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Click here to subscribeRobert Rauschenberg (1925-2008)Mink Chow, from Chow Bag series, 1977 Screenprint in colors with applied string on wove paper, signed in pencil, dated and numbered 83/100 (there were also 20 artist's proofs), with the blindstamps of the publisher/printer Untitled Press, Inc./ Styria Studio, New York, the full sheet, printed to one side, framed.sheet 48 x 36 1/4 in (121.9 x 92cm)
James Nares (born 1953)Girl About Town, 2017 Screenprint in colors on Saunders paper, signed in pencil, dated and numbered 6/45, with the blindstamp and inkstamp, verso, of the publisher Durham Press, Inc., Durham, Pennsylvania, the full sheet. sheet 28 x 75in (71.1 x 190.5cm)This lot is subject to the following lot symbols: W
Damien Hirst (born 1965)Proctolin (with Bronze Glitter), 2008 Screenprint with bronze glitter on wove paper, signed in pencil and numbered 86/150, with the blindstamp of the publisher Other Criteria, London, with full margins, framed. 22 1/8 x 30 1/8in (56.1 x 76.4cm)sheet 30 x 37 1/2in (76.1 x 95.2cm)
Paula Scher (born 1948)The United States (White), 2007 Screenprint in colors on Coventry rag paper, signed in pencil and numbered 11/15, printed by Alex Heinrici, Fine Art Printing, New York, with full margins.36 5/8 x 53 3/4in (93 x 136.5cm)sheet 43 1/2 x 60in (110.1 x 152.4cm)This lot is subject to the following lot symbols: W
Roy Lichtenstein (1923-1997)Flowers (C.III.46), 1973 Screenprint in colors on wove paper, initialed in the screen as issued, numbered in pencil 102/380, published by Ernst Beyeler, Galerie Beyeler, Basel, as a 1974 New Year's greeting, with full margins, framed. 14 3/4 x 8 1/2in (37.5 x 21.5cm)sheet 16 x 10in (40.6 x 25.4cm)
John Baldessari (born 1931)Studio (C.E. p.190; H. 41), 1988Lithograph with screenprint in colors on Somerset paper, signed in pencil and numbered 83/150 (there were also 20 artist's proofs), co-published by ART/LA 88 and Cirrus Editions, Los Angeles, with full margins, framed. 25 3/4 x 33 3/4in (65.3 x 85.6cm)sheet 30 1/4 x 38 1/4in (76.8 x 96.8cm)
PortfolioArtists for Obama, 2008-2009The complete portfolio, comprising 13 prints of various mediums (six printed in color) on various papers, each signed in pencil and numbered 72/150 (there were also 13 artist's proofs), Published and printed for the Obama Victory Fund by Gemini G.E.L., Los Angeles, with the colophon and contained in the original paper folder, together with a complimentary screenprint in colors by Shepard Fairey, signed in pencil, dated and numbered 72/300 (there were also 16 artist's proofs).Artists and titles include:John Baldessari, 'Raised Eyebrows/Furrowed Foreheads (Red, White, and Blue)' Jonathan Borofsky, 'Human Structures and the Light of Consciousness for Obama' Frank Gehry, 'Sitonme' Ann Hamilton, 'O' Jasper Johns, 'Untitled' Ellsworth Kelly, 'Blue Gray Green Red' Brice Marden, 'Etching for Obama' Julie Mehretu, 'Untitled (amulets)' Ken Price, 'Living with Rocks' Susan Rothenberg, 'Twisted Cat' Ed Ruscha, 'All Points' Richard Serra, 'Promenade Notebook Drawing for Obama' Richard Tuttle, 'Word of Mouth' Shepard Fairey, 'Obama Hope Gold'(14 works)various sizes
Tom Wesselmann (1931-2004)Claire Nude, 1980Lithograph and screenprint in colors on wove paper, signed in pencil, dated and numbered 87/200, with the blindstamps of the publisher, Transworld Art, New York, and of the printer, Handworks/Maurel, and with the printer's inkstamp on the verso, framed.25 1/8 x 24in (63.8 x 60.9cm)
Andy Warhol (1928-1987)Giant Panda, from Endangered Species (F. & S. II.295), 1983 Screenprint in colors on Lenox Museum Board, signed in pencil and numbered EP 5/5, (an Exhibition Proof aside from the edition of 150 and 30 artist proofs), published/printed by Ronald Feldman Fine Arts, Inc./Rupert Jansen Smith, New York, the full sheet.sheet 38 x 38in (96.5 x 96.5cm)
Andy Warhol (1928-1987)Cow (F.&S.II.11A), 1971 Screenprint in colors on wallpaper, signed in felt pen in 1979, from the signed edition of 100 (aside from the unlimited unsigned edition), published for Factory Additions, New York, Printed by Bull Miller's Wallpaper Studio, Inc., New York, for the Warhol exhibition at the Whitney Museum of American Art, New York, May 1-June 13, 1971, the full sheet, framed. 45 1/2 x 29 3/4in (115.6 x 75.6cm)
