We found 12763 price guide item(s) matching your search

PETER PHILLIPS, R.A. [b. 1939]. Untitled, 1970. screenprint, edition of 200. Signed and dated. 53 x 76 cm sheet size [unframed]

JOHN PIPER 'Arundel', original screenprint textile, 36cm x 66cm, framed and glazed.

‡ John Piper (1903-1992) Hautbois Church, Norfolk, 1983 Signed and numbered 52/70 Screenprint 44 x 62cm Provenance: New Grafton Gallery, London, 15th February, 1984, No. 22 ++A little light mount-staining to margin otherwise good condition

‡ Cecil King (1921-1986) Threshhold (Black); Threshhold (Orange), 1974 Both signed and numbered artist’s proofs Both screenprint on Bockingford paper, unframed 56.5 x 76.5cm and 60 x 90cm (2) Provenance: Editions Alecto, EA876 and EA877 Literature: Tessa Sidley Editions Alecto - Original Graphics, Multiple Originals 1960-1981,Lund Humphries, page 149 catalogue number 560 and 561

Louise Nevelson (American, 1899-1988)POSTER FOR 'NEVELSON AT PACE/COLUMBUS', 1977Screenprint 65 x 66cm

SOPHIE CALLE (FRENCH B. 1953)The Tie, 1993silk, screenprintframed: 55 x 13 cm (21 5/8 x 5 1/8 in.)signed and numbered of the edition of 150 This lot is being sold without reserve.

JOSEF ALBERS (GERMAN-AMERICAN 1888-1976)MMA-2, 1970screenprint in colorsplate size: 38 x 38 cm (15 x 15 in.); sheet size: 62.2 x 61.6 cm (24 1/2 x 24 1/4 in)signed and dated in pencil lower right; titled and numbered in pencil 6/100 lower leftPROVENANCEAcquired from Edward PawlinPrivate Collection, New York

'Durham Cathedral', colour screenprint signed, titled and dated '76 by Norman Wade (British 20th century) 17.5cm x 25.5cm

JACKY TSAI (CHINESE b 1984),FLORAL SKULL(Probably the rarest of the Floral Skull series)screenprint, signed and numbered 3/5 in pencil 70cm x 70cmMounted, framed and under glass.Note: Born in China in 1984, Tsai grew up in Shanghai and after completing his BA at the China Academy of Art, moved to London to study MA Illustration at Central St Martin's, graduating in 2008.Tsai's first solo exhibition was held in London in 2010. At the age of 24 Jacky Tsai designed the floral skull for Alexander McQueen which became an icon in the fashion world and brought him fame. Following his collaboration with British designers he worked with the internationally acclaimed Chinese luxury brand Shanghai Tang and European department stores such as Harvey Nichols and Lane Crawford. In 2011 he launched his own brand fusing art and fashion.Tsai has had solo shows in The Moscow Museum of Modern Art (2018), in London with The Fine Art Society, in Hong Kong, Singapore, Los Angeles and New York.

* BET LOW RSW ARSA RGI DLITT (SCOTTISH 1924-2007), LENNOX WOODS screenprint, artist proof, signed and titled in pencil 36cm x 50cm Mounted, framed and under glass Artist label verso: Inscribed with title, artist's name and dated 1983

20th Century School,an abstract landscape,monogrammed with a K in a triangle,numbered 78/300,limited edition screenprint,75 x 53 cm CONDITION REPORT: F/G. Dimensions for image only.

