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Jeremy JAMES (1964) Gull Limited edition Screenprint 12/20 Signed and numbered 25cm x 37cm

Joan GODFREY (XX-XXI) Japanese Sun Screenprint Signed, titled and dated 78 22cm x 13cm

Roy RAY (1936-2021) Screenprint Edition 1/10 Signed 43.5cm x 49.5cm

MR BRAINWASH (Né en 1966)Kate MossAcrylique et bombe aérosol sur sérigraphie, signée en bas à droite77 x 59 cmUn certificat d’authenticité par PostModernVandal accompagne l’œuvre.Acrylic, spray paint on screenprint.

MAGNELLI, ALBERTO (1888-1971) "Ardoise No 63" Siebdruck/Schul-Schiefertafel, Edition anlässlich der Ausstellung "Alberto Magnelli" vom 12. März bis 25. Juni 2000 im Museum Würth, verso auf Eindruck bez. u. num. 38/140, HxB: 31/21 cm. leichte Altersspuren.| MAGNELLI, ALBERTO (1888-1971) "Ardoise No 63"Screenprint/slate, edition on the occasion of the exhibition "Alberto Magnelli" from 12 March to 25 June 2000 at the Museum Würth, verso on impression inscribed and numbered 38/140, HxW: 31/21 cm. slight signs of age.

David Leverett (British,1938-2020), '3x3 Shift', limited edition screenprint, numbered 1/75, signed and dated '73 in pencil, unframed, 93x70cm.

Sir Grayson PERRY (b. 1960) City Break Screenprint on fabric Signed with symbol lower right Framed and glazed Picture size 64 x 48cm Overall size 85 x 65cm

