John Piper C.H. (British, 1903-1992)Caernarvon Castle I (Levinson 200) Screenprint in colours, 1971, on wove, signed and inscribed 'A/P' in pencil, one of 10 artist's proofs aside from the numbered edition of 70, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, with full margins, 495 x 750mm (19 1/2 x 29 1/2in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
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John Piper C.H. (British, 1903-1992)Foliate Head, plate I from 'Eightieth Anniversary Portfolio' (Levinson 354) Etching and screenprint in colours, 1983, on wove, signed and numbered 16/75 in pencil, printed by Kelpra Studio, London, published by Orde Levinson, with the printer's blindstamp, with margins, 450 x 651mm (17 3/4 x 25 5/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
John Piper C.H. (British, 1903-1992)Ruined Church, Bawsey (Levinson 341) Screenprint in colours, 1982, on wove, signed and numbered 53/100 in pencil, printed by Kelpra Studio, London, published by Christie's Contemporary Art, London, with margins, 443 x 597mm (17 1/2 x 23 1/2in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
John Piper C.H. (British, 1903-1992)St Helen Hall (Levinson 325) Screenprint in colours, 1981, on wove, signed and numbered 27/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, with the printer's blindstamp, with full margins, 692 x 803mm (27 1/4 x 31 5/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
John Piper C.H. (British, 1903-1992)South Lopham (Levinson 264) Screenprint in colours, 1976, on wove, signed and numbered 69/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, with the Christie's Contemporary Art blindstamp, with full margins, 1030 x 620mm (40 1/2 x 24 3/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
John Piper C.H. (British, 1903-1992)Ettington Park, Plate II from 'Victorian Dream Palaces' (Levinson 273) Screenprint in colours, 1977, on wove, signed and numbered 74/75 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, with margins, 521 x 698mm (20 1/2 x 27 1/2in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
John Piper C.H. (British, 1903-1992)Skeabost, Skye (Levinson 250) Screenprint in colours, 1975, signed and numbered 39/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Arts, London, with margins, 635 x 840mm (25 x 33 1/8in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Sir Terry Frost R.A. (British, 1915-2003)Blue, Red, Black Vertical Rhythm (Kemp 246) Screenprint in colours with collage elements and embossing, 2003, on wove, signed and numbered 52/125 in pencil, printed by Coriander Studio, London, published by CCA Galleries, Tilford, with margins, 370 x 365mm (14 1/2 x 14 3/8in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Sir Terry Frost R.A. (British, 1915-2003)Orange and Blue (Kemp 144) Screenprint in colours with hand-colouring in pastel, 1995, on wove, signed and numbered 35/50 in pencil, as included in the 1995 'Printmaking Portfolio', printed and published by the Royal College of Art, London, the full sheet printed to the edges, 293 x 289mm (11 1/2 x 11 3/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Sir Terry Frost R.A. (British, 1915-2003)Blue, Red, Black Vertical Rhythm (Kemp 246) Screenprint in colours with collage elements and embossing, 2003, on heavy wove, signed and numbered 52/125 in pencil, printed by Coriander Studio, London, published by CCA Galleries, Tilford, with full margins, 530 x 543mm (20 7/8 x 21 3/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Sir Terry Frost R.A. (British, 1915-2003)Three for Two (Kemp 219) Screenprint in colours, 2001, on wove, signed and numbered 65/150 in pencil, printed by Coriander Studio, London, published by CCA Galleries, Tilford, with margins, 460 x 313mm (18 1/8 x 12 1/4in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Patrick Caulfield R.A. (British, 1936-2005)The Letter (Cristea 3) Screenprint in colours, 1967, on wove, signed and inscribed 'AP' in pencil, an artist's proof aside from the numbered edition of 75, printed by Kelpra Studio, London, published by Editions Alecto, London, the full sheet printed to the edges, 480 x 760mm (18 7/8 x 29 7/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
John Hoyland R.A. (British, 1934-2011)Brown Black on Pink, from 'The New York Suite' Screenprint in colours, 1971, on J. Green, signed, dated and numbered 5/100 in pencil, published by Waddington Graphics, London, with full margins, 1027 x 714mm (40 3/8 x 28 1/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
