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PATRICK CAULFIELD (1936-2005), `Thus she would come, escaped, half dead to my door`, screenprint, 45cm x 40cm, from some poems by Jules la Forgue, framed, Edition C, signed.(purchased from Alan Wolman prints)

PATRICK CAULFIELD (1936-2005), `And I am alone in my house`, screenprint, 45cm x 40cm, from some poems by Jules la Forgue, Edition C, signed. (purchased from Alan Wolman prints)

DDS. D*Face (British) Sadamned, 2006, Screenprint on canvas with hand-finished money clip tied around, Money clip signed left hand edge, Inscribed ‘Another Day Another Dollar’ on reverse, Unframed, Signed and inscribed ‘this is number 9 of 25’ on reverse, 35cm x 85cm (13 3/4in x 33 1/2in) Provenance: Stolen Space, London.

Jim Starr (British, b.1976) Medusa II, 2010, Screenprint and spray paint on canvas, This work is unique, Signed on reverse, 122.5cm x 81.5cm (48 1/4in x 32 1/4in) Provenance: Tunnadine Fine Art. Accompanied by a certificate of authenticity from Tunnadine Fine Art.

Miss Bugs (British, b.1979) Carry Your Sins, 2010, acrylic, bible pages, screenprint collage on metal, Signed and inscribed AP on reverse, 85cm x 65cm (33 1/2in x 251/5in) Provenance: Acquired by the owner from the artist.

20TH CENTURY JAPANESE SCHOOL, `Court figures in stylised setting`, screenprint, 47cm x 64cm, framed.

* JULIEN OPIE Imagine You Are Walking screenprint, ed.copy 10/40 61cm x 79cm

* JULIEN OPIE Imagine You Are Driving screenprint, ed.copy 10/40 61cm x 79cm

DDS. Banksy (British, b.1975) Flag, screenprint, 2006, numbered 420/1000, published by Pictures on Walls, London, with their blindstamp verso, on silver chromolux paper with full margins, 50cm x 70cm (19.75 x 27.5 in) Provenance: Pictures On Walls, London. Authenticated by Pest Control

JOHN PIPER (BRITISH 1903-1992) CHANTRY HOUSE, HENLEY Colour screenprint, signed and numbered 5/100 45cm x 67cm (17.75in x 26.25in)

§ ALAN DAVIE C.B.E. (SCOTTISH B.1920) RUNE READER II Screenprint, signed, dated 2001, Artist`s Proof II/V 57cm x 69cm (22.5in x 27in)

§ ALAN DAVIE C.B.E. (SCOTTISH B.1920) RUNE READER I Screenprint, signed and dated 2001, Artist`s Proof, II/V 57cm x 69cm (22.5in x 27in)

§ ALAN DAVIE C.B.E. (SCOTTISH B.1920) EARTH SPIRIT DANCE Screenprint, signed and dated 2001, Artist`s Proof II/V 56cm x 69cm (22in x 27in)

Patrick Hughes (20th century), Confetti, Colour lithograph, signed, inscribed and dated `83, numbered 45/150, 75cm x 56cm.; together with another numbered screenprint by another hand.(2) Provenance: Christies Contemporary Art 1983

Michael W. Porter - `Night-Flight`, late 20th Century screenprint in colour, signed, titled, dated `79 and editioned 94/100, within an aluminium frame, together with two colour screen prints by another hand.

* Dieter Roth, German 1930-1998- Untitled; lithograph printed in blue and violet, signed, numbered 1/28 and dated 72 in pencil, 63.5x89cm: together with one other similar lithograph by the same hand, similarly signed, numbered 1/28 and dated 72 in pencil: G Lowry, mid-late 20th century- "Night Sleep"; etching with aquatint, signed, titled, inscribed `AP` and dated 72 in pencil, 69.8x53cm: Gerald Scarfe b.1936- Emperor of cats; lithograph printed in colours, signed, titled, numbered 27/99 and dated in pencil, 64.5x50cm: Tavee, mid-late 20th century- Doorway; etching, signed, dedicated and dated 15 September 1984 in pencil, 56.5x75.5cm: After Ernst Fuchs, Austrian b.1930- "Ernst Fuchs, Munchen Wolfgang Ketterer Villa Stuck Das Graphisch Werk 1945-67 6.9.-15.10.67 Prinzregenten Straze", publ by Brenner Brahm & Co., Frankfurt am Main; lithograph/poster printed in colours, 86x60.5cm: Feliks Topolski, Polish 1907-1989- Autobiography; mixed technique screenprint, and off-set lithograph printed in colours, signed and inscribed `AP` in pencil, bears publisher`s blind stamp, 100x75cm: together with a further nine artist`s prints and reproductions by and after different hands, all mid-late 20th century, many signed, (17) (unframed) (may be subject to Droit de Suite)

