We found 12816 price guide item(s) matching your search

JOHN LOKER (b.1938) A large framed and glazed limited edition screenprint titled 'Dangerous Games II'. Signed in pencil and dated 1998 and No.65/100. Image size 48cm x 66cm

Victor Vasarely (Hungarian-French, 1906-1997), 'Gordium', from NB Cinetique, c.1951, screenprint, signed in pencil and numbered 13/250, with blind stamp, 70x57cmProvenance: bears label to verso for the Gillian Jason gallery, London W1

BANKSY (BORN 1974) - 'Toxic Mary', screenprint in colours on wove paper, numbered edition of 600, published by Pictures on Walls, London, 2003-2004, bears blindstamp, image 66cm x 43.5cm, sheet 70cm x 50cm, frame size 89cm x 66cm, sold with Office of Pest Control Certificate of Authenticity issued 14/11/2020.

Larry Smart (1945-2005) - A Jimi Hendrix Fire Poster, 1967, screenprint on paper, framed, 120cm x 91cm, frame size, 132cm x 100cm.

Jamie Reid (British, born 1947): God Save The Queen,1990sscreenprint, blue and green variant, designed by Jamie Reid, unsigned, framed and glazed, 29in x 40in (74cm x 101.5cm)Footnotes:Provenance:The Craig Duffy CollectionThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Jamie Reid (British, born 1947): God Save The Queencirca 2005,screenprint on paper, signed, titled and numbered 26/100 in pencil by the artist to the lower border, framed and glazed, approx 14in x 18 1/2in (35.5cm x 46.5cm)Footnotes:Provenance:The Craig Duffy CollectionThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Jamie Reid (British, born 1947): God Save Us All (The Cambridge Rapist),circa 2003,screenprint on paper, signed, titled and numbered 22/50 in pencil by the artist, framed and glazed, 22 1/2in x 30in (57cm x 76cm)Footnotes:Provenance:The Craig Duffy CollectionThese are from a series of images Reid designed as props for the Sex Pistols mock documentary 'The Great Rock 'n' Roll Swindle', released in 1980. Designed for a scene featuring McLaren dancing in Highgate Cemetery, Reid has insisted that the concept was 'hugely humanitarian', the point being that there is some good in everyone.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Jamie Reid (British, born 1947): God Save Us All (Captain Swing),circa 2003,screenprint on paper, signed, titled and numbered 22/50 in pencil by the artist, framed and glazed, 22 1/2in x 30in (57cm x 76cm)Footnotes:Provenance:The Craig Duffy Collection.These are from a series of images Reid designed as props for the Sex Pistols mock documentary 'The Great Rock 'n' Roll Swindle', released in 1980. Designed for a scene featuring McLaren dancing in Highgate Cemetery, Reid has insisted that the concept was 'hugely humanitarian', the point being that there is some good in everyone.For further information on this lot please visit Bonhams.com