δ Banksy (b.1974)Have a Nice DayScreenprint in colours, 2003, numbered from the edition of 500 in pencil, printed and published by Pictures on Walls, London, on wove paper, the full sheet printed to the edges, sheet 350 x 986mm(13 3/4 x 38 3/4in)This work has been authenticated by Pest Control Office and a new Certificate of Authenticity will be issued to the buyer.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)Flying CopperScreenprint in colours, 2003, numbered from the edition of 600, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, the full sheet, sheet 992 x 697mm (39 x 27 1/2in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)Happy Choppers (Signed)Screenprint in colours, 2003, signed and dated in black ink, numbered from the edition of 750, printed and published by Pictures on Walls, London, on wove paper, with full margins, sheet 700 x 500mm (27 1/2 x 19 5/8in)This work is accompanied by a certificate of authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTIONδ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)Bomb Love (Bomb Hugger)Screenprint in pink and black, 2003, numbered from the edition of 600, printed and published by Pictures on Walls, London, on wove paper, the full sheet, sheet 696 x 495mm (27 3/8 x 19 1/2 in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)Gangsta RatScreenprint in black and red, 2004, numbered from the edition of 350 in pencil, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, the full sheet, 500 x 350mm (19 5/8 x 13 3/4in)This work has been authenticated by Pest Control Office and a new Certificate of Authenticity will be issued to the buyer.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b. 1974)Choose Your Weapon (Yellow) (Signed)Screenprint in colours, 2010, signed in yellow coloured pencil, numbered from the edition of 25 in pencil, printed and published by Pictures on Walls, London, on wove paper, with full margins, sheet 700 x 700mm (27 1/2 x 27 1/2in)This work is accompanied by a certificate of authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b. 1974)I Fought the LawScreenprint in black and orange, 2004, numbered from the edition of 500, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, the full sheet, sheet 702 x 703mm (27 5/8 x 27 5/8in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)Donuts (Strawberry) (Signed)Screenprint in colours, 2009, signed and numbered from the edition of 299 in pink crayon, printed and published by Pictures on Walls, London, with their blindstamp, on Arches 88 wove paper, the full sheet, sheet 558 x 758mm (22 x 29 7/8in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)CND Soldiers (Signed)Screenprint in red and black, 2005, signed and dated in pencil, numbered from the edition of 350, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, the full sheet, sheet 700 x 500mm (27 1/2 x 19 5/8in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Friedrich Geiler, geb. 1946 Bühl/Baden, Abstrakte Komposition, Farbsiebdruck, sign., dat. 21 und num. 13/25, ca. 44x67cm, R. ca. 60x80cmFriedrich Geiler, born 1946 Bühl/Baden, abstract composition, color screenprint, signed, dated 21 and numbered 13/25, approx 44x67cm, frame approx 60x80cm
λ PETER HEDEGAARD (DANISH 1929-2008) UNTITLED (BLUE & GREEN) Screenprint in colours, 1969 Signed and dated in pencil, numbered 20/25 76 x 55cm (29¾ x 21½ in.) Condition Report: Unexamined out of glazed frame. Some light discolouration to the sheet. Some evidence of moisture trapped under the glaze visible to the blue pigment. This appears to have caused some discolouration. Condition Report Disclaimer
GHADA AMER (EGYPTIAN B. 1963) THE COWBOY Screenprint with hand-colouring, 2002 Signed and dated in pencil, numbered 11/30 and marked with embossed stamp 72 x 57cm (28¼ x 22¼ in.) Condition Report: Under glass, unexamined out of glazed frame. In good original condition. Condition Report Disclaimer
GHADA AMER (EGYPTIAN B. 1963) THE BOAT WITH THE HAPPY COUPLE Screenprint with hand-colouring, 2002 Signed and dated in pencil, numbered 1/5, inscribed H.C. and marked with embossed stamp 72 x 57cm (28¼ x 22¼ in.) Condition Report: Under glass, unexamined out of glazed frame. In good original condition. Condition Report Disclaimer
GHADA AMER (EGYPTIAN B. 1963) SLEEPING BEAUTY Screenprint with hand-colouring, 2002 Signed and dated in pencil, numbered 10/30 and marked with embossed stamp 56 x 72cm (22 x 28¼ in.) Condition Report: Under glass, unexamined out of glazed frame. In good original condition. Condition Report Disclaimer
KEITH HARING (AMERICAN 1958-1990) MONTREUX JAZZ FESTIVAL (PINK) Screenprint in colours, 1983, printed by Serigraphie Uldry Bern, Switzerland 100 x 70cm (39¼ x 27½ in.) Unframed Condition Report: In good original condition. Originally sent to Dreweatts in a tube, now displayed flat in a plastic sleeve. Please arrange suitable packing for collection or speak to the department beforehand. Condition Report Disclaimer
Jan Brown - American Skyscrapers, 20th century screenprint in colours, sheet size 52cm x 78cm, together with a quantity of other screenprints by the same hand.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
