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Click here to subscribeδ Bambi (b.1982)Big Girls Need Big Diamonds (Liz Taylor Blue)Screenprint in colours, 2012, signed in pencil, inscribed 'A/P', an artist's proof aside from the edition of 50, on watermarked Somerset wove paper, published by Hyde Images Ltd, London, the full sheet, 615 x 515mm (24 1/4 x 20 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Bambi (b.1982)Too Hot For my Burka (Yellow)Screenprint in colours, 2014, signed in pencil, numbered from the edition of 75, on watermarked Somerset wove paper, published by Hyde Images Ltd, London, with their blindstamp, with the accompanying certificate of authenticity issued by the publisher, the full sheet, sheet 730 x 530mm (28 3/4 x 20 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
NO RESERVE δ Bambi (b.1982)Make Tea Not WarScreenprint in colours, 2013, signed and inscribed 'T/P' in pencil, a trial proof aside from the edition of 50, on watermarked Somerset wove paper, published by Hyde Image Ltd, London, with their blindstamp, with the accompanying certificate of authenticity issued by the publisher, the full sheet, 747 x 540mm (29 3/8 x 21 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Jamie Hewlett (b.1968)Stained Glass Small Window RightScreenprint with lithograph printed in colours, 2005, numbered from the edition of 500 in white pencil, printed and published by Pictures on Walls, London, with their blindstamp, on heavy rag card, the full sheet, sheet 710 x 288mm (28 x 11 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
NO RESERVE δ Pure Evil (b.1968)The KennedysScreenprint in colours, 2018, signed in pencil, numbered from the edition of 100, published by Flat Blak Gallery, Ketcham, on wove paper, the full sheet printed to near the edges, sheet 540 x 457mm (21 1/4 x 18in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Martin Whatson (b.1984)The Stag (XL Burgundy)Hand-finished screenprint in colours, 2021, signed and dated in pencil, numbered from the edition of 15, printed and published by GraffitiPrints, Newcastle, with their blindstamp and with the accompanying certificate of authenticity, on wove paper, with full margins, sheet 900 x 900mm (35 1/2 x 35 1/2in)
δ Peter Blake (b.1932)Christmas MenuGiclée with screenprint in colours, 1989, signed in pencil, numbered from the edition of 400, printed by Coriander Studio, Isleworth, published by the Dorchester Hotel, London, an original artwork commissioned for the front page of the Dorchester Hotel's Christmas and New Year menus, on wove paper with full margins, sheet 298 x 209mm (11 3/4 x 8 1/4in)Together with:Kevin HendleyUntitledGiclée in colours, 1994, signed in pencil, numbered from the edition of 750, published by the Dorchester Hotel, London, a reproduction of one of two paintings specially commissioned by the Dorchester Hotel for the 1994/95 Christmas Season, on wove paper, with full margins, sheet 283 x 215mm (11 1/8 x 8 1/2in)Provenance:Acquired by the present owner who worked at the Dorchester Hotel at the time the artwork was publishedδ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Sir Peter Blake (b.1932)Babe RainbowScreenprint in colours on metal, 1968, from the edition of 10,000, printed and published by Dodo Designs, London, the full sheet printed to the edges, sheet 660 x 445mm (26 x 17 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)Remember That You Cannot Look At the Sun or Death for Very LongLithograph printed in colours with screenprint in yellow, 2021, numbered from the edition of 3000 on an adhesive label verso, printed and published by Circa, London, with the accompanying Certificate of Authenticity, on smooth wove paper, with full margins, sheet 894 x 254mm (35 1/4 x 10in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Victor Vasarely (1906-1997)L'Échiquier ('The Chess Board')Screenprint, 1935, signed in pencil, numbered from the edition of 30, on Japan nacré, with full margins, sheet 455 x 400mm (17 7/8 x 15 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Various mixed collectibles to include a set of three graduated modern glass dishes, with art screenprint by Eloise Renouf, the largest 34.5 x 24.5cm, the smallest 25 x 15cm, a cast aluminium sports car, length 30.5cm, a pair of brass candlesticks, a set of modern Russian dolls and four vintage fishing reels comprising three wooden examples and a Bakelite example, also a vintage Louis Shabner print titled 'Melanie', unsigned, 45 x 39cm, framed and glazed (12).
