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Chris Reid (b.1918) Baggot Street Bridge Screenprint, 27 x 43cm Signed, inscribed with tile and marked artist's proof together with a collection of prints by the same artist and others

William Scott CBE RA (1913-1989)A GIRL SURVEYED, 1971screenprint; (no. 19 from an edition of 75)signed and numbered lower left31.75 by 21.5in., 80.645 by 54.61cm.Stuart Art, Wicklow (2006); Private collection`A Girl Surveyed`, Hanover Gallery, London, 25 March - 30 April 1971 (another edition) This print relates to a limited edition book, A Girl Surveyed, produced in collaboration by Scott and poet Edward Lucie-Smith.

*DS Emma Stibbon (b.1962) Stair Hole Lulworth Colour woodcut Initialled and dated 99 in pencil, lower right, numbered 4 from an edition of 5, 109 x 120cm (43 x 47 1/4in). Exhibited: Royal Academy, Summer Exhibition, 1999. With an abstract etching and aquatint by Hugh O`Donnell, with an indistinctly signed screenprint, by John Ichel, and the frontispiece to the Paragon Press`s The London Portfolio (4)

*DS Michael Hale (1900-1979) Ballard III Screenprint Signed and dated 78 lower right, numbered 7 of 20 89 x 62.5cm (35 x 24 1/2in) with the frontispiece to Terry Frost`s Trewellard Suns, published by The Paragon Press, 1989, 640 x 640mm (25 1/4 x 15 1/4in) (2)

GRAHAM OVENDEN (1943-) THE BRIGITTE DOLL screenprint on wove, 61.6 x 47cm (s.78 x 57cm) In fine condition, unexamined out of the frame

YAACOV AGAM (Israeli, French, b. 1928), 'Op-Art Composition', screenprint, 50cm x 37cm, signed and framed. (Please note Clause 6 of Buyer's Conditions)

YAACOV AGAM (Israeli, French, b. 1928), 'Op-Art Composition', screenprint, 50cm x 57cm, signed and framed. (Please note Clause 6 of Buyer's Conditions)

SAM FRANCIS [AMERICAN 1923-1994], COLOR SCREENPRINT, 1972, 42" X 54" SIGHT, WEB: 42 1/4" x 54 1/4" sight; no. 41/50; pencil signed; framed under acrylic. Allen Rubiner label.

Dorothy Cooper - Study of an Urn in a Formal Garden, colour screenprint, approx 48cm x 32cm, together with a collection of works on paper by the same hand. Note: Dorothy Cooper, née Turner, studied with Jacob Krammer at Leeds School of Art. She was later influenced by her friend Edward Bawden while living in Essex.

BRYAN PEARCE A glimpse of the harbour "Bethesda", St. Ives. Screenprint. Signed. Dated '82 and numbered 87 from an edition of 90. 45 x 36cm.

Gerd Winner (1936 - ) - `Back to Backs` - A coloured screenprint numbered 56 of a limited edition of 95, signed in pencil, framed, 70cm x 51cm, ILLUSTRATED

* BARBARA RAE CBE RA COASTAL IMAGE SERIES NO. 2 screenprint on paper, signed, titled and dated 1985 76cm x 56cm

Richard William Hamilton CH, British 1922-2011- `Five Tyres Remoulded`, seven sheets (from the suite of eight) plus text sheet, published 1972 Professional Prints & Eye Editions, Switzerland, distributed by Petersburg Press, London; one relief cast in white silicone elastomer, signed and numbered 2/150 to the reverse, six serigraphs in monochrome on translucent mylar sheeting, one signed and numbered 4/150, with the text sheet, ea. 60x85cm, (8) (unframed) (may be subject to Droit de Suite) Note: "This suite of screenprints, which began with a drawing copied, in 1963, from an illustration of the development of tyre treads from 1902 -1950, in a 1951 edition of the magazine `Technique et Architecture`, demonstrates his interest in design technology… He developed the drawing first as a single screenprint in 1964 and again in 1970 when he was offered the services of an American computer programmer to plot the perspective of the drawings. A 3-d relief cast was produced as part of the suite and textual documentation is also an integral part of the work." Taken from V & A Collections description

Alfred Cohen, American 1920-2001- "Crown Imperial"; screenprint in colours, signed, dated `89 and numbered A.P VI/X in pencil, 75x57cm: Tom MacKenzie, Scottish b.1947- "Neist Point"; etching with aquatint printed in colours, signed, titled and numbered 60/60 in pencil, 55x80cm: Janet Patterson, Scottish b.1941- "Fiord"; monoprint, signed, inscribed, titled and dated 1990 in pencil, 87x115cm, (3), (may be subject to Droit de Suite)

