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*Banksy (b.1974)Dirty Funker "Future", Rat Radar (brown)screenprint in colours, 2008, a record sleeve printed on both sides, with vinyl record, on matte brown card31 x 31cm*Artist's Resale Right may apply to this lot.

*Banksy (b.1974)'Keep it Real' (silver)screenprint on record sleeve, with vinyl record, signed 'Banksy' in plateoverall framed 46.7 x 73cm*Artist's Resale Right may apply to this lot.Condition report: Not examined out of glazed frame, appears to be in good and original condition.

*Banksy (b.1974)'Er...'screenprint in colours on white cotton, numbered 714/1000 verso41 x 61cm*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Material stuck down. A little crinkled and fold marks visible but in good original condition.

Lee Crew (British 1970-): 'Pencarrow Head', screenprint signed titled and numbered 30/100 in pencil 63cm x 49cm (unframed)

•John Mackechnie (Scottish, b. 1949), "Winter Gardens - Convolution", screenprint, signed and titled in pencil, dated (19)80, ed. 30, framed. 31.5cm square. Provenance: with The Fine Art Society, Edinburgh 1987. Note: this lot may be subject to ARR

David Shrigley (British 1968-), 'I've Got Your Lipstick', 2021, screenprint in colours on wove paper, numbered from an edition of 125 in pencil verso, published by DING DONG Takuhaibin; sheet: 76 x 56cm ARR

Banksy (British 1974-), 'Have A Nice Day', 2003, screenprint in colours on wove paper, numbered from an edition of 500 in pencil, published by Pictures On Walls; sheet: 32 x 100 (Framed) ARR Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity

David Shrigley, 'I Am Elegant I Am Oh So Very Very Elegant', 2021, screenprint in colours on wove paper, numbered from an edition of 125 verso, published by Ding Dong Takuhaibin; sheet: 76 × 56cm ARR

Banksy (British 1974-), 'Napalm', 2004, screenprint in colours on wove paper, numbered from an edition of 500 in pencil, published by Pictures On Walls; sheet: 50 x 70cm

D*Face (British 1978-), 'Run Away', 2020, screenprint in colours on 370gsm Lambeth Drawing Cartridge paper, signed and numbered from an edition of 150 in pencil, published by Stolen Space; sheet: 100 x 70cm ARR

D*Face (British 1978-), 'Going Nowhere Fast', 2011, screenprint in colours on 400gsm archival paper, signed and numbered from an edition of 150 in pencil, published by Stolen Space; sheet: 60 x 105.5cm inc frame ARR

Invader (French 1969-), 'Rubik Kubrick I - Alex', 2006, screenprint in colours on wove paper, numbered from an edition of 300 in pencil, published by Pictures On Walls; sheet: 50 x 70cm ARR

Invader (French 1969-), 'Rubik Kubrick II - Jack', 2007, screenprint in colours on wove paper, numbered from an edition of 300 in pencil, published by Pictures On Walls; sheet: 70 x 50cm ARR

Ben Eine (British 1970-), 'Shutterfont (Black)', 2009, screenprint in colours on 320gsm Somerset Satin paper, signed, dated and numbered from an edition of 150 in silver pen, published by Nelly Duff; 84 x 84cm inc frame ARR

Banksy (British 1974-), 'Laugh Now', 2004, screenprint in colours on wove paper, numbered from an edition of 600 in pencil, published by Pictures On Walls; sheet: 70 x 50cm ARR

David Shrigley (British 1968-), ‘Don’t’, 2018, screenprint in colours on Somerset 410 gsm paper, signed, dated and numbered from an edition of 125 in pencil verso, published by Jealous Gallery; sheet: 76 x 56cm (Framed) ARR

Connor Brothers (British Duo), ‘A Load of Fuss About Fuck All’, 2018, giclee, screenprint, acrylic and oil with hand-applied varnish on wove paper, signed, dated and numbered from an edition of 10 recto, further signed to the gallery label affixed to the frame verso; 184 x 116cm Inc Frame ARR

Invader (French 1969-), 'Albino Invader', 2005, screenprint in colours on wove paper, signed, dated and numbered from an edition of 100 in pencil, published by Pictures On Walls; sheet: 50 x 50cm ARR

Mr Brainwash (French 1966-), 'Anarchy Soldier', 2012, hand-embellished screenprint on BFK Rives paper, signed and numbered from an edition of 250 in pencil recto, bearing the Artists thumbprint ID and dated verso; sheet: 77 x 56.5cm ARR

Banksy (British 1974-), 'Jack & Jill', 2005, screenprint in colours on wove paper, numbered from an edition of 350, published by Pictures On Walls; sheet: 50 x 70cm (framed) ARR

Pez (French), ‘Hope Scotch’, 2017, screenprint in colours on 300gsm Somerset paper, signed, dated, and numbered from an edition of 125 in pencil, published by Classic Nouveau; sheet: 88 x 61.5cm ARR

Banksy (British 1974-), 'Welcome To Hell (Pink)', 2004, screenprint in colours on wove paper, numbered from an edition of 175 in pencil, published by Pictures On Walls; sheet: 50 x 35cm (Framed) ARR