Trevor Allen RE 1939-2008- "Yves St Laurent in Marrakesh"; screenprint in colours, signed, titled and inscribed `Artist`s Proof` in pencil, 68x93cm: Ian Bottlins, late 20th century- "Pagliacci?"; etching with aquatint, signed, titled and inscribed `AP` in pencil, 34x27cm., (2)

Byron Leslie Burford, American b.1920- "Homage to Scott"; screenprint in colours, signed, titled, numbered 37/50 and dated 1967 in pencil, bears framer`s label Merwin`s Art Shop 286 York St., New Haven, Conn, 63.2x76.5cm

Ricardo Wolfson (Soth Africa) Goa I Screenprint, Artist Proof, numbered 171/225, printed 1984, signed in pencil, 69 x 87cm Provenance; Christies Contemporary Art, label verso

Sir Terry Frost, RA (British, 1915-2003) Newlyn Blue Q signed lower right “Terry Frost” and numbered 105/125 screenprint in colours 84 x 78cm (32.76 x 30.42in)

Sir Eduardo Paolozzi (British, 1924-2005) Signs of Death and Decay in the Sky signed lower right “Eduardo Paolozzi 1970” collage, lithograph and screenprint on paper 80 x 53cm (31.20 x 20.67in) The Friends of the Tate donated another lithograph version of this subject to the Tate in 1980

Anthony Frost (b.1951) ‘BLUE BEAT’ Screenprint, signed and dated ‘94 in pencil l.r. and numbered 32/45 57 x 51cm

GINGHOFER (20th century), `Op Art abstract in blue, green, red and orange`, screenprint, 69cm x 49cm, signed in pencil, framed.

Rourke Van Dal - `Not on Your Nelly [Patriot Version]`, four-colour screenprint, signed, editioned 38/75 in pencil and blindstamped, approx 53.5cm x 73cm.

Allan Daugaard Hansen, Danish 1922-2009- Untitled abstract composition; screenprint in colours, signed, inscribed and dated 1973 in pencil on the mount, 28.5x21cm: together with a large quantity of prints,, drawings in felt-tipped pen, pen and ink, watercolour by the same hand, together with a further quantity of unframed prints and drawings by related and different hands, (a lot) (unframed). Note: Allan Dougaard Hansen 1922-2009 was a member of "Ovalen" a Danish arts association and was both a writer (wrote a book on the more well known artist Henry Heerup amongst others). He was also the director of the large B&W ship yard art association and a skilled photographer.

* Dieter Roth, German 1930-1998- Untitled; lithograph printed in blue and violet, signed, numbered 1/28 and dated 72 in pencil, 63.5x89cm: together with one other similar lithograph by the same hand, similarly signed, numbered 1/28 and dated 72 in pencil: G Lowry, mid-late 20th century- "Night Sleep"; etching with aquatint, signed, titled, inscribed `AP` and dated 72 in pencil, 69.8x53cm: Gerald Scarfe b.1936- Emperor of cats; lithograph printed in colours, signed, titled, numbered 27/99 and dated in pencil, 64.5x50cm: Tavee, mid-late 20th century- Doorway; etching, signed, dedicated and dated 15 September 1984 in pencil, 56.5x75.5cm: After Ernst Fuchs, Austrian b.1930- "Ernst Fuchs, Munchen Wolfgang Ketterer Villa Stuck Das Graphisch Werk 1945-67 6.9.-15.10.67 Prinzregenten Straze", publ by Brenner Brahm & Co., Frankfurt am Main; lithograph/poster printed in colours, 86x60.5cm: Feliks Topolski, Polish 1907-1989- Autobiography; mixed technique screenprint, and off-set lithograph printed in colours, signed and inscribed `AP` in pencil, bears publisher`s blind stamp, 100x75cm: together with a further nine artist`s prints and reproductions by and after different hands, all mid-late 20th century, many signed, (17) (unframed) (may be subject to Droit de Suite)

