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Lot 422A
*Chris Levine (Canadian-British, b.1960) X MARKS THE SPOT 7 Screenprint in colours with glitter overlay, 2018, from the edition of 25, signed in pencil, published by Jealous Gallery, with blindstamp, on Satin Radiant White 410gsm paper, the full sheet sheet 30 x 30cm, unframed *Artist's Resale Right may apply to this lot.
Lot 311
signed in pencil in the margin, 24/88 in pencil in the plate; thumbprint and dated 2017 on the reverse silkscreen on hand torn archival paper 122 by 92cm Brazen, unapologetic and positioned at the forefront of street art culture, Mr. Brainwashis one of the fearless renegades of contemporary art. The French-born, Los Angeles-based artist is lesser known by his given name of Thierry Guetta, yet his moniker has become synonymous with the explosive collision between pop art and graffiti culture.Treading the boundary between high art and guerrilla satire, Guetta walks arm-in-armwith another one of the urban contemporary scene’s ubiquitous enigmas, Banksy.It was fellow street artist’s Banksy’s Academy Award-nominated 2010 documentary,Exit Through the Gift Shop, that helped to propel Guetta’s unconventionally swift riseto commercial stardom(1).Following the release of the acclaimed documentary, critics began to speculate asto whether Guetta was an authentic creator or an elaborate hoax conjured by theanonymous Banksy. After noting the undeniable likeness between the two artists’styles, some suggested that Mr. Brainwash’s works had actually been created byBanksy himself, while his unruly protégé was an intricate comment on the nature offame within the art world(2). Banksy took to his website to vehemently deny the claims.The widespread controversy only further amplified the notoriety of Mr. Brainwash.The artist’s works toy with pop culture iconography, subverting society’s mostrecognizable images through the sharp-witted use of reconceptualised appropriation.Guetta has captured the imagination of the international market, captivating thediscerning eye of collectors with his large-scale works currently fetching hundreds ofthousands of dollars(3).Deeply inspired by the work of Pop Art prince, Andy Warhol, Guetta has oftenfeatured Hollywood celebrities and cultural icons as the subjects of his vivid portraits.The artist has created images paying tribute to Kate Moss, Jimmy Hendrix, CharlieChaplin, Albert Einstein, and here, Dr Martin Luther King Jnr.Aptly entitled King, the limited edition monochromatic screenprint features the faceof the civil rights movement’s most influential figure. The portrait, with King’s piercinggaze and the austere use of black ink, is exceptional amid the artist’s more typicaltechnicolour works. As a characteristic tongue-in-cheek nod to the controversysurrounding the authenticity of his work, the screenprint boasts Guetta’s ownthumbprint on the reverse. - E.S.K.1. Ben Davis. 9.5 These on Art and Class. Chicago: Haymarket Books, 2013, p.992. Angela Dalle Vacche. Film, Art, New Media: Museum Without Walls? London: Palgrave Macmillan, 2012, p.893. Eric Grzymkowski. Art 101: From Vincent van Gogh to Andy Warhol, Key People, Ideas, and Moments in the History ofArt. New York: Simon & Schuster, 2013, p.67
Lot 10
Tom Wesselmann (New York, Ohio, 1931-2004) Screenprint in colors "Monica Sitting with Mondrian, 1989". Pencil signed and numbered (75/100) in lower portion. Published by International Images, Inc., with their blindstamp. Provenance: Christie's sale May 17, 1990 (lot 967). Label on side of frame. Condition: slight scratches to plexi-glass. Image Size: 41 x 27 in. Overall Size: 51.5 x 37.5 in. Framed behind glass.
Lot 462
Ronald Brooks Kitaj RA (American, 1932-2007) 'THE JEWISH QUESTION' Screenprint in colours, 1969-70, signed with initials in pencil, from the edition of 150, from the portfolio 'In Our Time: Covers for a Small Library After the Life for the Most Part', printed by Kelpra Studios, London, published by Marlborough, on wove paper, with full margins sheet 77 x 56.8cm, unframed
Lot 439
*Victor Vasarely (French, 1906-1997) 'EZINOR' Screenprint in colours, 1949, signed and numbered 117/138 in pencil, from the series 'Descartes - Discours de la Methode', printed by Atelier Broutelles et Launay, on wove paper, the full sheet sheet 46 x 40cm *Artist's Resale Right may apply to this lot.