Moritz Nicolai Partycrasher I, 2023 Screenprint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Moritz is a London-based, Munich-born print designer and artist. He's merging a graphical style with his vibrant and lively colour scheme, together with contrasting black area as it shines an ominous but contradictory light on the imagery. Education BA Graphics/MA Fine Art (Printmaking) at the Middlesex University. Select Exhibitions/Awards Royal Academy Summer Exhibition 2023, The Holy Art Gallery 2023, Printmakers Council, Middlesex University Student Prize Award 2022 Gallery Representation   Statement about AOAP Submitted Artwork The artworks 'Partycrasher I-IV' represent the daily life of city pigeons: surrounded by a colourful environment with prejudices of some people. Nonetheless, these feathered fellows are certainly 'crash' in our imagination, displaying their intelligence, cleanliness and sociality.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Moritz Nicolai Partycrasher II, 2023 Screenprint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Moritz is a London-based, Munich-born print designer and artist. He's merging a graphical style with his vibrant and lively colour scheme, together with contrasting black area as it shines an ominous but contradictory light on the imagery. Education BA Graphics/MA Fine Art (Printmaking) at the Middlesex University. Select Exhibitions/Awards Royal Academy Summer Exhibition 2023, The Holy Art Gallery 2023, Printmakers Council, Middlesex University Student Prize Award 2022 Gallery Representation   Statement about AOAP Submitted Artwork The artworks 'Partycrasher I-IV' represent the daily life of city pigeons: surrounded by a colourful environment with prejudices of some people. Nonetheless, these feathered fellows are certainly 'crash' in our imagination, displaying their intelligence, cleanliness and sociality.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Moritz Nicolai Partycrasher III, 2023 Screenprint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Moritz is a London-based, Munich-born print designer and artist. He's merging a graphical style with his vibrant and lively colour scheme, together with contrasting black area as it shines an ominous but contradictory light on the imagery. Education BA Graphics/MA Fine Art (Printmaking) at the Middlesex University. Select Exhibitions/Awards Royal Academy Summer Exhibition 2023, The Holy Art Gallery 2023, Printmakers Council, Middlesex University Student Prize Award 2022 Gallery Representation   Statement about AOAP Submitted Artwork The artworks 'Partycrasher I-IV' represent the daily life of city pigeons: surrounded by a colourful environment with prejudices of some people. Nonetheless, these feathered fellows are certainly 'crash' in our imagination, displaying their intelligence, cleanliness and sociality.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Moritz Nicolai Partycrasher IV, 2023 Screenprint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Moritz is a London-based, Munich-born print designer and artist. He's merging a graphical style with his vibrant and lively colour scheme, together with contrasting black area as it shines an ominous but contradictory light on the imagery. Education BA Graphics/MA Fine Art (Printmaking) at the Middlesex University. Select Exhibitions/Awards Royal Academy Summer Exhibition 2023, The Holy Art Gallery 2023, Printmakers Council, Middlesex University Student Prize Award 2022 Gallery Representation   Statement about AOAP Submitted Artwork The artworks 'Partycrasher I-IV' represent the daily life of city pigeons: surrounded by a colourful environment with prejudices of some people. Nonetheless, these feathered fellows are certainly 'crash' in our imagination, displaying their intelligence, cleanliness and sociality.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Eleanor Lines Red Sunset I Screenprint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Eleanor is an English-Dutch artist born and raised in London. She graduated with a Masters in Fine Art Printmaking from the Royal College of Art in 2011. She now lives and works between Athens (Greece) and London. Geometry, pattern and structure found within architecture and foliage are all prevailing themes within her work which she explores through a variety of mediums such as screen printing, digital drawing, gouache paint, cyanotype and collage. In addition to her smaller scale practice, she undertakes large scale public commissions and has previously been commissioned by the Crown Estate and the Bow Arts Trust in London. After completing a residency in Greece in 2016, her practice was greatly inspired by the city of Athens and its modernist and Art Deco architecture. By isolating shapes found in, for instance, Art Deco metalwork, and reimaging these forms, she explores and deconstructs the fabric of the city. The strong Athenian light gives a sun kissed appearance to the place. The vivid sunset skies and surrounding Aegean Sea have all contributed to her vibrant colour palette, where colours and gradient blends interact with one another and create a sense of movement within the work. Education Royal College of Art, Fine Art Printmaking 2009 - 2011 University of Brighton, Fine Art Printmaking 2005 - 2008 Select Exhibitions/Awards March 2022 - IFCA Arts, Metanoia, Athens, Greece December 2021 - Kypselian Salon, Snehta, Athens, Greece November 2021 - Palm, Kypseli Print Studio, Athens, Greece November 2020 - Athens Laundry Bougada, Athens, Greece 2017 - Commissioned Public Art 'Q4' (Crown Estate/AHMM architects), Sherwood Street, London Gallery Representation The postcards submitted to 'Art on a Postcard' entitled 'Sunset' respond to a long heatwave during the Greek summer and deconstruct a previous print work which plays with the form of a wave. The dramatic skies at sunset displayed a spectrum of colours which varied evening to evening. Outbreaks of fire gave the skies a very unusual hue. The unique screen-printed postcards attempt to capture these colour fields in a simplified and abstract language. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Eleanor Lines Red Sunset II Screenprint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Eleanor is an English-Dutch artist born and raised in London. She graduated with a Masters in Fine Art Printmaking from the Royal College of Art in 2011. She now lives and works between Athens (Greece) and London. Geometry, pattern and structure found within architecture and foliage are all prevailing themes within her work which she explores through a variety of mediums such as screen printing, digital drawing, gouache paint, cyanotype and collage. In addition to her smaller scale practice, she undertakes large scale public commissions and has previously been commissioned by the Crown Estate and the Bow Arts Trust in London. After completing a residency in Greece in 2016, her practice was greatly inspired by the city of Athens and its modernist and Art Deco architecture. By isolating shapes found in, for instance, Art Deco metalwork, and reimaging these forms, she explores and deconstructs the fabric of the city. The strong Athenian light gives a sun kissed appearance to the place. The vivid sunset skies and surrounding Aegean Sea have all contributed to her vibrant colour palette, where colours and gradient blends interact with one another and create a sense of movement within the work. Education Royal College of Art, Fine Art Printmaking 2009 - 2011 University of Brighton, Fine Art Printmaking 2005 - 2008 Select Exhibitions/Awards March 2022 - IFCA Arts, Metanoia, Athens, Greece December 2021 - Kypselian Salon, Snehta, Athens, Greece November 2021 - Palm, Kypseli Print Studio, Athens, Greece November 2020 - Athens Laundry Bougada, Athens, Greece 2017 - Commissioned Public Art 'Q4' (Crown Estate/AHMM architects), Sherwood Street, London Gallery Representation The postcards submitted to 'Art on a Postcard' entitled 'Sunset' respond to a long heatwave during the Greek summer and deconstruct a previous print work which plays with the form of a wave. The dramatic skies at sunset displayed a spectrum of colours which varied evening to evening. Outbreaks of fire gave the skies a very unusual hue. The unique screen-printed postcards attempt to capture these colour fields in a simplified and abstract language. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Eleanor Lines Blue Sunset Screenprint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Eleanor is an English-Dutch artist born and raised in London. She graduated with a Masters in Fine Art Printmaking from the Royal College of Art in 2011. She now lives and works between Athens (Greece) and London. Geometry, pattern and structure found within architecture and foliage are all prevailing themes within her work which she explores through a variety of mediums such as screen printing, digital drawing, gouache paint, cyanotype and collage. In addition to her smaller scale practice, she undertakes large scale public commissions and has previously been commissioned by the Crown Estate and the Bow Arts Trust in London. After completing a residency in Greece in 2016, her practice was greatly inspired by the city of Athens and its modernist and Art Deco architecture. By isolating shapes found in, for instance, Art Deco metalwork, and reimaging these forms, she explores and deconstructs the fabric of the city. The strong Athenian light gives a sun kissed appearance to the place. The vivid sunset skies and surrounding Aegean Sea have all contributed to her vibrant colour palette, where colours and gradient blends interact with one another and create a sense of movement within the work. Education Royal College of Art, Fine Art Printmaking 2009 - 2011 University of Brighton, Fine Art Printmaking 2005 - 2008 Select Exhibitions/Awards March 2022 - IFCA Arts, Metanoia, Athens, Greece December 2021 - Kypselian Salon, Snehta, Athens, Greece November 2021 - Palm, Kypseli Print Studio, Athens, Greece November 2020 - Athens Laundry Bougada, Athens, Greece 2017 - Commissioned Public Art 'Q4' (Crown Estate/AHMM architects), Sherwood Street, London Gallery Representation The postcards submitted to 'Art on a Postcard' entitled 'Sunset' respond to a long heatwave during the Greek summer and deconstruct a previous print work which plays with the form of a wave. The dramatic skies at sunset displayed a spectrum of colours which varied evening to evening. Outbreaks of fire gave the skies a very unusual hue. The unique screen-printed postcards attempt to capture these colour fields in a simplified and abstract language. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Eleanor Lines Pink Sunset Screenprint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Eleanor is an English-Dutch artist born and raised in London. She graduated with a Masters in Fine Art Printmaking from the Royal College of Art in 2011. She now lives and works between Athens (Greece) and London. Geometry, pattern and structure found within architecture and foliage are all prevailing themes within her work which she explores through a variety of mediums such as screen printing, digital drawing, gouache paint, cyanotype and collage. In addition to her smaller scale practice, she undertakes large scale public commissions and has previously been commissioned by the Crown Estate and the Bow Arts Trust in London. After completing a residency in Greece in 2016, her practice was greatly inspired by the city of Athens and its modernist and Art Deco architecture. By isolating shapes found in, for instance, Art Deco metalwork, and reimaging these forms, she explores and deconstructs the fabric of the city. The strong Athenian light gives a sun kissed appearance to the place. The vivid sunset skies and surrounding Aegean Sea have all contributed to her vibrant colour palette, where colours and gradient blends interact with one another and create a sense of movement within the work. Education Royal College of Art, Fine Art Printmaking 2009 - 2011 University of Brighton, Fine Art Printmaking 2005 - 2008 Select Exhibitions/Awards March 2022 - IFCA Arts, Metanoia, Athens, Greece December 2021 - Kypselian Salon, Snehta, Athens, Greece November 2021 - Palm, Kypseli Print Studio, Athens, Greece November 2020 - Athens Laundry Bougada, Athens, Greece 2017 - Commissioned Public Art 'Q4' (Crown Estate/AHMM architects), Sherwood Street, London Gallery Representation The postcards submitted to 'Art on a Postcard' entitled 'Sunset' respond to a long heatwave during the Greek summer and deconstruct a previous print work which plays with the form of a wave. The dramatic skies at sunset displayed a spectrum of colours which varied evening to evening. Outbreaks of fire gave the skies a very unusual hue. The unique screen-printed postcards attempt to capture these colour fields in a simplified and abstract language. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Alexandra Helm It's a yes from me Screenprint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Through her drawings, paintings and prints Alexandra writes her narrative. She starts with observation, particularly of animals, the sea and abandoned landscapes. These drawings and moments become part of the texture of her work while the structure comes from her memories, emotional imprints and dreams. Through the rich connection that she has to her work, Alexandra hopes that the viewer will find something vital with which to connect. Alexandra is based in South London and coastal Suffolk. Education Alexandra studied at Chelsea College of Art and Design and Central Saint Martins. She has extended her practice more recently at the Royal Drawing School and with Turps Education. Select Exhibitions/Awards 2023 Royal Academy Summer Exhibition Solo exhibition at Aldeburgh Beach Lookout Woolwich Contemporary Print Fair with East London Printmakers Hong Kong Design Institute and the Bower Ashton Library as part of World Book Night Statement about AOAP Submitted Artwork The monotype Teddy Chaos combines drawing onto the screen with stencil layers. It's a Yes from Me and Electric Hug are monoprints created in this size especially for Art on a Postcard.