We found 12813 price guide item(s) matching your search

▴ Pure Evil (b.1968) 'Double Exposure (Blues)'screenprint in colours, 2013, artist's proof, signed 'PURE EVIL' in pencil l.r., and inscribed 'AP' l.l.sheet 86 x 70cm, unframedCondition ReportA few light crescent shaped creases are visible on the right side of the work. There is a 1cm long pencil mark in the centre of the bottom edge and a small brown mark on the chin. Surface scuffs to the hair- please refer to illustration. There are a couple of small dirty marks on the unprinted areas of the face which are visible on close inspection but, in our opinion, this does not affect overall enjoyment of the work.

E. Clarke - Is it Sweet and Fitting to die for your Country?, limited edition screenprint in black on white, signed, indistinctly titled and numbered 9/10 in pencil to the margin, 34 x 45cm; together with a miniature contemporary monochrome screenprint (2)

Luc PEIRE (1916-1994), screenprint Untitled, numbered 18/95 and signedLuc PEIRE (1916-1994), zeefdruk Zonder titel, genummerd 18/95 en getekend21 x 50 cm

Andy WARHOL (1928-1987), screenprint Siberian tiger from the series endangered species 1983, publisher Ronald Feldman, printer Rupert Jasen Smith NYAndy WARHOL (1928-1987), zeefdruk Siberische tijger uit de serie bedreigde diersoorten 1983, uitgever Ronald Feldman, drukker Rupert Jasen Smith NY96.5 x 96.5 cm

David SPILLER (1942-2018), screenprint in colors Stay forever young at heart, numbered 42/75 and signedDavid SPILLER (1942-2018), kleurenzeefdruk Stay forever young at heart, genummerd 42/75 en gesigneerd76 x 76 cm

Raoul DE KEYSER (1930-2012), colour screenprint 'Tent', 1970, numbered 79/125, signedRaoul DE KEYSER (1930-2012), kleurenzeefdruk Tent, 1970, genummerd 79/125, getekend71 x 53.5 cm

Andy WARHOL (1928-1987), screenprint Mickey Mouse with diamond dust, 1981, publisher Ronald Feldman Fine Arts NYAndy WARHOL (1928-1987), zeefdruk Mickey Mouse met diamandstof, 1981, uitgever Ronald Feldman Fine Arts NY96 x 96 cm

Octave LANDUYT (1922), raised screenprint On the edge of now (1974), numbered E.A. 1/1 and signedOctave LANDUYT (1922), opgehoogde zeefdruk Op de rand van nu (1974), genummerd E.A. 1/1 en getekend27.5 x 31.5 cm

Steadman (Ralph).- Steam Press Portfolio No. 3, one of 50 copies, 7 broadsheet poems printed on a variety of papers, each poem limited to 50 copies and signed by the author, each with screenprint in colour signed by Ralph Steadman, loose in portfolio as issued, original black portfolio, corners rubbed, folio, Steam Press, 1976.

CRAIGIE AITCHISON, C.B.E; R.A; R.S.A; SCOTTISH 1926-1998 Candlestick still life. Signed in white ink and numbered. Screenprint on paper 19½" x 15" (image size). Provenance: The Goldmark Gallery, Uppingham

* JOHN BYRNE RSA (SCOTTISH 1940 - 2023), LEGACY POSTER three colour screenprint on 250gsm Somerset paper, stamped, from an edition of 50 mounted, framed and under glassimage size 58cm x 38cm, overall size 84cm x 64cm

Richard Hamilton (1922-2011) Whitley Bay screenprint 10 x 15.5cm.

Allen Jones (b.1937) The Tree, 1988 signed, dated, and numbered in pencil (in the margin) screenprint 75 x 100cm, unframed.

John Hoyland (1934-2011) Space Borne, 1993 89/90, signed, titled, dated, and numbered in pencil (in the margin) screenprint 110 x 84cm, unframed.Overall condition appears good with no discolouration or rips. The print is unframed and has previously been rolled which is evident as the paper does not lay flat.

Harry Thubron (1915-1985) Cortijo screenprint 55 x 70cm, unframed.