Jamie Reid (British, born 1947): God Save Us All (Jack The Ripper),circa 2003,screenprint on paper, signed, titled and numbered 22/50 in pencil by the artist, framed and glazed, 22 1/2in x 30in (57cm x 76cm)Footnotes:Provenance:The Craig Duffy CollectionThese are from a series of images Reid designed as props for the Sex Pistols mock documentary 'The Great Rock 'n' Roll Swindle', released in 1980. Designed for a scene featuring McLaren dancing in Highgate Cemetery, Reid has insisted that the concept was 'hugely humanitarian', the point being that there is some good in everyone.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Jamie Reid (British, born 1947): God Save Us All (Ronnie Biggs),circa 2003,screenprint on paper, signed, titled and numbered 22/50 in pencil by the artist, framed and glazed, 22 1/2in x 30in (57cm x 76cm)Footnotes:Provenance:The Craig Duffy Collection.These are from a series of images Reid designed as props for the Sex Pistols mock documentary 'The Great Rock 'n' Roll Swindle', released in 1980. Designed for a scene featuring McLaren dancing in Highgate Cemetery, Reid has insisted that the concept was 'hugely humanitarian', the point being that there is some good in everyone.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Jamie Reid (British, born 1947): God Save Us All (Dick Turpin),circa 2003,screenprint on paper, signed, titled and numbered 22/50 in pencil by the artist, framed and glazed, 22 1/2in x 30in (57cm x 76cm)Footnotes:Provenance:The Craig Duffy CollectionThese are from a series of images Reid designed as props for the Sex Pistols mock documentary 'The Great Rock 'n' Roll Swindle', released in 1980. Designed for a scene featuring McLaren dancing in Highgate Cemetery, Reid has insisted that the concept was 'hugely humanitarian', the point being that there is some good in everyone.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Jamie Reid (British, born 1947): God Save Us All (Myra Hindley),circa 2003,screenprint on paper, signed, titled and numbered 22/50 in pencil by the artist, framed and glazed, 22 1/2in x 30in (57cm x 76cm)Footnotes:Provenance:The Craig Duffy CollectionThese are from a series of images Reid designed as props for the Sex Pistols mock documentary 'The Great Rock 'n' Roll Swindle', released in 1980. Designed for a scene featuring McLaren dancing in Highgate Cemetery, Reid has insisted that the concept was 'hugely humanitarian', the point being that there is some good in everyone.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Banksy (British, b. 1975)'Four Soup Cans' (Gold and Cream), screenprint in colours on wove, signed and numbered from the edition of 54, numbered 39, accompanied by original receipt and invoice, approximately 70.25cm x 50.5cm Condition:In very good rolled condition having never been framed, within original Lazarides Gallery labelled tube. Ink visible from screen printing process dotted across work. From the collection of Rob Deacon (1965-2007). Rob Deacon was a Music Producer and collector of contemporary art. Acquired from Lazarides Gallery - October 2006.

William Kentridge (born 1955)Studio Portrait, 2004 signed and inscribed 'AP V/X' in red crayon screenprint in colours100 x 70cm (39 3/8 x 27 9/16in).published by Kunstsammlung Nordrhein-Westfalen, GermanyFootnotes:ProvenanceAnnandale Galleries, Sydney (with their label affixed verso);Acquired from the above by the current owner; A private collection.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

William Kentridge (born 1955)Against Argument (But Not This One), from Rubrics, 2012 signed and numbered 3/16 in pencilscreenprint in colours on book pages37.2 x 50.5cm (14 5/8 x 19 7/8in).unframedprinted by Artist Proof Studio, Johannesburg, published by Goodman Gallery, Cape TownFootnotes:LiteratureWilliam Kentridge, No It Is!, (Köln: Verlag der Buchhandlung Walther König, 2016), p.281Lilian Tone, Kate McCrickard and William Kentridge, William Kentridge: Fortuna, (London: Thames and Hudson, 2013), pp. 44-47This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

