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Lot 263

Louise Bourgeois (French 1911-2010), 'Be Calm', 2005, screenprint and embroidery on linen, numbered from an edition of 1000 in back ink, bearing the Artists' printed signature, published by Tate, London & Third Drawer Down; 69 x 48cm ARR

Lot 268

Nick Smith (British), 'Haring Dog (Red)', 2019, giclee print in colours with screenprint varnish in 330gsm Somerset Satin paper, signed, dated, and numbered from an edition of 66 in pencil, published by Rhodes Contemporary Art; sheet: 54 x 61cm ARR

Lot 271

Oli Epp (British 1994-), 'Multi Multitasking', 2018, screenprint in colours on Rivoli paper, signed and numbered from an edition of 100 in pencil, published by Semiose Gallery; sheet: 70 x 50cm ARR

Lot 272

Oli Epp (British 1994-), 'Quarantine', 2020, screenprint in colours on 410gsm Somerset Satin paper, signed and numbered from an edition of 50 in pencil, published by Carl Kostyal; sheet: 120 x 130cm ARR

Lot 273

Oli Epp (British 1994-), 'Bon Voyage', 2021, screenprint in colours with silver ink and varnish on wove paper, signed and numbered from an edition of 50 in pencil, published by Blouin Division; sheet: 86 x 76cm ARR

Lot 284

Tracey Emin (British 1963-), 'The Beginning Of Me', 2012, screenprint in colours on fabric, signed, titled, dated, and numbered from an edition of 175 in pencil. published by Counter Editions; sheet: 51 x 46.5cm ARR

Lot 289

Tunji Adeniyi-Jones (British 1992-), 'Violet Dance', 2021, screenprint in colours with matte varnish and glossy, vinyl ink details on 410gam Somerset Tub Sized Satin White paper, signed, dated, and numbered from an edition of 40 in pencil, published by Avant Arte; sheet: 70 x 50.2cm ARR

Lot 290

Tunji Adeniyi-Jones (British 1992-), 'Pattern Makers', 2020, screenprint in colours on wove paper, signed and numbered from an edition of 30 in pencil, published by Font Makers, New York; sheet: 45.5 x 30.5cm: 74 x 63.5cm inc frame ARR

Lot 3

Ai Weiwei (Chinese 1957-), 'Cats (Pink)', 2022, screenprint on 300gsm Somerset Velvet paper, signed, dated, and numbered from an edition of 300 in pencil, published by Kettle's Yard; sheet: 45 x 62cm

Lot 311

Banksy (British 1974-), 'Balloon Tee', 2019, screenprint on fair trade tee with pendant, released as part of the Banksy GDP Show, 2019; size: XS (Framed) ARR

Lot 312

Banksy (British 1974-), 'GDP Rat Gift Print', 2019, hand-embellished screenprint on 50gsm paper, signed and inscribed in red ink; sheet: 38.5 x 50.5cm ARR

Lot 317

Banksy (British 1974-), 'Toxic Mary', 2004, screenprint in colours on wove paper, numbered from an edition of 600 in pencil, published by Pictures On Walls; sheet: 70 x 50cm (Framed) ARR

Lot 328

Invader (French 1969-), 'La Souris Deglinguee', 2014, screenprint in colours on 260g off white art paper, signed, dated, and numbered from an edition of 75 in pencil, published by La Souris Deglinguee; sheet: 50 x 50cm ARR

Lot 330

Invader (French 1969-), 'Rubik Kubrick I - Alex', 2006, screenprint in colours on wove paper, numbered from an edition of 300 in pencil, published by Pictures On Walls; 63.5 x 83cm inc frame ARR

Lot 331

Invader (French 1969-), 'Rubik Kubrick II - Jack', 2007, screenprint in colours on wove paper, numbered from an edition of 300 in pencil, published by Pictures On Walls; sheet: 70 x 50cm ARR

Lot 333

Invader (French 1969-),' Alert (Blue)', 2021, screenprint in colours on wove paper, signed, dated, and numbered from an edition of 60 in pencil, published by MGLC Ljubljana; sheet: 60 × 60cm (Framed) ARR

Lot 334

Invader (French 1969-), 'Homeworks', 2006, screenprint in colours on wove paper, signed, dated, and numbered from an edition of 100 in pencil, published by Pictures On Walls; sheet: 50 x 70cm ARR

