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‡ Peter Sedgley (b.1930) Blue Scale Screenprint 48 x 48cm Provenance: Redfern Gallery, London The late Greta Morrison, widow of Bryan Morrison

‡ Joe Tilson RA (b. 1928) Ziggurat Signed and numbered 60/300 in pencil Screenprint in colours 28 x 23.8cm Unframed

‡ Joe Tilson RA (b.1928) Transparency, Vellegrande Bolivia, October 10th Signed, dated 1969, and numbered 12/70 in pencil Screenprint on PVC, silver lumiline and paper 70 x 50cm Provenance: The late Greta Morrison, widow of Bryan Morrison

‡ Sir Peter Blake CBE, RDI, RA (b.1932) Penny Black; Red Power; The Tuareg, from The Wrestlers Suite Three, each signed and numbered 66/125, 68/125, and 66/125 respectively in pencil Each screenprint in colours Each 44.6 x 28.8cm (sheet) (3) Provenance: The late Greta Morrison, widow of Bryan Morrison

After John Lennon A Day in the Life Signed by Yoko Ono Lennon and numbered 148/300 in pencil, with blind stamp Screenprint 67.4 x 84.9cm With a certificate of authenticity from Bag One Arts, Inc., New York

‡ Patrick Caulfield CBE, RA (1936-2005) All The Benches Are Wet, The Woods Are So Rusty; Oh! If One Of Them, Some Fine Evening, Would Try; You'll Be Sick If You Spend All Your Time Indoors; And With My Eyes Bolting Toward the Unconscious Four, three signed and numbered 57/100 in pencil to margins Each screenprint in colours from the 'Some Poems of Jules Laforgue' series Largest 40.8 x 35.6cm; Smallest 40 x 35.2cm (image) (4) Provenance: The late Greta Morrison, widow of Bryan Morrison

‡ Sophie Ryder (b.1963) Paintpots Signed, dated 2001, numbered AP/9, and dedicated for André & Galina with / love from Sophie in pencil to margin Screenprint in colours, 1 of 9 artist's proofs aside from the edition of 50

Willie Rodger (Scottish 1930 - 2015) Mary Queen of Scots, Coloured screenprint, No 32/100, signed and dated '75, in glazed frame, 30 x 40cm

Willie Rodger (Scottish 1930 - 2015) James VI of Scotland, Coloured screenprint, No 32/100, signed and dated '75, in glazed frame, 30 x 40cm

Cameron Stott, Barrio Chino- Barcelona, Coloured screenprint, No 1/25, signed and dated 04, in a glazed frame, 32 x 42cm

Impressionist Oil Painting signed J Horton 73, 50cms x 59cms, Oil Painting of Conwy Castle signed Mulliner, 39cms x 51cms together with Large Screenprint on Panel of Gothic Town, signed Gordon Gillick, 76cms x 103cms

Colour screenprint on wood postcards(10cm x 15cm (4in x 6in) each, unframed)

Screenprint, printed on the occasion of the artist's exhibition at Gagosian Gallery, Rome(76cm x 56cm (30in x 22in) each, unframed)

Hand-coloured screenprint, 5/20, signed and numbered in pencil (upper right)(76cm x 56.5cm (30in x 22.25in))

Screenprint, signed and dated in pencil to margin(22.5cm x 15cm (9in x 6in), image size)

Screenprint, 2003, from an unknown edition size, published by K21 Kunstammlung Nordrhein-Westfalen(100cm x 60cm (39.25in x 23.5in) full sheet, unframed )

Screenprint, U/P, signed, titled and editioned in pencil to margin(42cm x 57.5cm (16.5in x 22.75in))Footnote: Note: It is believed that this print was not ever editioned, and so the artist's editioning as U/P, may refer to it being a unique print.