William Kentridge (born 1955)The Pleasures of Self Deception from Rubrics, 2012 signed and numbered 3/16 in pencilscreenprint in colours on book pages37.5 x 46.5cm (14 3/4 x 18 5/16in).unframedprinted by Artist Proof Studio, Johannesburg, published by Goodman Gallery, Cape TownFootnotes:LiteratureWilliam Kentridge, No It Is!, (Köln: Verlag der Buchhandlung Walther König, 2016), p.283Lilian Tone, Kate McCrickard and William Kentridge, William Kentridge: Fortuna, (London: Thames and Hudson, 2013), pp. 44-47 and pp.274-5This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Heath Kane Rich Enough To Be Batman - Queen 57, 2022 Acrylic and Screenprint on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Heath Kane is an Australian artist, based in the UK. Heath is synonymous with creating bold, striking, often lurid art. He embeds subtle, subversive themes that encourage a political or social conversation. Heath's approach to art has always been driven by the practice of design thinking: combining his experience in commercial art with the origins of pop-art. Heath focuses on creating simple, iconic and memorable pieces that have a strong narrative. Heath has collaborated with Wired Magazine and Saatchi Art, and has partnered with Penguin Books to create the last published covers of George Orwell's most famous books. Heath exhibits his work in solo shows all around the globe, and his originals and prints frequently appear in leading galleries worldwide.   Select Exhibitions/Awards   Statement about AOAP Submitted Artwork   Rich Enough to be Batman? This is the question that inspired Rich Enough to be Batman - the international best-selling collection. The print, depicting the Queen wearing a Batman mask provokes a pressing question about wealth and social contribution, through the idea that with enough money anyone can be a superhero. The idea for the collection originated from The Sunday Times Rich List. Is it necessary to parade wealth around like a badge of honour? Or really, does it just amplify how little most of society have. The conversation about wealth and social contribution is more relevant now than ever. We're emerging from a global pandemic where the rich have got richer and poverty seems to be at an all-time high. In a world where wealth has become concentrated into the hands of the ultra-elite, the question remains: how rich do you need to be before you become Batman? Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Heath Kane Rich Enough To Be Batman - Queen 57 Stripes, 2022 Acrylic and Screenprint on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Heath Kane is an Australian artist, based in the UK. Heath is synonymous with creating bold, striking, often lurid art. He embeds subtle, subversive themes that encourage a political or social conversation. Heath's approach to art has always been driven by the practice of design thinking: combining his experience in commercial art with the origins of pop-art. Heath focuses on creating simple, iconic and memorable pieces that have a strong narrative. Heath has collaborated with Wired Magazine and Saatchi Art, and has partnered with Penguin Books to create the last published covers of George Orwell's most famous books. Heath exhibits his work in solo shows all around the globe, and his originals and prints frequently appear in leading galleries worldwide.   Select Exhibitions/Awards   Statement about AOAP Submitted Artwork   Rich Enough to be Batman? This is the question that inspired Rich Enough to be Batman - the international best-selling collection. The print, depicting the Queen wearing a Batman mask provokes a pressing question about wealth and social contribution, through the idea that with enough money anyone can be a superhero. The idea for the collection originated from The Sunday Times Rich List. Is it necessary to parade wealth around like a badge of honour? Or really, does it just amplify how little most of society have. The conversation about wealth and social contribution is more relevant now than ever. We're emerging from a global pandemic where the rich have got richer and poverty seems to be at an all-time high. In a world where wealth has become concentrated into the hands of the ultra-elite, the question remains: how rich do you need to be before you become Batman? Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Heath Kane Rich Enough To Be Batman - Queen 68 Acrylic and Screenprint on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Heath Kane is an Australian artist, based in the UK. Heath is synonymous with creating bold, striking, often lurid art. He embeds subtle, subversive themes that encourage a political or social conversation. Heath's approach to art has always been driven by the practice of design thinking: combining his experience in commercial art with the origins of pop-art. Heath focuses on creating simple, iconic and memorable pieces that have a strong narrative. Heath has collaborated with Wired Magazine and Saatchi Art, and has partnered with Penguin Books to create the last published covers of George Orwell's most famous books. Heath exhibits his work in solo shows all around the globe, and his originals and prints frequently appear in leading galleries worldwide.   Select Exhibitions/Awards   Statement about AOAP Submitted Artwork   Rich Enough to be Batman? This is the question that inspired Rich Enough to be Batman - the international best-selling collection. The print, depicting the Queen wearing a Batman mask provokes a pressing question about wealth and social contribution, through the idea that with enough money anyone can be a superhero. The idea for the collection originated from The Sunday Times Rich List. Is it necessary to parade wealth around like a badge of honour? Or really, does it just amplify how little most of society have. The conversation about wealth and social contribution is more relevant now than ever. We're emerging from a global pandemic where the rich have got richer and poverty seems to be at an all-time high. In a world where wealth has become concentrated into the hands of the ultra-elite, the question remains: how rich do you need to be before you become Batman? Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Heath Kane Rich Enough To Be Batman - Queen 68 Stripes, 2022 Acrylic and Screenprint on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Heath Kane is an Australian artist, based in the UK. Heath is synonymous with creating bold, striking, often lurid art. He embeds subtle, subversive themes that encourage a political or social conversation. Heath's approach to art has always been driven by the practice of design thinking: combining his experience in commercial art with the origins of pop-art. Heath focuses on creating simple, iconic and memorable pieces that have a strong narrative. Heath has collaborated with Wired Magazine and Saatchi Art, and has partnered with Penguin Books to create the last published covers of George Orwell's most famous books. Heath exhibits his work in solo shows all around the globe, and his originals and prints frequently appear in leading galleries worldwide.   Select Exhibitions/Awards   Statement about AOAP Submitted Artwork   Rich Enough to be Batman? This is the question that inspired Rich Enough to be Batman - the international best-selling collection. The print, depicting the Queen wearing a Batman mask provokes a pressing question about wealth and social contribution, through the idea that with enough money anyone can be a superhero. The idea for the collection originated from The Sunday Times Rich List. Is it necessary to parade wealth around like a badge of honour? Or really, does it just amplify how little most of society have. The conversation about wealth and social contribution is more relevant now than ever. We're emerging from a global pandemic where the rich have got richer and poverty seems to be at an all-time high. In a world where wealth has become concentrated into the hands of the ultra-elite, the question remains: how rich do you need to be before you become Batman? Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Paula Boyd-Barrett Oak Foliage, 2022 Screenprint on Paper (Artist's Proof) Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Paula studied Fine Art at WSCAD, Farnham. She's inspired by the natural world and her aim is to capture the quirky characteristics of the animals she's observed at first hand. She uses screenprint techniques to make her prints. Recently her work has been exhibited at the Royal Academy Summer Exhibition, Wildlife Artist of the Year and The Royal Birmingham Society of Artists. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Paula Boyd-Barrett Damsel at Rest, 2022 Screenprint with Hand Painting on Paper (Artist's Proof) Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Paula studied Fine Art at WSCAD, Farnham. She's inspired by the natural world and her aim is to capture the quirky characteristics of the animals she's observed at first hand. She uses screenprint techniques to make her prints. Recently her work has been exhibited at the Royal Academy Summer Exhibition, Wildlife Artist of the Year and The Royal Birmingham Society of Artists. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Nathalie Kingdon Untitled, 2022 Hand Pulled Original Screenprint Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Nathalie Kingdon is a French-born, London-based artist who specialises in original screen printed Art and has been working from her own bespoke studio at Wimbledon Art Studios for four years. She works from images collated from various sources of inspiration, with a propensity for the South of France, where she comes from. Nathalie transforms and enhances imagery with an acute sense of colour, exploring the juxtaposition between shape and form and reconsidering proportion and perspective. She is most interested in reimagining the narratives of images through the medium of her prints; narratives that organically evolve through her instinctive and playful approach. She has most recently been experimenting with digitally manipulated and printed images, which complements her traditional methods of screen printing. Education   Master in French literature -Universite Aix-Marseille France-   Select Exhibitions/Awards   The London Art Sale - Downstairs at The department Store Brixton 29th September 2022- Royal Academy Summer Exhibition 2022 The Other Art Fair London July 2022 The Affordable Art Fair March 2022   Gallery Representation   Enter Gallery - Brighton and Hove The Electric Gallery - London Molasses House Gallery- Harpenden Rise Art Saatchi Art Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Nathalie Kingdon Little Cactus By Night, 2022 Hand Pulled Original Screenprint Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Nathalie Kingdon is a French-born, London-based artist who specialises in original screen printed Art and has been working from her own bespoke studio at Wimbledon Art Studios for four years. She works from images collated from various sources of inspiration, with a propensity for the South of France, where she comes from. Nathalie transforms and enhances imagery with an acute sense of colour, exploring the juxtaposition between shape and form and reconsidering proportion and perspective. She is most interested in reimagining the narratives of images through the medium of her prints; narratives that organically evolve through her instinctive and playful approach. She has most recently been experimenting with digitally manipulated and printed images, which complements her traditional methods of screen printing. Education   Master in French literature -Universite Aix-Marseille France-   Select Exhibitions/Awards   The London Art Sale - Downstairs at The department Store Brixton 29th September 2022- Royal Academy Summer Exhibition 2022 The Other Art Fair London July 2022 The Affordable Art Fair March 2022   Gallery Representation   Enter Gallery - Brighton and Hove The Electric Gallery - London Molasses House Gallery- Harpenden Rise Art Saatchi Art Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Veronica Charlesworth (British 1952-): 'Precipice', screenprint signed and titled in pencil, limited edition of 200, 42cm x 60cm