Banksy (British 1974-), 'No Ball Games (Grey)', 2009, screenprint in colours on wove paper, signed and numbered from an edition of 250 in pencil, published by Pictures On Walls; sheet: 67 x 70cm (Framed) ARR

David Shrigley (British 1968-), 'I Hate Human Beings', 2021, screenprint in colours on wove paper, numbered from an edition of 125 verso, published by Ding Dong Takuhaibin; sheet: 76 × 56cm ARR

Banksy (British 1974-), 'Stop & Search', 2007, screenprint in colours on Arches 88 Paper, signed in blue crayon and numbered from an edition of 500 in pencil, published by Pictures on Walls; sheet: 76.5cm x 57.5cm ARR

D*Face (British 1978-), 'Left For Dead', 2021, 10 colour hand printed screenprint on 370gsm Lambeth Drawing Cartridge, signed and numbered from an edition of 140; sheet: 99 x 70cm ARR

Banksy (British 1974-), 'GDP Rat', 2019, screenprint on 50gsm paper; sheet: 38.5 x 50.5cm ARR

Mr Brainwash (French 1966-), 'Batman Vs Superman', 2016, screenprint in colours on archival paper, signed and numbered from an edition of 216 in pencil, bearing the Artist's thumb-print verso; sheet: 61 x 94cm ARR

Blek Le Rat (French 1951-), 'Shock and Awe', 2007, screenprint in colours on 300gm somerset satin white paper, signed and numbered from an edition of 150 in pencil, published by Black Rat Press; 86 x 68cm inc frame ARR

Roby Dwi Antono (Indonesian 1990-), 'Ranger Merah', 2021 hand-pulled screenprint on Hahnemuhle Paper 100% Cotton paper, signed and numbered from an edition of 50, published by Artport; sheet: 67 x 50cm

Zevs (French 1977-), 'Impacted Chanel', 2016, two colour screenprint on 300gsm Somerset Satin paper, signed and numbered from an edition of 100 in pencil, published by Lazarides; sheet: 70 x 50cm ARR

David Shrigley (British 1968-), 'Untitled (Old Dog)', 2021, screenprint in colours on 400gsm Somerset Tub Sized paper, signed, dated and numbered from an edition of 125 in pencil verso, published by Stephen Friedman Gallery; sheet: 76 x 56cm ARR

Mr Brainwash (French 1966-), 'Marilyn Monroe', 2016, unique mixed media screenprint on wove paper, signed in pencil front, signed, dated and numbered 1/1 in pencil verso, bearing the Artists Yhumb Print and unique reference number verso; sheet: 56 x 56cm ARR

Banksy (British 1974-), 'Happy Choppers', 2003, screenprint in colours on wove paper, numbered from an edition of 750 in pencil, published by Pictures On Walls; sheet: 70 x 50cm (framed) ARR Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity.

Damien Hirst (British 1965-), 'Big Love', 2010, screenprint in colours with applied diamond dust on heavy wove paper, signed and numbered from an edition of 50 in pencil, published by Other Criteria; sheet: 154.5 x 151cm (Framed) ARR

David Shrigley (British 1968-), 'Stop Panicking', 2021, screenprint in colours on 410gsm Somerset Satin Tub Sized paper, signed, dated and numbered from an edition of 125 verso, published by Jealous Gallery; sheet: 75.5 x 56cm ARR

Invader, (French 1969-), 'L.E.D.', 2017, screenprint in colours on 300gsm Somerset Satin paper, signed dated and numbered from an edition of 100 in pencil, published by Lazarides; 61 x 81cm inc frame ARR

Mr Brainwash (French 1966-), 'Fame Moss (Black On Grey)', 2015, two colour screenprint on archival paper, signed and numbered from an edition of 65 in pencil, dated and bearing the Artists' thumbprint verso; sheet: 89 x 87.5cm ARR

Mark Drew (Australian 1978-), 'Phone Bill (Biggie)', 2020, screenprint in colours on 300gsm Somerset paper, signed and numbered from an edition of 100, published by Stolen Space; sheet: 50 x 50cm ARR

Banksy (British 1974-), 'Banksquiat (Black)', 2019, screenprint in colours, signed and numbered from an edition of 300 in pencil, sheet: 70 x 70cm ARR Pest Control Certificate Of Authenticity pending, this will be forwarded to the buyer once received. Further provenance information available on request

D*Face (British 1978-), 'Careless Whispers', 2019, screenprint in colours on 370gsm Lamberth Drawing Cartridge paper, signed and numbered from an edition of 140 in pencil, published by Stolen Space; sheet: 53 x 100cm (Framed) ARR

Keith Haring & Eric Orr (Collaboration), 'Repeat', 2020, screenprint in colours on 320gr Coventry Rag paper, signed, dated and numbered from an edition of 250 in pencil by Eric Orr, plate signed by both artist's, published by Gary Lichtenstein Editions; sheet: 71 x 50.5cm

