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Click here to subscribeBanksy (b.1974)Toxic Mary Screenprint in colours, 2003, numbered from the edition of 600 in pencil, on wove paper, printed and published by Pictures on Walls, London, with their blindstamp, the full sheet printed to the edges, 700 x 500mm (27 1/2 x 19 5/8in) (unframed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.
Banksy (b.1974)GranniesScreenprint in colours, 2007, signed, dated and numbered from the edition of 150 in pencil, on Arches wove paper, printed and published by Pictures on Walls, London, with their blindstamp, with full margins, sheet 575 x 763mm (22 5/8 x 30in)This work is accompanied by a certificate of authenticity issued by Pest Control Office.
Banksy (b.1974)Bomb Love (Bomb Hugger) Screenprint in colours, 2003, signed and dated in black ink, numbered from the edition of 150 in pencil, on wove paper, printed and published by Pictures on Walls, London, the full sheet printed to the edges, 695 x 495mm (27 1/2 x 19 3/4in) This lot is accompanied by a certificate of authenticity issued by Pest Control Office.
Banksy (b.1974) NOLA (Pink to Yellow Rain) Screenprint in colours, 2008, signed and inscribed 'AP' in pencil, one of 66 colour variant artist's proofs aside from the standard edition of 289, on Arches 88 wove paper, printed and published by Pictures on Walls, London, with their blindstamp, with full margins, sheet 757 x 552mm (29 x 21in) This work is accompanied by a certificate of authenticity issued by Pest Control Office.
Banksy (b.1974)Soup Can (Original)Screenprint in colours, 2005, signed, dated and numbered from the edition of 50 in pencil, on wove paper, printed and published by Pictures on Walls, London, with their blindstamp, the full sheet, 495 x 347mm (23 1/2 x 13 3/4in) (unframed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.
Banksy (b.1974)Turf WarScreenprint in colours, 2003, signed and inscribed in white pencil, a proof aside from the edition of 150, on wove paper, printed and published by Pictures on Walls, London, the full sheet, 482 x 347mm (19 x 13 5/8in) (unframed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.
Banksy (b.1974)Donuts (Chocolate)Screenprint in colours, 2009, signed and numbered from the edition of 299 in brown crayon, on Aches 88 paper, printed and published by Pictures on Walls, London, with their blindstamp, the full sheet 560 x 755mm (19 3/8 x 29 3/4in)This work is accompanied by a certificate of authenticity issued by Pest Control Office.
Banksy (b.1974)Girl with BalloonScreenprint in colours, 2004, numbered from the edition of 600 in pencil, on wove paper, printed and published by Pictures on Walls, London, with their blindstamp, the full sheet, 700 x 500mm (27 5/8 x 19 5/8in)This work is accompanied by a certificate of authenticity issued by Pest Control Office.
Banksy (b.1974) Trolleys Screenprint in colours, 2007, numbered from the edition of 500 in pencil, on Arches 88 wove paper, published by Modern Multiples Fine Art Editions, with full margins, sheet 580 x 780mm (22 3/4 x 30 3/4in) (unframed)This work is accompanied by a certificate of authenticity issued by Pest Control Office. Please note this print is from the Barely legal (LA Edition), which was an intended edition of 500 but only circa 100 were printed.
Banksy (b.1974)HMVScreenprint in black, 2004, stamped Banksy in red ink as issued, numbered from the edition of 600 in pencil, on wove paper, printed and published by Pictures on Walls, London, with full margins, sheet 350 x 500mm (13 3/4 x 19 5/8in)This work is accompanied by a certificate of authenticity issued by Pest Control Office.
Banksy (b.1974)Sale Ends 'LA Edition'Screenprint in colours, 2007, numbered from the edition of 500 in pencil, on Arches wove paper, published by Modern Multiples Fine Art Editions, Los Angeles, with full margins, sheet 575 x 765mm (22 3/4 x 30in) (unframed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.Please note this print is from the Barely legal (LA Edition), which was an intended edition of 500 but only circa 100 were printed.
Banksy (b.1974)Queen VicScreenprint in colours, 2003, numbered from the edition of 500 in pencil, on wove paper, printed and published by Pictures on Walls, London, with full margins, sheet 700 x 500mm (27 1/2 x 19 5/8in) (unframed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.