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Alexandra Helm Blue Electric Hug Screenprint with hand-colouring on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Through her drawings, paintings and prints Alexandra writes her narrative. She starts with observation, particularly of animals, the sea and abandoned landscapes. These drawings and moments become part of the texture of her work while the structure comes from her memories, emotional imprints and dreams. Through the rich connection that she has to her work, Alexandra hopes that the viewer will find something vital with which to connect. Alexandra is based in South London and coastal Suffolk. Education Alexandra studied at Chelsea College of Art and Design and Central Saint Martins. She has extended her practice more recently at the Royal Drawing School and with Turps Education. Select Exhibitions/Awards 2023 Royal Academy Summer Exhibition Solo exhibition at Aldeburgh Beach Lookout Woolwich Contemporary Print Fair with East London Printmakers Hong Kong Design Institute and the Bower Ashton Library as part of World Book Night Statement about AOAP Submitted Artwork The monotype Teddy Chaos combines drawing onto the screen with stencil layers. It's a Yes from Me and Electric Hug are monoprints created in this size especially for Art on a Postcard.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Alexandra Helm Teddy Chaos Screenprint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Through her drawings, paintings and prints Alexandra writes her narrative. She starts with observation, particularly of animals, the sea and abandoned landscapes. These drawings and moments become part of the texture of her work while the structure comes from her memories, emotional imprints and dreams. Through the rich connection that she has to her work, Alexandra hopes that the viewer will find something vital with which to connect. Alexandra is based in South London and coastal Suffolk. Education Alexandra studied at Chelsea College of Art and Design and Central Saint Martins. She has extended her practice more recently at the Royal Drawing School and with Turps Education. Select Exhibitions/Awards 2023 Royal Academy Summer Exhibition Solo exhibition at Aldeburgh Beach Lookout Woolwich Contemporary Print Fair with East London Printmakers Hong Kong Design Institute and the Bower Ashton Library as part of World Book Night Statement about AOAP Submitted Artwork The monotype Teddy Chaos combines drawing onto the screen with stencil layers. It's a Yes from Me and Electric Hug are monoprints created in this size especially for Art on a Postcard.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Charlotte Farmer Sugar, Sugar Screenprint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About Charlotte is a screen printer and illustrator. Her work is about finding beauty in everyday objects and she has a particular affinity for bold colours and fine detail. From matchboxes and vintage tins to tropical birds and wild cats, Charlotte's prints are all about storytelling and the characters within each narrative. Education MA Communication Design - Central St Martins, BA Fine Art (Printmaking) Select Exhibitions/Awards Royal Academy Summer Exhibition, Woolwich Contemporary Print Fair Statement about AOAP Submitted Artwork The artwork in the show focusses on my love of collections - in this case sugar cubes.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Sickboy Squad Forever Oblique Spraypaint, screenprint and ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Frankie Shea About Sickboy is the name of a street artist from Bristol, UK, known for his temple logo and his 'Save the Youth' slogan. Sickboy moved to London in 2007 and his street art became prevalent particularly in the East End boroughs of Shoreditch and Tower Hamlets. It is claimed Sickboy was one of the first UK graffiti artists to use a logo instead of a 'tag'. Sickboy originally trained in fine art and, as well as painting graffiti on the street, he also paints on canvas and exhibits conventionally in art galleries. He has been painting street art since circa 1995. In recent years Sickboy has become known for painting his 'temple' logo on wheelie bins, which can then be worth up to £50,000. Being heavily influenced by Picasso, Hundertwasser and Gaudi as well as Spanish street artist La Mano, Sickboy's spray-painted visuals and murals could be straight from a drug induced fever dream. His colourful, exhaustingly busy and detailed artworks touch along the lines of a style that could best be described as neo-psychedelic-cosmic-abstract-expressionist. Originally being trained in fine arts, over the years Sickboy developed a unique style of painting graffiti as well as working on canvas. He conventionally exhibits his work in art galleries around the world.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Sickboy Squad Heart Spraypaint, screenprint and ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Frankie Shea About Sickboy is the name of a street artist from Bristol, UK, known for his temple logo and his 'Save the Youth' slogan. Sickboy moved to London in 2007 and his street art became prevalent particularly in the East End boroughs of Shoreditch and Tower Hamlets. It is claimed Sickboy was one of the first UK graffiti artists to use a logo instead of a 'tag'. Sickboy originally trained in fine art and, as well as painting graffiti on the street, he also paints on canvas and exhibits conventionally in art galleries. He has been painting street art since circa 1995. In recent years Sickboy has become known for painting his 'temple' logo on wheelie bins, which can then be worth up to £50,000. Being heavily influenced by Picasso, Hundertwasser and Gaudi as well as Spanish street artist La Mano, Sickboy's spray-painted visuals and murals could be straight from a drug induced fever dream. His colourful, exhaustingly busy and detailed artworks touch along the lines of a style that could best be described as neo-psychedelic-cosmic-abstract-expressionist. Originally being trained in fine arts, over the years Sickboy developed a unique style of painting graffiti as well as working on canvas. He conventionally exhibits his work in art galleries around the world.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Sickboy Squaded Spraypaint, screenprint and ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Frankie Shea About Sickboy is the name of a street artist from Bristol, UK, known for his temple logo and his 'Save the Youth' slogan. Sickboy moved to London in 2007 and his street art became prevalent particularly in the East End boroughs of Shoreditch and Tower Hamlets. It is claimed Sickboy was one of the first UK graffiti artists to use a logo instead of a 'tag'. Sickboy originally trained in fine art and, as well as painting graffiti on the street, he also paints on canvas and exhibits conventionally in art galleries. He has been painting street art since circa 1995. In recent years Sickboy has become known for painting his 'temple' logo on wheelie bins, which can then be worth up to £50,000. Being heavily influenced by Picasso, Hundertwasser and Gaudi as well as Spanish street artist La Mano, Sickboy's spray-painted visuals and murals could be straight from a drug induced fever dream. His colourful, exhaustingly busy and detailed artworks touch along the lines of a style that could best be described as neo-psychedelic-cosmic-abstract-expressionist. Originally being trained in fine arts, over the years Sickboy developed a unique style of painting graffiti as well as working on canvas. He conventionally exhibits his work in art galleries around the world.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

