We found 12816 price guide item(s) matching your search

Harry D Reeks (American 1920-1982): 'Cable Car', screenprint signed in the plate 14cm x 12cm

λ JOHN HOYLAND (BRITISH 1934-2011)WINDOW TO NATURE Screenprint Signed in pencil, dated 1997 and numbered 21/75, with Advanced Graphics, London stamp Sheet 58 x 47cm (22¾ x 18½ in.)Overall inc. frame 63.5 x 52.5cm (25 x 20 5/8in.)Condition Report: Unexamined out of glazed frame. The sheet is slightly undulating. Otherwise in good original conditions. Some minor scuffs to the frame. Please note Dreweatts is not liable for damage to frames. Condition Report Disclaimer

λ ALISTAIR GRANT (BRITISH 1925-1997)UNTITLED (CORAL)Screenprint and lithograph printed in coloursSigned in pencil and numbered 2/2056.5 x 76cm (22 x 29¾ in.)Unframed

λ ALISTAIR GRANT (BRITISH 1925-1997)BATEAU 456 Screenprint and lithograph printed in coloursSigend in pencil and numbered 8/2059 x 78cm (23 x 30½ in.)Unframed

λ ALISTAIR GRANT (BRITISH 1925-1997)UNTITLED (GREY)Screenprint and lithograph printed in coloursSigned in pencil and numbered 11/15 Sheet 57 x 76cm (22¼ x 29¾ in.)Unframed

λ JOHN HOYLAND (BRITISH 1934-2011)FRIENDLY GHOST Screenprint Signed in pencil and dated 1997 (lower right) and numbered 21/75 (lower left), with with Advanced Graphics, London stamp 64 x 52.5cm (25 x 20½ in.) overall including frameCondition Report: Unexamined out of glazed frame. In overall good condition commensurate with age. Sheet slightly undulating. Some minor abrasions to frame.Please note Dreweatts is not liable for damages to (glazed) frames.Condition Report Disclaimer

λ ALISTAIR GRANT (BRITISH 1925-1997)UNTITLED (BROWN)Screenprint in coloursSigned in pencil and numbered 2/2057 x 77cm (22¼ x 30¼ in.)Unframed

λ JOHN HOYLAND (BRITISH 1934-2011)STORY FROM NATURE Screenprint Signed in pencil, dated 1997 and numbered 21/75, with Advanced Graphics, London stamp Sheet 58 x 47cm (22¾ x 18½ in.)Overall inc. frame 63.5 x 52.5cm (24 3/4 x 20 5/8in.)Condition Report: Unexamined out of glazed frame. Sheet slightly undulating. Overall in good original condition. Some minor knocks and marks to the frame.  Please note Dreweatts is not liable for damage to frames. Condition Report Disclaimer

Anne Rooke (British, 20th century), lake and mountain landscape, coloured screenprint, signed and dated 55' in pencil,15.5x20.5ins, framed and glazed.

Bryan PEARCE (1929-2006) Busy Lizzie and Island View Screenprint Signed, numbered 13/75 and dated 1999 Title to artist's label verso Framed and glazed Picture size 43 x 55cm Overall size 62 x 73cm

Follower of Stuart Davies (British 1892-1964): Abstract Composition of Figures, artists proof screenprint indistinctly signed and titled 42cm x 31cm (unframed)

* BRENDA MARTIN, THREE SIGNED LIMITED EDITION SCREENPRINTS screenprint on paper, each signed, titled and numbered from an edition of 150 or 200each mounted, framed and under glass including 'Snow White' 65/150, 'The Party' 131/150 and 'Snowhearts' 167/200image size 13cm x 9.5cm each, overall size 35cm x 31cm each Note: After graduating from The Royal College of Art in London, Brenda worked as a designer in the fashion industry for Monsoon in India and Studio West in San Francisco, before returning to the UK to work as a BBC costume designer. During this time she specialised in period dramas and comedy sketch shows including ‘Alas Smith and Jones’, ‘Scotch and Wry’ and ‘Naked Video’, whilst also illustrating articles for the women’s page of The Herald. She has been a visiting lecturer and examiner at Edinburgh College of Art and has run sketchbook and fashion-based workshops at Leith School of Art. Now based in Edinburgh, much of her current work is painted on location at her home in the Highlands and on the beautiful beaches of Northumberland.

