We found 12813 price guide item(s) matching your search

After Keith Haring (American, 1958-1990)LUCKY STRIKE POSTERScreenprint in colours, 1987, from the set of 3 'Lucky Strike' posters, printed by Albin Uldry, Switzerland, on wove paper, the full sheetsheet 99.8 x 69.8cm, unframed

Danny Minnick (American, contemporary)SEEN TOO MUCH EVIL KEITHScreenprint in colours, 2017/18, signed and numbered 118/120 in blue felt-tip pen, with artist's blindstamp, on wove paper, the full sheet printed to the edgessheet 50.1 x 70.2cm, framed

*Blek le Rat (French, b.1952)HIS MASTER'S VOICELESS (YELLOW)Screenprint in colours, 2008, signed and inscribed 'archive 2' in pencil, a proof aside from the edition of 100, published by The Black Rat Press with their blindstamp, on wove paper, with full marginssheet 74 x 72cm, unframed*Artist's Resale Right may apply to this lot.

*Blek le Rat (French, b.1952)HIS MASTER'S VOICELESS (GREEN)Screenprint in colours, 2008, signed and numbered 74/100 in pencil, published by The Black Rat Press with their blindstamp, on wove paper, with full marginssheet 73.8 x 72cm, unframed*Artist's Resale Right may apply to this lot.

*Blek le Rat (French, b.1952)DANCERScreenprint, 2008, signed and inscribed 'AP' in pencil, a proof aside from the edition of 150, on wove paper, with full margins53 x 55.8cm, unframed*Artist's Resale Right may apply to this lot.

*Blek le Rat (French, b.1952)DREAM BUT DON'T SLEEP (BLUE)Screenprint in colours, 2007, signed and numbered 11/30 in pencil, published by The Black Rat Press, on Somerset wove paper, with full marginssheet 72 x 71cm, unframed*Artist's Resale Right may apply to this lot.

*Banksy (British, b.1974)LOVE IS IN THE AIRScreenprint in colours, 2003, numbered 332/500 in pencil, with artist's copyright stamp lower right, published by Pictures on Walls, London, on wove paper, with full marginssheet 49.8 x 69.5cm, framedThis work is accompanied by a certificate of authenticity from Pest Control.*Artist's Resale Right may apply to this lot.

*After Banksy (British, b.1974)KATE MOSSScreenprint in colours, 2006, a record sleeve designed by Banksy for the band Dirty Funker and their album 'Let's Get Dirty', with vinyl recordoverall 70.5 x 44cm, framed*Artist's Resale Right may apply to this lot.

*After Banksy (British, b.1974)RADAR RAT VINYL (RED/BROWN)Screenprint in colours, 2008, a record sleeve for the band Dirty Funker and their record 'Future', printed on both sides, on matte brown card, with vinyl record30.7 x 30.5cm, unframed*Artist's Resale Right may apply to this lot.

*After Banksy (British, b.1974)RADAR RAT VINYL (RED/WHITE)Screenprint in colours, 2008, a record sleeve for the band Dirty Funker and their record 'Future', printed on both sides, on glossy white card, with vinyl record30.7 x 30.5cm, unframed*Artist's Resale Right may apply to this lot.

*Rachel Howard (British, b.1969)CAN’T BREATHE WITHOUT YOUScreenprint, 2016, signed and numbered 38/100 in pencil, after an original drawing in 2004, on Somerset antique paper, the full sheetsheet 50 x 40.3cm, unframed*Artist's Resale Right may apply to this lot.

*Julian Opie (British, b.1958)WOMAN TAKING OFF MAN'S SHIRT (CRISTEA p.244)Screenprint in colours, 2003, from the edition of an unknown size, published by K21 Kunstammlung Nordrhein-Westfalen, with full marginssheet 100 x 60cm*Artist's Resale Right may apply to this lot.

