Rowntree(1915-1997)"Chanson d'Automne" (Autumn Song) by Verlaine,signed in pencil,artist's proof (A/P) screenprint, Mid Northumberland Arts Group, Sunderland Arts Centre 1984,67 x 49.5cms, in frame.

Andy Warhol (1928-1987): limited edition screenprint on Arches (France) paper, Vesuvius, 38/100, from the Georges Israel Leo Castelli Gallery (New York), 38 x 36 cm. Not available for in-house P&P

Andy Warhol (1928-1987): limited edition screenprint c.1976, Lisa Minnelli, 81/100, 37 x 40 cm. Not available for in-house P&P

Daniel Lang (British. 1935–2013). Screenprint on paper. Limited edition of 150 copies. Numbered and signed by Lang. With a loose certificate from Christie's. H.57 W.71 cm.

John Tennant (British, b.1926), 'Morning Ebb', screenprint, signed and numbered 70/85 in pencil, 36x52cm, framed and glazed.

Joan Miró, a Spanish painter, sculptor, and ceramicist, made significant contributions to modern art with his unique style characterized by vibrant colors, playful forms, and a blend of abstraction and surrealism. Born in 1893, Miró's art is celebrated for its ability to evoke a sense of childlike wonder and engage with the subconscious.Miró's artistic legacy can be encapsulated as follows:1. **Dreamlike Imagery**: Miró's works often feature dreamlike and whimsical imagery, populated by fantastical creatures, celestial bodies, and symbolic forms. His art creates a visual language that invites viewers to explore their own subconscious.2. **Abstraction and Surrealism**: Miró's art straddles the realms of abstraction and surrealism, incorporating elements of both. His use of bold colors and abstract shapes reflects his ability to convey emotions and ideas beyond conventional representation.3. **Symbolism and Significance**: Miró's use of symbols and signs adds layers of meaning to his art. He believed that symbols could tap into universal truths and resonate with viewers on a profound level.4. **Materials and Techniques**: Miró worked with a variety of materials, including paint, sculpture, ceramics, and more. His experimental approach allowed him to explore the boundaries of different mediums and create innovative forms.5. **Catalan Identity**: Miró's Catalan heritage often influenced his art, and he integrated elements of his culture into his work. His art was deeply tied to his personal and cultural identity.6. **Cultural and Political Context**: Miró's art was influenced by the political and cultural events of his time, including the Spanish Civil War and World War II. He expressed his response to these events through his art, adding layers of social commentary.Measures 5.5 x 8 inches. 7. **Influence on Contemporary Art**: Miró's innovative approach to abstraction, his fusion of surrealism with playful elements, and his use of symbolism have influenced subsequent generations of artists, contributing to the evolution of modern art.8. **Public Art and Sculpture**: Miró's legacy extends to his large-scale public sculptures, which can be found in various cities around the world. These sculptures contribute to his reputation as a globally recognized artist.Joan Miró's legacy as an artist who combined abstraction, surrealism, and a deeply personal symbolism continues to inspire viewers to explore the realm of imagination and the depths of human emotion. His ability to create art that transcends the literal and speaks to the subconscious has left an indelible mark on modern art and continues to captivate audiences worldwide.Measures 11 x 9. inches.Later screenprint.

Joan Miró, a Spanish painter, sculptor, and ceramicist, made significant contributions to modern art with his unique style characterized by vibrant colors, playful forms, and a blend of abstraction and surrealism. Born in 1893, Miró's art is celebrated for its ability to evoke a sense of childlike wonder and engage with the subconscious.Miró's artistic legacy can be encapsulated as follows:1. **Dreamlike Imagery**: Miró's works often feature dreamlike and whimsical imagery, populated by fantastical creatures, celestial bodies, and symbolic forms. His art creates a visual language that invites viewers to explore their own subconscious.2. **Abstraction and Surrealism**: Miró's art straddles the realms of abstraction and surrealism, incorporating elements of both. His use of bold colors and abstract shapes reflects his ability to convey emotions and ideas beyond conventional representation.3. **Symbolism and Significance**: Miró's use of symbols and signs adds layers of meaning to his art. He believed that symbols could tap into universal truths and resonate with viewers on a profound level.4. **Materials and Techniques**: Miró worked with a variety of materials, including paint, sculpture, ceramics, and more. His experimental approach allowed him to explore the boundaries of different mediums and create innovative forms.5. **Catalan Identity**: Miró's Catalan heritage often influenced his art, and he integrated elements of his culture into his work. His art was deeply tied to his personal and cultural identity.6. **Cultural and Political Context**: Miró's art was influenced by the political and cultural events of his time, including the Spanish Civil War and World War II. He expressed his response to these events through his art, adding layers of social commentary.Measures 5.5 x 8 inches. 7. **Influence on Contemporary Art**: Miró's innovative approach to abstraction, his fusion of surrealism with playful elements, and his use of symbolism have influenced subsequent generations of artists, contributing to the evolution of modern art.8. **Public Art and Sculpture**: Miró's legacy extends to his large-scale public sculptures, which can be found in various cities around the world. These sculptures contribute to his reputation as a globally recognized artist.Joan Miró's legacy as an artist who combined abstraction, surrealism, and a deeply personal symbolism continues to inspire viewers to explore the realm of imagination and the depths of human emotion. His ability to create art that transcends the literal and speaks to the subconscious has left an indelible mark on modern art and continues to captivate audiences worldwide.Measures 27.9 x 21.2 inches.Later screenprint.