Andy Warhol The Witch, 1981 Diamond Dust from Myth Portfolio USA, 1981. Screenprint in colors with diamond dust on Lenox Museum board. Unsigned and Unnumbered Printer's proof (outside the edition). Size: 38" x 38" (sheet). Printer: Rupert Jasen Smith, New York. Published by Ronald Feldman Fine Arts, Inc., New York. Stamp to verso "Copyright Andy Warhol 1981, publisher Ronald Feldman, Fine Arts Inc. New York" and printers Blind stamp.

Andy Warhol - "Bighorn Ram" from 'Endangered Species' - USA, 1983. Screenprint in colors. 38 h x 38 w in. This work is an unsigned and Unnumbered Printer's proof, outside of the edition. Printed by Rupert Jasen Smith, New York. The print does not have the AWAAB stamp. Publisher stamp on the Verso, printer's blind stamp.

Joan Miro, a Spanish painter, sculptor, and ceramicist, made significant contributions to modern art with his unique style characterized by vibrant colors, playful forms, and a blend of abstraction and surrealism. Born in 1893, Miró's art is celebrated for its ability to evoke a sense of childlike wonder and engage with the subconscious.Miró's artistic legacy can be encapsulated as follows:1. **Dreamlike Imagery**: Miró's works often feature dreamlike and whimsical imagery, populated by fantastical creatures, celestial bodies, and symbolic forms. His art creates a visual language that invites viewers to explore their own subconscious.2. **Abstraction and Surrealism**: Miró's art straddles the realms of abstraction and surrealism, incorporating elements of both. His use of bold colors and abstract shapes reflects his ability to convey emotions and ideas beyond conventional representation.3. **Symbolism and Significance**: Miró's use of symbols and signs adds layers of meaning to his art. He believed that symbols could tap into universal truths and resonate with viewers on a profound level.4. **Materials and Techniques**: Miró worked with a variety of materials, including paint, sculpture, ceramics, and more. His experimental approach allowed him to explore the boundaries of different mediums and create innovative forms.5. **Catalan Identity**: Miros Catalan heritage often influenced his art, and he integrated elements of his culture into his work. His art was deeply tied to his personal and cultural identity.6. *Cultural and Political Context*: Miro's art was influenced by the political and cultural events of his time, including the Spanish Civil War and World War II. He expressed his response to these events through his art, adding layers of social commentary. 7. **Influence on Contemporary Art**: Miró's innovative approach to abstraction, his fusion of surrealism with playful elements, and his use of symbolism have influenced subsequent generations of artists, contributing to the evolution of modern art.8. **Public Art and Sculpture**: Miró's legacy extends to his large-scale public sculptures, which can be found in various cities around the world. These sculptures contribute to his reputation as a globally recognized artist.Joan Miró's legacy as an artist who combined abstraction, surrealism, and a deeply personal symbolism continues to inspire viewers to explore the realm of imagination and the depths of human emotion. His ability to create art that transcends the literal and speaks to the subconscious has left an indelible mark on modern art and continues to captivate audiences worldwide.Measures 11 x 9. inches.Later screenprint.

Andy Warhol - "Black Rhinoceros" from 'Endangered Species' - USA, 1983. Screenprint in colors. 38 x 38. This work is an unsigned and Unnumbered Printer's proof, outside of the edition. Printed by Rupert Jasen Smith, New York. The print does not have the AWAAB stamp. Publisher stamp on the Veso, printer's blind stamp.

Andy Warhol Santa Claus, 1981 from Myth Portfolio USA 1981. Screenprint in colors with diamond dust on Lenox Museum board. Unsigned and Unnumbered Printer's proof (outside the edition). Size: 38" x 38" (sheet). Printer: Rupert Jasen Smith, New York. Published by Ronald Feldman Fine Arts, Inc., New York. Stamp to verso "Copyright Andy Warhol 1981, publisher Ronald Feldman, Fine Arts Inc. New York" and printers Blind stamp.