SHEPARD FAIREY (AMERICAN b. 1970), FLORAL HARMONY LIGHT BLUE YIN/YANG aritst's proof screenprint on fine art paper, signed in pencil, dated '20 and marked APunframedoverall size 45cm x 60cmNote: Shepard Fairey is an American graphic artist and social activist who is part of the Street Art movement. Born on February 15, 1970 in Charleston, South Carolina, Fairey graduated from the Rhode Island School of Design in 1992 where he earned his Bachelor of Arts in illustration. In 1989 Fairey created the André the Giant Has a Posse sticker campaign, featuring a stylized image of the wrestler André the Giant. This project was the foundation for his seminal Obey series, which helped to push Fairey into the public spotlight. Fairey blurs the boundary between traditional and commercial art through type and image, communicating his brand of social critique via prints, murals, stickers, and posters in public spaces. His works are included in the collections of the Smithsonian in Washington, D.C., the Los Angeles County Museum of Art, and the Victoria and Albert Museum in London.

Ricardo Wolfson (Argentinian, b.1950)Cafe,signed and numbered,limited edition screenprint, 58/150,44 x 51cms, framed.

Gina Tollard(Contemporary)"Low Tide",pencil signed, titled, and numbered to the margin,limited-edition screenprint, 167/250, with Chelsea Fine Arts blindstamp,41 x 51cms, framed.

Jan King(Australian, b.1945)"The Old Boathouse",pencil signed, titled, and numbered to the margin,limited-edition screenprint, 6/50,43 x 33cms, framed.

*CRAIGIE AITCHISON (1926-2009) 'Cypress Tree, Montecastelli' signed, dated '04 and numbered 4/75 in pencil verso, screenprint in colours, the full sheet printed to the deckled edges, 15cm x 12cm

*CRAIGIE AITCHISON (1926-2009) 'Dusty in a green coat' inscribed verso "For Vanessa, all best wishes, Craigie Aitchison, Oct 2003", screenprint in colours, the full sheet printed to the deckled edges, 30cm x 25cm

*BRYAN PEARCE (1929-2006) 'St Ives Harbour View' signed, dated 2001 and numbered 70/75 in pencil to the margin, screenprint in colours, the image 56cm x 44cm

*BRUCE MCLEAN (B. 1944) 'Pipe of Peace' 1984, signed, dated, titled and numbered 14/25 in pencil to the margin, screenprint in colours, the sheet 101.5cm x 80cm

*MATTHEW HILTON (B. 1948) 'Between the Shades' signed, dated '96 and numbered 32/40 in pencil to the margin, screenprint in colours, the image 10cm x 22.5cm, the full sheet 54cm x 48cm (unframed) 

John Piper (1903-1992) British'Withorn Priory' screenprint, within a glazed giltwood frame, 63 cm x 93 cm

Michael Rothenstein (1908-1993) signed screenprint 68x89cm unframed 

* Date Farmers. Cambio - Obama, 2008, screenprint in colours, signed and dated in pencil lower right and numbered 110/300 lower left, 61 x 46 cm, together with Neate (Adam, 1977- ). Red Portrait (Movement) / Madonna Poster, 2 copies of each, both 2009, offset colour lithographic posters, signed in black marker pen by the artist lower left, 75 x 52 cm, both fine, together with Canvas Crucifix, 2011 / Red Dimensional Portrait 001, 2011, colour lithographic posters, signed in gold and silver marker pens lower left respectively, second poster with creasing and indentation marks to the surface, both 75 x 52 cm, plus 2 small signed Labrona limited edition posters and 2 unsigned Banksy Time Out posters, all near fine, plus a colour lithographic poster by Ed Templeton and 2 original drawings by an unidentified Polish artist (?Jerzy) and one otherQTY: (15)