HERVÉ DI ROSA (Né en 1959)« Sauvons l'étang de Thau » 1985Signée, datée et numérotée 92/100Sérigraphie en 4 couleurs sur ArchesImprimée par Atelier 2A, Strasbourg65cm.x50cm.À vendre sans prix de réserve A screenprint in four colours on Arches, signed, dated and numbered 92/100.Footnotes:Bibliographie : Livres, estampes & voyages, Hervé di Rosa Editions 1981-1996, Artothèque du Limousin, 1996, oeuvre similaire référencée dans le catalogue sous le numéro 24 en page 46.Provenance :Galerie Laage-Salomon, Paris Acquis auprès de celle-ci par l'actuel propriétaireFor further information on this lot please visit Bonhams.com

HERVÉ DI ROSA (Né en 1959)« Les 3 X » 1984Signée, datée et numérotée 4/100Sérigraphie en 3 couleurs sur ArchesImprimée par Atelier 2A, Strasbourg66cm.x50,5cm.À vendre sans prix de réserve A colour screenprint, signed, dated and numbered 4/100.Footnotes:Bibliographie :Livres, estampes & voyages, Hervé di Rosa Editions 1981-1996, Artothèque du Limousin, 1996, oeuvre similaire référencée dans le catalogue sous le numéro 9 en page 38.Provenance :Galerie Laage-Salomon, Paris Acquis auprès de celle-ci par l'actuel propriétaireFor further information on this lot please visit Bonhams.com

Alison Watt (born 1965), Narcissus, screenprint, signed in pencil, no. 12/100, image 50cm x 40cm, mountedGood condition

Robert Tavener (1920 - 2004), pollarded trees (no. 5), screenprint, artist's proof, signed in pencil, image 48cm x 69cm, framedGood original condition, mount very slightly damp stained

Robert Tavener (1920 - 2004), Horse Guards Parade (no. 3), winter, screenprint, artist's proof, signed in pencil, dated 1970, 43cm x 56cm, framedMargin has light foxing and slight paper discolouration, a vertical crease on the bottom edge and several other small creases, mount slightly foxed

Kelsey Brookes, surrealist composition, artist's proof, screenprint, signed in ink, sheet 38cm x 58cm, framedGood condition but sheet has slightly slipped in the frame

HelloVon Studio, Skull, artist's proof holographic screenprint, signedGood condition

Robert Tavener (1920 - 2004), Horse Guards (no. 6), screenprint, 1968, signed in pencil, no. 11/50, image 44cm x 58cm, framedGood original condition

Chris Hopewell (XX-XX1), limited edition screenprint on paper, Eagles of Death Metal concert poster, signed in pencil, Ed. 43/175, 62cm x 34cm, mounted, framed and glazed

Robert Tavener (1920 - 2004), Horse Guards and Buckingham Palace, screenprint, artist's proof, signed in pencil, image 39cm x 51cm, framedGood condition, a couple of very faint fox marks in the lower margin only visible on close inspection

Matthew Hilton, Dora, colour screenprint, signed in pencil, no. 12/100, image 44cm x 38cm, mountedGood condition

