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John Piper, 'Foliate Heads', signed and numbered 25/75, screenprint, 57 x 75cm.   Please note Artist's Resale Right may apply. Provenance: from the Estate of Stuart Devlin. 

Max Bill, 1908 - 1994, Serigraphie auf Karton, kleine Auflage, 22/35, aus 1994, Blattgr. 84 x 59.5 cm, unter Glas, Rahmen ca. 87 x 63 cmMax Bill, 1908 - 1994, screenprint on cardboard, small edition, 22/35, from 1994, sheet size. 84 x 59.5 cm, under glass, frame approx. 87 x 63 cm

[Small Press and Concrete Poetry] Broadsides from Wild Hawthorne Press Three prints from the series of broadsides published by the prolific Scottish concrete poet Ian Hamilton-Finlay at Wild Hawthorn Press, Dunsyre. Contains: (1) Franz Mon, Epitaph für Konrad Bayer, 1964. Concrete poem typeset in Futura, printed in yellow and dark blue ink on cream stock, 43 x 57 cm. Fine copy. (2) Ferdinand Kriwet, Poem/Print, 1964. Red and black silkscreen featuring a concrete poem with overlapping text, 43 x 57 cm. Slight toning and wrinkles on the right side outer margin, 3 cm piece of paper torn off the top left corner not affecting the image. (3) Ian Hamilton Finlay, Summer Sales, 1967. Screenprint in blue and brown made by IHF in collaboration with Jim Nicholson, 44 x 58 cm. Crisp copy, some wrinkling on the right side bottom margin, not affecting the image. (total 3)

[Prints and Posters] Lawrence Weiner. What Is Set Upon The Table Sits Upon The Table (1) Wat Op Tafel Staat Staat Op Tafel. Colour screenprint, 118 x 83 cm. Published for Sonsbeek 93 Arnhem, curated by Valerie Smith. Artists included Maurizio Cattelan, Mike Kelley, Annette Messager, Michael Asher, Miroslaw Balka, Alighiero e Boetti, Allan Ruppersberg et al. Rare copy in very good state. (2) Lawrence Weiner: What is set upon the table sits upon the table. Works from the beginning of the sixties towards the end of the eighties. Amsterdam, Stedelijk Museum, 1988. Offset printed in 4 colours, 95 x 62.5 cm. (total 2)

[Subculture] [Vietnam] Can you imagine?...They are your G.I. Joes in action...right in your own home! Eikelenboom-Habo, Amsterdam, screenprint Rooth NV, Diemen, ca. 1970. 68 x 45 cm. Sl. foxing in upper margin, else fine.Anti-Vietnam War poster depicting a G.I. Joe action figure club form provided with text "VIET" in red.

[Subculture] [Pop Art/Vietnam War] The Fighting Devil-Dog! Design Anton Beeke. Amsterdam, screenprint Rooth NV, Diemen, ca. 1970. 68 x 45 cm. Sl. foxing in upper margin, else fine.Anti-Vietnam War poster depicting a G.I. Joe in Roy Lichtenstein style with text "VIET" in red.

NICHOLAS MONRO (BRITISH, B. 1936) (3)Girl at Windowsigned and dated in pencil 'N Munro 20' (lower right) and inscribed 'A/P' (lower left)screenprint in colours81 x 65.5cm(unframed)together with another screenprint, artist's proof of the same work; and another screenprint by the same hand, 'Hospital', artist's proof, signed and dated '70' (lower right), 66 x 83cm, (both unframed)(3)ARRCondition reportVarious marks and foxing to margins, some creases, mostly to corners or edges. One image of Girl at Window has a small crease mark lower right. Hospital image has a small crease mark lower centre, it also has some some small green marks upper centre left.

A COLLECTION OF SIXTEEN 20TH CENTURY PRINTS (16)To include three screenprints, artist's proofs of abstract compositions, the largest 61.5 x 46cm; a screenprint of Metropolitan Wharf skyline, 46.5 x 35cm; a print of an abstract composition, indistinctly signed and inscribed (in margin), 15 x 10cm; a screenprint of abstract design in green and blue, 30.5 x 23cm; and ten prints of various designs, 16.5 x 14cm(16)

RON BOLT (Canadian b.1938) A framed and glazed colour Screenprint, 'Surfdance', 1985, pencil signed, titled and No.144/150. Image size 75cm x 61cm