Edward Middleditch RA 1923-1987- "Iris"; screenprint in colours, signed, titled, numbered 5/25 and dated 75 in pencil, mounted in a perspex frame, 47x57.5cm

After Friedensreich Hundertwasser (1928-2000): `The Death of Thousand Windows`, screenprint 49cm x 60cm

John Gardiner Crawford (RBA, RSW, RI (b. 1941) Still Life, signed etching dated 1975, Peter Kirley, screen prints, 1970`s, John Gardiner Crawford (RBA, RSW, RI (b. 1941) Family album pages I, II, screenprint, Carol Watt, Reve Marocaine, Poppy Leilds, Hobbits, engraving H McCabe, D Munro, Thanato`s

Jonathan Field (20th century modern), `The Wish`, initialled and dated in pencil, JF 88 screenprint, titled verso, 45cm x 36.5cm, and Lesli Sternberg `Cornucopia`, signed in pencil, 34cm x 22.5cm

* Harold Cohen b.1928- "First Folio. B."; screenprint in colours, signed, titled and dated 65, numbered 28x50 in pencil, with margins, handling marks and scuffs, 69x69cm: together four other screenprints each dated 1965 in pencil and all signed, "First Folio D. numbered 14/50; First Folio A. numbered 35/50; First Folio E. 23/50; First Folio F. 23/50 each, various examples some full sheet, some with margins, all with defects, mostly surface and handling marks, various sheet sizes, (5) (unframed) (stored rolled) (may be subject to Droit de Suite)

SUSIE WRIGHT Little rainbow owl. Screenprint.

MATTHEW LANYON Longsands. Five-colour acrylic screenprint, done by hand, edition 50.

PATRICK HERON Six in vermilion with violet in red. Coloured screenprint. Artist`s proof. Signed and dated 1970. 23 x 30 1/2ins. (See illustration)

John Hoyland, R.A. (b. 1934) Hating and Dreaming screenprint in colours, 1990, on wove paper, signed and dated in pencil, numbered 30/40, published by Waddington Graphics, London, with their blindstamp, the full sheet, in very good condition; together with two duplicate copies, numbered 33/40 and 34/40 respectively, in very good condition L., S. 1125 x 1050 mm. three in the lot (3) View on Christie's.com

John Piper (1903-1992) - `Death in Venice II`, screenprint in colours, signed and numbered 54/70, published Marlborough Fine Arts, 1973, 78 x 65 cm

* Piper (John, 1903-1992). Travel Notes: Devil’s Bridge Waterfalls, 1967, colour screenprint, printed by Kelpra Studio, pub. Marlborough Fine Art, 1967, signed in pencil, and numbered 10/70, image size 747 x 509mm (29.5 x 20ins), sheet size 775 x 575mm (30.5 x 22.5ins), framed and glazed. Levinson 179. (1)

* Rothenstein (Michael, 1908-1994). Rush, Rush, colour screenprint, signed and numbered VI/XXV, 48 x 65cm (19 x 25.5ins) mount aperture, framed and glazed (1)

* Various artists. A Melinex and foil stamping promotional booklet, pub. ICI Plastics Division, c. 1972, introductory printed booklet, and seven original foil-stamped colour prints on melinex, by Jean-Michel Folon, Dieter Rot, Pieter Brattinga, Norman Ives, Enzo Mari, Alan Fletcher and Armin Hofmann, five with printed wrapper, 24.7 x 24.7cm (9.75 x 9.75ins), all loosely contained, with orig. letter from the ICI Publicity Department, dated 11th May 1972, in cardboard packaging, together with Miro (Joan, 1893-1983), Figure, colour lithograph, for Ediciones Poligrafa at Redfern Gallery, London exhibition, December 1979 - January 1980, 25 x 19cm (9.75 x 7.5ins), plus a signed colour screenprint by Bruce McLean, numbered 674/700, 27 x 19.5cm (10.5 x 7.75ins), and a Michael Rothenstein monochrome screenprint entitled A Last Salute to the Ghost of Darling Marilyn, 29.5 x 21cm (11.5 x 8.25ins) (4)