§ WILLIE RODGER A.R.S.A., R.G.I. (SCOTTISH 1930-2018) MARY QUEEN OF SCOTS - 1975 Screenprint, 61/100, signed, dated, titled and numbered in ink to margin; and another 'Lady Macbeth - 1975,' Screenprint, 45/100, signed, dated, titled and numbered in ink to margin(image size 29cm x 18cm (11.5in x 7in), each)Footnote: Note: Scottish printmaker Willie Rodger designed the award-winning Scottish Historical Playing Cards in 1974 for Angus Ogilvy of the Stirling Gallery. The original designs were cut in lino, his favoured printmaking medium, before bring printed as screenprints in an edition of 100 in 1975. The full set comprises 12 portraits depicting important figures in Scottish history, with two jokers: John Knox and Adam Smith
§ WILLIE RODGER A.R.S.A., R.G.I. (SCOTTISH 1930-2018) BONNIE PRINCE CHARLIE - 1975 Screenprint, 41/100, signed, dated, titled and numbered in ink to margin; and another 'Balmoral Gathering - 1984,' Linocut on woodgrain paper, 6/10, signed, dated, titled and numbered in ink to margin(29cm x 18cm (11.5in x 7in) and 15cm x 26.5cm (6in x 10.5in))
§ VICTOR PASMORE C.B.E., C.H. (BRITISH 1908-1998) BLUE FANTASY II - 1986 Screenprint, 69/70, signed with initials, dated and numbered in pencil to margin, published by Marlborough Fine Art, London, printed by Kelpra Studios, London, with their blindstamp(the sheet 88cm x 103cm (34.5in x 40.5in))Footnote: Note: Victor Pasmore didn’t move towards his signature abstract style until 1947, in a move the art historian Herbert Read described as ‘the most revolutionary event in post-war British art.’ In 1966 Pasmore re-located to Malta and it was in this same year that he began experimenting extensively with printmaking, starting with the 2RC printshop in Rome. From then on, printmaking became a significant part of his artistic practice and he worked with many important print studios, including Kelpra Studio and Curwen Press. With time, and this significant move to both warmer climes and into printmaking, Pasmore’s work softened and his hard-edged geometric forms gave way to more curving shapes and the wandering lines and areas of deep colour that we can see in this selection of work. The resulting images are characterised by a simplicity and fluidity that evokes a strong sense of balance, even peacefulness. This sense is magnified by his chosen titles, which imbue the pieces with a mystical quality.
§ VICTOR PASMORE C.B.E., C.H. (BRITISH 1908-1998) BLUE DEVELOPMENT - 1974 Etching and screenprint, A/P, signed in plate, signed with initials, dated and numbered in pencil to margin(the sheet 72cm x 61cm (28.25in x 24in))Footnote: Note: Victor Pasmore didn’t move towards his signature abstract style until 1947, in a move the art historian Herbert Read described as ‘the most revolutionary event in post-war British art.’ In 1966 Pasmore re-located to Malta and it was in this same year that he began experimenting extensively with printmaking, starting with the 2RC printshop in Rome. From then on, printmaking became a significant part of his artistic practice and he worked with many important print studios, including Kelpra Studio and Curwen Press. With time, and this significant move to both warmer climes and into printmaking, Pasmore’s work softened and his hard-edged geometric forms gave way to more curving shapes and the wandering lines and areas of deep colour that we can see in this selection of work. The resulting images are characterised by a simplicity and fluidity that evokes a strong sense of balance, even peacefulness. This sense is magnified by his chosen titles, which imbue the pieces with a mystical quality.
§ VICTOR PASMORE C.B.E., C.H. (BRITISH 1908-1998) MILKY WAY - 1986 Screenprint, 44/70, signed with initials, dated and numbered in pencil to margin, published by Marlborough Graphics, printed by Kelpra Studios, with their blindstamp(the sheet 75cm x 94cm (29.5in x 37in))Footnote: Note: Victor Pasmore didn’t move towards his signature abstract style until 1947, in a move the art historian Herbert Read described as ‘the most revolutionary event in post-war British art.’ In 1966 Pasmore re-located to Malta and it was in this same year that he began experimenting extensively with printmaking, starting with the 2RC printshop in Rome. From then on, printmaking became a significant part of his artistic practice and he worked with many important print studios, including Kelpra Studio and Curwen Press. With time, and this significant move to both warmer climes and into printmaking, Pasmore’s work softened and his hard-edged geometric forms gave way to more curving shapes and the wandering lines and areas of deep colour that we can see in this selection of work. The resulting images are characterised by a simplicity and fluidity that evokes a strong sense of balance, even peacefulness. This sense is magnified by his chosen titles, which imbue the pieces with a mystical quality.
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12816 item(s)/page