* Fairey (Shepard, 1970- ). Smokey Robinson (Red), 2009, screenprint in colours, signed and dated 'Shepard Fairey 09' lower right and signed by Smokey Robinson lower left with pencil limitation number 281/450, 60 x 45 cm, together with Smokey Robinson (Gold), 2009, screenprint in colours, signed and dated 'Shepard Fairey 09' lower right and signed by Smokey Robinson lower left with pencil limitation number 68/100, 46 x 61 cm, both fineQTY: (2)

* Walker (Nick, 1969- ). Gold Nozzle / Black Nozzle, both 2007, screenprint in gold and black respectively on thick white paper, signed and numbered in pencil lower right, 184/225 & 139/225, 58 x 40 cm, together with a group of 10 limited edition urban art screenprints by various artists, c. 2000s, including 3 published by POW, Souled Out Studios (3) and Hang-Up (2), all pencil signed and numberedQTY: (12)

* Youngerman (Jack, 1926-2020). Youngerman, c. 1970s, unfolded screenprint poster with abstract white floral design on a black background, 86 x 61 cm, fine, together with: Hang In There, Baby! Studio One, c. 1970s, unfolded colour poster featuring a photograph by John Wajda, 92 x 61 cm, plus other miscellaneous posters including a Nazareth colour promotional poster for their album CREST 15, 1974, 76 x 51 cm, all unfolded condition, various sizes, mostly fine, plus a set of 6 cat posters by B. Kliban, some old, light dampstaining, 61 x 46 cm, original publisher's card portfolio, plus Counterculture Posters, come alive! Join the Underground Generation, Holler Evergreen, 1970, unfolded colour poster featuring an image of Allen Ginsberg from the film Chappaqua (1966), long closed tear without loss to left margin, a little fraying to blank lower left corner, 114 x 75 cm, very good, together with: Make Love Not War, circa 1970, unfolded colour lithographic letterpress poster featuring the anti-war slogan twice in a large serif font on a red background, 101 x 66 cm, fine, plus a group of approximately 30 art exhibition museum posters including duplicates, mostly 1990s, rolledQTY: (approx. 50)

* Katine Christmas Auction. A group of 4 signed artworks produced for the Guardian's Katine Christmas auction, 2008, including a colour photograph of a Christmas tree discarded by the roadside by Rankin, signed in silver lower right, image size 29 x 22 cm; a colour photograph of wet street cobblestones, initialled and dated by the artist David Bailey to lower part of image, 29 x 22 cm; an original red marker pen red glowing heart drawing on white A4 paper signed by the artist Tilda Swinton in green ink beneath, and a colour photograph of television sets artwork by Jonathan Ross, signed in black marker pen to lower part of image, 21.5 x 29.5 cm, all in matching white frames, glazed, together with Small (Matt), Untitled portrait of a head in red, 2007, screenprint, signed, dated and numbered 37/100 in pencil to lower margin, 27 x 20 cm, framed and double glazed with artist information to verso, plus other assorted modern art and prints, mostly unidentified artists, all but one framed and glazed, various sizesQTY: (14)

§ JOHN BYRNE R.S.A. (SCOTTISH 1940-) INSPIRATION - 2013 Screenprint, P.E., signed, titled and editioned in pencil to marginDimensions:the sheet 55cm x 66cm (21.75in x 26in), unframed

§ SIR PETER BLAKE C.B.E., R.A. (BRITISH 1932-) PARADE Screenprint, 11/175, signed, titled and numbered in pencil to margin, published by CCA Galleries, London, with their blindstampDimensions:the sheet 78cm x 60.5cm (31in x 23.75in)

§ DAVID SHRIGLEY O.B.E. (BRITISH 1968-) UNTITLED (THE WORLD) - 2019 Screenprint, 22/125, signed with initials, numbered and dated in pencil verso Dimensions:the sheet 74.5cm x 55.5cm (29.5in x 22in), unframed

