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Lot 67

John Piper C.H. (British, 1903-1992)Caernarvon Castle I (Levinson 200) Screenprint in colours, 1971, on wove, signed and inscribed 'A/P' in pencil, one of 10 artist's proofs aside from the numbered edition of 70, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, with full margins, 495 x 750mm (19 1/2 x 29 1/2in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 68

John Piper C.H. (British, 1903-1992)Foliate Head, plate I from 'Eightieth Anniversary Portfolio' (Levinson 354) Etching and screenprint in colours, 1983, on wove, signed and numbered 16/75 in pencil, printed by Kelpra Studio, London, published by Orde Levinson, with the printer's blindstamp, with margins, 450 x 651mm (17 3/4 x 25 5/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 69

John Piper C.H. (British, 1903-1992)Ruined Church, Bawsey (Levinson 341) Screenprint in colours, 1982, on wove, signed and numbered 53/100 in pencil, printed by Kelpra Studio, London, published by Christie's Contemporary Art, London, with margins, 443 x 597mm (17 1/2 x 23 1/2in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 71

John Piper C.H. (British, 1903-1992)St Helen Hall (Levinson 325) Screenprint in colours, 1981, on wove, signed and numbered 27/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, with the printer's blindstamp, with full margins, 692 x 803mm (27 1/4 x 31 5/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 72

John Piper C.H. (British, 1903-1992)South Lopham (Levinson 264) Screenprint in colours, 1976, on wove, signed and numbered 69/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, with the Christie's Contemporary Art blindstamp, with full margins, 1030 x 620mm (40 1/2 x 24 3/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 73

John Piper C.H. (British, 1903-1992)Ettington Park, Plate II from 'Victorian Dream Palaces' (Levinson 273) Screenprint in colours, 1977, on wove, signed and numbered 74/75 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, with margins, 521 x 698mm (20 1/2 x 27 1/2in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 74

John Piper C.H. (British, 1903-1992)Skeabost, Skye (Levinson 250) Screenprint in colours, 1975, signed and numbered 39/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Arts, London, with margins, 635 x 840mm (25 x 33 1/8in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 79

Sir Terry Frost R.A. (British, 1915-2003)Blue, Red, Black Vertical Rhythm (Kemp 246) Screenprint in colours with collage elements and embossing, 2003, on wove, signed and numbered 52/125 in pencil, printed by Coriander Studio, London, published by CCA Galleries, Tilford, with margins, 370 x 365mm (14 1/2 x 14 3/8in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 81

Sir Terry Frost R.A. (British, 1915-2003)Orange and Blue (Kemp 144) Screenprint in colours with hand-colouring in pastel, 1995, on wove, signed and numbered 35/50 in pencil, as included in the 1995 'Printmaking Portfolio', printed and published by the Royal College of Art, London, the full sheet printed to the edges, 293 x 289mm (11 1/2 x 11 3/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 82

Sir Terry Frost R.A. (British, 1915-2003)Blue, Red, Black Vertical Rhythm (Kemp 246) Screenprint in colours with collage elements and embossing, 2003, on heavy wove, signed and numbered 52/125 in pencil, printed by Coriander Studio, London, published by CCA Galleries, Tilford, with full margins, 530 x 543mm (20 7/8 x 21 3/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 83

Sir Terry Frost R.A. (British, 1915-2003)Three for Two (Kemp 219) Screenprint in colours, 2001, on wove, signed and numbered 65/150 in pencil, printed by Coriander Studio, London, published by CCA Galleries, Tilford, with margins, 460 x 313mm (18 1/8 x 12 1/4in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 88

Patrick Caulfield R.A. (British, 1936-2005)The Letter (Cristea 3) Screenprint in colours, 1967, on wove, signed and inscribed 'AP' in pencil, an artist's proof aside from the numbered edition of 75, printed by Kelpra Studio, London, published by Editions Alecto, London, the full sheet printed to the edges, 480 x 760mm (18 7/8 x 29 7/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 89