*Bob and Roberta Smith (British, b.1963)LIBERTY PRINTScreenprint in colours, 2016, signed, dated and numbered 18/25 in pencil, from the 'Artists with Liberty, Save Our Human Rights Act' portfolio of ten prints, printed by Worton Hall Studios, published by Liberty, London, on 310gsm Somerset Tubesize paper, with full marginssheet 58.2 x 43cm, unframed*Artist's Resale Right may apply to this lot.

*Guy Denning (British, b.1965)UNTITLED (MAN LOOKING FORWARD)Screenprint in colours, signed and numbered 2/50 in pencil, on wove paper, with full marginsimage 59 x 39.5cm, framed*Artist's Resale Right may apply to this lot.

*Mr Brainwash (French, b.1966)FAME MOSS (RED)Screenprint in colours, 2015, signed in pencil and numbered 49/65 in white pencil, from the 'Fame Moss' series, published by Mr Brainwash, on archival paper, with full marginsimage 76 x 76.5cm, framed*Artist's Resale Right may apply to this lot.

*Rourke Van Dal (British, b.1969)MONROE (BLUE)Screenprint in colours, 2016, signed and numbered 8/15 in pencil, on wove paper, with full marginssheet 69.5 x 69.5cm, framed*Artist's Resale Right may apply to this lot.

*Rourke Van Dal (British, b.1969)MONROE (GREY)Screenprint in colours, 2016, signed and numbered 18/75 in pencil, on wove paper, with full marginsimage 59.5 x 59.5cm, framed*Artist's Resale Right may apply to this lot.

*Pure Evil (British, b.1968)AUDREY HEPBURN NIGHTMAREScreenprint in colours, 2017, signed and numbered 10/100 in pencil, on 280gsm Fine Art wove paper, the full sheetsheet 49.8 x 34.8cm, unframed *Artist's Resale Right may apply to this lot.

*Pure Evil (British, b.1968)ENJOY COKE SHARON TATEScreenprint in colours, 2017, signed and numbered 88/100 in pencil, on 280gsm Fine Art wove paper, the full sheet sheet 34.8 x 49.8cm, unframed*Artist's Resale Right may apply to this lot.

*Pure Evil (British, b.1968) KURT COBAINScreenprint in colours, 2017, signed and numbered 42/100 in pencil, on 280gsm Fine Art wove paper, the full sheetsheet 34.8 x 49.8cm, unframed*Artist's Resale Right may apply to this lot.

*The Connor Brothers (British, b.1968)EVERYTHING I’VE EVER LET GO OF HAS CLAW MARKS ON ITScreenprint in colours with unique hand finish, 2014, signed and dated in black felt-tip pen, from the 'Pulp Fiction' series, the edition was 10, on wove paper, the full sheet printed to the edgessheet 98.5 x 69.7cm, unframed*Artist's Resale Right may apply to this lot.

*Chris Ofili (British, b.1968)AFTER THE DANCEScreenprint in colours, 2006, signed, dated, titled and inscribed 'B.C.I 18/20' in pencil aside from the edition of 50, from the portfolio 'Rivington Place', printed and published by the Brodsky Centre, New Brunswick, on wove paper, with full marginssheet 76.5 x 50.5cm, unframed*Artist's Resale Right may apply to this lot.

*Peter Davies (British, b.1970)THE FUN ONE HUNDREDScreenprint in colours, 2001, signed and numbered 9/250 in pencil, published by Eyestorm, London, on wove paper, with full marginsimage 84 x 60.3cm, framed*Artist's Resale Right may apply to this lot.

*David Shrigley (British, b.1968)I AM CURRENTLY ON FIREScreenprint in colours with varnish, 2018, numbered 40/100 on certificate, printed and published by Jealous Gallery, London, on 410gsm Somerset wove paper, the full sheetimage 75 x 55.5cm, framed*Artist's Resale Right may apply to this lot.

*Mark Titchner (British, b.1973)NO ONE HAS THE RIGHT TO OBEYArchival pigment print with screenprint in colours, 2016, signed and numbered 18/25 in pencil verso, from the 'Artists with Liberty, Save Our Human Rights Act' portfolio, printed by Worton Hall Studios, published by Liberty, London, on 330gsm Somerset satin enhanced paper, the full sheet printed to the edgessheet 58.2 x 43cm, unframed*Artist's Resale Right may apply to this lot.