After Andy Warhol (1928-1987)Marilyn MonroeColour screenprint, pink90 x 90

After Andy Warhol (1928-1987)Marilyn Monroe Colour screenprint, blue 90 x 90cm

After Andy Warhol (1928-1987)Marilyn Monroe Colour screenprint, turquoise and pink90 x 90cm

After Andy Warhol (1928-1987)Marilyn Monroe Colour screenprint, pastel pink90 x 90cm

After Andy Warhol (1928-1987)Marilyn Monroe Colour screenprint, neon pink90 x 90cm

John Icley'Safety Zone 2' Screenprint 98/100Signed and dated '89 lower right

Robert Jones (British)Autumn Leaves Screenprint 96/100Signed lower right68 x 53cm Together with a pair of screenprints by Robert JonesMountainscape21/44 and 38/44Each 80 x 49cm (3)

Henry Mundy (British, b. 1919)Untitled Screenprint, 7/40Signed and dated '64 in pencil lower right ICA Print, screenprinted by Kelpra Studio 50 x 50cm

William Scott CBE, RA, 1913-1989 FIRST TRIANGLES (from A Poem or Alexander)Screenprint, sheet size 23 1/8" x 30 5/8" (59 x 78cm), signed and dated 1972, artists proof, Kelpra Studio stamp to verso

Annora Spence (British, b.1963), Man with a gramophone and bird, screenprint, 183/295, 77 x 72cm, together with companion piece, Lady with a dog and trumpet, 84/295, 72 x 72cm

20th century British school, 'Covers Off', tennis rackets on a clay court, screenprint, signed and titled in pencil to margin, numbered 51/200, 50 x 35cm

A limited edition framed screenprint picture of a mother and child, signed H.Stacey Hamilton, numbered 23/50. Approx 39x37cm

JOHN PIPER 'Garn Fawr-Pembrokeshire' 1968, screenprint, hand signed and numbered edition: 55/70, 52cm 71cm, ref; Levinson 192, framed and glazed. (Subject to ARR - please see Buyers Conditions)

Ronald King (b.1932) 'Mask' 2/50, signed, titled and numbered in pencil (in the margin) screenprint 73.5cm x 53cm.

John Piper (1903-1992) Carew Castle, 1982 (Levinson 334) 56/100, signed and numbered in pencil (in the margin) screenprint 43.5cm x 63.5cm.

John Piper (1903-1992) Harlaxton Hall, 1984 (Levinson 372) 87/90, signed and numbered in pencil (in the margin) screenprint 52cm x 75.5cm.

John Piper (1903-1992) Stokesay Castle, 1981 (Levinson 321) 55/70, signed and numbered in pencil (in the margin) screenprint 59cm x 81cm.

John Piper (1903-1992) Ottery St Mary, 1987 (Levinson 402) 34/100, signed and numbered in pencil (in the margin) screenprint 61cm x 79cm.

John Piper (1903-1992) Blenheim Bridge, 1988 (Levinson 416) 13/100, signed and numbered in pencil (in the margin) screenprint 48cm x 65cm.

Tracey Emin (b.1963) Dog Brains, 2000 152/300, signed, dated and numbered in pencil (in the margin) screenprint the sheet 75.5cm x 100.5cm.

Eileen Cooper (British, b.1953) 'Be Happy', 2004 8/75, signed, numbered, titled and dated in pencil screenprint 56.5cm x 75cm.

Mackenzie Thorpe (British, b.1956)FACE AT THE WINDOWScreenprint in colours, 1999, signed and numbered 356/395 in pencil, published by Washington Green, on Somerset velvet paper, with full marginsimage 45.5 x 30cm, framed

PAULA REGO DBE (Portuguese b.1935) 'Girl with two mothers', screenprint, signed and numbered 2/2 in pencil, 74cm x 56cm, framed and glazed. (Subject to ARR - please see Buyers Conditions)

§ John Piper, OM, CH (British, 1903-1992) Fountains Abbey, Yorkshire signed lower right "John Piper" and numbered 8/150 screenprint in colours 56 x 73cm (22 x 28in) Provenance: Christie's Contemporary Art, London Literature: Levinson 351 Other Notes: Commissioned by the National Trust in 1983. Condition is fine.

§ John Piper, OM, CH (British, 1903-1992) St Nicholas's Church, Alcester, Warwickshire signed lower right "John Piper" and numbered 66/100, published by the Kelpra Studio, 1986 colour screenprint 55 x 70cm (21 x 27in) Provenance: CCA Galleries, London Literature: Levinson 383 Other Notes: Commissioned by The Very Reverend Allan Shaw in 1986 from John Piper.