Bridget Riley (British, born 1931)Fold signed, dated 2004, titled and numbered 100/250 in pencilscreenprint in colours44.5 x 38.1cm (17 1/2 x 15in).printed by Artizan Editions, Hove, published by Ridinghouse, LondonFootnotes:LiteratureA.Tommasini and R.Gubay, Bridget Riley, The Complete Prints 1962-2020, The Bridget Riley Art Foundation and Thames & Hudson Ltd., London, 2020 (BRS.57).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Bridget Riley (British, born 1931)One Small Step signed, dated 2009, titled and numbered 181/300 in pencilscreenprint in colours44.1 x 29.1cm (17 3/8 x 11 7/16in).printed by Artizan Editions, Hove, published by the artistFootnotes:LiteratureA.Tommasini and R.Gubay, Bridget Riley, The Complete Prints 1962-2020, The Bridget Riley Art Foundation and Thames & Hudson Ltd., London, 2020 (BRS.70)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Keith Haring (American, 1958-1990)Three Eyes Screenprint in colours, 1982, on wove paper, from the edition of 2000, printed by Fleetwood Press, published by Tony Shafrazi Gallery, New York, the full sheet, framedSheet 231 x 224mm (9 1/8 x 8 7/8in)This lot is subject to the following lot symbols: †† VAT at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com

David Shrigley (British, born 1968)Fuck Screenprint in colours, 2021, on wove paper, signed with the initials in black ink and dated on the accompanying certificate of authenticity, numbered 76/125 in pencil verso, published by AllRightsReserved, Hong Kong, the full sheetSheet 760 x 560mm (29 7/8 x 22in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Shrigley (British, born 1968)Untitled (Cat) Screenprint in colours, 2019, on BFK Rives wove paper, signed with the initials, dated and numbered 11/125 in pencil verso, published by Two Rooms, Auckland, New Zealand, the full sheetSheet 749 x 556mm (29 1/2 x 22in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Ivon Hitchens (British, 1893-1979)For John Constable Screenprint in colours, 1976, on J. Green wove paper, signed, titled and inscribed 'A/P' in pencil, an artist's proof aside from the numbered edition of 100, counter-signed by Chris Betambeau, printed by Advanced Graphics, published by Bernard Jacobson Ltd., London, with full margins, framedImage 372 x 835mm (14 5/8 x 32 7/8in)Sheet 572 x 1025mm (22 1/2 x 40 3/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Robert Rauschenberg (American, 1925-2008)Cage Screenprint in colours with collage and plastic ruler, 1983, on wove paper, signed, dated and numbered 125/125 in pencil, printed by Styria Studio Inc., New York, with their blindstamp, published by Symphony Space, New York, the full sheet, framedSheet 1055 x 750mm (41 1/2 x 29 1/2in)Footnotes:ProvenanceDr Maury P. Leibovitz Collection, Connecticut.Private collection, US, UK and Greece (by descent from the above in 1992).Thence by descent to the present owner.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Sir Sidney Nolan C.B.E., O.M., R.A. (Australian, 1917-1992)Kelly IV Screenprint in colours, 1965, on wove paper, signed, titled 'Kelly 4', and numbered 65/65 in pencil, printed by Kelpra Studio, published by Marlborough Graphics, London, with full margins, framedImage 610 x 495mm (24 x 19 1/2in)Sheet 760 x 555mm (29 7/8 x 21 7/8in)For further information on this lot please visit Bonhams.com

Banksy (British, born 1974)Girl with Balloon Screenprint in colours, 2004, on wove paper, numbered 233/600 in pencil, published by Pictures on Walls, London, with their blindstamp, the full sheet, framedSheet 700 x 499mm (27 5/8 x 19 5/8in)Footnotes:This work is accompanied by the new certificate of authenticity issued by Pest Control Office.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

The Connor Brothers (British, born 1968)She Generally Gave Herself Very Good Advice Giclée print in colours with screenprint varnish, 2017, signed, dated and numbered 43/50 in pencil, with full marginsImage 354 x 235mm (14 x 9 1/4in)Sheet 422 x 290mm (16 1/2 x 11 3/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Allen Jones R.A. (British, born 1937)Standing Room Only, from Sheet Music Screenprint in colours, 2003, on wove paper, signed, dated and numbered 4/45 in pencil, published by Alan Cristea Gallery, London, the full sheet, framedSheet 1040 x 845mm (41 x 33 1/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

John Hoyland R.A. (British, 1934-2011)Reds, Greens Lithograph and screenprint in colours, 1969, on wove paper, signed, dated and inscribed 'AP' in pencil, an artist's proof aside from the numbered edition of 75, printed by Kelpra Studio, London, with their ink stamp verso, with margins, framedImage 600 x 910mm (23 5/8 x 35 7/8in)Sheet 699 x 1008mm (27 1/8 x 39 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Andy Warhol (American, 1928-1987) and Keith Haring (American, 1958-1990)20th Montreux Jazz Festival Screenprint in colours, 1986, on heavy wove paper, printed by Albin Uldry, Bern, Switzerland, the full sheetSheet 1000 x 700mm (39 3/8 x 27 1/2in)For further information on this lot please visit Bonhams.com