John Hoyland R.A. (British, 1934-2011)Brown Black on Pink, from 'The New York Suite' Screenprint in colours, 1971, on J. Green, signed, dated and numbered 5/100 in pencil, published by Waddington Graphics, London, with full margins, 1027 x 714mm (40 3/8 x 28 1/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 1

δ Banksy (b.1974)Have a Nice DayScreenprint in colours, 2003, numbered from the edition of 500 in pencil, printed and published by Pictures on Walls, London, on wove paper, the full sheet printed to the edges, sheet 350 x 986mm(13 3/4 x 38 3/4in)This work has been authenticated by Pest Control Office and a new Certificate of Authenticity will be issued to the buyer.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 10

δ Banksy (b.1974)Flying CopperScreenprint in colours, 2003, numbered from the edition of 600, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, the full sheet, sheet 992 x 697mm (39 x 27 1/2in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 11

δ Banksy (b.1974)Happy Choppers (Signed)Screenprint in colours, 2003, signed and dated in black ink, numbered from the edition of 750, printed and published by Pictures on Walls, London, on wove paper, with full margins, sheet 700 x 500mm (27 1/2 x 19 5/8in)This work is accompanied by a certificate of authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTIONδ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 12

δ Banksy (b.1974)Bomb Love (Bomb Hugger)Screenprint in pink and black, 2003, numbered from the edition of 600, printed and published by Pictures on Walls, London, on wove paper, the full sheet, sheet 696 x 495mm (27 3/8 x 19 1/2 in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 3

δ Banksy (b.1974)Gangsta RatScreenprint in black and red, 2004, numbered from the edition of 350 in pencil, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, the full sheet, 500 x 350mm (19 5/8 x 13 3/4in)This work has been authenticated by Pest Control Office and a new Certificate of Authenticity will be issued to the buyer.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 5

δ Banksy (b. 1974)Choose Your Weapon (Yellow) (Signed)Screenprint in colours, 2010, signed in yellow coloured pencil, numbered from the edition of 25 in pencil, printed and published by Pictures on Walls, London, on wove paper, with full margins, sheet 700 x 700mm (27 1/2 x 27 1/2in)This work is accompanied by a certificate of authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 6

δ Banksy (b. 1974)I Fought the LawScreenprint in black and orange, 2004, numbered from the edition of 500, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, the full sheet, sheet 702 x 703mm (27 5/8 x 27 5/8in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 8

δ Banksy (b.1974)Donuts (Strawberry) (Signed)Screenprint in colours, 2009, signed and numbered from the edition of 299 in pink crayon, printed and published by Pictures on Walls, London, with their blindstamp, on Arches 88 wove paper, the full sheet, sheet 558 x 758mm (22 x 29 7/8in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 9

δ Banksy (b.1974)CND Soldiers (Signed)Screenprint in red and black, 2005, signed and dated in pencil, numbered from the edition of 350, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, the full sheet, sheet 700 x 500mm (27 1/2 x 19 5/8in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 63

ALAN PEARSON (British/New Zealander, 1929-2019) 'Roadside Attraction', 1984, screenprint, signed, titled and numbered 15/23 in pencil, with full margins and deckle edges, 58cm x 30cm, framed.

Lot 245

Margaret Knott limited edition screenprint, Red Tulips, nr 9/30 signed in the margin, approx 38 x 30 cms (image only).

Lot 046349

Friedrich Geiler, geb. 1946 Bühl/Baden, Abstrakte Komposition, Farbsiebdruck, sign., dat. 21 und num. 13/25, ca. 44x67cm, R. ca. 60x80cmFriedrich Geiler, born 1946 Bühl/Baden, abstract composition, color screenprint, signed, dated 21 and numbered 13/25, approx 44x67cm, frame approx 60x80cm

Lot 190

λ PETER HEDEGAARD (DANISH 1929-2008) UNTITLED (BLUE & GREEN) Screenprint in colours, 1969 Signed and dated in pencil, numbered 20/25 76 x 55cm (29¾ x 21½ in.) Condition Report: Unexamined out of glazed frame. Some light discolouration to the sheet. Some evidence of moisture trapped under the glaze visible to the blue pigment. This appears to have caused some discolouration. Condition Report Disclaimer