Johannes Dörflinger, German b.1941- Untitled, from the Life Cycle Portfolio 1981,rom an edition of 100 from Life Cycle Portfolio, publ by A Diesterhelf, Stuttgart 1981; screenprint in colours, signed, numbered `III a.p.` and dated 1981 in pencil within the plate, 70x100cm: together with 11 other plates from the same suite, all similarly signed, numbered and dated, 70x100cm., ea, (12) (one framed, eleven unframed) (may be subject to Droit de Suite) Provenance: The Deloitte Art Collection

Charlotte Cornish, British b.1967- "Setting Out II"; screenprint in colours, signed, titled and numbered 2/40 in pencil, 55.5x75cm: together with four other colour screenprints by the same hand, "Setting Out I", "Place", "Skipping I" and "Passing", all signed, titled and numbered 2/40, 10/95 2/40 and 7/95 in pencil, all 55.5x75cm., (5) (may be subject to Droit de Suite)

Pietro Psaier, Italian 1936/39-2004- "The Suicide of Dorothy Hale after Frieda Khalo", 1977; mixed technique screenprint, signed, inscribed `NYC` and numbered 2/10, bears inscription on the mount, bears certificate of authenticity attached to the reverse of the frame, 77x29.5cm: Lou Voudu, American b.1957- Chanel No 5; mixed technique print with glitter, signed and dated 1986, 82.5x42cm., (2) (may be subject to Droit de Suite)

Donald Hamilton Fraser RA, British 1929-2009- "Church in the Pyranees"; screenprint in colours, signed and numbered 135/225 in pencil, 55x41cm: together with another screenprint in colours by the same artist, "Launch Wash San Michele, Venice", signed and numbered 134/225, 55x41cm, (2), (may be subject to Droit de Suite)

Anita Ford, British b.1948- "Totem Seven"; screenprint in colours with collage, signed, titled and numbered 2/40 in pencil, 40x62cm: together with another from the same suite entitled "Large Totem One", signed, titled and numbered 23/40 in pencil, 57x78cm, (2), (may be subject to Droit de Suite)

Stephen Bartlett, British b.1942- Untitled; screenprint in colours, signed, inscribed II and numbered 23/75 in pencil, 39.5x31.5cm: together with four further screen prints of abstract subjects by the same hand, all signed and numbered in pencil, various sizes, (5) (may be subject to Droit de Suite)

British School, late 20th/early 21st century- Three turkeys; mixed technique screenprint on fabric, 41x80cm

Bernard Green, British 1931-1998- Reclining Nude; screenprint in colours, signed, titled, dated `65 and numbered 4/4, 33x73cm: together with two other screenprints in colours by the same artist depicting female nudes, both signed within the plate, 32x64cm and 54.5x30cm, (3), (may be subject to Droit de Suite) Notes: Born in 1931, Bernard Green studied at Birmingham College of Art & Design. He was a painter, print maker and sculptor. His early paintings explored the use of line and colour, creating illusions of space using colour on flat surfaces. In 1977 he moved to Pembrokeshire in Wales where the landscape became a source of inspiration and where he started to explore themes based on his dream sequences, religion and the human condition. His work was exhibited at The Royal Cambrian Academy, The Royal Birmingham Society, Royal West of England Academy, the Royal Society of Painters Etchers & Engravers and at various gallery exhibitions in England and Wales. His prints were pressed on his large Columbian proofing press (circa 1853) which following his death in 1998 went on display at the Swansea Print Workshop. He became well known in Wales. He produced a series of embossed linocuts featuring views of Pembrokeshire and in the 1980s was commissioned by HM the Queen to produce a view of Caernarfon Castle as the subject for the Royal Telemessage. In 1986 he was artist in residence at the Graham Sutherland Gallery in Picton. His work is in various collections including HM the Queen, British Telecom, Lloyds Bank, Gulf Bank, Kuwait, National Library of Wales, Derby Museum, Haverfordwest Museum & Gallery, Scolton Manor Museum.

