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δ Banksy (b.1974)Rude CopperScreenprint in black with unique spray paint in yellow, 2002, signed and numbered 2/250 in black ink, stamped with the red Banksy tag as issued, on wove paper, printed and published by Pictures on Walls, London, the full sheet, 419 x 582mm, (16 1/4 x 22 7/8) (unframed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

A GROUP OF NINE PICTURES comprising; screenprint, textile, watercolour, LIZ MURRAY, SHANKS, MEAD (9) Condition Report: Available upon request

Mary Barnes, 'I have but me to let you see', signed, dated 1974 and numbered 18/20, screenprint, I.38 x 62.5cm.

Screenprint, floral still life, and 3 other watercolours and oils (4)

Colour screenprint, The Cerne Abbas Giant, indistinctly signed, image 33cm x 21cm, framed

§ John Piper (1903-1992)screenprintChambord, (Levinson 202) Kelpra Studio 1971,signed in pencil, 60/7020.5 x 27.5in.CONDITION: Good clean condition with no faults noted, colours remain strong, ground paper white, signed lower right, numbered lower left, plain card mount and slim gilt frame.Comes for sale from a Corporate Art Collection.

§ John Piper (1903-1992)screenprintBesse, Dordogne, (Levinson 188)signed, 55/7031.75 x 23.5in.CONDITION: Overall the ground paper has discoloured to a light buff tone with further acid staining showing around the mount, colours remain strong, later washline mount and gilt frame.

§ John Piper (1903-1992)screenprintSt Amand-de-Coly, Dordogne (Levinson 197)signed, 63/7024.5 x 31in.CONDITION: Some slight discolouration of the paper with the left and right margins ever so slightly darker, and the top left corner a little lighter than elsewhere, colours remain strong, washline mount and slim gilt frame.

§ John Piper (1903-1992)screenprintJazenne, Charente (Levinson 196)signed, 46/7024.25 x 31.5in.CONDITION: Ground paper is fairly evenly discoloured to a very light buff tone, a further acid line mark shows across the middle of the lower margin and to a lesser extent runs up the right handside suggesting that at some time there may have been a different sized mount, colours remain good, washline mount and slim gilt frame.

§ Albert Irvin, OBE, RA (1922-2015)coloured screenprint, printed by Kip Gresham at Curwen Chilford,Ranelaghsigned in pencil and dated '93, 39/22524.25 x 29.75in.CONDITION: Very good clean condition with no faults noted, blind stamped in left and right bottom corners, housed under perspex in a slim gilt frame, no labels verso. Provenance; Purchased from Advanced Graphics.

Tin & Toys signed and numbered 8/75 screenprint 50 x 74.5cm, unframed multiples available

The Crab Shop signed, titled and numbered '95/100' framed screenprint 43 x 54cm

Tango IIsigned, titled and dated in pencilframed screenprint63 x 49cm

England My England signed and dated 2003, titled and numbered 37/150 screenprint 62 x 79.5cm, unframed; Jao, Portugal v England signed and dated 2004; numbered 71/75 screenprint 90 x 68cm, unframed multiples available

Early Nesters signed, titled and numbered 43/75 screenprint 54 x 59cm, unframed multiples available

Cuneiform, 1985 signed screenprint, 11/15 122 x 92cm, unframed multiples available

T Sharpe The Walls of Katsina signed, titled and numbered 25/50; dated 1986 screenprint 64.5 x 50cm, unframed multiples available

Mother and Two Sons, 1994, 29/50 signed 'Anthony Lysycia' screenprint 76 x 85cm; Eden, 26/50 signed 'Anthony Lysycia' screenprint 62 x 87cm; Snakes and Ladders, 1996 screenprint 61.5 x 89.5cmmultiples available

Large soft pumpkin sculpture, screenprint on nylon, from the open edition, in original Tate Britain cellophane wrapping with all tags and labels.56cm x 56cm x 28cm (22in x 22in x 11in)Condition report: The sculpture is in very good, original condition with no obvious faults to report.

2012, signed and numbered 7/8 P/P in pencil in the margin, with The Print Studio, Cambridge blindstamp, screenprint.sheet size 69.5cm x 83cm (27.5in x 32.75in)Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in very good, original condition with no obvious faults to report. The print is framed and glazed.