* Stops (John, 1925-2002). Millennium Square, Bristol, 2001, oil on board, signed and dated lower left, 58.5 x 43cm (23 x 17ins), framed, together with Dapedium Politum, Lyme Regis, 1995, colour screenprint, signed, titled, dated, and marked A/P, image size 30.5 x 40.5cm (12 x 16ins), framed and glazed. John Stops, painter and printmaker, studied at Northampton Art School, 1947-51, and Leeds College of Art, 1951-52. He became a member of the Royal West of England Academy in 1980, where a memorial exhibition of his work was held in 2003. (2)

* After Bridget Riley b.1931- "Blaze 4"; 1963, screenprint, bears signature within the plate, 28x26cm

* Clive Barker b.1940- "Hommage to Magritte # 1"; 1969, three screenprints from the original edition of ten, screenprint on gold foil (two examples on mat foil and one example on shine), each signed, titled, numbered 4/10, 9/10 and 8/10, respectively, all dated 1969 in ball point pen, the full sheets printed to the edge, each with handling marks, tears, scuffs and surface dirt to the bottom edges of the sheets, stored rolled, 75.5x50cm., (3) (unframed) (multiple image) (may be subject to Droit de Suite)

Frances Myers, American b.1936- "Gotham"; aquatint in colours, signed, titled and inscribed `Artist`s Proof` in pencil, 69.5x55cm: American School, late 20th century- Straw basket; screenprint in colours, signed, numbered 17/90 and dated 1981 in pencil, 95x74cm: American School, late 20th century- Seated figure with flowers; etching printed in colours, signed, numbered 20/50 and dated 78 in pencil, 60x47cm: together with a framed poster for a Picasso exhibition at The Pace Gallery, New York, 108x70cm., (4) Provenance: with Joan E Kaplan, New York, according to label attached to the reverse of the frames of three of the above pictures

* Wolfgang Hutter, Fantastic Realism, Austrian b.1928- "Trollflojten"; c.1973/74 (magic flute) published by A H Grapik, Stockholm, A folio of mixed technique, lithograph, screenprint and engravings, each signed and numbered 5/50 in pencil, twenty-eight separate examples including the title page, on Fabriano cream wove, mostly with margins, mostly good condition, a few with minor handling marks, loose sheets contained within blue wooden boards, presumably as issued, 60x66cm: Note: Painter, draughtsman, printmaker and stage designer. Hutter`s imagination is characterised by an artificial paradise of gardens and fantastical fairytale-like scenes. The son of A P von Gutersloh, Hutter studied at the Academy of Fine Arts Vienna, and is one of the founding members of the Vienna School of Fantastic Realism. Awarded the UNESCO Prize at the Venice Biennale in 1954. In 1966, he was appointed a professorship at the Hochschule für angewandte Kunst in Vienna. (folio, 28) (may be subject to Droit de Suite)

Derek Boshier b.1937- Untitled geometric design; screenprint in colours, signed, numbered 16/75, inscribed `No 2` and dated 1969 in pencil, 68x99.5cm (may be subject to Droit de Suite)

* Victor Vasarely, Hungarian 1906-1997- Untitled; screenprint, signed under the plate, 35x33.5cm

Alan Sutherland (1931-) Female Nude Study, 69 x 35cm A Dawn, couple embracing, screenprint, Richard De Marco, Edinburgh Old and New Town, signed print, He Inwein, Boulevard of Broken Dreams, print and six other prints (10)

John Hoyland (b.1934), The Sorcerer, colour screenprint, signed, dated `89 and numbered 61/65, 88cm x 70cm.

Christo (American, b.1935) Red Store Front, Project (Schellmann 93) screenprint in colours with collage of brown wrapping paper, 1977, on white board, signed and inscribed in pencil, an hors commerce impression aside from the standard edition of 110 (there were also 20 artist's proofs), published by Verlag Gerd Hatje, Stuttgart, and Edition Schellmann & Kluser, Munich, printed to the sheet edges (as published), in good condition S. 710 x 556 mm. View on Christie's.com

After Andy Warhol (1928-1987) Marilyn - monochrome Screenprint published by Sunday B. Morning 90 x 90cm; 35½ x 35½in ++Good condition

After Henry Moore - Study of Four Figures, 20th Century monochrome screenprint, sheet size approx 35cm x 48cm.

