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Banksy,British b.1974- Pulp Fiction, 2004;screenprint in colours on wove,numbered 287/600 in pencil,published by Pictures on Walls, London,sheet: 48.3 x 69.3cm(unframed)(ARR)Note: this lot is accompanied by a Certificate of Authenticity, issued by Pest Control Office. First appearing in 2002 as a large mural near Old Street Tube station in London, ‘Pulp Fiction’ presents a scene from Quentin Tarantino’s film of the same name, displaying John Travolta and Samuel L. Jackson side by side handling bananas in place of the guns featured in the original scene. This work is Banksy’s anti-gun statement, where he has rendered a violent scene harmless, through his use of Warhol-like bananas from the album cover for The Velvet Underground. This amalgamation of pop culture references subtly disguises Banksy’s more targeted message, presenting a somewhat humorous scene.
Keith Haring, American 1958-1990, Montreux Jazz Festival (yellow), 1983; Montreux Jazz Festival (green), 1983; Montreux Jazz Festival (orange), 1983; each screenprint on smooth wove,each printed by Albin Uldry, Bern, Switzerland, for the Montreux Jazz Festival, each sheet: 100 x 70 cm, (all unframed)
Shepard Fairey,American b.1970-Rise Above Rose Geometric, 2022; Cultivate Harmony, 2022; Pedestal, 2013;each screenprint on cream speckle tone paper,(i) signed, dated and numbered 491/550 in pencil, sheet: 61.2 x 30.5 cm,(ii) signed, dated and numbered 107/500 in pencil, sheet: 61.2 x 30 cm,(iii) signed, dated and numbered 304/450 in pencil, sheet: 61.2 x 45.7 cm,(unframed)(3)
Michael Heindorff,German b. 1949-Tasso Trees: IV, IX, XIII, 1986;each screenprint in colours on wove,(i) signed and numbered 16/100,(ii) signed and numbered 38/100,(iii) signed and numbered 78/100,published by Bernard Jacobson Gallery, London,each: 91.8 x 69 cm,(unframed)(ARR)(3)(VAT charged on hammer price)
Sir Terry Frost RA,British 1915-2003,Red and black squeeze [Kemp 213], 2001;screenprint with collage on Fabriano wove,signed and numbered 19/30 AP in pencil,printed and published by Galleria Multigraphic, Venice, with their blind stamp,36 x 58 cm,(unframed)(ARR)(2)Note: together with a rare copy of the book: Dominic Kemp, Terry Frost Prints: A Catalogue Raisonne, (Lund Humphries: London, 2010)
Louise Bourgeois,French 1911-2010,Be Calm, 2005;screenprint with embroidery on linen tea towel, mounted and laid to backing board,signed in the plate,numbered 996/1000 in black pen,with original paper packaging,published by Third Drawer Down and Tate, London,sheet: 68 x 49.5 cm,(unframed)(ARR)Note: in 2005, Bourgeois created ''Be Calm'' a drypoint etching, after which this tea towel is reproduction. It was created two years prior to Louise Bourgeois's monumental exhibition at the Tate Modern, London in 2007.
Suanjaya Kencut,Indonesian b.1994-All In Home, 2022;screenprint in colours on Mohawk Superfine UltraWhite 160 cover paper,signed and numbered 32/100 in pencil,printed and published by POP!NK Editions,sheet: 76 x 58 cm,(unframed)Note: together with a print presentation poster published by POP!NK Editions.
Andy Warhol,American 1928-1987,Ladies and Gentlemen (F. & S. II.136), 1975; screenprint in colours on Arches paper, signed, dated, numbered 12/125 and inscribed '@A.W.E.' in pencil to the reverse, printed by Alexander Heinrici, New York,published by Luciano Anselmino, Milan, Italy, sheet: 110.5 x 72.4 cm,(framed)Note: Feldman and Schellmann, Andy Warhol prints, a catalogue raisonne, no.II.136.
Andy Warhol,American 1928-1987,Mick Jagger [F. and S. II.138], 1975;screenprint in colours on Arches Aquarelle (Rough) paper,signed and numbered 91/250 in pencil (total edition includes 50 AP + 3 PP), also signed in black-felt tip pen by the subject,printed by Alexander Henrici, New York,published by Seabird Editions, London,visible image: 110.5 x 73.3 cm(framed)Literature: Feldman and Schellmann, Andy Warhol prints, a catalogue raisonne, no. II.138.
Andy Warhol,American 1962-1987, Oyster Stew from Campbell's Soup II (F. and S. II. 60), 1969; screenprint in colours on wove, signed in ink on the reverse, printed by Salvatore Silkscreen Co., Inc., New York, published by Factory Additions, New York, sheet: 88.9 x 58.4 cm(framed) Note: there is a printout of the signature attached to the reverse.
21st Cent. Belgian "Veneza Fluidity IV" screenprint on canvas - signed Marnix Verstraeten and dated 2013 || MIX / VERSTRAETEN MARNIX (1960 - 2019) zeefdruk op doek getiteld "Veneza Fluidity IV" - 100 x 120 getekend en gedateerd 2013 deze kunstenaar, die bovendien een befaamd architect was, exposeerde in de Galerie Pieters dd 2012
21st Cent. Belgian "Hazy financial Center" screenprint on canvas - signed Marnix Verstraeten and dated 2014 || MIX / VERSTRAETEN MARNIX (1960 - 2019) zeefdruk op doek getiteld "Hazy financial Center" - 90 x 60 getekend en gedateerd 2014 deze kunstenaar, die bovendien een befaamd architect was, exposeerde in de Galerie Pieters dd 2012
Barbara Rae CBE, RA, FRSE (b.1943) Scottish"Karoo"Signed and numbered 69/90, screenprint, 58cm by 75cmProvenance: Castlegate House Gallery, CockermouthThe work is float mounted and has a deckled edge. Possible minor tears?, one approximately 0.5cm to the upper right of the top edge and one to the left of the bottom edge - both within the deckle. Some light surface dirt and debris trapped under the glass. Not examined out of the frame.
Mr Brainwash (b.1966) French"Samo is Alive"Numbered 115/125, signed verso with the artist's fingerprint and dated 2016, screenprint hand finished with spray paint, 86cm by 118cm (unframed)The work has been rolled and kept in a tube. It is in an excellent state of preservation. It has a deckled edge and has the tiniest tear within the deckle lower left of bottom edge approx 4mm.
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12816 item(s)/page