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Lot 420
Banksy X Clown Skateboards, British 21st Century,Clown, 2022;one layered hand pulled gloss acrylic screenprint on JPP textured Somerset 300 gsm, numbered 358/750 and embossed By Clown Skateboards and Stowe Gallery, also with a 'Clown' blind stamp, published by the Stowe Gallery, sheet: 41 x 60.4 cm, (unframed) (ARR) Note: together with a certificate from Stowe Gallery | The team at Clown Skateboards were a big part of Banksy’s early career showcasing Banksy's work for the very first time in London with the “Rivington Street Exhibition” in 2000 and the release of the first little black book “Banging My Head Against A Brick Wall”. Banksy kindly created the iconic image which has been used by Clown ever since.
Lot 149
John Hoyland RA, British 1934-2011, Blue Snake, 1993; Found Seal, 1993; Wandering Moon, 1993; Wonderer; (i) screenprint with woodblock on paper, unnumbered, aside the edition of 90, inscribed with title in pen to the image, image: 59 x 84 cm, (ii) screenprint with woodblock in colours on paper, unnumbered, aside the edition of 90, sheet: 84.5 x 112 cm,(iii) screenprint with woodblock in colours on paper, unnumbered, aside the edition of 90, image: 59 x 84 cm,(iv) screenprint with woodblock in colours on paper, unnumbered, aside the edition of 75, image: 68 x 83 cm,(framed)(ARR)(4)
Lot 172
Sir Terry Frost RA, British 1915-2003,Untitled, Red and Black Squeeze, 2001;screenprint and collage on Fabriano wove, signed and inscribed HC in pencil, (this means hand coloured in this case) printed and published by Galleria Mutligraphic, Venice, sheet: 30 x 51 cm, (framed) (ARR)Note: This print is due to appear in the update to Dominic Kemp's catalogue raisonne as number 213A and due to the hand colouring the work is a unique piece.
Lot 7
Amendment: Please note, this print is unframed, and not as stated below.Joe Tilson RA, British 1928-2023,Three Wristwatches, 1965;screenprint in colours on wove, signed, titled, numbered 3/10 AP and dated in pencil, image: 55.5 x 84.5 cm, (framed) (ARR) Provenance: from the collection of Klaus Hinrichsen. Note: Klaus Hinrichsen (1912–2004) was a German-born art historian who fled Nazi Germany in 1938. He was interned at Hutchinsons Camp on the Isle of Man from 1940, where he organised exhibitions featuring refugee artists such as Kurt Schwitters. Prevented from working in public art institutions after his release, he dedicated himself to collecting and researching maps, ethnographic works, and lithographs, meticulously cataloguing his acquisitions. He sourced items from Sotheby’s, Christie’s, and antique dealers, prioritising historical significance and conducted extensive provenance research at the British Library. His archive, including records and ephemera from his time in internment, is now held at the Tate Gallery.
Lot 144
Ivor Abrahams RA, British 1935-2015,Winter Sundial, 1975; Green Hedge, 1977; Blommande, 1977;each screenprint in colours on wove, (i) signed, numbered 15/95 and dated, sheet: 101 x 120 cm, (ii) signed, dated and inscribed 'A/P', sheet: 140 x 120 cm, (iii) signed, dated and numbered 53/100, sheet: 140 x 120 cm, (unframed) (ARR) (3) (VAT charged on hammer price)
Lot 13
Victor Vasarely, Hungarian/French 1906-1997,MAR-KAB, 1973;screenprint on wove, signed, titled, and numbered 198/280 in pencil, image: 60 x 48 cm, (unframed) (ARR) Provenance: from the collection of Klaus Hinrichsen. Note: Klaus Hinrichsen (1912–2004) was a German-born art historian who fled Nazi Germany in 1938. He was interned at Hutchinsons Camp on the Isle of Man from 1940, where he organised exhibitions featuring refugee artists such as Kurt Schwitters. Prevented from working in public art institutions after his release, he dedicated himself to collecting and researching maps, ethnographic works, and lithographs, meticulously cataloguing his acquisitions. He sourced items from Sotheby’s, Christie’s, and antique dealers, prioritising historical significance and conducted extensive provenance research at the British Library. His archive, including records and ephemera from his time in internment, is now held at the Tate Gallery.