Victor Vasarely (French/Hungarian, 1908-1997), Composition in Blue and Green; and Composition in Purple, Pink and Green, signed lower right "Vasarely" and numbered 70/200 and 78/200 and with blindstamp, screenprint , 68 x 68cm (26.52 x 26.52in) (2)

Matthew Day Jackson, American b.1974- "Metamorphosis A-G", 2007, published by the Lower East Side Printshop; seven pieces, unnumbered from the edition of 16, aquatint, etching, screenprint, archival ink jet, gold leaf and hand additions, printed in colours, all mounted in ebonised and perspex box frames, 117x57, 72x55 48x69 42x56 24x59 45x59 40x59cm., (7)

Pietro Psaier, Spanish 1939-2004- Perrier bottle, 1985; mixed technique screenprint in colours, signed and dated 85 within the plate, signed, inscribed `New York` and dated 85 in pencil on the mount, bears certificate of authenticity attached to the reverse of the frame, 27x20cm

Geoffrey Raymond Reeve b.1936- "Archigram No 6"; screenprint in colours, signed and dated 66, 49x33cm., (mounted) (unframed). Note: The same design was used by The Archigram Group for the cover of the edition of the Big Sixth Issue, (magazine), Autumn 1965 (may be subject to Droit de Suite)

Ceri Geraldus Richards 1903-1971- "Violin d`Ingres"; screenprint in colours, signed, titled numbered 41/60 and dated 70 in pencil, 55x76cm: Josef Herman RA 1911-2000- Three farm workers and a donkey; lithograph printed in colours, signed and numbered 62/70 in pencil, 59x76.5cm: together with one other lithograph by the same hand of a single crouching figure, signed and numbered 26/70 in pencil, 59x76.5cm: Harold Cohen b.1928- "Richard H"; screenprint in silver, signed, titled, numbered 2/50 and dated 1967, 68.7x77cm: together with eleven further screenprints by Harold Cohen, all signed, numbered and dated in pencil: "First Folio F", 36/50 signed and dated 1965; "First Folio G", 36/50, signed and dated 1965; "First Folio C2, 27/50, signed and dated 1965; "#5", 5/70, signed and dated 1967; "#3", 14/70, signed and dated 1967; "#3", 35/70, signed and dated 1967` "#4", 1/70, signed and dated 1967; "#4", 14/70, signed and dated 1967; "#1", 10/70, signed and dated 1967; #2", 13/70, signed and dated 1967; 2#3", 13/70, signed and dated 1967, 68x68cm., (15) (may be subject to Droit de Suite)

John Piper 1903-1992- "Saltash Bridge"; 1983, published by Orde Levinson 1983, screenprint, signed and numbered 63/75 in pencil, on wove paper with margins, from the 1983 "Eightieth Anniversary Portfolio" in celebration of Piper`s eightieth birthday. The portfolio of eight screenprints and etchings where printed at the Kelpra Studio by Chris Prater, in an edition of 75. this example unexamined out of the frame, apparently in good condition, 50051x72cm

Derrick Greaves b.1927- Still life; screenprint in colours, signed, numbered 45/200 and dated 79 in pencil, bears publisher`s blind stamp, 67x52cm (may be subject to Droit de Suite)

Tom Phillips RE RA b.1937- "Veltro (levels of Allegory)", 1982; screenprint in colours, signed and numbered 24/75 in pencil, 75x54cm: together with one other screenprint by the same hand titled "Flying Man and Ape of Nature", 1982, signed and numbered 24/75 in pencil, 75x54cm. Provenance: with Waddington Galleries Ltd, London, according to labels attached to the frames of both the above: Jacques Soisson, French b.1928- "Sud Est"; screenprint in colours, signed, titles. numbered 103/150 and dated 77 in pencil, bears publisher`s blind stamp, 76x56.7cm., (3) (may be subject to Droit de Suite)

* CAROLINE MCNAIRN (Scottish contemporary) Rites of Passage coloured screenprint 8/34, signed, titled and numbered in pencil 43cm x 61cm