Andy Warhol, born Andrew Warhola in 1928 in Pittsburgh, Pennsylvania, was an American artist and leading figure in the Pop Art movement. He is widely recognized for his innovative and influential approach to art, blending elements of consumer culture, mass media, and celebrity.Warhol's work challenged traditional notions of art and elevated everyday objects and popular culture into the realm of fine art. He embraced the idea of art as a commodity, employing techniques of mass production, such as screen printing, to create multiple versions of his iconic images. His art often featured familiar objects and subjects, including Campbell's soup cans, Coca-Cola bottles, celebrities, and everyday people.One of Warhol's most iconic series is the Campbell's Soup Cans, created in 1962. This series consisted of 32 individual paintings, each depicting a different flavor of Campbell's soup. By repetitively depicting a mundane and mass-produced item, Warhol questioned notions of originality and uniqueness in art, while also commenting on the proliferation of consumer culture.Warhol's fascination with celebrity and fame is evident in his portraits of famous individuals, such as Marilyn Monroe, Elvis Presley, and Elizabeth Taylor. He often employed bright, bold colors and employed a silkscreen technique to create his images, resulting in a distinctive and almost graphic aesthetic.Beyond painting, Warhol expanded his artistic practice to encompass various media, including film, photography, sculpture, and performance art. He famously stated that "in the future, everyone will be famous for 15 minutes," reflecting his interest in the fleeting nature of fame and the influence of mass media on society.Warhol's studio, known as The Factory, became a gathering place for artists, musicians, actors, and other cultural icons, fostering a sense of collaboration and experimentation. His innovative approach to art and his unconventional persona made him a central figure in the avant-garde scene of the 1960s and beyond.Andy Warhol's impact on the art world and popular culture is immeasurable. His work challenged artistic conventions and redefined the boundaries of what could be considered art. Through his exploration of consumer culture, celebrity, and mass media, he created a visual language that continues to resonate with audiences today. Warhol's legacy as an artist and cultural icon remains influential, with his works exhibited in major museums and his ideas continuing to inspire contemporary artists around the world.Andy Warhol - "African Elephant" from 'Endangered Species' - USA, 1983. Screenprint in colors. 38 h x 38 w in (97 x 97 cm). This work is an unsigned and Unnumbered Printer's proof, outside of the edition. Printed by Rupert Jasen Smith, New York. The print does not have the AWAAB stamp. Publisher stamp on the Verso, printer's blind stamp

Andy Warhol, born Andrew Warhola in 1928 in Pittsburgh, Pennsylvania, was an American artist and leading figure in the Pop Art movement. He is widely recognized for his innovative and influential approach to art, blending elements of consumer culture, mass media, and celebrity.Warhol's work challenged traditional notions of art and elevated everyday objects and popular culture into the realm of fine art. He embraced the idea of art as a commodity, employing techniques of mass production, such as screen printing, to create multiple versions of his iconic images. His art often featured familiar objects and subjects, including Campbell's soup cans, Coca-Cola bottles, celebrities, and everyday people.One of Warhol's most iconic series is the Campbell's Soup Cans, created in 1962. This series consisted of 32 individual paintings, each depicting a different flavor of Campbell's soup. By repetitively depicting a mundane and mass-produced item, Warhol questioned notions of originality and uniqueness in art, while also commenting on the proliferation of consumer culture.Warhol's fascination with celebrity and fame is evident in his portraits of famous individuals, such as Marilyn Monroe, Elvis Presley, and Elizabeth Taylor. He often employed bright, bold colors and employed a silkscreen technique to create his images, resulting in a distinctive and almost graphic aesthetic.Beyond painting, Warhol expanded his artistic practice to encompass various media, including film, photography, sculpture, and performance art. He famously stated that "in the future, everyone will be famous for 15 minutes," reflecting his interest in the fleeting nature of fame and the influence of mass media on society.Warhol's studio, known as The Factory, became a gathering place for artists, musicians, actors, and other cultural icons, fostering a sense of collaboration and experimentation. His innovative approach to art and his unconventional persona made him a central figure in the avant-garde scene of the 1960s and beyond.Andy Warhol's impact on the art world and popular culture is immeasurable. His work challenged artistic conventions and redefined the boundaries of what could be considered art. Through his exploration of consumer culture, celebrity, and mass media, he created a visual language that continues to resonate with audiences today. Warhol's legacy as an artist and cultural icon remains influential, with his works exhibited in major museums and his ideas continuing to inspire contemporary artists around the world.Andy Warhol - "Siberian Tiger" from 'Endangered Species' - USA, 1983. Screenprint in colors. 38 x 38 in. This work is an unsigned and Unnumbered Printer's proof, outside of the edition. Printed by Rupert Jasen Smith, New York. The print does not have the AWAAB stamp. Publisher stamp on the Veso, printer's blind stamp.