Lot 497
*Richard Hamilton CH (1922-2011) 'KENT STATE' (Lullin 77) Screenprint in colours, 1970, signed and numbered 2966/5000 in pencil, printed by Dietz Offizin, published by Dorothea Leonhardt, Munich, on Schoeller Durex paper, with full margins sheet 73 x 102.3cm, unframed *Artist's Resale Right may apply to this lot.
Lot 282
*Sandra Blow RA (1925-2006) 'RILIEVO' Screenprint in colours with collage, including screenprinted paper, 2005, signed and numbered 51/80 in pencil, created to celebrate the artist's 80th birthday, on wove paper, with full margins image 51.3 x 50.5cm *Artist's Resale Right may apply to this lot.
Lot 287
*Craigie Aitchison RA (1926-2009) 'STILL LIFE WITH BIRD VASE' Screenprint in colours, 2004, signed, dated and numbered 280/300 in pencil, printed and published by Advanced Graphics, London, on wove paper, the full sheet printed to the edges, within folder and with the book 'Pictures', published by Timothy Taylor Gallery and Waddington Galleries, London, all within slipcase sheet 28 x 22cm, unframed slipcase 30.5 x 26 x 3cm *Artist's Resale Right may apply to this lot.
Lot 452
*Martin Creed (b.1968) 'WORK #3171' Screenprint in colours, 2018, signed, dated, inscribed with title and numbered 74/100 in pencil verso, on thick glossy wove paper, the full sheet, alongside the LP 'Work No.117: All The Sounds On A Drum Machine', within record sleeve sheet 17.9 x 17.8cm, unframed overall 18.6 x 18.5 x 0.2cm *Artist's Resale Right may apply to this lot.
Lot 265
*Patrick Caulfield RA (1936-2005) 'LARGE WHITE JUG' Screenprint in colours, 1990, signed and inscribed 'AP 8/10' in pencil, from the ‘White Ware Prints’ portfolio, printed by Advanced Graphics, London, published by Waddington Graphics, London, on wove paper, with full margins sheet 107 x 81.1cm, unframed *Artist's Resale Right may apply to this lot.
Lot 306
*Richard Hamilton CH (1922-2011) 'KENT STATE' (Lullin 77) Screenprint in colours, 1970, signed and numbered 289/5000 in pencil, printed by Dietz Offizin, published by Dorothea Leonhardt Munich, on Schoeller Durex paper, with full margins image 67 x 87cm *Artist's Resale Right may apply to this lot.
Lot 461
Ronald Brooks Kitaj RA (American, 1932-2007) 'THE DEFENCE OF TERRORISM' Screenprint in colours, 1969-70, signed with initials in pencil, from the edition of 150, from the portfolio 'In Our Time: Covers for a Small Library After the Life for the Most Part', printed by Kelpra Studios, London, published by Marlborough, on wove paper, with full margins sheet 77 x 57.5cm, unframed
Lot 264
*Patrick Caulfield RA (1936-2005) 'LAMP AND KUAN WARE' Screenprint in colours, 1990, signed and inscribed 'AP 7/10' in pencil, from the ‘White Ware Prints’ portfolio, printed by Advanced Graphics, London, published by Waddington Graphics, London, on wove paper, with full margins sheet 107 x 81cm, unframed *Artist's Resale Right may apply to this lot.
Lot 465
* Lloyd (Reginald J., 1926-). King of Carrion, by Ted Hughes, 1970, screenprint with acrylic hand-colouring, signed and dated at foot, 54.5 x 42 cm (21.5 x 16.5 ins) (Qty: 1)NOTESWith note to verso by the artist 'Hand set and printed from wooden type on a Hercules poster press obtained in Bideford, Mr Johns'.
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