Lot 339

Martin Whatson (Norwegian 1984-), 'The Cycle (Acrylic)', 2019, hand-embellished screenprint in colours on 4mm clear acrylic, signed, dated, and numbered from an edition of 10 unique works, published by Graffiti Prints; 63 x 123cm inc frame ARR

Lot 347

Paul Insect (British 1971-), 'Star Eyes (Aluminium)' 2008, screenprint in colours with enamel paint, mika flakes and clear coat gloss finish on 5mm aluminium sheet, numbered from a varied edition of 10 unique works to the Lazarides Gallery label affixed verso; 83.5 x 63cm inc frame ARR

Lot 351

Pejac (Spanish 1977-), 'Heavy Sea', 2014, hand-embellished two-colour screenprint on 250gsm paper, signed, titled, and numbered from an edition of 70 in pencil, sheet: 73 x 102cm (Framed) ARR

Lot 353

Pez (French), ‘Hope Scotch’, 2017, screenprint in colours on 300gsm Somerset paper, signed, dated, and numbered from an edition of 125 in pencil, published by Classic Nouveau; sheet: 88 x 61.5cm ARR

Lot 354

Pez (French), 'Hope Scotch (Special Hand Painted)', 2017, unique hand-embellished screenprint in colours on 300gsm Somerset Paper, signed and numbered 1/1 in pencil, published by Classic Nouveau; sheet: 98 x 71cm inc frame ARR

Lot 357

Shepard Fairey (American 1970-), 'Patti Smith (HPM)', 2012, screenprint and mixed media collage on wood panel, signed, dated, and numbered from an edition of 6 HMPs in pencil recto, signed, dated, and numbered verso; 61 x 45.5 x 5.5cm inc frame

Lot 363A

Thierry Noir (French 1958-), 'Les Fleurs Du Mal', 1989/2004, screenprint in colours on wove paper, signed, titled, dated and numbered from an edition of 480 in pencil; sheet: 40 x 50cm ARR

Lot 37a

David Shrigley (British 1968-), 'Make Your Mark', 2020, screenprint in colours with varnish on 410gsm Somerset Tub Sized paper, signed, dated and numbered from an edition of 125 on verso, published by Jealous Gallery; sheet: 75 x 55 cmARR

Lot 56

Julian Opie (British 1958-), 'Woman Taking Off Man's Shirt. 5', 2003, screenprint in colours on paper, published by K21 Kunstammlung Nordrhein-Westfalen, Dusseldorf; sheet: 100 x 60cm ARR

Lot 63

Mehdi Ghadyanloo (Iranian 1981-), 'New Prophet', 2017, hand-embellished screenprint in colours on wove paper, signed and numbered from an edition of 50, published by Howard Griffin; sheet: 76.2 x 76.2cm

Lot 64

Mehdi Ghadyanloo (Iranian 1981-), 'Anticipation Of Sin', 2015, hand-embellished screenprint in colours on wove paper, signed and numbered from an edition of 25 in pencil, published by Howard Griffin; sheet: 82.4 x 82.4cm ARR

Lot 65

Mehdi Ghadyanloo (Iranian 1981-), 'Hat Trick Without Encouragement', 2015, hand-embellished screenprint in colours on wove paper, signed and numbered from an edition of 25, published by Howard Griffin Gallery; sheet: 68.2 x 68.2cm ARR

Lot 71

Oli Epp (British 1994-), 'Pride', 2019, screenprint in colours on Mohawk Superfine Ultrawhite paper, signed and numbered from an edition of 100 in pencil, published by Richard Heller Gallery; sheet: 61 x 61cm ARR

Lot 81

Tracey Emin (British 1963-), 'Everybody Needs A Place To Think', 2002, screenprint on linen handkerchief, signed and dated, from an edition of 1500, commissioned by the BBC; handkerchief: 54 x 54cm ARR

Lot 640

Victor Pasmore CH, CBE (1908-1998) - Word and Image 'When the Curtain Falls', 1974, etching, aquatint and screenprint, signed by the artist with initials in pencil, dated '74 and numbered 56/60, 47.5 x 45cm Pinhead sized brown stain lower margin. Gold mark gallery label on backboard

Lot 666

John Brusdon (1933-2014) - Gower, screenprint, signed by the artist in pencil, inscribed with the title and numbered 17/125, 55 x 77.5cm (sheet) Long undisturbed in the present, possibly the original metal frame, slightly foxed and stained in the margin

Lot 313

* Sir Terry Frost RA (1915-2003)'Red and Black Squeeze', 2001screenprint and collage, signed 'Terry Frost' in pencil l.r. and numbered 63/12036 x 58cm, unframedCondition ReportIn very good condition.