Schoony (British 1974-), 'Boots', 2019, unique hand-finished screenprint on paper, signed and dated in pencil; sheet: 56 x 38cm ARR

Felix Treadwell (British 1992-), 'Phone Stretch', 2020, screenprint, signed and numbered in pencil from an edition of 50; sheet: 53 x 63.5cm ARR

Aida, 'The Philosophy According To Elliot Waugh - Gold', 2017, screenprint in colours with applied gold glitter on wove paper, signed in pencil, inscribed AP to the accompanying COA, published by Nelly Duff; 73 x 53cm inc frame

Roy Lichtenstein (American 1923-1997), Pistol, 1968, screenprint in colours on arches paper, sheet: 39 × 38 cm

David Shrigley (British 1968-), 'Fuck', 2021, screenprint in colours on wove paper, numbered from an edition of 125 in pencil verso, published by DING DONG Takuhaibin; sheet: 76 x 56cm ARR

Martin Whatson (Norwegian 1984-), 'Butterfly (Grey)', 2017, screenprint in colours with spot varnish on wove paper, signed, dated and numbered from an edition of 85 in pencil, published by Graffiti Prints; 59 x 59cm inc frame ARR

Bridget Riley (British, born 1931)New Day signed in pencil, from the edition of 135 screenprint in colours, 1992, on wove paper90 x 125 cm. (35 1/2 x 47 1/2 in.)published by King Publishing, LondonThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Bridget Riley (British, born 1931)Elapse signed, dated and titled in pencil, from the unnumbered edition of 260screenprint in colours, 1982, on BFK Rives wove paper120.5 x 80.5 cm. (47 1/2 x 31 31 3/4 in.)printed by Graham Henderson, London, published by The Print Club of ClevelandFootnotes:Provenance:Bonhams, Vision 21, London, 1 July 2009, lot 170LiteratureKartsten Schubert, Bridget Riley Complete Prints 1962-2010, London, 2010 (S.30)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Bridget Riley (British, born 1931)Blue Dominance signed, titled, dated 1977 and numbered 78/100 in pencilscreenprint in colours, on wove paper98 x 49.1 cm. (38 5/8 x 19 3/8 in.)published by Pace Editions, New YorkFootnotes:LiteratureKartsten Schubert, Bridget Riley Complete Prints 1962-2010, London, 2010 (S.23)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Ludwig Sander (1906-1975)MohicanScreenprint in colours, 1972, signed in pencil, numbered from the edition of 100, as included in the portfolio 14 Big Prints, published by Bernard Jacobson Gallery, London, on wove paper, with full margins, sheet 1067 x 1588mm (42 x 62 ½ in) (unframed)

δ Victor Vasarely (1906-1997)Sin-Hat-A - Réponses à VasarelyScreenprint in colours, 1972, signed in black ink, from the edition of 350, published by Bruckmann Kunst, Munich, on stiff wove, the full sheet printed to the edges, 600 x 493mm (23 5/8 x 19 3/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Roy Lichtenstein (1923-1997)Paper Plate (Corlett III.45)Screenprint in colours on a white paper plate, 1969, with the artist's copyright credit stamp verso, published by Bert Stern, for On 1st, New York, diameter 260mm (10 1/4in) (multiple)

Keith Haring (1958-1990)Icons. Angel (See Litmann p.171)Screenprint with embossing, 1990, with the certificate of authenticity stamped verso, signed and dated in pencil by Julia Gruen, the executor of the Keith Haring estate, numbered from the edition of 60, on wove paper, printed by Studio Heinrici Ltd., published by Tony Shafrazi Editions, New York, with full margins, sheet 535 x 635mm (21 x 25in) (unframed)

δ Victor Vasarely (1906-1997)SyromScreenprint in black and white, 1959, signed and numbered from the edition of 250 in pencil, as included in NB Cinetique, published by Editions Denise René, Paris, with their blindstamp, on wove paper, the full sheet, 830mm x 830mm (32 5/8 x 32 5/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Victor Vasarely (1906-1997)UntitledScreenprint in colours, 1970, signed and inscribed 'F.V. IX/XXX' in pencil, aside the edition of 90 in Arabic numerals, on wove paper, with full margins, 700 x 500mm (27 5/8 x 19 3/4in)(SH)(unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Jenny Holzer (b.1950)Men don't protect me anymoreScreenprint, 2018, printed and published by Printed Matter, New York, on wood, 100 x 150mm (4 x 6in) (unframed)

Claes Oldenburg (b.1929)Musical HeartsScreenprint in red and black, 2012, initialled, dated and numbered from the edition of 150 in pencil, as included in the portfolio, Artists For Obama, published by Gemini, G.E.L, Los Angeles, with their blindstamps, on wove paper, with full margins, sheet 357 x 282mm (14 x 11 1/8in) (unframed)

Keith Haring (1958-1990)Three EyesScreenprint in colours, 1982, from the edition of 2000, printed by Fleetwood Press, published by Tony Shafrazi Gallery, New York, on wove paper, the full sheet printed to the edges, sheet 215 x 225mm (8 1/2 x 8 7/8in) (framed)