Andy Warhol, born Andrew Warhola in 1928 in Pittsburgh, Pennsylvania, was an American artist and leading figure in the Pop Art movement. He is widely recognized for his innovative and influential approach to art, blending elements of consumer culture, mass media, and celebrity.Warhol's work challenged traditional notions of art and elevated everyday objects and popular culture into the realm of fine art. He embraced the idea of art as a commodity, employing techniques of mass production, such as screen printing, to create multiple versions of his iconic images. His art often featured familiar objects and subjects, including Campbell's soup cans, Coca-Cola bottles, celebrities, and everyday people.One of Warhol's most iconic series is the Campbell's Soup Cans, created in 1962. This series consisted of 32 individual paintings, each depicting a different flavor of Campbell's soup. By repetitively depicting a mundane and mass-produced item, Warhol questioned notions of originality and uniqueness in art, while also commenting on the proliferation of consumer culture.Warhol's fascination with celebrity and fame is evident in his portraits of famous individuals, such as Marilyn Monroe, Elvis Presley, and Elizabeth Taylor. He often employed bright, bold colors and employed a silkscreen technique to create his images, resulting in a distinctive and almost graphic aesthetic.Beyond painting, Warhol expanded his artistic practice to encompass various media, including film, photography, sculpture, and performance art. He famously stated that "in the future, everyone will be famous for 15 minutes," reflecting his interest in the fleeting nature of fame and the influence of mass media on society.Warhol's studio, known as The Factory, became a gathering place for artists, musicians, actors, and other cultural icons, fostering a sense of collaboration and experimentation. His innovative approach to art and his unconventional persona made him a central figure in the avant-garde scene of the 1960s and beyond.Andy Warhol's impact on the art world and popular culture is immeasurable. His work challenged artistic conventions and redefined the boundaries of what could be considered art. Through his exploration of consumer culture, celebrity, and mass media, he created a visual language that continues to resonate with audiences today. Warhol's legacy as an artist and cultural icon remains influential, with his works exhibited in major museums and his ideas continuing to inspire contemporary artists around the world.Andy Warhol - "Black Rhinoceros" from 'Endangered Species' - USA, 1983. Screenprint in colors. 38 h x 38 w in. This work is an unsigned and Unnumbered Printer's proof, outside of the edition. Printed by Rupert Jasen Smith, New York. The print does not have the AWAAB stamp. Publisher stamp on the Veso, printer's blind stamp.

FLASH GORDON (1980) - Brian Blessed and Sam J. Jones Autographed Limited Edition Print by Paul Mann, 2022Bidding for this lot will end on Thursday 8th February. The auction will begin at 2:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. A limited edition screenprint for Mike Hodges' multi-coloured, sci-fi adventure extravaganza Flash Gordon (1980). Released in March 2022 through Vice Press in collaboration with Sideshow Art Prints, this highly detailed design by Paul Mann shows a classic montage of all the key characters with Emperor Ming (Max von Sydow) taking centre stage. It is printed on 300gsm Archival Paper and hand-numbered #260/300. The print is autographed and annotated in black ink by Sam J. Jones (Flash Gordon) and Brian Blessed (King Vultan). 24" x 36" (61 x 91 cm)Additional Information: Signed and annotated by Brian Blessed and Sam J. Jones. Beckett hologram sticker in the bottom right corner. Hand-Numbered #260/300.Condition: Near Mint+Artist: Paul Mann£200 - 400VAT Status: MClick here for our Poster Auction Grading Guide

PREDATOR (1987) - Signed and Hand-Numbered Limited Edition "Ugly MF" Variant Artist Proof Print by Krzysztof Domaradzki, 2019Bidding for this lot will end on Thursday 8th February. The auction will begin at 2:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. An 18-colour limited edition screenprint by artist Krzysztof Domaradzki for John McTiernan's sci-fi horror Predator (1987). Released in 2019, Domaradzki's impressive artwork focuses on the iconic monster (designed by the legendary Stan Winston) with various other characters incorporated within the jungle foliage. Finished in a subtle colour palette, this example is the "Ugly MF" Variant edition which is signed by the artist and hand-numbered #14/20 and "AP".24" x 36" (61 x 91 cm)Additional Information: Signed and Hand-Numbered #14/20 APCondition: Near Mint+Artist: Krzysztof Domaradzki£500 - 1000VAT Status: MClick here for our Poster Auction Grading Guide