Lot 314

* Sir Terry Frost RA (1915-2003)'Small Yellow Timberaine' (Kemp 216)screenprint in colours, printed and published by Galleria Multigraphic, Venice, signed 'Terry Frost' in pencil and numbered 37/60sheet 40 x 50cm, unframedCondition ReportTiny rub to paper of margin top right, otherwise in very good condition.

Lot 333

* Victor Pasmore (1908-1998)'Points of Contact No.16', 1976screenprint in colours, signed with initials and dated 'VP/73' in pencil l.r., and numbered 39/70plate 55.5 x 39.5cmCondition ReportFramed size: 89.5 x 71cm.Unexamined out of the glazed frame, mount staining and time staining, otherwise appears to be fine, please refer to images.

Lot 4

* John Piper CH (1903-1992)'Ottery St Mary', (Levinson 402)screenprint in colours, signed 'John Piper' in pencil l.r. and inscribed 'AP', printed by Kelpra Studio 1987, one of 10 artist's proofs, aside from the edition of 100, Vélin Arches paper 300gsm60 x 78cmThe residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.Condition ReportFramed size: 83 x 100cm. Not viewed out of glazed frame, appears to be in good condition.

Lot 414

* Patrick Caulfield RA (1936-2005)'Crying to the walls: My God! My God! Will she relent? from Some Poems of Jules Laforgue', 1973screenprint in colours, signed 'Patrick Caulfield' in pencil l.r. and numbered 57/100, with artist's name, title and date of work stamped versosheet 61 x 55.5cm, unframed Condition Report Work is unframed, dirt and staining to margins in lower left corner and to a lesser degree, the lower right corner. Two dots, pin size indentations, to printed yellow area. Please refer to additional images. 

Lot 427

* Tracey Emin RA (b.1963)'Everybody Needs a Place to Think', 2002screenprint on handkerchief, signed and dated in plate, from an edition of 150053 x 53.5cm;together with the invitation to the VIP launch party of BBC Four (2)Emin was commissioned by the BBC to create a gift to accompany the VIP invitation to the launch party of BBC Four. The invitation includes printed text by Tracey Emin in her recognisable handwriting with the instructions, 'Please bring This invitation with you/otherwise, you're not going to get in/Love Tracey X'. While event-goers were able to keep the handkerchief, they gave up their invitations on arrival, making this set of both invitation and handkerchief more rare.Condition ReportPrinted on loose cotton handkerchief, with original creases from being folded within a box, a few other small creases, generally in good original condition.

Lot 5

* John Piper CH (1903-1992)'Hautbois Church, Norfolk', (Levinson 363)screenprint in colours, signed 'John Piper' in pencil l.r. and inscribed 'AP', one of 10 artist's proofs, aside from the edition of 70, printed by Kelpra Studios 1983, on Vélin Arches 300gsm47.5 x 65.5cmThe residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.Condition ReportFramed size: 72.5 x 89cm. Not viewed out of glazed frame, appears to be in good condition.

Lot 183

* SIR EDUARDO PAOLOZZI KBE RA HRSA (SCOTTISH 1924 - 2005), ERNIE AND T.T. AT ST LOUIS AIRPORT 1967 screenprint on paper, signed and numbered Artist's Proof image size 38cm x 24cm, overall size 54cm x 41cm Mounted, framed and under glass.

