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Lot 681
Original color screenprint on laid paper entitled Clocks of Time by American Abstract Expressionist artist Betty Parsons. She paints brightly colored warm and cool organic shapes within vertical and horizontal lines that seemingly divide the passage of time. Signature and date on lower right: Betty B Parsons, 78. Edition number on lower left: 68/180. Artist: Betty Bierne Parsons (American, 1900-1982)Issued: 1978Dimensions: 21.25"L x 29.5"HEdition Number: 68 of 180 Country of Origin: United StatesProvenance: Jock Truman and Eric Green, Aventura, FL; Bass Museum of Art, Miami Beach, FL 2000. Condition: Good condition.
Lot 682
Original color screenprint on laid paper entitled Clocks of Time by American Abstract Expressionist artist Betty Parsons. She paints brightly colored warm and cool organic shapes within vertical and horizontal lines that seemingly divide the passage of time. Signature and date on lower right: Betty B Parsons, 78. Edition number on lower left: 67/180. Artist: Betty Bierne Parsons (American, 1900-1982)Issued: 1978Dimensions: 21.25"L x 29.5"HEdition Number: 67 of 180 Country of Origin: United StatesProvenance: Jock Truman and Eric Green, Aventura, FL; Bass Museum of Art, Miami Beach, FL 2000. Condition: Good condition.
Lot 1819
BAUMEISTER, WILLI (1889-1955), "Horlogerie", 1953, Farbsiebdruck/Papier, im Druck u.re. monogrammiert 'WB', HxB: Platte ca. 28x21 cm, Passepartoutausschnitt ca. 30x23 cm, Außenmaße Rahmen ca. 78x63 cm. Alters- und Knickspuren, leicht gebräunt. Im Passepartout hinter Glas gerahmt (Rahmenfassung part. berieben). VERSO Etikett mit falscher Künstlerbezeichnung und Stempel. LITERATUR: Spielmann/Baumeister, Willi Baumeister, Werkkatalog der Druckgraphik, 2005, WVZ-Nr. 194.| BAUMEISTER, WILLI (1889-1955), "Horlogerie", 1953, colour screenprint/paper, monogrammed ‘WB’ in print lower right, HxW: plate approx. 28x21 cm, mat cut-out approx. 30x23 cm, outer frame dimensions approx. 78x63 cm. Signs of age and creasing, slightly browned. Framed in mount behind glass (frame mount partially rubbed). VERSO label with incorrect artist's inscription and stamp. LITERATURE: Spielmann/Baumeister, Willi Baumeister, Werkkatalog der Druckgraphik, 2005, WVZ-Nr. 194.
Lot 1827
NÄGELE, REINHOLD (1884-1972, Prof.), "Karneval", 1947/67, Farbsiebdruck/Papier, u.re. von Hand signiert und datiert 1947/67, u.li. mit Bleistift num. und bezeichnet '63/100 II. Zust.', darunter Trockenstempel 'Edition Domberger, Stuttgart', HxB: Platte ca. 43,5x58,5 cm, Blatt ca. 50x65 cm, Außenmaße Rahmen ca. 53,5x68 cm. Altersspuren, gebräunt. Mit verglastem Rahmen (markante Altersspuren).| NÄGELE, REINHOLD (1884-1972, Prof.), ‘Karneval’, 1947/67, colour screenprint/paper, signed and dated by hand 1947/67 lower right, numbered and inscribed ‘63/100 II. Condition', below dry stamp “Edition Domberger, Stuttgart”, HxW: plate approx. 43.5x58.5 cm, sheet approx. 50x65 cm, outer frame dimensions approx. 53.5x68 cm. Traces of age, browned. With glazed frame (prominent traces of age).
Lot 1829
ACKERMANN, MAX (1887-1975, Prof.), 3 abstrakte Kompositionen, 1.) Farbsiebdruck in Rottönen, mit Bleistift von Hand signiert und datiert 1958-67, num. 24/100, Trockenstempel 'Werkstätten Domberger Stuttgart', HxB: Platte ca. 32,5x48,5 cm, Blatt ca. 43x60,5 cm; 2.) Siebdruck in Blautönen, mit Bleistift von Hand signiert und datiert 1962-66, num. 5/200, HxB: Platte ca. 31x49 cm, Blatt ca. 43,5x60,5 cm; 3.) Siebdruck in Grüntönen mit Violett und Orange, mit Bleistift von Hand signiert und datiert 1972, num. 89/100, HxB: Platte ca. 34,5x44,5 cm, Blatt ca. 50x70 cm. Je leichte Alters- und Knickspuren, part. minim. gebräunt/Lichtrand.| ACKERMANN, MAX (1887-1975, Prof.), 3 abstract compositions, 1.) Colour screenprint in shades of red, signed and dated by hand in pencil 1958-67, number 24/100, dry stamp ‘Werkstätten Domberger Stuttgart’, HxW: plate approx. 32.5x48.5 cm, sheet approx. 43x60.5 cm; 2. ) Screenprint in shades of blue, signed and dated by hand in pencil 1962-66, no. 5/200, HxW: plate approx. 31x49 cm, sheet approx. 43.5x60.5 cm; 3.) Screenprint in shades of green with violet and orange, signed and dated by hand in pencil 1972, no. 89/100, HxW: plate approx. 34.5x44.5 cm, sheet approx. 50x70 cm. Each with slight traces of age and creasing, partially slightly browned/lightstain.