John Piper CH,British 1903-1992,The Geffrye Museum, 1985; screenprint in colours on Arches paper,signed and numbered 18/100 in pencil,printed by Kelpra Studio, London, published by Friends of the Geffrye Museum,sheet: 56.4 x 73.9 cm,(framed)(ARR)

Michael Rothenstein RA, British 1908-1993,A Cockerel, with the City Behind; screenprint in colours, with spot varnish, signed in pencil and numbered AP, image: 67.3 x 53.3 cm, (framed) (ARR)

Anthony Benjamin FSRE RE,  British 1931-2002,Untitled: screenprint in colours on wove,  image: 61 x 60.6 cm,  (framed) (ARR)

Brendan Neiland, British b.1941-Autumn Landscape, 1982; Winter Landscape ; (i) screenprint in colours one wove, signed, dated, titled and numbered 'A/P V/XIII' in pencil, image: 63.5 x 91.5 cm, (ii) screenprint in colours one wove, signed, titled and numbered 'AP 5/13' in pencil, image:  63.5 x 91.5 cm, (framed)(ARR)(2)

Peter Phillips,British b.1939-Select-o-mat Tempest II, 1972; Bird and Machine, 1974;(i) screenprint in colours on wove, signed, dated and inscribed 'Artist's Proof' in pencil, sheet: 121.7 x 72.7 cm, (ii) screenprint in colours on wove, signed, dated and numbered '91/100' in pencil, sheet: 72 x 53 cm, (unframed)(ARR)(2)