*Ben Eine (British, b.1970)HELLScreenprint in colours, 2008, signed and dated in metallic crayon, numbered 192/250 in pencil, on black wove paper, the full sheet75.2 x 55.3cm, unframed*Artist's Resale Right may apply to this lot.

Swoon (American, b.1977)MEDUSAScreenprint, 2006/7, signed and numbered 35/200 in pencil, on wove paper, the full sheet printed to the edgessheet 69.8 x 49.8cm, unframed

*Ceri Richards (British, 1903-1971)MAJOR-MINOR ORANGE-BLUEScreenprint in colours with embossing and collage, 1970, signed, dated and numbered 52/60 in pencil, from the ‘Beethoven Suite with Variations’, on wove paper, with full marginssheet 76 x 55.5cm, unframed*Artist's Resale Right may apply to this lot.

*Ceri Richards (British, 1903-1971)MUSIC ROOMScreenprint in colours, 1970, signed, dated and numbered 46/60 in pencil, from the 'Beethoven Suite with Variations', printed by Kelpra Studios, on wove paper, with full marginsimage 58.5 x 50.5cm, framed*Artist's Resale Right may apply to this lot.

*Howard Hodgkin (British, 1932-2017)INDIAN VIEW LScreenprint in colours, 1971, signed, dated and numbered 5/75 in pencil, from the series 'Indian Views', published by Leslie Waddington Prints, on wove paper, the full sheetsheet 58 x 78cm, framed*Artist's Resale Right may apply to this lot.

*John Hoyland (British, 1934-2011)GREY/BLUEScreenprint in colours, 1971, signed, dated and numbered 85/100 in pencil, on wove paper, with full marginssheet 103 x 71cm, unframed*Artist's Resale Right may apply to this lot.

*Philip Sutton (British, b.1928)GREAT AUSTRALIAN BIGHTScreenprint in colours, 1966, signed and numbered 206/250 in pencil, printed by Curwen Studio, on wove paper, with full marginsimage 50 x 51cm, framed*Artist's Resale Right may apply to this lot.

*Breon O'Casey (British, 1928-2011)UNTITLEDScreenprint in colour with hand finishing, inscribed 'To Jacquie, with best wishes for a Merry Christmas and love from Breon and Doreen' verso in ballpoint pen, on wove paper, with full marginsimage 13.6 x 20.5cm, framed*Artist's Resale Right may apply to this lot.

*John Piper (British, 1903-1992)HOLKHAM GATE, NORFOLK (LEVINSON 262)Screenprint in colours, 1976, signed and numbered 23/70 in pencil, published by Marlborough Fine Art, on wove paper, with full marginssheet 73 x 94cm, framed*Artist's Resale Right may apply to this lot.

*John Piper (British, 1903-1992)CASCADE BRIDGE, HALSWELL (LEVINSON 397)Screenprint in colours, 1987, signed and numbered 39/70 in pencil, published by Marlborough Fine Art, London, on wove paper, with full marginssheet 64.8 x 85.4cm, mounted*Artist's Resale Right may apply to this lot.

*John Piper (British, 1903-1992)EYE AND CAMERA, RED, BLUE AND YELLOWScreenprint in colours, 1980, signed in pencil, the edition was 150, from the series 'Eye and Camera', printed by Kelpra Studio, London, published by Kelpra Editions and the Tate Gallery, with their blind stamp, on Grand Vélin Arches paper, with full marginssheet 59 x 75cm, unframed*Artist's Resale Right may apply to this lot.

*John Piper (British, 1903-1992)DEATH IN VENICE VScreenprint in colours, 1972, signed and numbered 17/70 in pencil, from the 'Death in Venice' series, on wove paper, the full sheet printed to the edgessheet 39 x 68.5cm, framed*Artist's Resale Right may apply to this lot.