Lot 177

δ Peter Blake (b. 1932)Paris - Circus IScreenprint in colours, 2010, signed in pencil, numbered from the edition of 100, published by Paul Stolper Gallery, London, on Somerset wove paper, the full sheet, sheet 545 x 370mm (21 1/2 x 14 1/2in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 181

δ Peter Blake (b. 1932)London - Horse Guards Parade (Horses and Horsemen)Screenprint in colours, 2012, signed in pencil, numbered from the edition of 100, published by Paul Stolper Gallery, London, on Somerset wove paper, the full sheet, sheet 666 x 662mm (26 x 26in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 246

δ Victor Pasmore (1908-1998)Untitled 7 (Lynton G.65)Screenprint in colours, 1990, initialled and dated in pencil, numbered from the edition of 70, printed by Kelpra Studios, with their blindstamp, published by Marlborough Graphics, London, on wove paper, the full sheet printed to the edges, sheet 731 x 1036mm (28 3/4 x 40 3/4in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 266

Andy Warhol (1928-1987)Fish (Feldmann & Schellmann III.A 39)Screenprint in colours, 1983, from the unpublished edition of unknown size, with the Estate of Andy Warhol, and the Andy Warhol Foundation ink stamps verso, the full sheet printed to the edges, sheet 1060 x 762mm (41 ¾ x 30in)

Lot 180

δ Peter Blake (b. 1932)London - Regent Street (Dancing)Screenprint in colours, 2012, signed in pencil, numbered from the edition of 100, published by Paul Stolper Gallery, London, on Somerset wove paper, the full sheet, sheet 666 x 662mm (26 x 26in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 243

δ Eduardo Paolozzi (1924-2005)Metallization of a DreamScreenprint in colours, 1963, signed and inscribed 'Artist's Proof' in pencil, aside from the edition of 40, printed by Kelpra Studio, London, on wove paper, with full margins, sheet 617 x 547mm (24 1/4 x 21 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 182

δ Peter Blake (b. 1932)London - Petticoat Lane (One Hundred Women)Screenprint in colours, 2012, signed in pencil, numbered from the edition of 100, published by Paul Stolper Gallery, London, on Somerset wove paper, the full sheet, sheet 666 x 662mm (26 x 26in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 179

δ Peter Blake (b. 1932)Vichy- A Convention of Comic Book CharactersScreenprint in colours, 2010, signed and numbered from the edition of 125 in pencil, on wove paper, with full margins, image 380 x 393mm (15 x 15 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 282

δ Invader (b.1969)Alert (Red) (Control P Editions 52)Screenprint in black and red, 2020-2021, signed and dated '20' in pencil, numbered from the edition of 60, published by MGLC Ljubljana, Slovenia, with their blue ink stamp verso, on thick wove paper, with full margins, sheet 600 x 600mm (23 5/8 x 23 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 270

Ai Weiwei (b. 1957)Cats (Black)Screenprint, 2022, signed and dated in pencil, numbered from the edition of 150, published by Kettle's Yard, Cambridge, on Saunders Waterford wove paper, with full margins, sheet 280 x 328mm (11 x 12 7/8in)

Lot 178

δ Peter Blake (b. 1932)Paris-Charabanc OutingScreenprint in colours, 2010, signed in pencil, numbered from the edition of 100, published by Paul Stolper Gallery London, on Somerset wove paper, the full sheet, sheet 545 x 370mm (21 1/2 x 14in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 265

Andy Warhol (1928-1987)Mao (Feldman and Schellmann II.125A)Screenprint in colours on wallpaper, 1974, signed in black felt pen, printed by Bill Miller's Wallpaper Studio, New York, published by Factory Additions, New York, for the artist's exhibition at the Musée Galliera, Paris, the full sheet printed to the edges, sheet 1012 x 749mm (39 7/8 x 29 1/2in)

Lot 183

δ Peter Blake (b. 1932)London - Regent's Park (The Runaway Donkeys)Screenprint in colours, 2012, signed in pencil, numbered from the edition of 100, published by Paul Stolper Gallery, London, on Somerset wove paper, the full sheet, sheet 666 x 662mm (26 x 26in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 749

Michael Stokoe, 'Sky Blue House', screenprint, signed, titled and numbered 13/35, 46x41cm

Lot 1235

Jean Picart Le Doux (1902-1982) French, Place de la Concorde, screenprint on fabric, 39.5" x 56.5" (100cm x 143cm).