Lot 213

GHADA AMER (EGYPTIAN B. 1963) THE COWBOY Screenprint with hand-colouring, 2002 Signed and dated in pencil, numbered 11/30 and marked with embossed stamp 72 x 57cm (28¼ x 22¼ in.) Condition Report: Under glass, unexamined out of glazed frame. In good original condition. Condition Report Disclaimer

Lot 214

GHADA AMER (EGYPTIAN B. 1963) THE BOAT WITH THE HAPPY COUPLE Screenprint with hand-colouring, 2002 Signed and dated in pencil, numbered 1/5, inscribed H.C. and marked with embossed stamp 72 x 57cm (28¼ x 22¼ in.) Condition Report: Under glass, unexamined out of glazed frame. In good original condition. Condition Report Disclaimer

Lot 215

GHADA AMER (EGYPTIAN B. 1963) SLEEPING BEAUTY Screenprint with hand-colouring, 2002 Signed and dated in pencil, numbered 10/30 and marked with embossed stamp 56 x 72cm (22 x 28¼ in.) Condition Report: Under glass, unexamined out of glazed frame. In good original condition. Condition Report Disclaimer

Lot 229

KEITH HARING (AMERICAN 1958-1990) MONTREUX JAZZ FESTIVAL (PINK) Screenprint in colours, 1983, printed by Serigraphie Uldry Bern, Switzerland 100 x 70cm (39¼ x 27½ in.) Unframed Condition Report: In good original condition. Originally sent to Dreweatts in a tube, now displayed flat in a plastic sleeve. Please arrange suitable packing for collection or speak to the department beforehand. Condition Report Disclaimer

Lot 80

* RUSSELL YOUNG (BRITISH b. 1959),JAMES DEANscreenprint on paper, signed and numbered 36/50image size 101cm x 74cm, overall size 123cm x 94cmFramed and under glass.

Lot 111

Jan Brown - American Skyscrapers, 20th century screenprint in colours, sheet size 52cm x 78cm, together with a quantity of other screenprints by the same hand.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.

Lot 273

SIR PETER BLAKE - Screenprint in colours - 'The Dead Come Out in Their Sunday Best' - signed - No. 212 of 250

Lot 31

DEATH NYC (American, b.1979) 'Kate and Kara', 2017, screenprint in colours, signed, numbered 80/100 and dated in pencil, with the artist's blind stamp, 45cm x 30cm, framed.

Lot 32

DEATH NYC (American, b.1979) 'Queen Taxi', 2016, screenprint in colours, signed, numbered 58/100 and dated in pencil, with the artist's blind stamp, 45cm x 30cm, framed.

Lot 1632

Robert Tavener (1920-2004), screenprint, Brighton Pavilion, signed in pencil, 24/30, 45 x 58cm

Lot 1642

Eduardo Paolozzi (1924-2005), screenprint, Study for Turing, signed artist's proof dated 1998, 49 x 34cm

Lot 1643

Eduardo Paolozzi (1924-2005), screenprint, Untitled, signed and dated 1986, Goldmark Gallery label verso, 44 x 42cm

Lot 108

Donald Hamilton Fraser (1929-2009)Church in the Pyreneer, screenprint, pencil signed in the margin and numbered 119/225, 51 x 38cm

Lot 133

JONAS WOOD (AMERICAN 1977-) VOTE - 2018 Screenprint, 202/300, signed, dated and numbered in pencil(the sheet 40cm x 25cm (15.75in x 9.75in))

Lot 136

§ CRAIGIE AITCHISON C.B.E., R.A.., R.S.A. (SCOTTISH 1926-2009) CRUCIFIXION - 2000 Screenprint, 44/75, signed, dated and numbered in pencil verso, published by Advanced Graphics, London(the sheet 76cm x 63cm (30in x 24.75in))

Lot 139

§ SIR TERRY FROST R.A. (BRITISH 1915-2003) SMALL YELLOW TIMBERAINE Screenprint, 60/60, signed and numbered in pencil to margin, published by Multigraphic, Venezia, with their blindstamp(the sheet 40cm x 50cm (15.75in x 19.75in), unframed)