§ Robert Tavener, RE (British, 1920-2004) Christ Church, Oxford signed in the margin in pencil "Robert Tavener '63", artist's proof screenprint 45 x 58.50cm (18 x 23in)

§ Valerie Thornton, RE (British, 1931-1991) St Euphemia, Spoleto, 60/70; St Aignan, Orléans, 44/45 and another artist's proof; Aachen Interior, artist's proof; Abstract, 2/50; Nedging, 1/75; with a screenprint on tracing paper of a classical building, 7/35, majority measuring approximately 79 x 56 cm (31 x 22in) signed "Valerie Thornton" in pencil etching (6); screenprint (1)

§ Valerie Thornton, RE (British, 1931-1991) Living in Peace, St Benoit sur Loire, 32/45; Esco, 37/50; Casserres, 14/50; Two Venetian Palaces, 14/50; St Euphemia, Spoleto, 70/70; St Benoit sur Loire, 37/45; St Aignan, Orléans, artist's proof; with a screenprint on tracing paper depicting the artist outside a classical façade, largest measuring 90 x 65 cm (35.5 x 25.5in) signed "Valerie Thornton" in pencil etching (7); screenprint (1)

§ Valerie Thornton, RE (British, 1931-1991) Hardham, artist's proof; L'Estany, 2/45; Esco, artist's proof; St Euphemia, Spoleto, 59/70; St Benoit sur Loire, 12/49; St Benoit 43/45; St Aignan, Orléans, artist's proof; stylised landscape screenprint on tracing paper, majority approximately 78 x 56 cm (31 x 22in) signed "Valerie Thornton" in pencil etching (7); screenprint (1)

§ Sandra Blow, RA (British, 1925-2006) Double Diamond signed lower right "Blow" and numbered 107/125 colour screenprint with collage 70 x 68cm (27 x 27in) Glass dirty. Image and colours are good. Clean margins. Frame a little scuffed especially along the bottom edge. 

*Craigie Aitchison (British, 1926-2009)STILL LIFE ON VERMILLIONScreenprint in colours, 2008, signed and numbered 47/85 in silver pen, on wove paper, the full sheet printed to the edgessheet 55 x 45.5cm, framed*Artist's Resale Right may apply to this lot.

*John Piper (British, 1903-1992)CLYDEY, PEMBROKESHIRE (LEVINSON 370)Screenprint in colours, 1984, signed and numbered 9/70 in pencil, printed at Kelpra Studio, London, published by Marlborough Fine Art, London, on wove paper, with full marginsimage 37.7 x 56cm, framed*Artist's Resale Right may apply to this lot.

*John Piper (British, 1903-1992)CORTON CHURCH, SUFFOLK (LEVINSON 203)Screenprint in colours, 1971, signed and numbered 60/75 in pencil, published by Marlborough Fine Art, London, on J Green wove paper, with full marginsimage 76 x 44cm, framed*Artist's Resale Right may apply to this lot.

*John Piper (British, 1903-1992)PYRTON MANOR (LEVINSON 432)Screenprint in colours, 1990, bearing the stamp signature as issued and numbered 41/70 in pencil, on Arches wove paper, full marginsimage 42 x 71cm, framed*Artist's Resale Right may apply to this lot.

*William Tillyer (British, b.1938)LANDSCAPEScreenprint in colours, 1974, signed, dated, titled and numbered 47/90 in pencil, from the portfolio 'A Furnished Landscape' of 25 prints, published by Bernard Jacobson, London, on wove paper, with full marginssheet 90 x 68.5cm, unframed *Artist's Resale Right may apply to this lot.

*Patrick Procktor (British, 1936-2003)KIBUKIScreenprint in colours, 1991, signed and numbered 75/100 in black ballpoint pen, published by the Coriander Press for the Chelsea Arts Club Centenary, on wove paper, with full marginssheet 61 x 45.5cm, unframed*Artist's Resale Right may apply to this lot.