Ashley Bolch, British, b. 1950- "Harbour Hastings"; etching with aquatint printed in colours, signed, titled, and inscribed 133/250 in pencil, 29.5x40cm: together with two further etchings with aquatint printed in colours by the same artist entitled "Rye Harbour" and "Jack & Jill"; both signed, titled and inscribed in pencil, 29.5x40cm and 49.5x52cm respectively: Mark Spain, British, late 20th/early 21st century- "Valley Path"; aquatint printed in colours with embossing and hand colouring, signed, titled and inscribed 28/200, 33x45cm: together with another aquatint printed in colours with embossing and hand colouring entitled "Hill Crest", signed, titled and inscribed 39/200, 33x45cm: Michael Pettersson, British, b. 1938- "Elmswell Church"; etching with aquatint printed in colours, signed, titled, dated `86 and inscribed 46/150, 26x40cm: together with four further etchings with aquatint printed in colours by the same artist, entitled "Riverside Inn", "Stour", "Elmswell Church" and "Orwell", all signed, titled and inscribed, some with blind stamp, various sizes: Linda Hill, British, late 20th/early 21st century- "Calm Winds"; screenprint, signed, titled and inscribed 26/200, 28x12.3cm: together with a similar screenprint by the same artist, entitled "Tranquil Waters", signed, titled and inscribed 25/200, 28x12.3cm: Bob Saunders, British, b.1945- "Purbeck"; screenprint, signed, titled, inscribed 138/175 and embossed with publishers blind stamp, 18.5x22cm: together with three further screenprints by the same artist from the same series entitled "Cheviots", "Clevelands" and "Quantocks", all signed, titled, inscribed and embossed with publishers blind stamp, ea. 19.5x22cm: Clive Harris, British, late 20th/early 21st century- "Sheep Track"; screenprint, signed, titled and inscribed 6/50, 18x24.4cm: together with another screen print by the same artist entitled "Twilight", signed, titled and inscribed 4/45, 18x24.4cm, (unframed), (18), (may be subject to Droit de Suite).

Neil Canning, British b.1960- "Voyage I"; screenprint in colours, signed, titled, numbered 35/75 and dated 00 in pencil, 76x55cm (may be subject to Droit de Suite)

David Austen, British b.1960- "Untitled", 1990; lithograph in colours, signed and numbered 36/45 in pencil, in a perspex mounted white painted box frame, 80x70cm: Holland, British, late 20th/early 21st century- "Figure"; lithograph, signed and numbered 2/30 in pencil, 74x56cm: Fernando Lopes, late 20th/early 21st century- "Barranco Mineiro", 1991; screenprint in colours and gold on black paper, signed, inscribed `Unique Proof` and dated 1991, 70x56cm., (3) (may be subject to Droit de Suite)

Sandra J Porter, British b.1957- Untitled; screenprint, signed and inscribed `A/P` in pencil, 63x75cm: together with two other colour screenprints by the same hand, both signed, one inscribed `A/P` , the other numbered 1/4 in pencil, 63x75 and 75x35cm respectively: Trevor Price, British b.1966- "Submerged II", "Submerged III" and "Submerged IV"; etchings with aquatint printed in colours, three, all signed and titled and numbered 45/150, 19/150 and 29/150 in pencil, respectively, 39.5x29.5cm., ea: together with a suite of three further aquatints printed in colours by the same hand, two of which are signed in pencil, all 35x26cm., ea., (9) (may be subject to Droit de Suite)

Albert Irwin, British b.1922- "Thames"; screenprint printed in colours, signed, titled, dated `90 and numbered 33/90 in pencil, 58x85cm, (may be subject to Droit de Suite)

Simon Tozer - `Time Machine`, colour screenprint, signed, titled and editioned 2/10 in pencil, approx 27cm x 33cm, within a stained wood frame.

`3765` a screenprint on paper by Sir Peter Blake RA, framed signed and dated 1969 lower right and number /75 image 41.5 x 26cm.

`Leo 139` a screenprint on paper by Sir Peter Blake RA, framed signed and dated 1969 lower right, numbered 72/75 image 41.5 x 26.5cm.

* Craigie Aitchison, R.A. (1926-2006) Still Life, 2001 Screenprint Edition number 57/75 11 1/4 x 9 3/8 in. (28.7 x 23.5 cm.) Printed and published by Advanced Graphics London.

* Craigie Aitchison, R.A. (1926-2009) Thistle Still Life, 2007 Screenprint Edition of 75 12 x 10 in. (30.5 x 25.5 cm.) Printed and published by Advanced Graphics London.

* Craigie Aitchison, R.A. (1926-2009) Stable and Donkey, 2003 Screenprint Signed, numbered and dated in pencil to the reverse 6 3/16 x 5 in. (15.7 x 12.6 cm.) Printed and published by Advanced Graphics London.