French School (20th century): Parisian Square, screenprint indistinctly signed and dated '79, 54cm x 63cm

Victor Vasarely (Hungarian-French 1906-1997), two prints, to include Zebra, screenprint, 48.5 x 48.5cm; and a group of four reproduction prints framed as one

Tess Jaray RA (1937-) Untitledsigned and dated 'Tess Jaray 69' (lower right); artist's proofscreenprint, unframed62.5 x 66cm

Tess Jaray RA (1937-) Untitledsigned and dated 'Tess Jaray 69' (lower right); numbered 32/75screenprint, unframed69 x 69cm

Tim Armstrong (British, b. 1945), 'Hatchli Three', screenprint in colours, 1981, ed. 8/12, framed and glazed, image size 55 x 40cm, with another screenprint in colours by the same artist, 'Hatchli Diagonal', ed. 2/12, signed in pencil to margin, 55 x 40cm. (2)

Tim Armstrong (British, b. 1945), 'Medallions with Stripes', 1980, screenprint in colours, signed in pencil to margin, 55 x 40cm, framed and glazed, with second screenprint by the same artist, 90 x 61cm. (2)

Jaacov Agam (Israeli, 1928-), abstract work, multi-coloured geometric shapes on a blue ground, signed in pencil lower right and numbered lower left '197/200', Gallery 17, Shrewsbury label verso, 'Solfege fusion', screenprint, 56 x 57cm (I)This lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.orgOk.

Gordon House (British, 1932-2005), abstract work, titled and numbered and signed in pencil in the margin, 'Orange Matrices', '28/75' and dated ''69', 'The British Council Fine Arts Department label' verso with artist's details, title and exhibition details '8th International Exhibition of Graphic Art Ljubljana, 1969', screenprint, 50.5 x 50.8cm (Image)This lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.orgThe Mike Hope collection.An example of this print can be found in The Tate.One or two marks on the margin.

δ Banksy (b.1974)No Ball Games (Grey) (Signed)Screenprint in colours, 2009, signed and numbered from the edition of 250 in pencil, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, with full margins, sheet 668 x 695mm (26 3/8 x 27 3/8in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)Bomb Middle EnglandScreenprint in colours, 2003, numbered from the edition of 500 in pencil, printed and published by Pictures on Walls, London, the full sheet, sheet 345 x 985mm (13 5/8 x 38 3/4in) This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)Toxic Mary (Signed)Screenprint in colours, 2004, signed and dated in pencil, numbered from the edition of 150, printed and published by Pictures on Walls, London, on wove paper, with full margins, sheet 697 x 498mm (27 3/8 x 19 5/8in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b. 1974)Banksquiat (Black) (Signed)Screenprint in colours, 2019, signed in white crayon, numbered from the edition of 300, co-published by the artist and Gross Domestic Product, with the artist's blindstamp, on black card, the full sheet, sheet 750 x 700mm (29 1/2 x 27 1/2in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)CND Soldiers Screenprint in red and black, 2005, numbered from the edition of 350, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, the full sheet, sheet 698 x 498mm (27 1/2 x 19 5/8in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ** Banksy (b. 1974)Barcode Screenprint, 2004, numbered from the edition of 600, with the red Banksy tag as issued, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, the full sheet, sheet 497 x 700mm (19 1/2 x 27 1/2in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

PETER BLAKE (B.1932)FAG PACKETS (VISA)Screenprint, 100.5 x 76cm64/95Signed

PETER BLAKE (B.1932)FAG PACKETS (CAPSTAN)Screenprint, 89 x 59cm41/95Signed

PETER BLAKE (B.1932)FAG PACKETS (FIFTH AVENUE)Screenprint, 100.5 x 76cm95/95Signed 

*GRAHAM OVENDEN (B. 1943) 'JANE DOLL' signed, dated '71 and numbered 18/70 in pencil to the margin, screenprint, the image 61.25cm x 46.25cm. Provenance: The Collection of Bournemouth & Poole College.

PETER BLAKE, 'Unusual People', screenprint, 105cm x 78cm, signed, titled and numbered in pencil, framed. (Subject to ARR - see Buyers Conditions)

AFTER ROBERT LENKIEWICZ (1941-2002),DAEMON SERIES PROJECT 18,screenprint, signed and inscribed with title, numbered 58/375,framed and under glass,image size 87cm x 56cm, overall size 114cm x 83Overall in good condition. Some small chips to the frame on the bottom right corner as well as some on the bottom left hand corner. Also some scratching to lower right hand side of the frame. Updated condition report photos.