WALTER ASKIN (AMERICAN, 1929-2021) (5)Offenbach and Rose; Rainbow Score; Wagnerian Rock a set of three, each signed 'Askin', titled and variously numbered (lower margin) screenprints each 81.5 x 56cm together with Holland Park, London, two copies of a screenprint (artist's proofs) by Roland Pichet (5, all unframed)
GERD WINNER (GERMAN, B. 1936) (5)Slow, six sketches on one sheet signed and dedicated 'Winner, Fur Rose and Christopher Prater' (lower margin) pencil and coloured chalks overall size 42 x 55cm together with: Making a Print, a poster; Blueprints, a screenprint; two copies of New Crane Wharf, a screenprint, all by the same hand (5, all unframed) ARR
Andy Warhol, American 1928-1987, Flash - November 22, 1963, 1968; screenprint in colours on thick paper, from the unnumbered edition of 200, printed by Aetna silksreen products Inc, New York and printed by Racolin Press Inc, New York, sheet: 53.3 x 53.3 cm, (framed)Note: Feldman and Schellmann, II.32-42
Andy Warhol, American 1928-1987, Kiku,1983 (F and S. II.307); screenprint in colours on Rives BFK wove, signed in pencil and numbered 45/300, with the Andy Warhol 1983 stamp on the reverse (there is a copy of this pasted on the back of the frame), printed by Rupert Jasen Smith, New York; Ryoichi Isida, Tokyo, Japan, published by Gendai Hanga Center, Tokyo, Japan, sheet: 50 x 66 cm, (framed)Note: Kiku is based on the insignia of the Royal House of Japan, the chrysanthemum.Literature: Feldman and Schellmann, a catalogue raisonne, p.134.
Josef Albers, German/American 1888-1976, Homage to the Square (Orange); Homage to the Square (Yellow); Homage to the Square (Brown); offset screenprint in colours on wove, from an unknown edition, published by the Guggenheim Museum, Artists Rights Society (ARA), New York/ADAGP, Paris, 1979, each image: 26.5 x 26.3 cm, (framed)Note: together with the book 'Josef Albers: Small Paintings', 2004, printed by PJ Print, London, and published by Waddington Galleries; and a Sidney Janis Gallery 'Albers' exhibition catalogue.
Robert Rauschenberg, American 1925-2008,Why You Can't Tell #1, 1979;screenprint in colours on wove, signed, dated and numbered 89/100 in pencil, published by Multiples, Inc., with the blind stamp of the printer Styria Studios, New York, sheet: 77.8 x 59 cm, (framed) Provenance: with two Martin Lawrence Gallery labels to the reverse.
James Rosenquist, American 1933-2017,Circles of Confusion, 1965;screenprint in colours on Beckett paper, signed and numbered 164/200 in pencil, printed by Knickerbocker Machine and Foundry, Inc., New York, published by Original Editions, New York, from the portfolio 11 Pop Artists, Volume I, sheet: 60.8 × 50.6 cm,(unframed)
Richard Lin, British 1933-2011, Spring, from The Four Seasons Portfolio, 1966; screenprint in colours on T H Saunders wove, signed, dated, titled and numbered 59/70 in pencil, sheet: 68.7 x 91.2 cm, (unframed) (ARR)Note: see Tate Britain, accession no. P04575, for another impression.Provenance: The Thomas Collection.
Richard Lin, British 1933-2011, Spring, from The Four Seasons Portfolio, 1966; screenprint in colours on T H Saunders wove, signed, dated, titled and numbered 70/70 in pencil, sheet: 68.7 x 91.2 cm, (unframed) (ARR)Provenance: The Thomas Collection.Note: see Tate Britain, accession no. P04575, for another impression.Note: Taiwan-born Richard Lin graduated with a degree in architecture from Regent St Polytechnic in 1958 and subsequently continued to work in the UK under the name Lin Show Yu. Lins work presents deceivingly simple and minimalist compositions, which take inspiration from traditional Chinese and Taiwanese paintings, as well as modern abstraction including the work of Ben Nicholson.
Sir Howard Hodgkin CH CBE, British 1932-2017, The Road to Rio, 2016; screenprint in colours with matt varnish on 300gsm St. Cuthbert's Mill Somerset White Satin wove, initialled, dated and numbered 87/350 in pencil, printed King & McGaw, Newhaven, published by Counter Editions, Margate, sheet: 76 x 59.7 cm,(unframed) (ARR)
Patrick Caulfield CBE RA,British 1936-2005,Wall Lamp [Cristea 86], 1994;screenprint in colours on Waterford wove,signed and numbered 47/50 in pencil, from Six Artists: The 1994 Royal College of Art Portfolio of Prints,printed at The Royal College of Art, London,sheet: 56 x 76 cm,(unframed)(ARR)
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