* Craigie Aitchison, R.A. (1926-2009) Crucifixion Green Hill, 2004 Screenprint Edition of 75 17 3/4 x 13 3/8 in. (45 x 34 cm.) Printed and published by Advanced Graphics London.

* John Piper, C.H. (1903-1992) Stowe, South of the House (L.387) 1986 Screenprint Signed and numbered `17/70` in pencil to the margin 17 3/4 x 22 1/2 in. (45 x 57 cm.) Published by Marlborough Fine Art.

† JOHN PIPER, CH (1903-1992) BUCKDEN IN A STORM (L.281) screenprint on Arches, 1977, signed by the artist in pencil and numbered 38/100, blindstamped, 68.5 x 94cm In good condition, unexamined out of the original 1970s aluminium alloy frame

JOHN PIPER, CH (1903-1992) HARLAXTON MANOR (L.271) screenprint on Arches with very wide to full margins, 1977, signed by the artist in pencil and numbered 51/100, blindstamped, 57 x 76.5cm In very good condition unexamined out of the original 1970s aluminium alloy frame

MARTIN TURNER, ROI (1940-) WINTERSCAPE I screenprint, signed by the artist in pencil, dated `75, inscribed with the title, A.P. and numbered 19/50, 50 x 64cm and five other contemporary British prints by Michael Warren (1978-), Philip Greenwood (1943-) and Moya Cozens (1920-1970) (6) All in good condition

† JOHN PIPER, CH (1903-1992) FLOIRAC (L.194) screenprint on J Green paper, 1968, signed by the artist in pencil and inscribed Artist`s proof, 50.5 x 70.5cm One of twenty proofs, aside from the edition of 70. In generally excellent condition with we presume full margins and undisturbed in the original c1960s aluminium alloy frame

Late 20th Century school, limited edition, screenprint, Stillwater, yacht at river mooring, indistinctly signed in pencil, 10/30, 42 x 41cm, and a reproduction print of a view of the Iron Bridge, Coalbrookdale, after a painting by G. Robertson.

* FRANCES WALKER RSA RSW DLitt (SCOTTISH) ROCKS AND SEA lithograph and screenprint, signed and numbered 10/24 76cm x 53cm

Patrick Caulfield CBE RA, British 1936-2005- "Ch`uan Ware and Black Lamp" from White Ware suite; screenprint in black and purple, signed and numbered 6/45 in pencil, 107x80cm, (may be subject to Droit de Suite)

Sandra Blow RA, British 1925-2006- Untitled abstract composition; etching with aquatint, numbered AP IIII/X, bears the artist`s studio stamp on the reverse, 37x37cm: John Plumb, British 1927-2008- "Colour Steps D"; screenprint in colours, signed, titled, numbered 17/75 and dated 71 in pencil, 53x72cm, (2)(may be subject to Droit de Suite)

Sir Terry Frost RA, British 1915-2003- "Longbow" (Kemp 176), publ by the artist and Coriander Studio, London; screenprint in colours with collage elements and hand-colouring on arches paper, signed, proof, numbered III/XX aside from the edition of 50, and dated 98 in pencil, 26.5x85cm (image) (may be subject to Droit de Suite)

Joe Tilson RA, British b.1928- "Ziggurat", 2002; screenprint with woodblock printed in colours, signed and numbered 219/300 in pencil, 27.5x23.5cm: Roy Conn, British b.1931- Untitled abstract composition; screenprint in colours, signed, numbered 29/50 and dated 73 in pencil, 31x40.5cm: together with one other similar colour screenprint by the same hand, signed, numbered 63/100 and dated 80 in pencil, 40.5x55cm: Peter Schmidt, British 1931-1980- "Cycloid II", 1966; lithograph, signed and numbered 6/60 in pencil, 58.5x33cm., (4) (may be subject to Droit de Suite)

Sir Howard Hodgkin CH CBE, British b.1932- "Indian View D", 1971; screenprint in colours, signed, dated `71 and numbered 43/75 in pencil, 57.5x77cm, (may be subject to Droit de Suite)

Victor Vasarely, Hungarian/French 1906-1997- Untitled composition; screenprint in colours, signed and numbered 72/267 in pencil, blindstamp `Denise Rene Editeur`, 71.5x64.5cm, (may be subject to Droit de Suite)

Patrick Caulfield CBE RA, British 1936-2005- "Sue Ware Jar" from White Ware suite; screenprint in blue and black, signed and numbered 6/45 in pencil, 107x80cm, (may be subject to Droit de Suite)