§ ROBYN DENNY (BRITISH 1930-2014) COLOUR BOX SECOND SERIES NO.4 - 1969-73 Screenprint, 50/75, titled, inscribed and dated to backboard, published by Editions Alecto, LondonDimensions:60.5cm x 51cm (23.75in x 20in)Provenance:Provenance: Purchased by the vendor from Richard Demarco's auction, c. 1974 - Lot 40.Note: Exhibited: Leverkusen & Stuttgart, 'British Council Fine Arts Denny Exhibition,' 1973/4, cat. n. 50(d).

§ PATRICK HUGHES (BRITISH 1939-) WET RAINBOW - 1979 Screenprint, 61/150, signed, dated, titled and numbered to lower imageDimensions:the sheet 76cm x 76cm (30in x 30in), unframed

§ PATRICK HUGHES (BRITISH 1939-) OVER THE RAINBOW - 1980 Screenprint, A.P., signed, dated, inscribed and editioned in pencil to marginDimensions:the sheet 56cm x 66cm (22in x 26in), unframed

§ IAN HAMILTON FINLAY (SCOTTISH 1925-2006) SEA POPPY II - 1968 Screenprint, ed. 250Dimensions:image size 33.5cm x 30cm (13.25in x 11.75in)

CY TWOMBLY (AMERICAN 1928-2011) NOTES FROM SALALAH - 2008 Screenprint, printed on the occasion of the artist's exhibition at Gagosian Gallery, RomeDimensions:the sheet 76cm x 56cm (30in x 22in), unframed

§ ALISON WATT O.B.E., F.R.S.E., R.S.A. (SCOTTISH 1965-) SHOAL - 2013 Screenprint, 36/40, signed, dated and numbered in pencil to marginDimensions:the sheet 52cm x 72cm (20.5in x 28.25in)Provenance:Provenance: 'Swish', a charity auction held on behalf of the National Theatre of Scotland of which Alison Watt has been a long-term supporter.

§ VICTORIA CROWE O.B.E., F.R.S.E., R.S.A. (SCOTTISH 1945-) HEALING HERB: VIOLA Screenprint, 20/75, signed, titled and numbered in pencil to marginDimensions:the sheet 76.5cm x 56cm (30.5in x 22in)

§ ADRIAN WISZNIEWSKI (SCOTTISH 1958-) TRYING TO MAKE A DOLLAR Screenprint, 17/30, signed and numbered in pencil to margin Dimensions:the image 46cm x 46cm (18in x 18in)

§ SIR TERRY FROST R.A. (BRITISH 1915-2003) RED, BLACK AND WHITE WITH CREAM Screenprint, 16/100, signed and numbered in pencilDimensions:23cm x 37cm (9in x 14.5in)Provenance:Provenance: Dominic Kemp, London

§ IAN MCKENZIE SMITH O.B.E., O.B.E., R.S.A., P.R.S.W. (SCOTTISH 1935-) DEEP SPACE - 2001 Screenprint, 18/50, signed, titled and numbered in pencil to margin, published by Glasgow Print StudioDimensions:plate size 35cm x 56.5cm (13.75in x 22.25in)

§ KATE DOWNIE (SCOTTISH 1958-) FORTH ROAD BRIDGE Screenprint, A/P, signed and editioned in pencil to margin Dimensions:55.5cm x 90cm (21.75in x 35.5in)

§ DAME ELIZABETH BLACKADDER O.B.E., R.A., R.S.A., R.S.W., R.G.I., D.Litt (SCOTTISH 1931-2021) WILDFLOWER - 2014 Screenprint, P/P, aside from the edition of 80, signed and editioned in pencil to margin, published by Glasgow Print Studio, with their blindstampDimensions:the sheet 72.5cm x 54.5cm (28.5in x 21.5in)

KEITH HARING (AMERICAN 1958-1990) X ANDY WARHOL MONTREUX JAZZ FESTIVAL - 1986 ScreenprintDimensions:the sheet 100cm x 70cm (39.25in x 27.5in), unframed