2012, signed and numbered 14/30 in pencil in the margin, with The Print Studio, Cambridge blindstamp, screenprint.sheet size 70cm x 83cm (27.5in x 32.75in)Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in very good, original condition with no obvious faults to report. The print is framed and glazed.

2010, signed and numbered 3/50 in pencil in the margin, with The Print Studio, Cambridge blindstamp, screenprint, together with Stephen Chambers, 2008, Andrew Lambirth, published by Unicorn Press.sheet size 57.5cm x 45cm (22.75in x 17.75in)Qty: 2Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in very good, original condition with no obvious faults to report. The print is framed and glazed.

2006, signed and numbered on verso, from an edition of 50, screenprint.121cm x 85cm (47.5in x 33.5in)Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in very good, original condition with no obvious faults to report. The print is framed and glazed in perspex.

Signed and dated '80 in pencil in the margin, 1st stage proof, screenprint.image size 75.5cm x 56cm (29.75 x 22in)Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in very good, original condition with no obvious faults to report. The print is framed and glazed.

1973, signed and numbered 5/200 in pencil on verso, screenprint in colours, from the series 'Some Poems of Jules LaForgue' of 44 screenprints, from the Edition B of 200, published by Petersburg Press, London, on Neobond synthetic paper, the sheet printed to the edges, unframed.40cm x 35cm (15.75in x 13.75in)Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in very good, original condition with no obvious faults to report. The print is unframed.

‡ Lin Jammet (1958-2017) The Fall of Desaix Signed, dated 97, and numbered 40/50 in pencil Screenprint in colours 121 x 83.5cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet

‡ Lin Jammet (1958-2017) Two horses Signed, dated 97, and numbered 43/50 in pencil, and blindstamped Screenprint in colours 120 x 83.5cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet

‡ Lin Jammet (1958-2017) Two Horses (recto); Two figures holding hands (verso) Signed, dated 97, and inscribed Trial Proof in pencil (recto) Screenprint in colours 112 x 81cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet

‡ Lin Jammet (1958-2017) Figure by a river Signed in pencil, dated 97, and numbered 9/50 Screenprint in colours 106 x 76cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet

‡ Lin Jammet (1958-2017) Woolland Signed, titled and numbered 11/18 in pencil Screenprint in colours 74.5 x 59.7cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet

‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) Baboon (Wiseman 155) Inscribed 3 in pencil to verso Screenprint in five colours on watermarked BFK Rives paper, 1990, co-published by the artist and Curwen Chilford Prints 76.5 x 56.5cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet This print was produced in an edition of 70, 10 APs, 2 PPs, 5 HCs. 2 BAT and 2 archive proofs.

‡ John Piper CH (1903-1992) Five Gates of London (Levinson 287) Signed and numbered 91/100 in pencil to margin Screenprint in colours, 1978 41.9 x 159.3cm (image) Provenance: By descent to the present owner

‡ John Piper CH (1903-1992) Buckden in a Storm (Levinson 281) Signed and numbered 21/100 in pencil to margin, with Christie's Contemporary Art blindstamp Screenprint in colours, 1977 68.3 x 94cm With a certificate of authenticity from Christie's Contemporary Art

‡ Craigie Aitchison CBE, RSA, RA (1926-2009) Dusty in a Green Coat Signed, dated 2002, and numbered 42/75 in pencil to verso Screenprint in colours 30 x 25cm

‡ Peter Sedgley (b.1930) Looking Glass No. 9 Signed and numbered 36/75 Screenprint from the 'Looking Glass Suite' 49.4 x 49.4cm Provenance: Redfern Gallery, London; The late Greta Morrison, widow of Bryan Morrison

‡ Peter Sedgley (b.1930) Blue Scale Screenprint 48 x 48cm Provenance: Redfern Gallery, London The late Greta Morrison, widow of Bryan Morrison

‡ Joe Tilson RA (b. 1928) Ziggurat Signed and numbered 60/300 in pencil Screenprint in colours 28 x 23.8cm Unframed

‡ Joe Tilson RA (b.1928) Transparency, Vellegrande Bolivia, October 10th Signed, dated 1969, and numbered 12/70 in pencil Screenprint on PVC, silver lumiline and paper 70 x 50cm Provenance: The late Greta Morrison, widow of Bryan Morrison