JILL JACKSON (b.1935 - Norfolk & Norwich Art Circle) A framed and glazed screenprint, 'Waiting For The Tide, Thornham'. No. 1/4. 31cm x 40cm

D*FACE (British, born 1973)Love won't tear us apart, 2018Coloured screenprint, numbered in the lower left and signed in pencil in the lower rightPublished by Stolen Space London (drystamp); D*Face drystampEdition of 150 copies39,3 x 27,5 in

JOHN BELLANY CBE RA (SCOTTISH 1942-2013) THE WANDERER 5: THE WALKING STICK 1998 Screenprint, signed lower right, numbered (12/20), 76 x 56 (sheet), 35 x 33cm (13.75 x 13") Condition Report:Available upon request

IAN HAMILTON FINLAY CBE (SCOTTISH 1925-2006) SEA POPPY TWO - 1965 Screenprint, 34 x 31cm (13.5 x 12.25") Condition Report:Available upon request

BEL COWIECORSAGE ON BLACK No. 1,screenprint, signed and dated '78, inscribed and No. 13 of 13 in pencil, 56cm x 45cm, mounted, framed and under glass

KEF! "Green Mountains and Silver Clouds #8",signed and numbered 65/200,limited edition screenprint on cotton paper,45.5 x 61cms, in frame.With certificate of authenticity.

KEF!"Dwelling in the World #1",signed and numbered 7/200,limited edition screenprint on cotton paper,45.5 x 45.5cms, in frame.With certificate of authenticity.

δ Banksy (b.1974)Have a Nice DayScreenprint in colours, 2003, numbered from the edition of 500 in pencil, printed and published by Pictures on Walls, London, on wove paper, the full sheet printed to the edges, sheet 350 x 984mm (13 3/4 x 38 3/4in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)Girl with BalloonScreenprint in red and black, 2004, numbered from the edition of 600 in pencil, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, the full sheet, sheet 700 x 500mm (27 5/8 x 19 3/4in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)Get Out While You Can (Pink) (Signed)Screenprint in black and pink, 2004, signed and dated in pencil, numbered from the edition of 75 in pencil, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, the full sheet, sheet 501 x 350mm (19 3/4 x 13 3/4in)This work is accompanied by a certificate of authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)Soup Can: Original ColourwayScreenprint in colours, 2005, numbered from the edition of 250 in pencil, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, the full sheet, sheet 500 x 348mm (19 3/4 x 13 3/4in)This work has been authenticated by Pest Control Office and a new Certificate of Authenticity will be issued to the buyer.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)Pulp FictionScreenprint in black and yellow, 2004, numbered from the edition of 600 in pencil, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, the full sheet, sheet 486 x 693mm (19 1/8 x 27 1/4in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)Very Little Helps (Signed)Screenprint in colours, 2008, signed in blue crayon, numbered from the edition of 299 in pencil, printed and published by Pictures on Walls, London, on wove paper, with full margins, sheet 505 x 372mm (19 7/8 x 14 5/8in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

** δ Banksy (b.1974)Bomb LoveScreenprint in pink and black, 2003, numbered from the edition of 600 in pencil, printed and published by Pictures on Walls, London, on wove paper, the full sheet printed to the edges, sheet 696 x 495mm (27 3/8 x 19 1/2 in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

δ Banksy (b.1974)Morons (Signed)Screenprint in colours, 2007, signed and dated in pencil, numbered from the edition of 150 in pencil, printed and published by Pictures on Walls, London, with their blindstamp, on Arches 88 wove paper, the full sheet, sheet 575 x 767mm (22 5/8 x 30 1/4in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b. 1974)I Fought The LawScreenprint in black and orange, 2005, numbered from the edition of 500 in pencil, printed and published by Pictures on Walls, London, on wove paper, the full sheet, sheet 699 x 700mm (27 1/2 x 27 5/8in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Ian Monroe (1972 - ) - Event Structure 2007, screenprint, signed verso, dated 2007 and numbered 27.100, 35.5 x 35.5cm Provenance: Haunch of Venison, London Good condition

GILBERT AND GEORGE (British, b.1943 and b.1942) 'Tate Modern', full colour screenprint, signed, 75cm x 50cm, framed. (Subject to ARR - see Buyers Conditions)

JOHN LOKER (b.1938) Dangerous Games II, 1988', screenprint, 70cm 87cm, signed, titled and numbered in pencil, framed. (Subject to ARR - see Buyers Conditions)

