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Lot 147

David Shrigley (British 1968-), 'Fuck', 2021, screenprint in colours on wove paper, numbered from an edition of 125 in pencil verso, published by DING DONG Takuhaibin; sheet: 76 x 56cm ARR

Lot 148

David Shrigley (British 1968-), 'I Am Elegant I Am Oh So Very Very Elegant', 2021, screenprint in colours on wove paper, numbered from an edition of 125 in pencil verso, published by DING DONG Takuhaibin; sheet: 76 x 56cm ARR

Lot 149

David Shrigley (British 1968-), 'I Hate Human Beings', 2021, screenprint in colours on wove paper, numbered from an edition of 125 in pencil verso, published by DING DONG Takuhaibin; sheet: 76 x 56cm ARR

Lot 150

David Shrigley (British 1968-), 'I've Got Your Lipstick', 2021, screenprint in colours on wove paper, numbered from an edition of 125 in pencil verso, published by DING DONG Takuhaibin; sheet: 76 x 56cm ARR

Lot 151

David Shrigley (British 1968-), 'A Gap In The Clouds', 2020, screenprint in colours on 410gsm Somerset Tub Sized paper, signed and numbered from an edition of 120 in pencil verso, published by Jealous Gallery; sheet: 75 x 55cm ARR

Lot 153

Emily Mae Smith (American 1979-), 'Medusa', 2019, screenprint in colours with glow in the dark inks on Coventry Rag paper, signed, dated and numbered from an edition of 90 in pencil, published by Elective Affinity; 61 x 45.5cm

Lot 162b

James McQueen (British 1977-), 'Who The Fuck Is Banksy', 2017, hand-embellished screenprint on wove paper, signed and numbered in pencil; 145 x 109cm inc frame ARR

Lot 174

Mr Doodle (British 1994-), 'Heartland', 2020, screenprint in colours on wove paper, signed and numbered from an edition of 300 in pencil; sheet: 90 x 48cm ARR

Lot 188

Banksy (British 1974-), ‘Flag (Silver)’, 2006, screenprint on silver cheomalux paper, numbered from an edition of 1000 in black pen verso, published by Pictures On Walls; sheet: 50 x 70cm (Framed) ARR Provenance: Pest Control Certificate Of Authenticity Pending

Lot 190

Banksy (British 1974-), 'Jack & Jill (Police Kids)', 2005, screenprint in colours on wove paper, numbered from an edition of 350, published by Pictures On Walls; sheet: 50 x 70cm ARR Provenance: Pest Control Certificate Of Authenticity Pending

Lot 191

Banksy (British 1974-), 'Bomb Hugger', 2003, screenprint in colours on wove paper, numbered from an edition of 600 in pencil, published by Pictures On Walls; sheet: 70 x 50cm ARR Provenance: Pest Control Certificate Of Authenticity Pending

Lot 192

Banksy (British 1974-), 'Soup Can', 2005, screenprint in colours on wove paper, numbered from an edition of 250 in pencil, published by Pictures On Walls, bearing the publishers blind stamp; sheet: 50 x 35cm (Framed) ARR Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity

Lot 193

Banksy (British 1974-), 'Barcode', 2003, screenprint on wove paper, numbered from an edition of 600 in pencil, stamped in red ink, published by Pictures On Walls; 69.5 x 88.5 cm inc frame ARR Provenance: Accompanied by Pest Control Certificate Of Authenticity

Lot 194

Banksy (British 1974-), 'Golf Sale', 2003, screenprint on wove paper, signed and numbered from an edition of 750, bearing the 'Banksy' rubber-stamp in red ink, published by Pictures On Walls; 49 x 63cm inc frame ARR Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity

Lot 195

Banksy (British 1974-), 'Love Rat', 2004, screenprint in colours on wove paper, numbered from an edition of 600 in pencil, published by Pictures On Walls; sheet: 50 x 35cm (Framed) ARR Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity

Lot 196

D*Face (British 1978-), 'Dog Save The Queen (Silver Wings)', 2004, hand-embellished screenprint in colours on wove paper, signed and numbered from an edition of 250 in pencil, stamped by the artist, published by Pictures On Walls; sheet: 50 x 70cm (Framed) ARR

Lot 200

Invader (French 1969-), 'Albino Invader', 2005, screenprint in colours on paper, numbered from an edition of 200 in pencil, published by Pictures On Walls; sheet: 50 x 50cm ARR

Lot 201

Invader (French 1969-), 'Rubik Kubrick I - Alex', 2006, screenprint in colours on wove paper, numbered from an edition of 300 in pencil, published by Pictures On Walls; sheet: 50 x 70cm ARR

Lot 202

Invader (French 1969-), 'Home Earth', 2010, embossed screenprint in colours with applied foil on wove paper, signed and numbered from an edition of 50 in pencil, published by Pictures On Walls; sheet: 29.5 x 42cm ARR

Lot 203

Invader (French 1969-), 'Home Mars', 2010, embossed screenprint in colours with applied foil on wove paper, signed and numbered from an edition of 50 in pencil, published by Pictures On Walls; sheet: 29.5 x 42cm ARR

Lot 213

Martin Whatson (Norwegian 1984-), 'One Small Step (Pink)', 2013, hand-embellished screenprint in colours on 300gsm Somerset paper, signed, dated and numbered from a unique edition of 10 in pencil, published by Graffiti Prints; sheet: 65 x 65cm (Framed) ARR

Lot 220

Shepard Fairey (American 1970-), 'Tunnel Vision (Gold)', 2018, screenprint in colours on wooden panel, signed, dated and numbered from an edition of 6 in pencil; panel: 45.5 x 61cm (Framed)

Lot 223a

Stik (British 1979-), 'Liberty (Orange AP)', 2013, screenprint in colours on wove paper, signed and numbered from an edition of 5 APs in pencil, aside from the main edition of 25, published by Squarity; sheet: 112 x 43cmARR

Lot 224

Thierry Noir (French 1958-), 'Crocodile', 2013, screenprint in colours on 300gsm Somerset Textured paper, signed and numbered from an edition of 50 in pencil, published by Salted Prints; sheet: 60 x 60cm ARR

Lot 227

Banksy (British 1974-), 'Morons', 2007, screenprint in colours on Arches paper, signed, dated and numbered from an edition of 150 in pencil, published by Pictures On Walls; 69 x 88cm inc frame ARR Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity

Lot 228

Banksy (British 1974-), 'Trolleys', 2007, screenprint in colours on Arches paper, signed and dated in orange, numbered from an edition of 150 in pencil, published by Pictures On Walls; 68.5 x 87.5cm inc frame ARR Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity

Lot 231

Banksy (British 1974-), 'CND Soldiers', 2005, screenprint in colours on wove paper, signed, dated and numbered from an edition of 350, published by Pictures On Walls; 81.5 x 61.5cm inc frame ARR Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity

Lot 232

Banksy (British 1974-), 'Stop & Search', 2007, screenprint in colours on Arches 88 Paper, signed in blue crayon and numbered from an edition of 500 in pencil, published by Pictures on Walls; sheet: 76.5cm x 57.5cm (Framed) ARR Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity

Lot 235

Banksy (British 1974-), 'Nola (Orange Rain)', 2008, screenprint in colours on wove paper, signed and numbered from an edition of 32, published by Pictures On Walls; sheet: 76 x 56cm; 84 x 62.5cm inc frame ARR Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity

Lot 236

Banksy (British 1974-), 'Nola (Yellow Rain)', 2008, screenprint in colours on wove paper, signed and numbered from an edition of 31, published by Pictures On Walls; sheet: 76 x 56cm; 82 x 61.5cm inc frame ARR Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity

Lot 29

Deborah Kass (American 1952-), 'Vote Hillary', 2016, screenprint in colours on Stonehenge paper, signed, dated and numbered from an edition of 250 verso, published for the Hillary Clinton 2016 Presidential Campaign; sheet: 106.5 x 106.5cm