Screenprint, from the edition of 20, signed and dated in pencil to margin, unframed(55.9cm x 75.7cm (22in x 29.75in))

Screenprint, 21/120, signed and numbered in pencil to margin(25cm x 25cm (9.75in 9.75in) full sheet, unframed)Footnote: Note: This work is accompanied by a Certificate of Authenticity, signed by the artist and dated January 2020.

Screenprint(100cm x 70cm (39.5in x 27.5in) full sheet, unframed )

Screenprint(100cm x 70cm (39.5in x 27.5in) full sheet, unframed )

Screenprint, A/P, signed, editioned and dated in pencil, unframed(58cm x 77.6cm (22.75in x 30.5in))

Screenprint, from the ed. of approx. 300, printed at Girdwood and published by the Wild Hawthorn Press(76cm x 37.5cm (30in x 14.75in))

Screenprint, 8/95, signed, dated and numbered in pencil to margin(119.5cm x 74.5cm (47in x 29.5in) full sheet, unframed)

ANDY WARHOL (USA 1928 - 1987) AND PIETRO PSAIER (ITALIAN 1936 - 2004), 'COVER UP IN DALLAS', KENNEDY ASSASSINATION screenprint, signed (PIETRO PSAIER), STAMPED "CERTIFIED THE FACTORY" 44.5cm x 104cm Framed and under glass.

* BANKSY (BRITISH b 1974), RAT RADAR DIRTY FUNKER (BROWN) screenprint on record sleeve, vinyl record housed inside sleeve 30.5cm x 30.5cm Framed and under glass. Note: Banksy is a contemporary British street artist, activist, and film director who has maintained an anonymity, despite his international fame. Although details of the artist’s life are largely unknown, it is thought that Banksy was born in Bristol, c. 1974, and began his career as a graffiti artist in the city in the 1990s. His work traditionally acts a form of cultural criticism; a political and social commentary through satirical street art and stencilled works. His work, which mysteriously appears on location, combines graffiti and epigrams and has been featured publicly on streets, walls, and bridges of major cities throughout the world. Although Banksy no longer sells photographs or reproductions of his street graffiti, his public installation pieces are regularly offered for sale, even if it means removing the wall they were painted on. A small number of Banksy's works are also officially, non-publicly, sold through Pest Control, a handling service acting on behalf of Banksy. Banksy's documentary film Exit Through the Gift Shop (2010) debuted at the 2010 Sundance Film Festival and he was nominated for the Academy Award for Best Documentary the following year. Banksy continues to create work worldwide, winning awards and notoriety. He was awarded Person of the Year at the 2014 Webby Awards and, in 2015, opened Dismaland Bemusement Park, a temporary art exhibition that functioned as a theme park and included collaborations with fellow artists. One of the artist's most famous stunts was his shredded painting in 2018. As a painting by Banksy was sold at auction for $1.4 million, a mechanism was triggered that caused the artwork to partially shred, resulting in a new piece titled Love in the Bin (2018).

Bruce Mclean (b.1944) 'Dream Work' screenprint, limited edition number 46/150, signed in pencil lower right 40cm x 120cm Provenance: Artwork for book cover 'Dream Works'

Michael Challenger (b.1939) 'From nothing to one' screenprint, numbered 10/75 signed in pencil and dated 1974 lower right, one other indistinctly titled example by the same artist both measure 57cm x 77cm an Attributed to Rolf Gunther Dienst (1942-2016) silkscreen 60cm x 75cm and one other (4)

John Hoyland (1934-2011) 'Untitled' limited edition screenprint, numbered 16/75, signed and dated 1997 in pencil lower right 53cm x 43cm

William Gear (1915-1997) 'Ragged Form' limited edition screenprint, numbered 16/25, signed and dated 1988 lower right 46cm x 66cm

Fun Run, limited edition screenprint, numbered 15/20, indistinctly signed & dated 1982, together with a vibrant pastel landscape signed 'KaR', dated 1992, and four small 20th-century prints of Paris and birds (6) 

John Piper (British 1903-1992) Ludlow Castle, colour screenprint, signed and numbered in pencil 79/100 (in lower margin), 54cm x 80cm. ARR

British School (20th century), Joy Prison, colour screenprint, indistinctly signed, dated August 1972, numbered 133/150, unframed, 56cm x 76cm.