Sir Peter Blake RA, British b.1932- "H is for Heart", from the Alphabet Series, 1991; screenprint in colours, signed, titled and numbered 26/95 in pencil, 102.5x76cm, (may be subject to Droit de Suite)

Patrick Procktor RA, British 1936-2003- "Katsura, Kyoto", 1991; screenprint in colours on handmade paper, signed and numbered 26/75 in pencil, 73.5x125cm, (may be subject to Droit de Suite)

Patrick Caulfield CBE RA, British 1936-2005- "Arita Flask" from White Ware suite; screenprint in brown and black, signed and numbered 6/45 in pencil, 107x80cm, (may be subject to Droit de Suite)

Patrick Caulfield CBE RA, British 1936-2005- "Lung Ch`uan Ware and Window" from White Ware suite; screenprint in black and green, signed and numbered 6/45 in pencil, 107x80cm, (may be subject to Droit de Suite)

* Patrick Caulfield CBE RA, British 1936-2005- "Spider Plant", 1973; screenprint, signed and numbered 38/72 in pencil, 72.5x94.5cm (may be subject to Droit de Suite). VAT charged on hammer price

Dia al-Azzawi - `Man on Horse`, 20th Century colour screenprint, signed, titled, editioned 2/100 and dated 1978 in pencil, approx 49cm x 45cm, within a gilt frame.

RICHARD HAMILTON [BRITISH 1922-2011], COLOR SCREENPRINT & FOIL COLLAGE, 1972, 27" X 34" "RELEASE": Screenprint in colors, silver foil collage/Hodgkinson; i26 7/8" x 33 7/8" image; 27 1/2" x 37 1/4" paper; no.95/150; pencil signed; floated in frame. Petersberg Press, publisher; Kelpra Studios, printer. Reference: Lullin 83. Provenance: Birmingham Gallery, Birmingham, MI.

ROBERT MOTHERWELL [AMERICAN, 1915-1991], SCREENPRINT, 143/150, 20 1/2" X 20 1/2", `NO. 13`: Color screenprint from the Basque Suite 1971, signed and numbered in pencil. Framed. Catalogue Raisonne: Belknap, 51.

Philip Braham, Scottish b.1959- "Eclipse (Death by Water), 1988"; hand coloured lithograph, signed, titled, dated and numbered 40/40 in pencil, 56x44.5cm: Julie Brook, German/British b.1961- "And Thou Treble Dated Crow, Study 1", 1990; etching and aquatint with hand colouring, signed with initials, dated `90 and inscribed `A/P`, 36x22cm: John Taylor, late 20th century- "Three Figures Appeared"; screenprint in colours, signed, titled and numbered 2/25 in pencil, 72.5x53.5cm, (3), (may be subject to Droit de Suite)

Yoshito Hirano, Japanese, b.1938- "Spanish View"; screenprint, signed, titled and inscribed 180/250 in pencil, 39x39cm: Barry Moscrop, British, late 20th/early 21st century- "Deck Chairs"; screenprint, signed, titled, dated 1982 and inscribed 10/50, with publishers blind stamp, 28.5x46cm: Anita Ford, British, b.1948- "Saturation Point"; screenprint, signed, titled, dated `79 and inscribed 9/28, 38x56.5cm: together with three other screenprints by the same artist, entitled "Totem", "Sectional Four" and "Sectional Three"; all signed, titled, dated and inscribed, various sizes, (unframed), (6), (may be subject to Droit de Suite).

Donald Hamilton Fraser RA, British 1929-2009- "Temple of Apollo"; screenprint in colours, signed and numbered 90/175, 61x48cm, (may be subject to Droit de Suite)

Richard William Hamilton CH, British 1922-2011- `Five Tyres Remoulded`, suite of eight, published 1972 Professional Prints & Eye Editions, Switzerland, distributed by Petersburg Press, London; one relief cast in white silicone elastomer, signed and numbered 1/150 to the reverse, seven serigraphs in monochrome on translucent mylar sheeting, one signed and numbered 1/150, with the text sheet, ea. 60x85cm, (9) (part in matching frames) (part unframed) (may be subject to Droit de Suite) Note: "This suite of screenprints, which began with a drawing copied, in 1963, from an illustration of the development of tyre treads from 1902 -1950, in a 1951 edition of the magazine `Technique et Architecture`, demonstrates his interest in design technology… He developed the drawing first as a single screenprint in 1964 and again in 1970 when he was offered the services of an American computer programmer to plot the perspective of the drawings. A 3-d relief cast was produced as part of the suite and textual documentation is also an integral part of the work." Taken from V & A Collections description