Lot 1017

SCOTTISH SCHOOL PARTICKHILL ROAD Screenprint in colour, signed James H ..., 38 x 34cm, together with seven other works depicting buildings and landscapes (8) Condition Report:Available upon request

Lot 616

•BRYAN PEARCE (1929-2006) THE LADY CHAPEL, ST IVES Screenprint, signed and dated 1985, numbered 7/75 50.5 x 40cm.; with a copy of Bryan Pearce: A Private View by Marion Whybrow (1985) (2) ++ Some pale staining, particularly noticeable in the margins; book in good condition

Lot 151

Redbellyboy Flash, 2022 Acrylic Screenprint with 23c Gold Leaf Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Ewan Taylor, AKA Redbellyboy is a filmmaker and artist. Originally from Aberdeen, Scotland, he studied at Edinburgh College of Art before moving to London, where he lives with his brilliant wife, beautiful baby boy and constantly hungry cat. He works out of Print Club London in Hackney. He draws inspiration from pop culture, film, graphic design, and loud music and tries to squeeze as much of it into his work as possible. He likes bright colours, bold lettering, intricate designs, a well-placed swear word and trying to add some humour into his work. He dislikes mosquitos and writing about himself in the third person. In 2020 and 2021 Redbellyboy was selected by Print Club London to create a print for the iconic Katharine Hamnett 'Choose Love' charity campaign. In May and October 2021 he was one of 100 artists selected by Saatchi Art to take part in The Other Art Fair, London. FAD magazine underlined him as one of the best five of the fair. Collectors include Caroline Quentin, Paul Whitehouse and Frankie Boyle. Education   Edinburgh College of Art - 1st Class Hons Film & TV   Select Exhibitions/Awards   In 2020 and 2021 Redbellyboy was selected by Print Club London to create a print for the iconic Katharine Hamnett 'Choose Love' charity campaign. In May and October 2021 he was one of 100 artists selected by Saatchi Art to take part in The Other Art Fair, London. He had his first solo exhibition at The Farm's William Facility in Soho, London in November 2021. And was one of 10 artist featured in 'Rebirth' at the 99 Projects Gallery in London in March 2022. Coming up... His print "Women of The World" is part of the RA Summer Exhibition 2022 Redbellyboy returns to The Other Art Fair at the Kings Cross in London, 30th June - 3rd July 2022.   Gallery Representation   Art Pistol in Glasgow, Hooked in Daventry and Rise Art   Statement about AOAP Submitted Artwork   Flash - I like to play with words in my work and love is a constant theme. With this piece I want to do mix a bold, graphic approach with a heart felt sentiment. Love is like a lightning bolt.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Lot 152

Redbellyboy Christ on a Bike, 2022 8 Layer Screenprint Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Ewan Taylor, AKA Redbellyboy is a filmmaker and artist. Originally from Aberdeen, Scotland, he studied at Edinburgh College of Art before moving to London, where he lives with his brilliant wife, beautiful baby boy and constantly hungry cat. He works out of Print Club London in Hackney. He draws inspiration from pop culture, film, graphic design, and loud music and tries to squeeze as much of it into his work as possible. He likes bright colours, bold lettering, intricate designs, a well-placed swear word and trying to add some humour into his work. He dislikes mosquitos and writing about himself in the third person. In 2020 and 2021 Redbellyboy was selected by Print Club London to create a print for the iconic Katharine Hamnett 'Choose Love' charity campaign. In May and October 2021 he was one of 100 artists selected by Saatchi Art to take part in The Other Art Fair, London. FAD magazine underlined him as one of the best five of the fair. Collectors include Caroline Quentin, Paul Whitehouse and Frankie Boyle. Education   Edinburgh College of Art - 1st Class Hons Film & TV   Select Exhibitions/Awards   In 2020 and 2021 Redbellyboy was selected by Print Club London to create a print for the iconic Katharine Hamnett 'Choose Love' charity campaign. In May and October 2021 he was one of 100 artists selected by Saatchi Art to take part in The Other Art Fair, London. He had his first solo exhibition at The Farm's William Facility in Soho, London in November 2021. And was one of 10 artist featured in 'Rebirth' at the 99 Projects Gallery in London in March 2022. Coming up... His print "Women of The World" is part of the RA Summer Exhibition 2022 Redbellyboy returns to The Other Art Fair at the Kings Cross in London, 30th June - 3rd July 2022.   Gallery Representation   Art Pistol in Glasgow, Hooked in Daventry and Rise Art   Statement about AOAP Submitted Artwork   Christ On A Bike - I like to play with words and colour and this was a great opportunity to put them both together. I've always liked the phrase "Christ on a bike!", mainly because it makes no sense yet conjures such a strong image. Elvis could be seen as a modern day Christ figure, he certainly continues to inspire such devotion. So I thought it'd be fun if he was our 'Christ' on a bike. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

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