We found 12816 price guide item(s) matching your search

Roy Lichtenstein (1923-1997)Sweet Dreams Baby! (Corlett 39)Screenprint in colours, 1965, signed and numbered from the edition of 200 in pencil, as included in the portfolio 11 Pop Artists Volume III, printed by Knickerbocker Machine and Foundry, Inc, New York, published by Original Editions, New York, on wove paper, with full margins, sheet 956 x 701mm (37 5/8 x 27 5/8in) (framed)

Fred Sandback (1943-2003)Untitled (Jahn 2, Sandback Archive 1972.01)Screenprint in yellow, 1972, signed and dated in pencil, numbered from the edition of 180, published by Verein progressiver deutscher Kunsthändler e.V., Cologne, on wove paper, with full margins, sheet 451 x 648mm, (17 ¾ x 25 ½ in) (unframed)

Joel Shapiro (b.1941)GoScreenprint in colours, 2012, signed, dated and numbered from the edition of 150 in pencil, as included in the portfolio, Artists For Obama, published by Gemini, G.E.L, with full margins, sheet 326 x 355mm (12 3/4 x 14in) (unframed)

** Donald Sultan (b.1951)Yellow Mimosa, July 23Screenprint in colours with rayon flocking, 2015, signed, titled and dated in pencil, numbered from the edition of 50, published by Lococo Fine Art, St. Louis, on Museum Board, the full sheet printed to the edges, sheet 813 x 1143mm, (32 x 45 in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

** Donald Sultan (b.1951)Ten Greens, March 20Screenprint in colours, 2006, signed and inscribed PP in pencil, one of ten printer's proofs aside from the edition of 25, published by Cascadia Publishing, British Columbia, on Museum Board, the full sheet printed to the edges, sheet 1213 x 1524mm, (47 ¾ x 60 in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Andy Warhol (1928-1987)Cow 1971 (Feldman & Schellmann II.11A)Screenprint in colours, 1971, from the edition of unknown size, with the rubber stamps of the Andy Warhol Estate and the Andy Warhol Foundation for the Visual Arts and with the estate number in pencil verso, printed at Bill Miller's Wallpaper Studio Inc., published by Factory Additions, New York, on wallpaper, the full sheet printed to the edges, sheet 1160 x 750mm (45 5/8 x 29 ½ in) (unframed)

δ Patrick Caulfield (1936-2005)Terracotta Vase (Cristea 44)Screenprint in colours, 1975, signed, inscribed 'AP' and numbered from 'XII' in pencil, one of 13 Artists Proof's aside from the edition of 70, printed at Kelpra Studio, published by Waddington Graphics, London, on wove paper, the full sheet printed to the edges, sheet 773 x 1026mm (30 3/8 x 40 3/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Cleanliness is Next to Godliness (MCA Tokyo 39)Screenprint in colours, 1964, signed and inscribed for Chris and dated in pencil, an artist's proof aside from the edition of 40, printed by Christoper Prater at Kelpra Studios, published by the Institute of Contemporary Arts, London, on smooth wove paper, with wide, presumably full margins, the sheet printed to the edges, sheet 830 x 545mm (32 5/8 x 21 ½ in) (unframed)Provenance:Ex. Coll Christopher Prater, a gift from the artist. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Remember That You Cannot Look At the Sun or Death for Very LongLithograph printed in colours with screenprint in yellow, 2021, numbered from the edition of 3000 on an adhesive label verso, printed and published by Circa, London, on smooth wove paper, with full margins, sheet 894 x 254mm, (35 ¼ x 10in), (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Harland Miller (b.1964)This Is Where Its Fuckin AtUnique hand painted screenprint in acrylic and watercolour, 2014, signed in pencil, on wove paper, within the artist's designated frame, the full sheet, 1430 x 1100mm (56 3/8 x 43 3/8in) (framed)Provenance:Reflex Gallery, Amsterdam.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Julian Opie (b.1958)Woman taking off man's shirt (Cristea p.244)Screenprint in colours, 2003, from the edition of an unknown size, published by K21 Kunstammlung Nordrhein-Westfalen, Dusseldorf, on wove paper, with full margins, sheet 1000 x 600mm (39 3/8 x 23 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Bridget Riley (b.1931)Untitled (Fragment 2) (Schubert 5b)Screenprint on Plexiglas, 1965, scratch signed and dated, numbered from the edition of 75, printed at Kelpra Studio, published by Robert Fraser Gallery, London, the full sheet printed near to the edges, sheet 674 x 839mm (26 ½ x 33in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Bridget Riley (b.1931)Untitled (La Lune en Rodage- Carlo Belloli) (Schubert 6)Screenprint in black, 1965, signed, dated and numbered from the edition of 200 in pencil, on wove paper, printed by kelpra Studio, London, published by Editions Panderma, the full sheet 319 x 319mm (12 4/8 x 12 4/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Dieter Roth (1930-1998)At Home (Dobke 143)Unique screenprint in colours, 1970, signed and numbered from the edition of 120 unique variants in pencil, printed by Hartmut Kaminski, Düsseldorf, published by the artist and U. Breger Göttingen, on beige wove paper, the full sheet printed to the edges, sheet, 650 x 920mm (25 5/8 x 36 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