** Kalkoff (20th century), Abstract composition, screenprint, signed and dated '67, 50.5cm x 50.5cm.

Almir da Silva Mavignier (Brazilian b.1925), Untitled Screenprint printed in colours, 1974, signed, dated '74 and inscribed 'e.a.' in pencil, 48cm x 67.5cm.

Patrick Proctor (1936-2003) screenprint - My Gardenia signed and numbered 65/100, framed, 56cm x 73cmProvenance: The Redfern Gallery, Cork Street, London

JOHN PIPER 'Figures from Cretan Seal', screenprint 1957, French framed, 34cm x 59cm.

David McClure RSA, RSW, RGI (1926-1998) Scottish ''Moon at Mondello'' Signed, inscribed and dated (19)84, numbered 10/21, screenprint in colours, 37cm by 47cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

A quantity of pictures and prints to include a screenprint of swans, various sizes, all framed and glazed.

DEBORAH WALKER (20th century); 'I Can't Believe Next Door's Has Painted Theirs the Same as Ours!', oil on paper, label verso, signed and titled, 57 x 41cm, framed and glazed, one other similar and a screenprint after Jane Jones 'Sad Flower', dated 1954, 55 x 40cm (3).

Mr. Brainwash(French 1966 - )RESCUE: MONA LISA (PINK)signed; dated 2019 with the artist's thumbprint on the reversescreenprint printed in colourssheet size: 76 by 57cm, unframed Leonardo da Vinci’s portrait of the Mona Lisa (painted in 1503) is easily the most recognisable painting in the world. It remains one of the most visited artworks at the Louvre, one of these reasons is her intriguing smile, which is mentioned as an example of the uncanny in Freud’s book Leonardo da Vinci and a Memory of His Childhood. Easily the most recognisable of all of Jeff Koon’s sculptures, the artist’s ‘balloon dogs’ are actually rendered from mirror finished stainless steel. Koons’ balloon sculptures reflect mass production (2300 editions of of each colour of the balloon dog sculptures are produced in each colour) and mass consumption in a disposable culture. Koon’s artworks are created in a factory-style production house where more than 100 assistants help produce his work. Koons has asserted many times that there is no deeper meaning in his work. Despite the contrasts between Da Vinci and Koons’ work, both are considered very valuable. In 2013 Jeff Koons’ Balloon Dog (Orange) sold on auction for $58.4 million, at the time a record breaking amount for a living artist. In 2019 Mr. Brainwash produced the series of prints, Rescue: Mona Lisa in three different colour options: red, blue and pink. Each is a five colour screenprint and an edition of 70. The prints depict a spray painted image of the Mona Lisa using black paint, a Jeff Koons balloon dog on her lap. The print that we have on offer (lot 471) is printed in the pink version. Through this combination of recognisable art images, Mr.Brainwash juxtaposes a Rennaissance master with his contemporary equivalent. The title Rescue: Mona Lisa (Pink), bears no mention of Koons’ balloon dog, perhaps it is the reproduction of her image, rendered with spray paint with a medium used by street artists in the late 20th century, recontextualising Mona Lisa as a relevant image, an icon who can still hold her own and bear relevance in 2019 when the prints were first created, while a vacuous balloon dog rests in her lap. Yet the artwork itself consists of neither the Mona Lisa, nor one of Jeff Koon’s sculptures, but the artist’s representation and reimagining of images of the two simultaneously, and from a twenty-first century perspective. To Mr.Brainwash, art history is not a linear succession of art movements, all marching one behind the other in the development of what and how art is to be considered, it is rather a network, and in this era, all available, all the time, at his disposal, to be replicated and appropriated into a new art form.  Source: Artdependence Encyclopedia.com Mr. Brainwash is the moniker of Thierry Guetta who became well known after the Academy Award nominated documentary about street art, Exit Through the Gift Shop, debuted at the Sundance Film Festival in 2010. There is a point in the documentary where Banksy, the focus of the documentary, turned Guetta’s camera on the graffiti artist who would then go on to find instant success on the Los Angeles art scene. Using the moniker Mr. Brainwash since his first solo show, the artist is known for his provocative art which often makes use of iconic images, which he doctors and subverts, frequently incorporating spray painting techniques, and then produces limited edition prints of the originals, thus bringing graffiti and street art into the gallery space. Mr. Brainwash has designed an album cover for Madonna, worked with the Red Hot Chilli Peppers and exhibited his art all over the world. His sudden rise to fame has led many to speculate whether Mr Brainwash is just the frontman of a long-term prank on the public orchestrated by Banksy. Source: BBC