Tom Wesselmann (1931-2004) Bedroom Blonde Doodle with Photo, 1988 Screenprint in colors on museum board, signed in pencil, dated and numbered 92/100 (there were also 12 artist's proofs), with the blindstamp of the publisher International Images Inc., Putney, Vermont, with margins, framed.46 1/2 x 53 1/2in (118.1 x 135.9cm) sheet 57 5/8 x 66 5/8in (146.4 x 169.2cm) This lot is subject to the following lot symbols: W
Beatriz Milhazes (born 1960)Mother's Day, 2016 Screenprint and woodcut in colors with gold leaf on Saunders 425gr paper, signed in pencil, titled, dated and numbered PP 5/5 on verso (a printer's proof from an edition of 40), with the blindstamp of the publisher/printer Durham Press, Durham, Pennsylvania, the full sheet.sheet 51 7/8 x 17in (131.7 x 43.1cm)
Robert Motherwell (1915-1991) Untitled, Plate 8 from The Basque Suite (E.B. 86, B. 57), 1971 Screenprint in colors on J.B.Green paper, signed in pencil and numbered 77/150 (there was also an unrecorded number of artist's proofs), with the blindstamp of the artist, published by Marlborough Graphics, Inc., New York, with full margins, framed.22 1/4 x 17 1/8in (56.5 x 43.5cm)sheet 41 1/4 x 28 1/4in (104.1 x 71.7cm)
Roy Lichtenstein (1923-1997)Still Life with Red Jar (C. 291, G. 1621), 1994 Screenprint in colors on Lanaquarelle watercolor paper, signed in pencil, dated and numbered 22/250 (there were also 50 artist's proofs), with the blindstamps and inkstamp, verso, of the publisher Gemini G.E.L., Los Angeles, printed by James Reid, with full margins, framed.15 x 13 1/4in (38 x 33.5cm)sheet 21 1/4 x 19 1/4in (53.9 x 23.5cm)
Donald Sultan (born 1951)Butterflies, January 25, 2006, 2006 Screenprint in colors with flocking on 2-ply Museum Board, signed in pencil, titled, dated, and numbered 34/75, with the inkstamps of the artist and publisher Lococo Fine Art, St. Louis, Missouri on verso, with full margins, framed. 35 1/2 x 35 1/2in (90.1 x 90.1cm)sheet 38 1/2 x 38in (97.6 x 96.5cm)
Helen Frankenthaler (1928-2011)Flirt, 1995 Screenprint in colors on Somerset paper, signed in pencil and with the screenprinted signature, numbered 25/126 (there were also 10 artist's proofs), published by Lincoln Center for the Performing Arts, New York, the full sheet, framed.sheet 27 x 39 1/2in (68.6 x 100.3cm)
Frank Stella (born 1936)Bermuda Petrel (A. III.A), 1979 Screenprint, stencil and hand-coloring in oil paint on Trycore, signed in blue marker, dated and numbered 4/10 (there was also 1 artist's proof), published by Tyler Graphics, Ltd., Mount Kisco, New York, the full sheet, in trim frame.sheet 60 1/4 x 84in (153 x 213.3cm)This lot is subject to the following lot symbols: W
Andy Warhol (1928-1987)Jean Cocteau (F. & S. IIIB.15), 1983Screenprint in colors, on wove paper, a unique color variant of this rare screenprint (there was no published edition), with the Andy Warhol Authentication Board stamp verso (numbered in pencil A159.046), printed by Rupert Jasen Smith, New York, the full sheet, framed.sheet 31 3/4 x 23 1/2in (80.6 x 59.7cm)
Frank Stella (born 1936)Moultonville, from Eccentric Polygons series (G.E.L. 547, A. 101), 1974Lithograph and screenprint in colors on Arches paper, signed in pencil, dated and numbered 96/100 (there were also 8 artist's proofs), with the blindstamps of the publisher/printer Gemini G.E.L., Los Angeles, with wide margins, framed.15 3/4 x 11in (40 x 27.9cm)sheet 22 1/8 x 17in (56.1 x 43.1cm)
Andy Warhol (1928-1987)Mother and Child, from Cowboys and Indians (F. & S. II.383), 1986 Screenprint in colors on Lenox Museum Board, signed in pencil and numbered 42/250 (there were also 30 artist's proofs), published/printed by Gaultney, Klineman Art, Inc./Rupert Jansen Smith, New York the full sheet.sheet 36 x 36in. (91.4 x 91.4cm)
Roy Lichtenstein (1923-1997)Titled, 1996 Screenprint in colors on Coventry rag vellum, signed in pencil, dated and numbered 167/175 (there were also 25 artist's proofs), co-published by the artist and Ronald Feldman Fine Arts, Inc., New York, with full margins.24 x 32 1/2in (60.9 x 82.5cm)sheet 31 5/8 x 39 1/2in (80.3 x 100.3cm)