Lot 125
Sir Eduardo Paolozzi CBE RA, Scottish 1924-2005,Theory of Relativity, 1967;screenprint in colours on wove, signed, dated and numbered VI/XXX in pencil, sheet: 101 x 68.5 cm, together with one other screenprint in colours on paper by the same artist entitled 'Selasa', 1975, with pencil inscriptions, sheet: 64 x 55 cm, (unframed) (ARR) (2)
Lot 361
Amendment: Please note, this violin design was made by the artist for his exhibition at Chatsworth to reflect their trompe l’oeil violin painting. Sir Michael Craig-Martin CBE RA, British b.1941-Violin, 2014;screenprint in colours, signed and dated in pencil, and numbered 7/20, published by Alan Cristea, sheet: 60 x 47 cm, (framed) (ARR)
Lot 170
Patrick Caulfield CBE RA, British 1936-2005, You’ll be sick if you spend all your time indoors (from Some Poems of Jules Laforgue), 1973;screenprint on Neobond synthetic paper, signed and numbered 88/200 in pencil on the reverse, printed in Stuttgart by Frank Kicherer, 1972, sheet: 40 x 35 cm, (framed) (ARR)
Lot 281
Original color screenprint on laid paper entitled Clocks of Time by American Abstract Expressionist artist Betty Parsons. She paints brightly colored warm and cool organic shapes within vertical and horizontal lines that seemingly divide the passage of time. Signature and date on lower right: Betty B Parsons, 78. Edition number on lower left: 66/180. Artist: Betty Bierne Parsons (American, 1900-1982)Issued: 1978Dimensions: 21.25"L x 29.5"HCountry of Origin: United StatesProvenance: Jock Truman and Eric Green, Aventura, FL; Bass Museum of Art, Miami Beach, FL 2000. Condition: Good condition.
Lot 178
screenprint on paper, signed and dated '72 mounted, framed and under glass image size 47cm x 35cm, overall size 62cm x 48cm Note: Will Maclean RSA, Professor of Painting in the University of Dundee, is one of the outstanding Scottish artists of his generation. He was born in Inverness where his father, a former sailor, was harbour master, and he spent his childhood between Inverness and Skye. His art is rooted in his knowledge of the Highlands, the Highland people and their history and in his own early associations with sailors and the sea. These things make it relevant and immediately accessible, yet it remains uncompromisingly modern in its forms and in its concerns.
Lot 541
Pol Bury (Belgian 1922-2005) Circle on an acute angle 1973. Framed lithograpth with neon yellow forms on a black triangle. Ebonised frame, glazing AF. 74 x 57cm; Gérard Fromanger (1939-2021) Poster for Splendeurs at Galerie Fred Lanzenberg, 1976 signed and dated 'FROMAGER / 25.2.76' (lower right) 69 x 43cm; Peter Klassen (German 1935-) Untitled signed 'KLASSEN' (lower right); numbered 34/50 screenprint with collage 73 x 54cm (3)
Lot 628
Richard Long CBE, RA (British 1945-), A facsimile exhibition advertisement for 'Text Work' 23 March 2012, Galleria Lorcan O'Neill, Rome, inscribed and signed 'Thanks John..always good to hear from you. / (mauretania & Georges gone) / all best, Richard' and bearing the artist's stamp (lower centre), unframed, 20.5 x 14cm; Mendoza Walking: Three days walking in Tupungato / Fourteen days walking in the Cordon Del Plata, screenprint, 20 x 28cm; and a printed photographic print, signed to the reverse and accompanied by a facsimile letter, 59.5 x 39.5cm Provenance: Collection of the artist, by whom gifted to the father of the present owner
Lot 56
ANGELS OVER VENICEThree-dimensional color screenprint and lithograph multiple with collage and glitter, 1995, signed, titled and numbered 38/50PR in pencil, the full sheet, framed.Image 16 3/4 x 27 3/8 inches; 425 x 695 mm.Frame 31 x 40 5/8 inches; 787 x 1032 mm.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
Lot 76
* Weight (Carel, 1908-1997). Child's Wonderment, 14 colour screenprint, showing a child head in hands standing by the edge of a river, four copies, two with artist's proof x/xv & xi/xv and two with 3/95 &2/95 in pencil to lower margin, all signed in pencil, paper with CC embossed to lower right, print size 61 x 61 cm, sheet size 78 x 74.5 cm, together with Garden of Eden, colour lithographs, four copies each from a limitation of 95, numbered and signed in pen to lower margin, print size 54 x 43 cm, sheet size 61.5 x 51 cm, and an etching by Gillian LawsonQTY: (9)
Lot 360
Nat Finkelstein, 1992, a wooden presentation case with images of Andy Warhol to either side, 'A Catalogue As Multiples', signed to box by Nat Finkelstein and dated 1992. From an edition of 200. Box 31.5 x 3.5 x 7.5cm. Box is sealed with tacks and contents have not been inspected but will likely include two screenprints, a screenprint on mirrored glass, an Andy Warhol bottle, a crushed yellow ball, and a catalogue.
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14878 item(s)/page