TRACEY EMIN (British, b.1963) 'Everybody Needs a Place to Think', 2002, limited edition screenprint on linen handkerchief, for BBC4, 21cm x 20.2cm, in its original box. (Subject to ARR - see Buyers Conditions)

JAMES 'JAMIE' NARES (British, b.1953) 'I am Blue', 2017, screenprint, signed, dated numbered 33/45 in pencil, published by Durham Press, with their embossing, 190cm x 70cm, framed. (Subject to ARR - see Buyers Conditions)

Josef Albers (American/German, 1888-1976) JHM-II, 1973 Screenprint. Pencil signed lower right; titled and numbered (HC 8/22) lower left. Published by Ives-Sillman, Inc., New Haven, for the Hirshhorn Museum and Sculpture Garden, Washington, DC; printed by Sirocco Screenprints, New Haven. Image Size: 15 x 15 in. Overall Framed Size: 25.25 x 35.25 in. Framed behind plexi-glass.

‡ PAUL PETER PIECH, screenprint - Idris Davies, in two colours, portrait with poetry by Rhymney born, Idris Davies (1905 - 1953) translated to Welsh 'Clychau Rhymni' (Bells of Rhymney), signed and dated in pencil 1991, 64 x 45cmAuctioneer's Note: originally written in English, it was turned into a folk song with music composed by Pete Seeger, and widely covered by Bob Dylan, The Byrds, Cher, John Denver, Judy Collins and The Alarm.Comments: corner and side with small tear, rolled creases.

Sandra BLOW (1925-2006)Rilievo (2005)Screenprint and collageSigned artists proofImage size 51 x 51cmPaper size 71 x 66cmProvenance - Sandra Blow Estate, St Ives (embossed seal bottom right)

Sandra BLOW (1925-2006)Transparency (2004)Screenprint and collageSigned and numbered 126/130Image size 51 x 53cmProvenance - Market House Gallery, Marazion (stamp to verso)This piece is in excellent condition overall. There are, however, two small surface marks, one along the bottom edge and the other is present on the left-hand side (please see additional photographs).

Patrick Hughes (British, b. 1939-), 'Inside Out', screenprint in colours, 1981, on wove, signed, titled and dated in pencil, 50x35cm

Allen Ruppersberg (b. 1944) American, 'Honey, I rearranged the Collection Because This is a Home Not a Museum Either Or Honey, I rearranged the Collection Because I Couldn't Rearrange Anything Else', screenprint, signed and dated 2006, 39" x 51".

Sir Peter Blake RA (b.1932)Gold Flake, Fag Packetscreenprint in colours, 2006, on wove paper, signed 'Peter Blake' in pencil l.r., and numbered 94/95 in pencil89 x 59cm, unframedGenerally in good condition.

After Andy Warhol (1928-1987), Marilyn Monroe (Sunday B. Morning). Screenprint in colours. Stamped published by Sunday B. Morning verso. H.90 W.90cm.

‡Stanley William Hayter CBE (1901-1988) The Aquarius Suite: I, II, III, IV (Black & Moorhead 337-340) Four, each signed and dated S W Hayter 70 and numbered 57/150, 51/150, 56/150 and 57/150 respectively (in pencil to margin) Each screenprint Two 71.4 x 58.5cm; Two 58.5 x 71.4cm (sheet) Two unframed (4)

‡Sir Terry Frost RA (1915-2003) Red Ochre Black (Kemp 134) Signed and dated Terry Frost 92 (lower right) and numbered 44/50 (lower left) Screenprint 75.6 x 55.6cm (sheet)

‡Dame Barbara Hepworth (1903-1975) Winter Solstice Signed and numbered Barbara Hepworth/40/150 (in pencil lower right) Screenprint, 1971 29.2 x 24cm (sheet)

‡R. B. Kitaj RA (American 1932-2007) Truman in the White House (A Romance); La Fabbrica Two, the former signed and numbered Kitaj 24/70 (in pencil to margin); the latter signed and inscribed for M and M, love Kitaj AP (in pencil to margin) The former screenprint; the latter lithographic poster 68.5 x 103cm (sheet); 92.5 x 59.6cm (sheet) (2) Provenance: From the estate of the late Marguerite Littman