Sir Peter Blake R.A. (British, born 1932)Big Hunk O'Love, from Love Screenprint in colours with diamond dust, 2004, on bright white Colorplan wove paper, signed, titled and numbered 6/75 in gold ink, published by Paul Stolper, London, the full sheetSheet 749 x 575mm (29 1/2 x 22 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Shrigley (British, born 1968)Fucking Ace Screenprint in colours, 2018, on wove paper, signed with the initials, dated and inscribed 'A/P' in pencil verso, an artist's proof aside from the numbered edition of 125, published by Jealous Gallery & Print Studio, London, the full sheet, framedSheet 761 x 559mm (29 7/8 x 22in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Patrick Caulfield R.A. (British, 1936-2005)Grey Pipe (Cristea 64) Screenprint in colours, 1981, on wove paper, signed and numbered 1/75 in pencil (there were also 15 proofs), printed by Kelpra Studio, London, with their blindstamp, published by Waddington Graphics, London, with full margins, framedImage 488 x 513mm (19 1/4 x 20 1/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

The Connor Brothers (British, born 1968)The Idiot Giclée print with screenprint varnish, 2022, on wove paper, signed, dated and inscribed 'AP' in pencil, an artist's proof aside from the numbered edition of 20, published by the artists, London, the full sheet, framedSheet 415 x 290mm (16 3/8 x 11 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Banksy (British, born 1974)Happy Chopper Screenprint in colours, 2003, on wove paper, numbered 182/750 in pencil, published by Pictures on Walls, London, the full sheet, framedImage 671 x 472mm (26 1/2 x 18 1/2in)Sheet 697 x 500mm (27 1/2 x 19 5/8in)Footnotes:This work is accompanied by the new certificate of authenticity issued by Pest Control Office.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Shrigley (British, born 1968)Sell Your Soul Screenprint in colours, 2012, on Arches Aquarelle wove paper, signed with the initials, dated and numbered 12/100 in pencil, published by Hayward Gallery, London, the full sheetSheet 763 x 575mm (30 x 22 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Ai Weiwei (Chinese, born 1957)Serpentine Gallery Pavilion Screenprint, 2012, on wove paper, signed and numbered 97/200 in pencil, also signed by the architects Herzog & de Meuron in pencil, published by the Serpentine Gallery, London, the full sheetSheet 840 x 840mm (33 1/8 x 33 1/8in)For further information on this lot please visit Bonhams.com

Damien Hirst (British, born 1965)For the Love of God Screenprint in colours with glaze, 2011, on wove paper, signed and numbered 33/1000 in white crayon (there were also 20 artist's proofs), published by Other Criteria, London, with their red ink stamp verso, the full sheet, framedSheet 583 x 433mm (23 x 17in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Josef Albers (American, 1888-1976)MMA-1 (Danilowitz 200) Screenprint in colours, 1970, on Arches wove paper, signed, titled, dated and numbered 89/100 in pencil, printed by Sirocco Screenprints, published by Ives-Sillman, Inc., New Haven, for the Metropolitan Museum of Art, with the publishers' blindstamps, with full margins, framedImage 383 x 384mm (15 x 15 1/8in)Sheet 619 x 618mm (24 3/8 x 24 1/4in)Footnotes:Published in commemoration of the one-hundredth anniversary of the Metropolitan Museum of Art.For further information on this lot please visit Bonhams.com

Various ArtistsHommage À Domberger The complete portfolio of 16 editions, comprising screenprint, offset lithograph, digital print and collage, 2002, on various papers, variously signed, dated and numbered 25/50 (there were also 20 artist's proofs), with title and justification page additionally numbered 25/50 in pencil, printed and published by Edition Domberger, Filderstadt, each within the mounts with the publisher's blindstamp (as issued), housed within the original blue clamshell boxSheet 365 x 300mm (14 3/8 x 11 7/8in)(16)Folio 522 x 418 x 50mm (20 5/8 x 16 1/2 x 2in)Footnotes:On the occasion of the 55th anniversary of the company, as well as of the 90th birthday of its founder Luitpold Domberger, 15 artists designed 16 original prints that were produced by Edition Domberger and compiled in the present portfolio.The portfolio comprises works by the following artists: Elvira Bach (German, born 1951), Werner Berges (German, born 1941), Hellmut Bruch (German, born 1936), Christo (American/Bulgarian, 1935-2020), Richard Estes (American, born 1932), Heinz Gappmayr (Austrian, 1925-2010), Jochen Gerz (German, born 1940), José de Guimarães (Portuguese, born 1939), Hans Karl (Polish, born 1935), Gerald Laing (British, 1936-2011), Robert Mangold (American, born 1937), Ton Mars (Dutch, born 1950), Pietro Sanguineti (German, born 1965), Kenny Scharf (American, born 1968) and Raymond E. Waydelich (German, born 1938).For further information on this lot please visit Bonhams.com