Pedro Ramirez & Ricardo Alario, 20th Century, A peacock on a flowering branch, signed, dated and numbered 'Ramirez Alario, 87, 125/150' (in lower margin), screenprint, 75 x 48cm, unframed. ARR

Leonard Russell Squirrell (1893-1979), Flatford Bridge; Willy Lott's Cottage, Flatford; a pair, signed and titled in pencil (in lower margin), etching, 21 x 30cm, together with a screenprint of Piazza San Marco, Venice, by Diana Armfield, 23 x 16cm (3). ARR

ARR * Aitchison (Craigie, 1926-2009). Get Well Soon, 1969, colour screenprint on wove paper, printed at Kelpre Studio, and published in an edition of 150 impressions, signed, dated and numbered 141/150 in black ink towards lower margin, the full sheet, some very light, unobtrusive spotting to the lower portion, sheet size 810 x 455 mm (31.9 x 17.9 ins), framed and glazedQty: (1)

Tetrad Press. Pamphlets, Volume 1 Numbers I-X, London, 1970, ten bifolia, each printed with a poem and accompanying colour screenprint, each signed and numbered (numbering varies) by the author and the artist (where the latter is not also the author), together with two typed letters signed from Ian Tyson to Martin Armstrong relating to the purchase of the Tetrad Pamphlets, and a 2-leaf stapled checklist of Tetrad Press publications with prices, housed together in original grey paper-covered solander box, with printed paper spine label (toned and edge-frayed), small mark to upper cover, 4toQty: (1)NOTESLimited edition, one of 50 copies signed by authors and artists, of a total edition of 500 copies. Titles as follows: 23rd Light Poem or Larry Eigner , text by Jackson MacLow, image by Ian Tyson; Mask Masque, text and image by Ian Tyson; Poem, Nov: 1968 , text by Larry Eigner, image by Derrick Greaves; The Alphabet Twice , text and image by Richard Pinkney; Sweet Pictorial Reason , text and image by Derrick Greaves; Knights Eminence , text and image by Ian Tyson; Correspondence , text by Roy Fisher, image by Tom Phillips; A Verse from The Death of a Guiser , text by Petre Andreevsky, image by Richard Pinkney; Lesbia Waltz , score by Tom Phillips; The Directions , text by Jerome Rothenberg, image by Tom Phillips.

BRIDGET RILEY (b.1931) Echo Screenprint, 77 x 80cm Signed, inscribed and dated (19)'98 Edition 46/75 Provenance: Green on Red Gallery; label verso.

Richard Anuszkiewicz (b.1930) Untitled Screenprint, 60 x 60cm Signed Provenance: From the Antoinette and Patrick J. Murphy Collection.