JOE WEBB (British b.1976) 'Rita', 2015, screenprint on Somerset satin white, edition of 50, signed in pencil, 90cm x 69cm, framed and glazed.

After Norman Wade (20th century) 'Near Bow Lane' screenprint 43/200, pencil signed, titled, 45cm by 27cm; with four others (5)

Damien Hirst (b.1965) British Untitled Gold Gift Spot (2008) screenprint in colours with gold glitter on wove paper - number 39 from an edition of 100 signed and numbered 39/100 75½ x 95.30cm (29.72 x 37.52in) Bonhams, London, 19th November 2013, Lot 148; Private Collection In contemporary art history, Damien Hirst's Spot paintings and prints have turned out to be stunningly successful conceptual works. The idea, and the branding, are his. The works are produced by assistants according to strict instructions and controls. Gerhard Richter had earlier on made several colour-card paintings, a comparable idea that he did not extend into a prolonged series (unlike Hirst, he disclaims all associations with conceptualism), and they did not become as instantly recognisable as Hirst's Spots, with their toy-like quality and cheerful colours.

Robert Motherwell (1915-1991) American St. Michel III (1979) lithograph & screenprint - number 76 from an edition of 99 signed and numbered 76/99 lower right 104½ x 83cm (41.14 x 32.68in) Waddington Galleries, London (label verso); Private Collection

JOE TILSON 'Tiger moth seme', 1996, screenprint, hand signed and numbered edition of 10, 55cm x 75cm, framed and glazed.(Subject to ARR - please see Buyers Conditions)

JOHN PIPER 'Coventry Cathedral', screenprint, hand signed and numbered in pencil 64/70, 70cm x 75cm, framed and glazed.(Subject to ARR - please see Buyers Conditions)

λ Bridget Riley (British b. 1931) Elapse (Schubert 30) Screenprint in colours, 1982 Signed, dated and titled in pencil, from the edition of 260, with the printer's blindstamp, Graham Henderson, London On BFK Rives wove paper Image: 102 x 63.5cm (40 1/8 x 25in.) Sheet: 121 x 80.5cm (47 5/8 x 31 3/4in.) Unframedλ  Indicates that this lot may be subject to Droit de Suite royalty charges. Please see our Terms & Conditions for more information.

Andy Warhol (American 1928-1987) Mobil (Feldman & Schellmann II.350) Screenprint in colours, 1985, from Ads, signed in pencil, numbered AP 16/30 (aside from the edition of 190), on Lenox Museum Board, with the blindstamps of the printer, Rupert Jasen Smith, and the publisher, Ronald Feldman Fine Arts, Inc., New York. Sheet: 96.4 x 96.4cm (38 x 38in.) Unframed

Andy Warhol (American 1928-1987) Marilyn (Castelli Gallery Invitation) Screenprint in colours, 1981, signed in black marker pen, printed by Castelli Graphics, New York, for the exhibition 'Andy Warhol: A Print Retrospective'30.5 x 30.5cm (12 x 12in.) Unframed

Gillick Barrow (British, 20th Century) Ely Cathedral, screenprint, signed, numbered and dated '1968' in pencil, 57 x 78cm

§ Maria Lassnig (Austrian, 1919-2014). Limited edition screenprint in colour, signed M Lassnig and numbered 78/100 in pencil. Unframed. 50x70cm. Please note that Artists Resale Right may be additionally payable on this lot up to a maximum of 4% on top of the hammer price (visit www.dacs.org.uk for more information). .

Andy Warhol (American, 1928-1987). 'Campbell's Shopping Bag', screenprint in colours on a shopping bag, 1966, from the edition of unknown size, published for a Warhol exhibition at and by the Institute of Contemporary Art, Boston, Massachusset. Overall size 63 x 43cm. Framed and glazed, frame size: 77 X 61cm. . Minor paper rubbing and some slight loss of print along the folds of the bag. Feint water droplet markings - including two to bottom left of bag, one either side of the second letter 'T', and around the last 's' of 'Campbell's'. Some markings to top left of the soup can and left of the first 'C'. Some wear to the blue print on central circular label. Very minor sign of rusting to the handle staple. Colours of print appear to be vivid and bag in otherwise clean unused condition.