‡ Sir Peter Blake CBE, RDI, RA (b.1932) Penny Black; Red Power; The Tuareg, from The Wrestlers Suite Three, each signed and numbered 66/125, 68/125, and 66/125 respectively in pencil Each screenprint in colours Each 44.6 x 28.8cm (sheet) (3) Provenance: The late Greta Morrison, widow of Bryan Morrison

After John Lennon A Day in the Life Signed by Yoko Ono Lennon and numbered 148/300 in pencil, with blind stamp Screenprint 67.4 x 84.9cm With a certificate of authenticity from Bag One Arts, Inc., New York

‡ Patrick Caulfield CBE, RA (1936-2005) All The Benches Are Wet, The Woods Are So Rusty; Oh! If One Of Them, Some Fine Evening, Would Try; You'll Be Sick If You Spend All Your Time Indoors; And With My Eyes Bolting Toward the Unconscious Four, three signed and numbered 57/100 in pencil to margins Each screenprint in colours from the 'Some Poems of Jules Laforgue' series Largest 40.8 x 35.6cm; Smallest 40 x 35.2cm (image) (4) Provenance: The late Greta Morrison, widow of Bryan Morrison

‡ Sophie Ryder (b.1963) Paintpots Signed, dated 2001, numbered AP/9, and dedicated for André & Galina with / love from Sophie in pencil to margin Screenprint in colours, 1 of 9 artist's proofs aside from the edition of 50

Willie Rodger (Scottish 1930 - 2015) Mary Queen of Scots, Coloured screenprint, No 32/100, signed and dated '75, in glazed frame, 30 x 40cm

Willie Rodger (Scottish 1930 - 2015) James VI of Scotland, Coloured screenprint, No 32/100, signed and dated '75, in glazed frame, 30 x 40cm

Cameron Stott, Barrio Chino- Barcelona, Coloured screenprint, No 1/25, signed and dated 04, in a glazed frame, 32 x 42cm

Impressionist Oil Painting signed J Horton 73, 50cms x 59cms, Oil Painting of Conwy Castle signed Mulliner, 39cms x 51cms together with Large Screenprint on Panel of Gothic Town, signed Gordon Gillick, 76cms x 103cms

Colour screenprint on wood postcards(10cm x 15cm (4in x 6in) each, unframed)

Screenprint, printed on the occasion of the artist's exhibition at Gagosian Gallery, Rome(76cm x 56cm (30in x 22in) each, unframed)

Hand-coloured screenprint, 5/20, signed and numbered in pencil (upper right)(76cm x 56.5cm (30in x 22.25in))

Screenprint, signed and dated in pencil to margin(22.5cm x 15cm (9in x 6in), image size)

Screenprint, 2003, from an unknown edition size, published by K21 Kunstammlung Nordrhein-Westfalen(100cm x 60cm (39.25in x 23.5in) full sheet, unframed )

Screenprint, U/P, signed, titled and editioned in pencil to margin(42cm x 57.5cm (16.5in x 22.75in))Footnote: Note: It is believed that this print was not ever editioned, and so the artist's editioning as U/P, may refer to it being a unique print.

Screenprint, from the edition of 20, signed and dated in pencil to margin, unframed(55.9cm x 75.7cm (22in x 29.75in))

Screenprint, 21/120, signed and numbered in pencil to margin(25cm x 25cm (9.75in 9.75in) full sheet, unframed)Footnote: Note: This work is accompanied by a Certificate of Authenticity, signed by the artist and dated January 2020.

Screenprint(100cm x 70cm (39.5in x 27.5in) full sheet, unframed )

Screenprint(100cm x 70cm (39.5in x 27.5in) full sheet, unframed )

Screenprint, A/P, signed, editioned and dated in pencil, unframed(58cm x 77.6cm (22.75in x 30.5in))

Screenprint, from the ed. of approx. 300, printed at Girdwood and published by the Wild Hawthorn Press(76cm x 37.5cm (30in x 14.75in))

Screenprint, 8/95, signed, dated and numbered in pencil to margin(119.5cm x 74.5cm (47in x 29.5in) full sheet, unframed)

ANDY WARHOL (USA 1928 - 1987) AND PIETRO PSAIER (ITALIAN 1936 - 2004), 'COVER UP IN DALLAS', KENNEDY ASSASSINATION screenprint, signed (PIETRO PSAIER), STAMPED "CERTIFIED THE FACTORY" 44.5cm x 104cm Framed and under glass.