BATMAN (1989) - Signed and Hand-Numbered Limited Edition "Jokerized" Variant Artist Proof Print by Alberto Reyes, 2023Bidding for this lot will end on Thursday 8th February. The auction will begin at 2:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. "Haven't you heard of the healing power of laughter?". Artist Alberto Reyes has produced a design that fully embodies the manic, colourful world of the Joker (Jack Nicholson) from Tim Burton's Batman (1989). A cool rendition of the Clown Prince of Crime takes centre stage as screens behind him display various images of Bruce Wayne/Batman (Michael Keaton). A personal favourite detail is the character portraits with Joker-style graffiti over them. This is the Jokerized Variant nine-colour limited edition screenprint featuring a transparent gloss varnish ink. It is hand-numbered #AP 7/15 and hand-signed by the artist. 24" x 36" (61 x 91 cm)Additional Information: Signed and Hand-Numbered #AP 7/15Condition: Near Mint-Artist: Alberto Reyes£150 - 300VAT Status: MClick here for our Poster Auction Grading Guide

CASINO (1995) - Hand-Numbered Limited Edition Print by Keith Oelschlager, 2023Bidding for this lot will end on Thursday 8th February. The auction will begin at 2:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Artist Keith Oelschlager has created a fitting tribute to Martin Scorsese's mob drama Casino (1995), truly capturing the bustling strip and dazzling lights of Las Vegas. The limited edition screenprint, released in 2023, displays vibrant colours with metallic gold ink applied for the title and is hand-numbered #33/85.36" x 24" (91 x 61 cm)Additional Information: Hand-Numbered #33/85Condition: Near Mint+Artist: Keith Oelschlager£100 - 200VAT Status: MClick here for our Poster Auction Grading Guide

Keith Haring (1958-1990)Montreux 1983 Green (Döring & Osten 9)Screenprint in colours, 1983, printed by Albin Uldry, Bern, on wove paper, the full sheet printed to the edges, sheet 700 x 1000mm (27 1/2 x 39 3/8in)

Keith Haring (1958-1990)Montreux 1983 Pink (Döring & Osten 9)Screenprint in colours, 1983, printed by Albin Uldry, Bern, on wove paper, the full sheet printed to the edges, sheet 700 x 1000mm (27 1/2 x 39 3/8in) Together with: Keith Haring (1958-1990)Rain Dance. A Benefit for the African Emergency Relief Fund - 1985 (Döring & Osten 25)Offset lithograph printed in colours, 1985, on wove paper, the full sheet printed to the edges, sheet 787 x 559mm (31 x 22in) Keith Haring (1958-1990)Tony Shafrazi - Paintings, Leo Castelli - Sculptures October 26 (Döring & Osten 35)Offset lithograph printed in colours, 1985, on wove paper, the full sheet printed to the edges, sheet 610 x 428mm (24 x 16 7/8in)

Andy Warhol (1928-1987) & Keith Haring (1958-1990)20th Montreux Jazz Festival (Marechal 47)Screenprint in colours, 1986, from the edition of unknown size, printed by Albin Uldry, Bern, on wove paper, the full sheet printed to the edges, sheet 1000 x 700mm (39 3/4 x 27 1/2in)

Mr Brainwash (b.1966)Love Catcher - BlueScreenprint in colours, 2023, signed in pencil and with the artist's thumbprint verso, numbered from the edition of 75, published by the artist, Los Angeles, on wove paper, with full margins, sheet 560 x 570mm (22 x 22 3/8in)

D*Face (b.1978)Silent RideScreenprint in colours, 2023, signed, numbered from the edition of 150, on wove paper, with full margins, sheet 550 x 1000mm (21 5/8 x 39 3/8in)

Ben Eine (b.1970)We Hate Eine (Black & Red)Screenprint in colours, 2004, signed and dated in pencil, numbered from the edition of 50, printed and published by Pictures on Walls, London, on wove paper, the full sheet, sheet 700 x 500mm (27 1/2 x 19 5/8in)