The Connor Brothers (British, born 1968)The First Thing I Do In The Morning Is Brush My Teeth And Sharpen My Tongue (Red) Giclée print in colours with screenprint varnish and extensive hand-colouring, 2022, on wove paper, signed and dated in pencil, a proof aside from the numbered edition of 20, the full sheetSheet 419 x 294mm (16 1/2 x 11 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Victor Vasarely (Hungarian/French, 1906-1997)Meta IV, from Meta Screenprint in colours, 1976, on wove paper, signed and numbered 119/225 in pencil, published by Denise René Gallery, Paris, with full margins, framedImage 905 x 475mm (35 5/8 x 18 3/4in)Sheet 1160 x 719mm (45 5/8 x 28 3/8in)Footnotes:ProvenanceFondation Vasarely, Avenue Marcel Pagnol, Aix-en-Provence, whereby acquired by the present owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Josef Albers (American, 1888-1976)MMA-3 Variant (Danilowitz 202) Screenprint in colours, 1970, on Arches wove paper, signed, titled, dated and numbered 89/100 in pencil, printed by Sirocco Screenprints, published by Ives-Sillman, Inc., New Haven, for the Metropolitan Museum of Art, with the publishers' blindstamps, with full margins, framedImage 435 x 490mm (17 1/4 x 19 1/4in)Sheet 631 x 683mm (24 7/8 x 26 7/8in)Footnotes:Published in commemoration of the one-hundredth anniversary of the Metropolitan Museum of Art.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)Points of Contact No. 4 (Thames and Hudson 5) Screenprint in colours, 1965, on wove paper, signed with the initials and dated, numbered 26/50 in pencil, printed by Kelpra Studio, published by Marlborough Graphics, London, with margins, framedSheet 563 x 2380mm (22 1/8 x 93 3/4in)This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Harland Miller (British, born 1964)Hate's Outta Date (Blue) Screenprint in colours, 2022, on wove paper, signed and inscribed 'AP 8/15' in pencil, one of 15 artist's proofs aside from the numbered edition of 125, published by White Cube, London, with full margins, framedSheet 1000 x 700mm (39 3/8 x 27 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

The Connor Brothers (British, born 1968)There Are No Extraordinary People Only Ordinary People Who Do Extraordinary Things Giclée print in colours with screenprint varnish, 2020, on wove paper, signed, dated and numbered 67/300 in pencil, printed and published by the artists, London, with full marginsSheet 416 x 292mm (16 3/4 x 11 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Dame Barbara Hepworth (British, 1903-1975)Two Ancestral Figures, from Opposing Forms (Scottish Arts Council 42) Screenprint in colours, 1969, on TH Saunders wove paper, signed and numbered 56/60 in pencil (there were also 12 artist's proofs in Roman numerals), printed by Kelpra Studio, published by Marlborough Fine Art, London, 1970, with full margins, framedImage 660 x 490mm (25 7/8 x 19 1/4in)Sheet 772 x 583mm (30 3/8 x 22 7/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Nick Smith (British, born 1984)Napoleon Giclée print with screenprint varnish, 2019, on Somerset Satin paper, signed, dated and numbered 5/50 in pencil, published by Nelly Duff, London, with their and the artist's blindstamps, with full margins, framedSheet 1000 x 840mm (39 3/8 x 33in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Craigie Aitchison C.B.E., R.S.A., R.A. (British, 1926-2009)Bedlington (Dog) in Red (Peck 11) Screenprint in colours, 1999, on wove paper, signed, dated and numbered 12/75 in pencil verso (there were also ten artist's proofs), printed and published by Advanced Graphics, London, the full sheet, framedSheet 1070 x 910mm (42 1/8 x 35 7/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Tracey Emin (British, born 1963)Dog Brains Screenprint with glaze, 2000, on Somerset wove paper, signed, dated and numbered 100/300, printed by Coriander Studios, published by Counter Editions, London, the full sheet, framedSheet 758 x 1013mm (29 7/8 x 39 7/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Josef Albers (American, 1888-1976)MMA Pillars (Danilowitz 199) Screenprint in colours, 1970, on Arches wove paper, signed, dated and numbered 89/100 in pencil, printed by Sirocco Screenprints, published by Ives-Sillman, Inc., New Haven, for the Metropolitan Museum of Art, New York, with the publishers' blindstamps, with full margins, framedImage 290 x 260mm (11 3/8 x 10 1/4in)Sheet 491 x 449mm (19 3/8 x 17 5/8in)Footnotes:Published in commemoration of the one-hundredth anniversary of the Metropolitan Museum of Art.For further information on this lot please visit Bonhams.com