*Geoffrey Robinson (British, b.1945)SEASIDE POLYRHYTHMS 9Embossing with screenprint in colours, on wove paper, with full marginssheet 25.5 x 50.5cm, framed*Artist's Resale Right may apply to this lot.

*Merlyn Evans (British, 1910-1973)ST IVES BEACHLithograph with screenprint in colours, 1973, signed, dated and numbered 8/90 in pencil, from the ‘Penwith Portfolio’, printed by Curwen Studio, published by Penwith Galleries Ltd., St Ives, Cornwall, on wove paper, with full marginssheet 58 x 79.4cm, unframed*Artist's Resale Right may apply to this lot.

*Anthony Benjamin (British, 1931-2002)GAZEBOEtching with screenprint in colours, 1977, signed, dated, titled and numbered 32/100 in pencil, on Arches wove paper, with full marginssheet 56.5 x 76cm, unframed*Artist's Resale Right may apply to this lot.

*Victor Vasarely (French, 1906-1997)L'ART VIVANT POSTERScreenprint in colours, 1968, a poster for L'Art Vivant 1965-1968 exhibition at the Fondation Maeght, dated and bearing a complimentary signature in pencil published by the Fondation Maeght, on wove paper, the full sheetsheet 70.8 x 40cm, unframed*Artist's Resale Right may apply to this lot.

*Victor Vasarely (French, 1906-1997)COMPOSITION WITH PURPLEScreenprint in colours, 1978, signed and numbered 165/300 in pencil, on wove paper, the full sheet printed to edgessheet 91 x 76.7cm, unframed*Artist's Resale Right may apply to this lot.

*Paul Neagu (British/Romanian, 1938-2004)NINE CATALYTIC STATIONSScreenprint, 1987, signed, dated, titled and numbered 2/50 in pencil, on BFK Rives wove paper, the full sheetsheet 61.2 x 83.8cm, unframed*Artist's Resale Right may apply to this lot.

Robert Motherwell (American, 1915-1991)UNTITLED (PLATE 1 FROM AFRICA SUITE)Screenprint in black and cream, 1970, initialled and numbered 25/150 in pencil, with artist's blindstamp, printed by Kelpra Studio, London, published by Marlborough Graphics, Inc., New York, on wove paper, with full marginssheet 102 x 72.5cm, framed

Gottfried Honegger (Swiss, 1917-2016)GEOMETRIC COMPOSITION 3D (BLUE, BLACK)Screenprint in colours with 3D collage, 2015, signed and numbered 34/50 in pencil, on card layered with foam, with full marginssheet 79 x 65.8 x 1cm, unframed

*Eduardo Paolozzi (British, 1924-2005)MOZART - THE MAGIC FLUTE ACT IIScreenprint in colours, 1991, signed, dated, titled, and inscribed 'For Michael, A/C' in pencil, with Advanced Graphics blindstamp, London, on wove paper, with full marginsimage 40.5 x 30.5cm, framed*Artist's Resale Right may apply to this lot.

*Richard Hamilton (British, 1922-2011)WHITLEY BAY (LULLIN 61)Ten photographic postcards with hand colouring and screenprint in colours, 1966, from an unrecorded edition, approximately 150 were made, published by Robert Fraser Gallery, London, on glossy photographic paper, each sheet printed to the edgeseach sheet 10.4 x 15.7cm, all unframed (10)*Artist's Resale Right may apply to this lot.

*Bridget Riley (British, b.1931)TO MIDSUMMER (SCHUBERT 34) Screenprint in colours, 1989, signed, titled and numbered 1/100 in pencil, printed by Graham Henderson, London, published by the artist, on wove paper, with full marginssheet 92.7 x 91.5cm, framed*Artist's Resale Right may apply to this lot.

R B Kitaj (American, 1932-2007)SELF PORTRAITScreenprint in colours, 1969, signed in pencil, on wove paper, with full marginssheet 54 x 50.5cm, unframed

*Peter Blake (British, b.1932)QUEENScreenprint in colours, 2002, signed and numbered 149/150 in pencil, on wove paper, with full marginsimage 27 x 17cm, framed*Artist's Resale Right may apply to this lot.