Banksy (b.1974)Rude Copper (Anarchy)Screenprint in black with unique spray paint in grey, 2002, stamped with the red Banksy tag as issued, numbered from the edition of 250 in pencil, on wove paper, printed and published by Pictures on Walls, London, the full sheet, 590 x 420mm (23 1/8 x 16 1/2in)This work is accompanied by a certificate of authenticity issued by Pest Control Office.
Banksy (b.1974)Morons (LA Edition)Screenprint in colours, 2006, numbered from the edition of 500 in pencil, on Arches 88 wove paper, published by Modern Multiples Fine Art Editions, Los Angeles, with full margins, sheet 578 x 762mm (22 3/4 x 30in)This work is accompanied by a certificate of authenticity issued by Pest Control Office.Please note this print is from the Barely Legal (LA Edition), which was an intended edition of 500 but only circa 100 were printed.
Banksy (b.1974) Gold Flag Screenprint in colours, 2008, inscribed '4 Ben ☮ Banksy', an artist's proof aside from the edition of 20, on Formica, printed and published by Pictures on Walls, London, with full margins, sheet 501 x 700mm (19 3/4 x 27 1/2in)This work is accompanied by a certificate of authenticity issued by Pest Control Office.
Dieter Roth (1930-1998)Reykjavík; Harpa (Dobke 36; 37)Relief print and screenprint in colours, 1962, the first signed, dated and numbered from the edition of 130 in pencil, on wove paper, the first printed by Dieter Roth, Rekjavík, the second H Moeller, Dusseldorf, both published by Hofhauspresse, Hubbelrath, the full sheet, 370 x 420mm (14 1/2 x 16 1/2in) (2) (unframed)
δ Mr Brainwash (b.1966)Obama Superman (Silver)Screenprint in colours, 2008, signed and numbered from the edition of 500 in pencil, on wove paper, the full sheet printed to the edges, 1005 x 740mm (41 1/4 x 29 1/8in)(unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Charming Baker (b.1964)Bird IIIScreenprint in colours with hand drawn element, 2013, signed and numbered from the edition of 125 in pencil, on wove paper, with full margins, sheet 650 x 540mm (25 1/2 x 21 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Invader (b.1969)Ohh...AlrightScreenprint with embossing printed in colours, 2011, signed, dated and numbered from the edition of 150 in pencil, on 310gsm archival paper, printed and published by Pictures on Walls, London, with full margins, sheet 580 x 587mm (22 3/4 x 23in) (unframed)Footnote: Since 2004, Invader has been creating artworks in his unique art form of 'Rubikcubism'. The artist selects found images from popular culture, such as those of famous villains, artistic masterpieces or iconic album art, and transforms them using the colourful pattern of the Rubik's Cube toy. In this print, Invader takes Roy Lichtenstein's iconic image-itself once a powerful pastiche of 1960s American pop culture-and reworks it to create an updated urban icon of our time. Like his iconic 'Space Invaders', the artist uses his subversive 'Rubikcubist' technique here to "invade" high art's spaces. He deploys low culture aesthetics to liberate Lichtenstein's artwork from its alienation in the art museum space, instead reclaiming its original power by reinstating its status as an icon of counterculture. Thus, this powerful print is not only a homage to Lichtenstein, nor does it belong to just the categories of contemporary art, game or graffiti, but-as the artist puts it-"it is all of the above, and much more". δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Harland Miller (b.1964) Gateshead Revisited Screenprint in colours, 2009, signed, inscribed 'A.P.', and numbered from the edition of 10 in pencil, one of ten artist's proofs aside from the edition of 50, on Somerset wove paper, published by BALTIC Centre for Contemporary Art, Gateshead, with full margins, sheet 400 x 300mm (15 3/4 x 11 4/5in) (unframed)Please note, this is an artist’s proof, signed and numbered from the edition of 10, rather than as stated in the printed catalogue. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Peter Blake (b.1932)Fag Packets (Philip Morris)Screenprint in colours, 2007, signed and numbered from the edition of 175 in pencil, on wove paper, published by the CCA Galleries, Tilford, with full margins, sheet 1025 x 760mm (40 1/4 x 29 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Patrick Caulfield (1936-2005)All these confessions... (from Some Poems of Jules Laforgue (Cristea 38 H) Screenprint in colours, 1973, signed and numbered from the edition of 200 in pencil verso, on Neobond synthetic wove paper, published by Petersburg Press in association with Waddington Galleries, London, the full sheet printed to the edges, 405 x 355mm (16 x 