Robert Motherwell (American, 1915-1991)Untitled, from The Basque Suite (Belknap 54; Engberg & Banach 83) Screenprint in colours, 1971, on J.B. Green wove paper, signed and numbered 9/150 in pencil (there were also four printer's proofs in Roman numerals), with the artist's blindstamp, printed by Chris Prater, Kelpra Studio, London, with their ink stamp verso, published by Marlborough Graphics, Inc., New York, with full margins, framedImage 717 x 560mm (28 1/4 x 22in)Sheet 1035 x 708mm (40 3/4 x 27 7/8in)For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)Untitled 2 (Lynton G50) Screenprint in colours, 1988, on Arches wove paper, signed and numbered 4/70 in pencil (there were also 20 artist's proofs), printed by Kelpra Studio, with their blindstamp, published by Marlborough Fine Art Ltd., London, with full margins, framedImage 405 x 405mm (16 x 16in)Sheet 595 x 848mm (23 1/2 x 33 3/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

The Connor Brothers (British, born 1968)Extraordinary People Hand-painted vintage paperback with acrylic and screenprint in colours, 2020, signed in black ink on the artist's label affixed verso, a unique impression from the edition of two (there were also two artist's proofs), housed in the artist's designated frameOverall 270 x 207 x 32mm (10 5/8 x 8 1/8 x 1 1/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Robert Motherwell (American, 1915-1991)Hermitage (Belknap 149; Tyler 394) Lithograph and screenprint in colours, 1975, on Arches Cover wove paper, signed and numbered 193/200 in pencil, printed and published by Tyler Graphics, Ltd., Bedford, New York, with their and the artist's blindstamps, with margins, framedImage 1022 x 725mm (40 1/4 x 28 1/2in)Sheet 1157 x 805mm (45 1/2 x 31 3/4in)Footnotes:ProvenanceDr Maury P. Leibovitz Collection, Connecticut.Private collection, US, UK and Greece (by descent from the above in 1992).Thence by descent to the present owner.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Patrick Caulfield R.A. (British, 1936-2005)Pink Jug (Cristea 65) Screenprint in colours, 1981-82, on wove paper, signed and numbered 66/80 in pencil (there were also 14 proofs), printed by Kelpra Studio, with their blindstamp, published by Waddington Graphics, London, with full margins, framedImage 760 x 597mm (30 x 23 1/2in)Sheet 986 x 803mm (38 7/8 x 31 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

John Piper C.H. (British, 1903-1992)Chambord (Levinson 202) Screenprint in colours, 1971, on Vélin Arches paper, signed and numbered 22/70 in pencil (there were also ten artist's proofs), printed by Kelpra Studio, with their ink stamp verso, published by Marlborough Fine Art, London, with full margins, framedImage 500 x 685mm (19 3/4 x 27in)Sheet 600 x 850mm (23 5/8 x 33 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Peter Doig (British, born 1959)Cyril's Bay Giclée print in colours with screenprint varnish, 2008, on wove paper, signed, dated and numbered 55/500 in pencil, published by the Tate Gallery, London, the full sheet, framedSheet 512 x 390mm (20 1/8 x 15 3/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

John Hoyland R.A. (British, 1934-2011)Red, Blue Screenprint in colours, 1969, on J. Green wove paper, signed, dated and inscribed 'AP' in pencil, an artist's proof aside from the numbered edition of 75, printed by Kelpra Studio, London, with their ink stamp verso, the full sheet, framedImage 557 x 921mm (21 7/8 x 36 1/8in)Sheet 705 x 1010mm (27 7/8 x 39 7/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com