James Nares (born 1953)In Three Words 2, 2012 Screenprint in colors on Somerset Satin 300 gsm paper, signed, dated and numbered PP 4/4 (a printer's proof aside from an edition of 40) with the blindstamp and inkstamp on verso of the publisher/printer Durham Press, Durham, Pennsylvania, the full sheet.sheet 37 3/8 x 19 7/8in (94.9 x 50.4cm)
*Chris Levine (Canadian-British, b.1960) X MARKS THE SPOT 7 Screenprint in colours with glitter overlay, 2018, from the edition of 25, signed in pencil, published by Jealous Gallery, with blindstamp, on Satin Radiant White 410gsm paper, the full sheet sheet 30 x 30cm, unframed *Artist's Resale Right may apply to this lot.
signed in pencil in the margin, 24/88 in pencil in the plate; thumbprint and dated 2017 on the reverse silkscreen on hand torn archival paper 122 by 92cm Brazen, unapologetic and positioned at the forefront of street art culture, Mr. Brainwashis one of the fearless renegades of contemporary art. The French-born, Los Angeles-based artist is lesser known by his given name of Thierry Guetta, yet his moniker has become synonymous with the explosive collision between pop art and graffiti culture.Treading the boundary between high art and guerrilla satire, Guetta walks arm-in-armwith another one of the urban contemporary scene’s ubiquitous enigmas, Banksy.It was fellow street artist’s Banksy’s Academy Award-nominated 2010 documentary,Exit Through the Gift Shop, that helped to propel Guetta’s unconventionally swift riseto commercial stardom(1).Following the release of the acclaimed documentary, critics began to speculate asto whether Guetta was an authentic creator or an elaborate hoax conjured by theanonymous Banksy. After noting the undeniable likeness between the two artists’styles, some suggested that Mr. Brainwash’s works had actually been created byBanksy himself, while his unruly protégé was an intricate comment on the nature offame within the art world(2). Banksy took to his website to vehemently deny the claims.The widespread controversy only further amplified the notoriety of Mr. Brainwash.The artist’s works toy with pop culture iconography, subverting society’s mostrecognizable images through the sharp-witted use of reconceptualised appropriation.Guetta has captured the imagination of the international market, captivating thediscerning eye of collectors with his large-scale works currently fetching hundreds ofthousands of dollars(3).Deeply inspired by the work of Pop Art prince, Andy Warhol, Guetta has oftenfeatured Hollywood celebrities and cultural icons as the subjects of his vivid portraits.The artist has created images paying tribute to Kate Moss, Jimmy Hendrix, CharlieChaplin, Albert Einstein, and here, Dr Martin Luther King Jnr.Aptly entitled King, the limited edition monochromatic screenprint features the faceof the civil rights movement’s most influential figure. The portrait, with King’s piercinggaze and the austere use of black ink, is exceptional amid the artist’s more typicaltechnicolour works. As a characteristic tongue-in-cheek nod to the controversysurrounding the authenticity of his work, the screenprint boasts Guetta’s ownthumbprint on the reverse. - E.S.K.1. Ben Davis. 9.5 These on Art and Class. Chicago: Haymarket Books, 2013, p.992. Angela Dalle Vacche. Film, Art, New Media: Museum Without Walls? London: Palgrave Macmillan, 2012, p.893. Eric Grzymkowski. Art 101: From Vincent van Gogh to Andy Warhol, Key People, Ideas, and Moments in the History ofArt. New York: Simon & Schuster, 2013, p.67
Tom Wesselmann (New York, Ohio, 1931-2004) Screenprint in colors "Monica Sitting with Mondrian, 1989". Pencil signed and numbered (75/100) in lower portion. Published by International Images, Inc., with their blindstamp. Provenance: Christie's sale May 17, 1990 (lot 967). Label on side of frame. Condition: slight scratches to plexi-glass. Image Size: 41 x 27 in. Overall Size: 51.5 x 37.5 in. Framed behind glass.
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