Heinz MACK (1931)"Blumenfächer", 1972Grafik - Farbserigraphie / auf Alumiumfolienoberflächeunten links nummeriert 152/500, unten rechts handsigniert und datiert 72, Maße: 50,5 x 44,5 cm, Grafik weist von denen im WVZ. angegebenen Maßen ab, Ränder wurden begradigtvom Käufer 2 % Folgerechtsabgabe / Bildkunst auf den Zuschlagspreis zusätzlich zu zahlenHeinz MACK (1931)"Flower fan", 1972graphic - color screenprint / on aluminum foil surfacenumbered 152/500 on thelower left, signed and dated 72 on the lower right, dimensions: 50.5 x 44.5 cm, Graphic points from those in the WVZ. specified dimensions, margins have been straightenedto be paid by the buyer 2% resale right / Bildkunst on the hammer price additionally

Helmut SUNDHAUßEN (1935)"Geometrische Komposition"Grafik - Farbserigraphie, Maße: 56 cm x 56 cm, unten links nummeriert 127/150, unten rechts handsigniert und datiert 72, verso leichte Spuren alter MontierungHelmut SUNDHAUßEN (1935)"Geometric composition"graphic - color screenprint, dimensions: 56 cm x 56 cm, numbered 127/150 on the lower left, handsigned and dated on the lower right 72, slight blemishes of old mounting on the backside

Helmut SUNDHAUßEN (1935)"SEB 2"Grafik - Farbserigraphie, Maße: 55 cm x 55 cm, unten links nummeriert 5/100 und datiert 71, rechts unten handsigniert und bezeichnet, verso Reste alter MontierungHelmut SUNDHAUßEN (1935)"SEB 2"graphic - color screenprint, dimensions: 55 cm x 55 cm, numbered 5/100 and dated 71 on the lower left, handsigned and inscribed on the lower right, remains of old mounting on the backside

Pamela Guille A.R.C.A artist proof screenprint 'The Lighthouse' pencil signed and titled by the artist 43 cm x 53 cm (size including frame)

* JOAN WILSON (BRITISH 20TH CENTURY),OCTOBER FIELDSscreenprint, signed, titled and numbered 20/37 in pencil50cm x 62cmFramed and under glass

•JOHN PIPER, CH (1903-1992) ST. ALBANS (Levinson 362) Screenprint in colours, 1983, on Arches, signed and inscribed H/C [hors commerce], aside from the edition of 75, published by the Dean of St Albans 50.5 x 59cm. Provenance: A gift to a Canon Residentiary at St Albans Cathedral upon his leaving in 1983 ++ Slight discolouration of margins

Lin Jammet (British, 1958-2017). 'Group', limited edition screenprint, signed, and numbered 35/50 in pencil to margin. Image size: 54 x 56cm. Unframed, loose sheet.

Paul Peter Piech, 'Love Thy Neighbor', signed by the artist, dated 1974, screenprint. 44 x 63cm approx, framed and glazed. (B.P. 24% incl. VAT)

δ Gary Hume (b.1962)Untitled (from The Sister Troop)Screenprint in colours with collage and cut-out, 2009, signed and dated in pencil, numbered from the edition of 60 in pencil verso, laid down on Brushed Aluminium Mirricard on Somerset Satin paper, published by Charles Booth-Clibborn under his imprint the Paragon Press, London, with full margins, sheet 873 x 724mm (34 3/8 x 28 1/2in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Tess Jaray (b.1937)UntitledScreenprint in blue, signed in pencil, on wove paper, the full sheet, 150 x 150mm (5 7/8 x 5/7/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Dave Buonaguidi (b.1964)Pink TrashScreenprint in colours on American Dollar Bill, 2018, signed and numbered from the edition of 150 in pencil, the full sheet, 70 x 155mm (2 3/4 x 6in) (framed)

δ Sandra Blow (1925-2006))Crystal Glazing (Basford 33)Screenprint in colours, 2003, signed, titled and numbered from the edition of 175 in pencil, on wove paper, printed by Coriander Studios, London, published by CCA, Tilford, with full margins, image 510 x 510mm (20 x 20in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Maggi Hambling (b.1945)George MellyScreenprint in colours, 2006, signed, dated and numbered from the edition of 100 in pencil, on wove paper, with full margins, 630 x 505mm (24 3/4 x 19 7/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.