Blek Le Rat (b.1951)The KingScreenprint in colours, 2023, signed in pencil, numbered from the edition of 300, printed and published by Blek Le Rat Print, Paris, and with the accompanying certificate of authenticity, on Arches paper, the full sheet printed to near the edges, sheet 230 x 310mm (9 x 12 1/8in)

Miss Bugs (collaborating since 2007)Three works from the Monster of Spin series: Elvira, Frankenstein & GodzillaThree giclées with screenprint and unique hand-painted additions in colours, 2008, each signed and dated in pencil, inscribed 'A/P', artist's proofs aside from the edition of 50, on wove paper, with full margins, each 612 x 499mm (24 x 19 5/8in) (3)

Martin Whatson (b.1984)Sneak PeekGiclée with screenprint in colours, 2021, from the 12 hour open edition, published by Graffiti Prints, Newcastle, with theirs and the artist's monogram blindstamps, with the Certificate of Authenticity, on Somerset Satin paper, with full margins, sheet 249 x 618mm (9 3/4 x 24 3/8in)

Larry Zox (1927-2006) Untitled Screenprint in colours, circa 1968, signed in pencil, numbered from the edition of 125, on wove paper, the full sheet printed to the edges, sheet 355 x 300mm (14 x 11 3/4in)

Larry Zox (1927-2006) Scissors Jack Screenprint in colours, 1978, signed in pencil, numbered from the edition of 75, on wove paper, with full margins, image 350 x 600mm (13 3/4 x 23 5/8in)

Jack Sonenberg (1925-2012); Roberto de Lamonica (1933-1995); Marko Spalatin (b.1945)Stretch; The Dream; Cube GroupTwo etchings with aquatint printed in colours and one screenprint in colours, 1968-71, each signed, titled and dated in pencil, each numbered from an edition of 210, on wove paper, with full margins, largest sheet 790 x 530mm (31 1/8 x 20 7/8in) (3)

Mark di Suvero (b.1933) Untitled Screenprint, 1973, signed in red ink, numbered from the edition of 300, and with the artist's copyright stamp verso, printed by Styria Studio, New York, on wove paper, the full sheet printed to the edges, sheet 227 x 305mm (8 7/8 x 12in)

Eduardo Paolozzi (1924-2005)Untitled Screenprint in colours, 1973, proof, the edition was unknown, printed by Advanced Graphics, published by Bernard Jacobson Gallery, London, on wove paper, with full margins, sheet 890 x 607mm (35 x 23 7/8in)

Robyn Denny (1930-2014) Untitled, from For John Constable Screenprint in colours with collage, 1976, signed and dated in pencil, numbered from the edition of 100, published by Bernard Jacobson Gallery, London, on wove paper, with full margins, sheet 620 x 1025mm (24 1/2 x 40 3/8in)

Peter Stroud (1921-2012) Large Blue Cross-Over Screenprint in colours, 1972, signed and dated in pencil, numbered from the edition of 100, as included '14 BIG Prints', printed by Advanced Graphics, published by Bernard Jacobson Gallery, London, on wove paper, the full sheet printed to the edges, sheet 1105 x 1110mm (43 1/2 x 43 3/4in)

Brendan Neiland (b.1941) Cumulus Screenprint in colours, circa 2000s, signed and titled in pencil, numbered from the edition of 60, on wove paper, with full margins, sheet 1500 x 1185mm (59 46 5/8in)

Adrian Wiszniewski (b.1958) Bridgehead/Brigend Screenprint in colours, circa 1995, signed and titled in pencil, numbered from the edition of 40, on wove paper, with full margins, sheet 740 x 570mm (29 1/8 x 22 1/2in)

Adrian Wiszniewski (b.1958) Little Pitcairn Screenprint in colours, circa 1995, signed and titled in pencil, numbered from the edition of 40, on wove paper, with full margins, sheet 745 x 570mm (29 3/8 x 22 1/2in)

Adrian Wiszniewski (b.1958) Lizards Point to Falcon Crest Screenprint in colours, circa 1995, signed and titled in pencil, numbered from the edition of 40, on wove paper, with full margins, sheet 740 x 570mm (29 1/8 x 22 1/2in)