KEITH HARING (AMERICAN 1958-1990) MONTREUX JAZZ POSTER (PINK) - 1983 ScreenprintDimensions:the sheet 100cm x 70cm (39.5in x 27.5in), unframed

KEITH HARING (AMERICAN 1958-1990) MONTREUX JAZZ POSTER (YELLOW) - 1983 ScreenprintDimensions:the sheet 100cm x 70cm (39.5in x 27.5in), unframed

WILLIAM KENTRIDGE, ROBERT HODGINS & DEBORAH BELL limited edition (4/25) screenprint – 'Aida Etc’, signed, numbered and dated in pencil ’89 (I)Dimensions: 35 x 84cmsProvenance:estate of Prof. Ritchie Ovendale, Aberystwyth, consigned via our Carmarthen officeCondition Report:The mount has started to ripple on the left side.

Simon Bull, signed Artists Proof Screenprint of a Lily together with a pair of Artist Proof Etchings of Roses and Poppies by separate hands

‡ CLAUDIA WILLIAMS limited edition (114/200) coloured screenprint - entitled 'Morning', signed in fullDimensions: 40 x 46cmsProvenance:private collection Anglesey, consigned via our Colwyn Bay officeCondition Report:framed and glazed

‡ MARY LLOYD JONES limited edition (47/56) screenprint - entitled 'Camre Cain', signed in full and dated 1993 Dimensions: 44 x 55cmsProvenance:private collection Anglesey, consigned via our Colwyn Bay officeCondition Report:framed and glazed

‡ ERIC MALTHOUSE limited edition (3/20) screenprint - entitled verso 'St Ives 1955', signedDimensions: 41 x 52cmsProvenance:private collection Cardiff, consigned via our Cardiff officeCondition Report:framed and glazed

ELSPETH LAMB RSA (SCOTTISH b.1951)  THE BURIED MIRROR  Screenprint, signed lower right, inscribed, dated (19)92, 96 x 75cm (37.75 x 29.5") Condition Report:Available upon request

Eric FINLAY (1930-1996) Image for Carlos Montoya, 1967 Screenprint Signed, inscribed and dated Image size 70 x 53cmSheet size 79 x 59.5cm

Ben JOHNSON (1946) The Sainsbury Centre - Living Area Blinds Screenprint, Signed, dated 1980 and numbered 26/75, 82.5x66cm sight size

Rose HILTON (1931-2019) Figure Screenprint, signed, inscribed, numbered 20/50, image size 36.5 x 26cm.Note: After Ingres - The Small Bather.

Richard ESTES (1932) Manhattan Screenprint, signed and numbered 156/250, 37x54cm sight sizeThis piece has not been examined out of the frame and appears to be in overall good condition. There are no marks apparent to the print itself, but a little foxing to the surrounding paper. Please see additional images.

Tom PHILLIPS (1937-2022) Schism & Skin Game Screenprint 1982, signed and numbered, 63/75, 56x39cm plate size

Sir Eduardo Paolozzi (1924 - 2005), Largo to Presto (from the Calcium Light Night series), signed and dated 1974, limited edition screenprint 19/200, image 78 x 50 cm, framed and glazed 103 x 72.5 cm

Sir Eduardo Paolozzi (1924 - 2005), Signs of Death and Decay in the Sky, signed and dated 1969, limited edition screenprint 3/80, image 78 x 52.5 cm, framed and glazed 86 x 58.5 cmSealed in frame and glazed.Overall in good condition, slight creasing top right corner and some slight indentations in places

Mr Brainwash [Thierry Guetta] (b.1966) French, Madonna ‘Celebration’ (2012), limited edition signed screenprint, numbered 72/100, screenprint, 76 cm x 76 cm (unframed).Fingerprint in red and '2012' in pencil bottom right on the reverse. Print signed in white pencil. Appears to be in good condition, slight scratch visible to black lines near the centre (see image) - unframed and rolled.