Richard Hamilton CH,  British 1922-2011,Whitley Bay [Lullin 61], 1966;six hand tinted photograph with screenprint in colours on photographic paper,  each published by Robert Fraser Gallery, London,  each sheet: 10.5 x 16 cm,  (unframed)  (ARR) (6)

Robyn Denny, British 1930-2014,Glass 2 (From There), 1971; screenprint in colours on wove,  from the Michael Chow Collection, London, sheet: 25.8 x 30.4 cm,  (unframed) (ARR)

Robyn Denny,British 1930-2014,The Night Suite D, 1972; screenprint in colours on wove, signed, dated and numbered 10/70 in pencil, sheet: 78.1 x 61 cm, (unframed)(ARR)(VAT applied on hammer price)

Robyn Denny, British 1930-2014,The Paramount Suite (Blue), 1969;  screenprint in colours on wove,  signed, dated and inscribed 'Artist's Proof' in pencil,  sheet: 66 x 86 cm,  (unframed) (ARR) (VAT applied on hammer price)

Robyn Denny,British 1930-2014,Untitled, 1973;screenprint in colours on wove,signed, dated and numbered 28/60 in pencil,sheet: 137 x 100 cm,(unframed)(ARR)(VAT charged on hammer price)

Robyn Denny, British 1930-2014, Untitled, from For John Constable, 1976; screenprint in colours with collage on paper, signed, numbered '13/100' and dated '76 in pencil, published by Bernard Jacobson Gallery, London, sheet: 63.5 x 102 cm, (unframed) (ARR) (VAT charged on hammer price) 

Donald Hamilton Fraser RA,British 1929-2009,Sea and Clouds;screenprint in colours on wove, signed and numbered '35/250' in pencil, image: 57 x 44.5 cm, (framed)(ARR)  (VAT charged on the hammer price)

Joe Tilson, British b.1928-Lufbery and Rickenbacker / Shakespeare's 15th Sonnet, 1963-64;screenprint in colours on wove, signed, titled and dated in pencil, sheet: 87.7 x 55.7 cm (unframed) (ARR)

Ralph Steadman, British b.1936- Picastwo, 1994; Assassin, 1993; Inner Thoughts; Godhead Tulum, 1993; Bull & Pit Bull, 1993;  each screenprint in colours on wove, each signed in pencil, four numbered from the edition of 30,each sheet approx.: 102 x 92 cm, (unframed) (ARR) (5)

Sir Howard Hodgkin CH CBE, British 1932-2017, Ice, 2013;  17 colour screenprint on 300gsm Somerset white satin paper, initialled, dated and numbered 221/350 in pencil, published by Counter Editions, this was an officially licensed artwork for Team GB, Sochi, 2014, 76 x 60 cm, (framed) (ARR)Note: the work comes with a certificate from Counter Editions. 

Sir Peter Blake CBE RDI RA, British b.1932-Tokyo, 2011;photo screenprint with giclée on canvas, numbered 8/10, signed in black pen and numbered 8/10, image: 112.5 x 135.5 cm, (framed) (ARR)

Sir Terry Frost  RA, British 1915-2003,Red and Black Squeeze, 2001;screenprint in colours with collage on wove, signed in pencil and numbered 11/XXX AP, printed by Multigraphic, Venezia, with their blind stamp, sheet: 36 x 58 cm,(unframed) (ARR)

David Hockney OM CH RA, British b.1937- Parade, 1981; screenprint poster in colours on wove, published by the Metropolitan Opera, New York, sheet: 204.5 x 103.5 cm, (framed) (ARR) 

Bridget Riley CH CBE,British b.1931-Blaze 4 (Hayward Gallery exhibition poster), 1992;screenprint in black and white on wove,published by Hayward Gallery, London,image: 127.5 x 98.5cm,(framed)(ARR)

Bruce McLean,British b.1944-Burnt;screenprint in colours on wove,signed, titled and numbered 23/75 in pencil,sheet: 120 x 92 cm,(framed)(ARR)

Bruce Mclean, British b.1944- Fear of the Spot; screenprint in colours on wove, signed in pencil and inscribed AP June, sheet: 117 x 90.5 cm, (unframed) (ARR) 