Lot 3

Adriana Oliver (Spanish 1990-), 'Someone To Love', 2021, screenprint in colours on 300gsm Somerset Velvet paper, signed and numbered from an edition of 75, published by Moosey Art; sheet: 86 x 72cm ARR

Lot 30

Deborah Roberts (American 1962-), 'One History Two Versions (Bullet Points)' 2019, screenprint in colours on 600gsm Somerset Tub Sized paper, signed and dated in pencil, from an edition of 100; sheet: 59.5 x 42cm

Lot 47

Michael Kagan (American 1980-), 'In Memory', 2020, screenprint on wove paper, signed and numbered from an edition of 200 in pencil, published by Virginia MOCA; sheet: 35.5 x 35.cm

Lot 50a

Peter Blake (British 1932-), 'Kate', 2010, screenprint in colours with photocollage and diamond dust on wove paper, signed by Peter Blake and Kate Moss in pencil, numbered from an edition of 100, published by Paul Stolper; sheet: 75 x 58cm (Framed) ARR

Lot 56

Schoony (British 1974-), 'Boy Soldier 3D', 2019, screenprint in colours on wove paper, signed, dated and numbered from an edition of 10 in pencil; sheet: 70 x 50cm ARR

Lot 58

Schoony (British 1974-), 'Boots', 2019, unique hand-finished screenprint on paper, signed and dated in black ink; sheet: 56 x 38cm ARR

Lot 73

Banksy (British 1974-), 'Radar Rat - Dirty Funker Vinyl (Brown)', 2008, screenprint in colours on record sleeve, with vinyl record; sleeve: 30.5 x 30.5cm ARR

Lot 74

Banksy (British 1974-), 'Radar Rat - Dirty Funker Vinyl (White)', 2008, screenprint in colours on record sleeve, with vinyl record; sleeve: 30.5 x 30.5cm ARR

Lot 8

Chris Levine (Canadian 1960-), '#Compassion', 2020, screenprint in colours on 410gsm Somerset Satin White Paper, dated in pencil, signed to the accompanying COA, published by Jealous Gallery; sheet: 58 x 45.5cm ARR

Lot 84

Banksy (British 1974-), 'GDP Rat', 2019, screenprint on 50gsm paper; sheet: 38.5 x 50.5cm ARR

Lot 87

Banksy (British 1974-), 'Marks & Stencils', 2010, screenprint on brown paper shopping bag; 30.5 × 41 cm ARR

Lot 89

Blek Le Rat (French 1951-), 'The Man Who Walks Through Walls', 2007, screenprint in colours on 300gsm Somerset Satin white paper, signed and numbered from an edition of 250 in pencil, published by Black Rat Press; sheet: 73.5 x 53.5cm ARR

Lot 9

Claire Tabouret (French 1981-), 'The Siblings', 2020, screenprint in colours with lithography on 410gsm Somerset paper, signed and numbered from an edition of 75, published by Perrotin; sheet: 40.7 x 47cm ARR

Lot 90

Blek Le Rat (French 1951-), 'The Anarchist', 2020, screenprint in colours on 300gsm Arches paper, signed and numbered from an edition of 300 in pencil; sheet: 23 x 31cm ARR

Lot 92

Conor Harrington (Irish 1980-), ‘Small Town Tale With A Global Punch’, 2014, 1 colour screenprint on Arches 88 paper, signed and numbered from an edition of 10 APS in pencil, aside from the main edition of 100, published by Lazarides; sheet: 56 x 82cm ARR

Lot 94

D*Face (British 1978-), 'Left For Dead', 2021, screenprint in colours on 370gsm Lambeth Drawing Cartridge paper, signed and numbered from an edition of 140 in pencil, published by Stolen Space; sheet: 99 x 70cm ARR

Lot 97

James Joyce (British), 'Perseverance In The Face Of Absurdity', 2015, screenprint in colours on wove paper, signed and numbered from an edition of 150 in pencil, published by Pictures On Walls; sheet: 56 x 56cm ARR