Lot 8
λ EDUARDO PAOLOZZI (BRITISH 1924-2005) B.A.S.H. PINK Screenprint in colours, with collage, 1971, signed and dated in pencil, numbered 129/3000, printed at Advanced Graphics, London, published by Dorothea Leonhart, Munich, on wove paper, with full margins 85 x 59cm (33¼ x 23 in.) Eduardo Palozzi was an important Scottish-Italian artist who pioneerd the Pop Art movement. He grew up in an Italian family in Leith, Scotland, where he spent time exploring the world of American magazines and popular advertising. He studied at Edinburgh College of Art and then at the Slade School of Fine Art. After this, he moved to Paris and formed important connections with artist such as Alberto Giacometti and Georges Braque. His practice explored popular culture though collage, sculpture, mosaic, and ceramics, and greatly contributed to the inception and legacy of Pop Art, particularly his 1947 collage I was a Rich Man's Plaything. Condition Report: Unexamined out of glazed frame. Discolouration to the edges of the sheet, relating to an old mount or a frame. Overall, the colours are good and image in generally good condition. Condition Report Disclaimer
Lot 93
λ SIDNEY NOLAN (AUSTRALIAN 1917-1992) INFERNO II Screenprint in colours, 1967, signed in pencil, numbered 10/70, on wove paper, with full margins 75.5 x 60.9cm (29½ x 23¾ in.)Sidney Nolan is an important Australian artist whose Surreal style interprets the inherent histories and mythologies of his native homeland. He studied at the Victoria Art School, Melbourne, and later gained patronage from John and Sunday Reed, who introduced him to the Heide Circle - an avant-garde artist group. He later served in the Australian army, where he recorded the desert outback. In 1955, he relocated to London to work on stage sets - notably Stravinsky's The Rite of Spring. He was awarded the Order of Merrit in 1983, and his works are held in the Tate Gallery, The Museum of Modern Art, and the National Gallery of Australia. Condition Report: Examined out of glazed frame. Light discolouration to the sheet throughout, most notable to the extreme edges. A pinhole visible to each upper corner. A number of handling creases most notable to the upper half of the image. Condition Report Disclaimer
Lot 287
BARBARA RAE (SCOTTISH 1943-) SCOTTISH LANDSCAPE, CALEDON, 1998 signed, inscribed A/P, mixed media monotype on paper 58cm x 75.5cm (22 ¾in x 29 ¾in) Collection of the Artist;Anthony Mould Ltd, London, from whom acquired by Bernard Kelly, March 2011. Literature:Lambirth, Andrew, Barbara Rae - Prints, Royal Academy, London, 2010, p.97, editioned screenprint illustrated
Lot 281
Herbert Bayer (American 1900-1985) Curve from Two Progressions, 1974, screenprint, 76 x 76 cm, frame 87 x 87 cmCondition:The item is a print, framed under glazing - not examined external to the frame. The sheet appears in generally good condition, no obvious tears, creases or losses. The colours are well preserved and surface appears stable. THe frame has some general wear and tear. Print is unsigned
Lot 237
ARR Peter Schmidt (German 1931-1980) Cycloid VI, 1966, signed and numbered 35/60 lower right, screenprint, 76.5 x 51 cm (SH)Condition:The sheet is in overall good condition - no tears or significant obvious creases. There is some surface roughness to the top right (see photo) where the top of the surface has loss likely from having a sticker removed or similar. The edges are crisp and generally good. The print has crisp and well preserved colours, stable, no obvious deterioration. Unframed
Lot 190
ARR Peter Schmidt (German 1931-1980) Cycloid VI, 1966, signed and numbered 40/60 lower right, screenprint, 76.5 x 51 cm (SH)Condition:The print is unframed. The sheet appears in overall good condition, very crisp and the corners are good. There are two brown spots the size of a pin-prick to the upper left which are photographed. There are no tears or signifant creases- there is a small, faint crease/crumple to the upper right (please see additional photograph). The colours are well preserved and appear stable
Lot 545
Two pictures The first Betty Ebanja, 'Watching', collagraph, signed, titled, numbered and dated to the margin 'Watching 1/20, Betty Ebanja '05', 49cm x 33cm.The third Ilana Richardson, 'Jonruaux', screenprint on paper, signed, titled and numbered to the margin '9/175, Jonraux, Ilana Richardson', 27.5cm x 36cm to the plate mark. Qty: 2 Generally good condition
Lot 104
GORDON HOUSE (BRITISH, 1932-2005)40cm series signed, dated, titled and inscribed 'Gordon House 69 A/P' (lower margin) screenprint 39.5 x 39.5cm ARR Provenance Private collection, UKCondition reportSlight rippling to the sheet on the left and right borders, otherwise the sheet is sound; one tiny fleck of dirt, upper left, otherwise good clean surface; framed and under glass, unexamined out of frame.
Lot 1512
Kip Gresham (1951 - 2024) British Printmaker. A collection of screenprints including 'Second Echo (Snow)', artists proof, signed and dated 1974, 88 x 63cm, F & G and limited edition prints including 'Sand Painting' numbered 16/18, signed and dated 1976, 63 x 51cm, F & G, 'Snow' 15/17, signed and dated 1974, 57 x 57cm, F & G, 'Pebble', numbered 8/18, signed and dated 1975, 69 x 61cm, Frame (glass missing), 'Jigsaw Action Replay' 4/17, signed and dated 1973, Artists Proof screenprint 'Logs', signed and dated 1973, two other unsigned screenprints and a York Art Gallery Poster 'Just What Is It?' (Richard Hamilton 1922 - 2011) Pop Art in England 1947 - 63'
Lot 228
§ Ben Johnson (British, 1946-) Eiffel Towersigned 'Ben Johnson' (lower right); numbered 17/200limited edition screenprint in colours109 x 94cmFramed but not glazed. This item has some minor cockling of the paper support, causing shadows in images, which could be corrected by glazing. Some minor abrasions and accretions to lower borders, one small divot to the lower right corner of the image. Otherwise in good general order.
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14878 item(s)/page