Lot 170

§ JOHN PIPER C.H. (BRITISH 1903-1992) CAPESTHORNE - 1977 Screenprint, 42/75, signed and numbered in pencil to margin(image size 63.5cm x 101cm (25in x 39.75in))

Lot 172

§ DAVID SHRIGLEY O.B.E. (BRITISH 1968-) UNTITLED (THE WORLD) - 2019 Screenprint, 5/125, initialled, numbered and dated in pencil verso(the sheet 75cm x 56cm (29.5in x 22in), unframed)

Lot 173

§ SIR TERRY FROST R.A. (BRITISH 1915-2003) RED AND BLACK SQUEEZE (KEMP 213) - 2001 Screenprint with collage, 59/120, signed and numbered in pencil, published by Multigraphic, Venezia, with their blindstamp(the sheet 36cm x 58cm (14.25in x 22.75in), unframed)

Lot 175

§ WILHELMINA BARNS-GRAHAM C.B.E. (SCOTTISH 1912-2004) RED, FROM MILLENIUM SERIES - 2000 Screenprint, 36/100, signed, numbered and dated in pencil(the sheet 22cm x 28cm (8.75in x 11in))

Lot 176

§ BARBARA RAE C.B.E., R.A., R.S.A., R.E. (SCOTTISH 1943-) MULL FERRY Screenprint, 9/40, signed, titled and numbered in pencil(70cm x 89cm (27.5in x 35in))

Lot 190

JENNY HOLZER (AMERICAN 1950-) TRUISMS (SET OF FIVE) Screenprint on wooden postcard(each 10cm x 15cm (4in x 6in))

Lot 194

§ IAN HAMILTON FINLAY (SCOTTISH 1925-2006) STAR/STEER - 1968 Screenprint, from the edition of around 400, printed at Girdwood, Edinburgh and published by the Wild Hawthorn Press(the sheet 57cm x 44cm (22.5in x 17.25in), unframed)

Lot 198

§ WILLIE RODGER A.R.S.A., R.G.I. (SCOTTISH 1930-2018) MARY QUEEN OF SCOTS - 1975 Screenprint, 61/100, signed, dated, titled and numbered in ink to margin; and another 'Lady Macbeth - 1975,' Screenprint, 45/100, signed, dated, titled and numbered in ink to margin(image size 29cm x 18cm (11.5in x 7in), each)Footnote: Note: Scottish printmaker Willie Rodger designed the award-winning Scottish Historical Playing Cards in 1974 for Angus Ogilvy of the Stirling Gallery. The original designs were cut in lino, his favoured printmaking medium, before bring printed as screenprints in an edition of 100 in 1975. The full set comprises 12 portraits depicting important figures in Scottish history, with two jokers: John Knox and Adam Smith

Lot 199

§ WILLIE RODGER A.R.S.A., R.G.I. (SCOTTISH 1930-2018) BONNIE PRINCE CHARLIE - 1975 Screenprint, 41/100, signed, dated, titled and numbered in ink to margin; and another 'Balmoral Gathering - 1984,' Linocut on woodgrain paper, 6/10, signed, dated, titled and numbered in ink to margin(29cm x 18cm (11.5in x 7in) and 15cm x 26.5cm (6in x 10.5in))

Lot 210

§ VICTOR PASMORE C.B.E., C.H. (BRITISH 1908-1998) BLUE FANTASY II - 1986 Screenprint, 69/70, signed with initials, dated and numbered in pencil to margin, published by Marlborough Fine Art, London, printed by Kelpra Studios, London, with their blindstamp(the sheet 88cm x 103cm (34.5in x 40.5in))Footnote: Note: Victor Pasmore didn’t move towards his signature abstract style until 1947, in a move the art historian Herbert Read described as ‘the most revolutionary event in post-war British art.’ In 1966 Pasmore re-located to Malta and it was in this same year that he began experimenting extensively with printmaking, starting with the 2RC printshop in Rome. From then on, printmaking became a significant part of his artistic practice and he worked with many important print studios, including Kelpra Studio and Curwen Press. With time, and this significant move to both warmer climes and into printmaking, Pasmore’s work softened and his hard-edged geometric forms gave way to more curving shapes and the wandering lines and areas of deep colour that we can see in this selection of work. The resulting images are characterised by a simplicity and fluidity that evokes a strong sense of balance, even peacefulness. This sense is magnified by his chosen titles, which imbue the pieces with a mystical quality.