Lot 99

Jerkface (American 1982-), 'Astro Cat (Clouds Edition)', 2018, screenprint in colours on wove paper, signed and numbered from an edition of 15 APs in pencil, aside from the main edition of 50; sheet: 20 x 20cm (Framed)

Lot 457

*Clare Woods (b.1972) 'Cross in Hands', 2006screenprint in colours, signed and dated 'C Woods 2006' in pencil l.r., inscribed as titled l.c., and numbered '65/200' l.r.sheet 88 x 68cm*Artist's Resale Right may apply to this lot.Condition report: Not examined out of glazed frame, loosley attached to the backboard (not mounted), gentle wave to sheet, appears to be in good condition.

Lot 446

*John Piper CH (1903-1992)'The Glyders'screenprint on cotton, published by A Sanderson & Sons Ltd.52 x 58cm*Artist's Resale Right may apply to this lot.Condition report: In apparently good condition, unexamined out of frame.

Lot 84

Sir Terry FROST (1915-2003)Longbow (Kemp 176)Screenprint with collage elementsSigned and dated '98Numbered 2/50Image size 27.5 x 87cm, paper size 50 x 108cmIt is highly probable that this work was bought directly from the artist.Condition report: Lovely condition but for a few very faint foxing spots. The paper is not flat

Lot 568

‡Sophie Ryder (b.1963) PaintpotsSigned, dated, numbered and inscribed AP/9 for André & Galina with/love from Sophie Ryder 2001 (in pencil)Screenprint in colours, 1 of 9 artist's proofs aside from the edition of 5053 x 67.8cm (sheet)

Lot 399

‡John Piper CH (1903-1992) Waddesdon (Levinson 423) Signed John Piper (in pencil) Screenprint in colours, 1989 42.2 x 56.9cm (image)

Lot 449

Alex Colville (Canadian 1920-2013) Dog with Bone Signed and dated Alex Colville/1961 (in pencil lower right) Screenprint, from the edition of 2075.2 x 53.2cm Provenance: Collection of Ian Murray; And by descent Ian Murray was born in Scotland in 1928, but as a young man fell in love with Canada, becoming a Canadian citizen in 1957. He was a great supporter of Canadian artists and an avid collector of their work. He was additionally a master mariner, owned a superb collection of cars, and socialised with Noel Coward, Ian Fleming, Princess Margaret and Elvis Presley, once purchasing a car with the latter.

Lot 608

‡Craigie Aitchison CBE, RSA, RA (Scottish 1926-2009) Sheep in the Moonlight Signed, dated and numbered Craigie Aitchison 10/75 1999 (in white ink, lower centre) Screenprint in colours, published by Advanced Graphics, London 68.7 x 56cm (sheet) Provenance: Private Collection, Kent

Lot 363

‡Peter Sedgley (b.1930) Looking Glass Suite I Signed and numbered Peter Sedgley 30/75 (in pen lower centre) Screenprint, 1966 49.5 x 49.5cm Unframed

Lot 659

‡Sophie Smallhorn (b.1971) Colour Wheel 2 Signed, dated and numbered 13/30 Sophie Smallhorn 01 (in pencil) Screenprint 84.5 x 84.5cm (sheet) Provenance: Francis Graham-Dixon, London, where purchased by the present private collector, September 2001

Lot 409

‡Ceri Richards CBE (Welsh 1903-1971) Prometheus I (from The Beethoven Suite) Screenprint, with Ceri Richards blindstamp 66 x 50cm (image) Provenance: The artist's estate; Martin Tinney Gallery, Cardiff; The Collection of Sir Alan and Lady Cox

Lot 386

‡Sir Eduardo Paolozzi CBE RA (Scottish 1924-2005) Moonstrips Empire News: Memory Core Units; The Silken World of Michelangelo; High Life; Cover for a Journal Four, each signed Eduardo Paolozzi, three inscribed Artists Proof, and one numbered 86/500 (in pencil) Each screenprint, 1967 Each 38 x 25.4cm (sheet) Unframed (4)

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