David Hockney (b.1937)Remember That You Cannot Look At the Sun or Death for Very LongLithograph printed in colours with screenprint in yellow, 2021, numbered from the edition of 3000 on an adhesive label verso, printed and published by Circa, London, with the accompanying Certificate of Authenticity, on smooth wove paper, with full margins, sheet 894 x 254mm (35 1/4 x 10in)

Ai Weiwei (b.1957) Middle Finger in Red Screenprint in colours, 2023, signed in pencil, numbered from the edition of 1285, published by Avant Arte, Amsterdam, with the accompanying certificate of authenticity, on Somerset wove paper, with full margins, sheet 600 x 600mm (23 5/8 x 23 5/8in)

Javier Calleja (b.1971)Once In My Life (Diptych)Two hybrid UV flatbed pigment print in colours with red screenprint, 2023, each numbered from the edition of 980, with the artist's blindstamp, printed and published by Avant Arte, Amsterdam, with the accompanying certificates of authenticity, on Somerset wove paper, the full sheets printed to the edges, each sheet 537 x 550mm (21 1/8 x 21 5/8in)

Jonas Wood (b.1977)BromeliadScreenprint in colours, 2020, signed in pencil, numbered from the edition of 200, on museum board, with full margins, sheet 580 x 710mm (22 1/2 x 28in)

Julian Opie (b.1958)Woman Taking Off Man's Shirt (Cristea 244)Screenprint in colours, 2003, from the edition of an unknown size, published by K21 Kunstammlung Nordrhein-Westfalen, Dusseldorf, with full margins, sheet 1000 x 600mm (39 3/8 x 23 5/8in)

Takashi Murakami (b.1962)Game Drool #6167, from Murakami.FlowerArchival pigment print with screenprint in colours, 2023, signed and dated in pencil, numbered from the edition of 100, published by Kaikai Kiki Co. Ltd, with their blindstamp, on wove paper, with full margins, sheet 500 x 498mm (19 3/4 x 19 3/4in)

Barbara Kruger (b.1945)Untitled (Flag)Screenprint in colours, 2020, published by Artists Band Together, in the original black envelope, on cotton, with margins, 560 x 535mm (22 x 21in)

Roy Lichtenstein (1923-1997)Paper Plate (Corlett III.45)Screenprint in colours on a white paper plate, 1969, with the artist's copyright credit stamp verso, published by Bert Stern, for On 1st, New York, diameter 260mm (10 1/4in)

§ Michael Ayrton (1921-1975) The Bird Sellerslithograph59.5 x 47cm;together Paddle, signed and dated '1989 Liz Jaunt', numbered 8/10, screenprint, unframed, 56.5 x 38cm (2)

Robyn Denny (British. 1930-2014) 'Summer Garden'Screenprint, Unsigned61.5cm x 92cm

* Hogarth (Paul, 1917-2001). Moel Cross Abbey and Graveyard, an illustration for Brendan Behans Island, lithograph on green paper, signed in pencil to lower right, titled in ink to lower right, sheet size 65 x 48 cm (25 1/2 x 19 ins), framed and glazed (71 x 51.5 cm) together withHerbert (Barry, 1937). A Picnic 1882, printed by the Yorkshire Arts Association and printed in Leeds by the Artist, 1974, screenprint in colour, 45 x 61.5 cm (17 3/4 x 24 1/4 ins), framed and glazed (54 x 70.5 cm), plus 6 other prints including: Gloxinia by Ian Gardner, Krishna Under the Tree by Alan Gummerson, Great Northern Farm by Judith Downie, Rowley House Shrewsbury by Ian Douglas, various sizes, largest 65 x 48 cm (24 1/2 x 19 ins), all framed and glazedQTY: (8)NOTE:Provenance: Collection of Michael and Megan Dawson.

Liao Xiuping (Liao Shiou-Ping), Taiwanese b.1936, 'La Devotion', limited edition screenprint, 49cm x 39cm, signed in pencil to margin, framed and glazed, 73.5cm x 64.5cm.

Screenprint. ‘Three Dancing Spirits’. Signed ‘Rammie’ on the. Framed and glazed. H.50 W.49cm.