SORA MITSUAKI (BORN 1933), FUNAI YUTAKA (1932-2010), TANIGUCHI SHIGERU (BORN 1948), AND OTHERSShowa era (1926-1989), dated between 1969-1977Seven modern prints of various sizes and techniques by different artists: two vertical woodblock prints by Sora Mitsuaki, one titled Fugetsu (Beauties of Nature), edition no.63/100, dated '69-11, the other titled Mukashi-banashi (Folktales), edition number 24/80, dated '71-10, both signed SORA; three vertical square-shaped screenprints by Fuani Yutaka, consisting of one titled RONDO II-B, edition number 18/35, dated '71, one of CANON III, edition no.13/30, dated '73, one titled TOPOLOGY XI-D, edition number 5/30, dated '74, all signed Funai; one vertical screenprint titled Blue in Red, edition number 26/100, signed Kawaguchi; one horizontal screenprint by Taniguchi Shigeru, titled KABE (Wall), edition number 6/28, dated '77, signed S. Taniguchi. The smallest: 46.2cm x 31.5cm (18 3/16in x 12 3/8in); the largest: 75.5cm x 55.5cm (29 11/16in x 21 7/8in). (7).Lot to be sold without reserve.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

ONOGI GAKU (1924-1976)Showa era (1926-1989), circa 1970sA large vertical screenprint titled landscape - N.E.N in English and Fukei in Japanese, with edition number 2/5, undated, signed in Roman script G. Onogi in pencil. 63.5cm x 49.5cm (25in x 19½in).Footnotes:For a similar work in the collection of the British Museum, see britishmuseum.org/collection/object/A_1984-1022-0-1This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Alistair GRANT (1925-1997) Fête Champêtre Screenprint SignedEd. 16/ 10056 x 77cm

POLLYANNA PICKERING (BRITISH)  SIAMESE CAT  Acrylic on paper (unframed), signed lower right, 56 x 38cm  Together with another contemporary screenprint of Cats and Houseplant, signed and numbered (2) Condition Report:Available upon request

Jim Starr - 'Bikini Bond Ranger', 21st century screenprint on paper, signed, titled, dated 2006 and editioned 12/25 in ink, 62cm x 85.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Jim Starr - 'Marilyn', 21st century screenprint on paper, signed, titled, dated 2008 and editioned 1/10 in pencil, 74.5cm x 56cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Feliks Topolski - 'The 200th Derby Stakes', 20th century screenprint in colours, signed and editioned 27/250 in pencil, sheet size 105cm x 155cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

T.WAT - 'Disfunktional Mickey', screenprint in colours on Somerset wove paper, signed, dated '12, editioned 'A/P' in pencil and with blindstamp, sheet size 75.5cm x 56cm, within an ebonized frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Jim Starr - 'Samurai', 21st century screenprint on paper, signed, titled and editioned 5/10 in pencil, 60cm x 44cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Michelle Barker - 'Is This It?', screenprint on wove paper, signed with initials, dated 2007 and editioned 5/6 in pencil recto, artist's label verso, sheet size 84m x 34cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Jim Starr - Audrey Hepburn, 21st century screenprint on wove paper, signed and dated 2006 in ink, 90cm x 69.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

T.WAT - Evolution My Arse, 21st century screenprint on wove paper, signed, dated '11, and editioned 8/10 in pencil, sheet size 75.5cm x 56cm, within an ebonized frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Jim Starr - Venice Princess, 21st century screenprint on paper, signed, dated '09 and editioned 35/50 in ink, 31.5cm x 44cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Goldie - 'Apocalypse Angel', screenprint in colours, signed and editioned 69/75 in liquid chalk, 68.5cm x 48.5cm, within an ebonized frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Pure Evil - 'Mr Osbaldistone as the Brigand Chief, Live East Die Young', screenprint on Somerset wove paper, signed and editioned 34/100 in pencil, circa 2010, 72.5cm x 55.5cm, within an ebonized frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.