Lot 211

§ VICTOR PASMORE C.B.E., C.H. (BRITISH 1908-1998) BLUE DEVELOPMENT - 1974 Etching and screenprint, A/P, signed in plate, signed with initials, dated and numbered in pencil to margin(the sheet 72cm x 61cm (28.25in x 24in))Footnote: Note: Victor Pasmore didn’t move towards his signature abstract style until 1947, in a move the art historian Herbert Read described as ‘the most revolutionary event in post-war British art.’ In 1966 Pasmore re-located to Malta and it was in this same year that he began experimenting extensively with printmaking, starting with the 2RC printshop in Rome. From then on, printmaking became a significant part of his artistic practice and he worked with many important print studios, including Kelpra Studio and Curwen Press. With time, and this significant move to both warmer climes and into printmaking, Pasmore’s work softened and his hard-edged geometric forms gave way to more curving shapes and the wandering lines and areas of deep colour that we can see in this selection of work. The resulting images are characterised by a simplicity and fluidity that evokes a strong sense of balance, even peacefulness. This sense is magnified by his chosen titles, which imbue the pieces with a mystical quality.

Lot 212

§ VICTOR PASMORE C.B.E., C.H. (BRITISH 1908-1998) MILKY WAY - 1986 Screenprint, 44/70, signed with initials, dated and numbered in pencil to margin, published by Marlborough Graphics, printed by Kelpra Studios, with their blindstamp(the sheet 75cm x 94cm (29.5in x 37in))Footnote: Note: Victor Pasmore didn’t move towards his signature abstract style until 1947, in a move the art historian Herbert Read described as ‘the most revolutionary event in post-war British art.’ In 1966 Pasmore re-located to Malta and it was in this same year that he began experimenting extensively with printmaking, starting with the 2RC printshop in Rome. From then on, printmaking became a significant part of his artistic practice and he worked with many important print studios, including Kelpra Studio and Curwen Press. With time, and this significant move to both warmer climes and into printmaking, Pasmore’s work softened and his hard-edged geometric forms gave way to more curving shapes and the wandering lines and areas of deep colour that we can see in this selection of work. The resulting images are characterised by a simplicity and fluidity that evokes a strong sense of balance, even peacefulness. This sense is magnified by his chosen titles, which imbue the pieces with a mystical quality.

Lot 221

KEITH HARING (AMERICAN 1958-1990) MONTREUX JAZZ POSTER (PINK) - 1983 Screenprint(the sheet 100cm x 70cm (39.5in x 27.5in), unframed)

Lot 222

KEITH HARING (AMERICAN 1958-1990) MONTREUX JAZZ POSTER (GREEN) - 1983 Screenprint(the sheet 100cm x 70cm (39.5in x 27.5in), unframed)

Lot 223

KEITH HARING (AMERICAN 1958-1990) MONTREUX JAZZ POSTER (YELLOW) - 1983 Screenprint(the sheet 100cm x 70cm (39.5in x 27.5in), unframed)

Lot 236

§ PETER HOWSON O.B.E. (SCOTTISH 1958-) SALOME AND THE CHICKEN EATERS - 1985 Screenprint, 14/22, signed, titled, dated and numbered in pencil to margin(the sheet 65.5cm x 56.5cm (25.75in x 22.25in))Provenance: Glasgow Print Studio

Lot 1332

Jeffery Edwards, screenprint, Insufficient Pruning, 1972, no. 134/250, image 48cm x 53cm, clip frame

Lot 196

Albert Irvin (British, 1922-2015), abstract study, screenprint, signed in pencil and dated 98, full sheet, H.16cm W.21cm, frame size, H.36cm W.40cm ARR

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