§ Patrick Hughes (British, b.1939). 'Leaning on a Landscape', screenprint in colours, from edition of 150. Signed, titled, and numbered 37/150 in pencil to lower margin. Image size: 45.5 x 61.5cm. Framed and glazed, frame size: 72 x 87 x 3 cm. Please note that Artists Resale Right may be additionally payable on this lot up to a maximum of 4% on top of the hammer price (visit www.dacs.org.uk for more information). . § Paper has discoloured.Some rippling in paper, visible in the margins.Some marks in left and right hand margins.Not seen out of frame.

§ Sidney Robert Nolan (Australian, 1917-1992). 'First Class Marksman', from the Ned Kelly series. Limited edition screenprint in colours, signed and numbered 37 / 75 in pencil to lower margin. 48 x 64cm. Framed, frame size: 59 x 74.5cm. Please note that Artists Resale Right may be additionally payable on this lot up to a maximum of 4% on top of the hammer price (visit www.dacs.org.uk for more information). . § Overall condition good. No major faults found.

§ Sidney Robert Nolan (Australian, 1917-1992). 'Mansfield', from the Ned Kelly series. Limited edition screenprint in colours, signed and numbered 31 / 75 in pencil to lower margin. 48 x 64cm. Framed, frame size: 59 x 74.5cm. Please note that Artists Resale Right may be additionally payable on this lot up to a maximum of 4% on top of the hammer price (visit www.dacs.org.uk for more information). . § Overall condition good. No major faults found.

§ Sir Sidney Robert Nolan (Australian, 1917-1992). 'Kelly and Policeman', from the Ned Kelly series. Limited edition screenprint in colours, signed and numbered 34 / 75 in pencil to lower margin. 48 x 64cm. Framed, frame size: 59 x 74.5cm. Please note that Artists Resale Right may be additionally payable on this lot up to a maximum of 4% on top of the hammer price (visit www.dacs.org.uk for more information). § Overall condition good. No major faults found.

§ Sir Terry Frost RA (British, 1915-2003). ‘Blue, Red, Black Vertical Rhythm’. Limited edition screenprint with original collaged elements, c2002. Paper size 53cm x 55cm. A printers proof, signed by the artist and numbered P/P. Framed. Provenance: Purchased from The Mall Galleries Exhibition. With Mall Galleries exhibition label verso with title, address details, dated 2007. Please note that Artists Resale Right may be additionally payable on this lot up to a maximum of 4% on top of the hammer price (visit www.dacs.org.uk for more information). . § No damage found.

§ Sir Terry Frost RA (British, 1915-2003).‘Spirals’. Limited edition screenprint with original collage elements. Paper size 55cm x 68cm. Signed by the artist and numbered 52/125. Framed. Provenance: Purchased from The Mall Galleries Exhibition. With Mall Galleries exhibition label verso with title, address details, dated 2007. Please note that Artists Resale Right may be additionally payable on this lot up to a maximum of 4% on top of the hammer price (visit www.dacs.org.uk for more information). . § No damage found.

Sir Terry FROST RAThree Four Two Screenprint Signed Numbered 88/15045.5 x 31cm(See illustration) Condition report: No condition issues.

Sir Terry FROST RABlack Sun Dipper Screenprint Signed Numbered 10/12586 x 46cm(See illustration) Condition report: No Condition issues.

Wilhelmina BARNS-GRAHAMHappening 2Mixed media Signed and dated 1991-1995Further signed and inscribed to the back and with cat no 02/95/mmPaper size 65 x 55cm(See illustration) Condition report: This unique work is substantially a screenprint.

A... B... Parysin (20th Century) Russian. Still Life with Flowers, Screenprint, Signed and Inscribed in Pencil, 3.5" x 3", and three further prints, by various hands, four (4).

Victor Vasarely Screenprint in black and whiteSigned lower right70 x 70cm