14in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Julian Opie (b.1958)Woman taking off man's shirt (See Cristea p.224)Screenprint in colours, 2003, signed in black ink, one of circa 50 impressions signed by the artist from the edition of an unknown size, published by K21 Kunstammlung Nordrhein-Westfalen, Dusseldorf, with full margins, sheet 1000 x 600mm (39 3/8 x 23 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Bridget Riley (b.1931)RA 2 (Schubert 28)Screenprint in colours, 1981, signed, dated, titled and numbered from the edition of 75 in pencil, on wove paper, printed by Sally Gimson, published by Artisan Editions Hove, with full margins, sheet 1066 x 932mm (42 x 36 6/8in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Keith Haring (1958-1990)Apocalypse (#3) (Littman p. 102)Screenprint in colours, 1988, signed, dated and numbered from the edition of 90 in pencil, on Museum Board, printed by Rupert Jasen Smith, published by George Mulder Fine Arts, New York, with the printer's blindstamp, the full sheet, 965 x 964mm (38 x 38in) (unframed)** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
Keith Haring 1958-1990The Blueprint Drawings (#3) (see Littman p.176)Screenprint, 1990, signed, dated and numbered from the edition of 33 in pencil, on heavy wove paper, printed by Durham Press, Durham, Pennsylvania, with their blindstamp, the full sheet printed near to the edges, sheet 1077 x 1498mm (42 3/8 x 59in)
Robert Indiana (b.1928)Love Cross (Sheehan 44)Screenprint in colours, 1968, signed, titled, dated, dedicated and numbered from the edition of 100 in pencil, on wove paper, printed by Meisner Colorcraft, New York, published by the Institute of Contemporary Art, Pennsylvania, Philadelphia, with full margins, sheet 720 x 570mm (28 1/8 x 22 ¼in) (unframed)
Roy Lichtenstein (1923-1987)Bicentennial Poster (America: The Third Century) (Corlett III.26)Screenprint in colours, 1976, signed, dated and numbered from the edition of 200 in pencil, printed by Styria Studios, New York, published by APC Editions, New York, with full margins, sheet 763 x 567mm (30 1 /8 x 22 5/8in)
Andy Warhol (1928-1987)Shoes (Feldman & Schellmann II.253)Screenprint in colours with diamond dust, 1980, signed in pencil, numbered from the edition of 60, on Arches paper, printed by Rupert Jasen Smith, published by Andy Warhol, New York, the full sheet printed to the edges, 1022 x 1511mm (40 1/4 x 59 1/2in)
δ Josef Albers (1888-1976)One Plate (from Hommage au Carré) (Danilowitz 160.9)Screenprint in colours, 1964, signed, dated and numbered from the edition of 125 in pencil, on J. Perrugot Arches wove paper, printed by Atelier Arcay, published by Editions Denise René, Paris, with margins, sheet 421 x 381mm (16 1/2 x 15in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Jeremy Deller (b.1966)The History of the WorldScreenprint, 1998, signed and numbered verso from the edition of 100, on black wove paper, published by Paul Stolper, London, the full sheet printed to the edges, 635 x 1100mm (25 x 43 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Damien Hirst (b.1965) Blue Butterfly (From In the Darkest Hour There May Be Light) Screenprint with glaze printed in colours, 2006, signed, inscribed, and numbered in blue ink, one of 29 artist's proofs aside from the edition of 50, on wove paper, co-published by the Serpentine Gallery and Other Criteria, London, the full sheet printed to the edges, 420 x 295mm (16 1/2 x 11 5/8in)(unframed)– Please note, this lot has been authenticated by the Hirst Authentication Committee, London. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Damien Hirst (b. 1965) Faithless Screenprint in colours, 2006, signed and numbered from the edition of 55 in white pencil, on Somerset Tub wove paper, published by Paul Stolper Gallery, London, the full sheet, 787 x 1500mm (31 x 59in) (unframed)– Please note, this lot has been authenticated by the Hirst Authentication Committee, London. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Howard Hodgkin (1932-2017)Lotus (see Heenk p. 222)Screenprint in colours, 1980, signed, dated and numbered from the edition of 100 in pencil, on Arches paper, printed by Kelpra Studio, published by Bernard Jacobson Ltd, London, with the printer's rubber stamp verso, with full margins, sheet 740 x 916mm (29 1/8 x 36in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Howard Hodgkin (1932-2017)The Road to Rio (not in Heenk)Screenprint in colours, 2016, initialled and dated in pencil, the edition was 350, on wove paper, the full sheet printed to the edges, 760 x 600mm ( 30 x 23 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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