Bruce Mclean, British b.1944-On the Ball; screenprint in colours on wove, signed in pencil and numbered PP, sheet: 118.5 x 90 cm, (unframed) (ARR)

Gary Hume, British b.1962-A Page of Pears, 1997;screenprint, signed in pencil, dated and numbered 29/50, sheet: 57.5 x 44.4 cm,(framed) (ARR)

Tom Leamon, British b.1981-The Coming Insurrection, 2012;screenprint in colours on wove, signed in pencil, dated and numbered 3/250, with artist's blind stamp, sheet: 59 x 42 cm, (unframed) (ARR)Note: Tom Leamon is a London born painter and printmaker. Tom's work focuses on the human psyche, particularly birth, life, growth and death. His work is becoming increasingly collected. He works at the Beekeeper's artistic retreat and Estudio Yucca in Portugal 

Tom Leamon, British b.1981-The Windmills of My Mind, 2011;screenprint in colours on wove laid to pulpboard backing, sheet: 59.5 x 42 cm, (unframed) (ARR)Note: Tom Leamon is a London born painter and printmaker. Tom's work focuses on the human psyche, particularly birth, life, growth and death. His work is becoming increasingly collected. He works at the Beekeeper's artistic retreat and Estudio Yucca in Portugal.

Jamie Hewlett,British b.1968-Kid, 2003;screenprint in colours on wove, signed in the plate,numbered 59/500 in pencil, published by Pictures On Walls, image: 48.9 x 68.8 cm, (framed)(ARR)

Goin, British b.1980-Hacked (Black edition) 2016;3 colour screenprint on Somerset velvet antique wove, signed in pencil and dated and inscribed AP 3/4, sheet: 54 x 24.5 cm, (unframed) (ARR)Note: together with a certificate of authenticity signed by Goin, dated 2016.

Sandra Blow RA, British 1925-2006, Transparency, 2004; screenprint and collage, signed in pencil and numbered 66/130, image: 52 x 53 cm (framed) (ARR) 

Mark Wallinger,British b.1959-Ghost, 2001;screenprint on wove,signed in pencil, and numbered 31/500 on the reverse,published by Whitechapel Gallery, London, from the No Man's Land seriessheet 55 x 48 cm,(framed)(ARR)

Sage Vaughn, British b.1976-Mating dance; and Purple crow;each screenprint in colours on Somerset tub sized satin wove, each with the Lazarides blind stamp, each signed in pencil and numbered 13/50 and 28/30, sheet: 76.5 x 48.5 cm and 69.5 x 49.5 cm, (framed) (ARR) (2)

David Shrigley OBE, British b. 1968-Just Fly Away - Try Not to Look Back, 2023;screenprint in colours on Somerset tub wove, from the edition of 125, sheet: 76 x 56 cm, (unframed) (ARR)

David Shrigley OBE, British b.1968-I'm So Excited - I'm So Very Excited, 2022;screenprint in colours on Somerset tub wove, numbered 65 /125, sheet: 76 x 56 cm, (unframed) (ARR)

David Shrigley OBE, British b.1968-Old Cat - I Still Love You, 2022;screenprint in colours on wove, from the edition of 125, sheet: 76 x 56 cm, (unframed) (ARR)

After Andy Warhol, American 1928–1987, Sunday B Morning Flowers (green);screenprint in colours on wove, sheet: 91.5 x 91.5 cm,  (unframed)

After Andy Warhol, American 1928-1987, Sunday B Morning Flowers (red);screenprint in colours on wove, sheet: 91.5 x 91.5 cm,  (unframed)

Keith Haring (American, 1958-1990)& Andy Warhol (America, 1928-1987), Montreux Jazz Festival, 1986;screenprint in colours on smooth wove,printed by Albin Uldry, Bern, Switzerland for the Montreux Jazz festival, sheet:100 x 70 cm,(unframed)

Barbara Kruger, American b.1945- Untitled (flag), 2020; screenprint in colours on cotton, from Artists Band Together, published by the Los Angeles Museum of Art, contained within original black envelope, overall dimensions: 56 x 56 cm (unframed)

Claes Oldenburg, Swedish/American 1929-2022,Soft Toilet #3 on Chalk Board, 1972; screenprint in colours on Arches paper, monogrammed, dated and inscribed '32/70' in pencil, printed and published by Gemini G.E.L., Los Angeles,  sheet: 72.5 x 57 cm,  (framed)