Alex Colville (Canadian 1920-2013) The Ballad of the Foxhunter: I, II, II, IV Four, each signed and dated Alex Colville 1959 (in pencil lower right of image) and Scene IV inscribed by Kind premission of Mrs. W.B.Yeats (in pencil lower right) Each screenprint, from the edition of 25 Each 44.8 x 24.5cm (4) Provenance: Collection of Ian Murray; And by family descent

‡Peter Howson (Scottish b.1958) Face of God; War Wife Two, both signed, dated and numbered 40/100 Howson '94, inscribed with titles and with Advanced Graphics blindstamp Both screenprint Each 63.7 x 53.3cm (sheet) (2)

JOHN PIPER (1903-1992). “Stoner, Oxfordshire”, screenprint on silk, signed in the plate, 17” x 27¾”, framed & glazed. (18½” x 29” over-all).

Allen Jones (British 1937-): Shoe Box, The complete portfolio, comprising seven lithographs on BFK Rives, one screenprint in colours printed on the interior of the box lid and an aluminium multiple, 1968, each signed and dated in pencil, the multiple with incised signature, number 161/200, contained within the original shoebox with printed title on the lid, published by Petersburg Press, London 33cm x 40cmCondition Report:Box in need of repair with most sides taped together, losses and scratches throughout.. Some scratches to the aluminium sculpture. Blue Perspex tray has some signs of wear including scuffs and some scratches. The front page is not contained in a sleeve and has some fingerprint marks, small tear to the edge and minor creases. All seven of the lithographs are contained in plastic sleeves which have some marks to the inside, the lithographs are fine. General wear throughout.

Elson (British contemporary): Sci Fi Mechanical Female Nude, screenprint embellished with paint signed 30cm x 43cm

Elson (British contemporary): 'The Orgasm', screenprint embellished with paint signed, titled in pencil 38cm x 28cm

Elson (British contemporary): Sci Fi Mechanical Half Length Female Nude, screenprint embellished with paint signed 38cm x 30cm

Yaacov Agam (Israeli /French, 1928), Message of Peace, from Official Arts Portfolio of the XXIVth Olympiad, Seoul, Korea, (1988), signed l.r., No.28/300, screenprint in colours, 90 by 73cm, framed. Note: Artist Resale Rights apply

Sylvia Edwards (British, 1937-2018), Reach for the Moon, signed l.r., titled l.c., colour screenprint, No.20/175, 58 by 78cm, framed

Barbara Rae C.B.E. R.A. F.R.S.E. (Scottish, 1943), Winter Almonds, signed l.r., titled l.c., colour screenprint, No.86/125, 76 by 78cm, gilt frame. Note: Artist Resale Rights apply

Barbara Rae C.B.E. R.A. F.R.S.E. (Scottish, 1943), Pueblo, signed l.r., titled l.c., colour screenprint, No.96/125, 75 by 75cm, gilt frame. Note: Artist Resale Rights apply

Michael Rothenstein R.A. (British, 1908-1993), Cockerel, signed l.r., No.36/50, screenprint in colours, 50 by 58cm, framed. Note: Artist Resale Rights apply

Tom Hammick, colour screenprint, Red Carpet, 2001, signed in pencil, no. 6/8, 30cm x 43cm, framed

Lin Jammet (1958 - 2017), screenprint, Horse Of Gold, signed in pencil, 1995, no. 27/50, framed, overall frame dimensions 117cm x 97cm

Jeffrey Edwards (born 1945), colour screenprint, Insufficient Pruning, signed in pencil, 1972, no. 139/250, image 49cm x 54cm, mounted

§ John Piper OM, CH (British 1903-1992) Donzy-le-Presigned 'John Piper' (lower right); numbered 7/100screenprint54 x 74cm

§ John Piper OM, CH (British 1903-1992) St Albans Cathedralsigned 'John Piper' (lower right); numbered 43/75screenprint54 x 62cm

§ Terry Frost RA (British 1915-2003) Swing Red Newlyn, 1997signed 'Terry Frost' (lower right); artist's proofscreenprint53.5 x 51cmProvenance:With Belgrave Gallery, St IvesNot examined out of the frame. The outer margins are obscured by the mount so are not available for inspection. There are some small flies trapped beneath the glass, but all are contained within the mount and are not on the print itself. The sheet is largely in plane, though there is some very slight gapping between a section of around 5cm along the lower edge of the sheet and the mount. Colours are very bright and strong. Would perhaps benefit from remounting, but overall in good, clean condition.