** Mr Brainwash (b.1966)Connecting Lennon (Blue)Screenprint with extensive additions in blue crayon, 2011, signed in pencil, with the artist's inked thumbprint and dated in blue crayon verso, numbered from the edition of 30, printed and published by the artist, on wove paper, with full margins, sheet 565 x 565mm (22 ¼ x 22 ¼ in) (unframed)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

δ Invader (b.1969)Sunset (Glow-in-the-Dark) (Zrinski 47.b)Screenprint in colours with phosphorescent ink and embossing, 2018, signed and dated in pencil, published by the artist for the exhibition Into the White Cube, Los Angeles, with his blindstamp, on wove paper, with full margins, sheet 415 x 415mm (16 3/8 x 16 3/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

KAWS (b.1974)URGEScreenprint in colours, 2020, signed and dated in pencil, numbered from the edition of 250, published by the artist, New York, on Saunders Waterford 425gm HP Hi-White wove paper, with full margins, sheet 432 x 325mm (17 x 12 ¾ in) (unframed)

KAWS (b.1974)URGEScreenprint in colours, 2020, signed and dated in pencil, numbered from the edition of 250, published by the artist, New York, on Saunders Waterford 425gm HP Hi-White wove paper, with full margins, sheet 432 x 325mm (17 x 12 ¾ in) (unframed)

John Piper (British 1903-1992), 'Manorbier Dyfed', limited edition coloured screenprint no 49/70, block printed with the artist's signature. 42 x 60cm approx. Framed and glazed. (B.P. 21% + VAT) Good original condition, some wear to frame only.

SALVADOR DALI 'Inferno Canto 1 - Partida Hacia el Gran Viaja', screenprint on silk, signed in the plate, 79cm x 84cm, framed and glazed. (Subject to ARR - see Buyers Conditions)

A 1970's framed and glazed screenprint depicting Tudor King & Queen. Unsigned 40cm x 64cm

ROY GRAYSON (b. 1936) "And That" 1960, screenprint, edition 15 of 20, signed in pencil 'Grayson 1960', image size 44cm x 51cm, framed and glazed. Grayson's work is in the Tate, the Government Art and Arts Council Collection, the British Council and The British Museum

BILL JACKLIN (1943): A 1970's artist's proof screenprint "First Light", signed Jacklin lower right, some foxing

A group of three prints to include, Ian Wilkinson, Oasis, signed, titled and numbered 1/5, lithograph, 65 x 53cm; Jacqueline Currell, Ark, signed, titled, dated and numbered 5/6, screenprint, 71 x 49cm; Michael Richardson, signed and numbered print, 14 x 31cm (3)

LEROY NEIMAN (AMERICAN 1921-2012) ST TROPEZ Screenprint, signed and dated '95 in print(the image 76cm x 53cm (30in x 21in))Footnote: Provenance: Centaur Sculpture Galleries

LEROY NEIMAN (AMERICAN b.1921-d.2012) HIGH SEAS SAILING Screenprint, signed in print(the image 66cm x 47cm (26in x 18.5in))Footnote: Provenance: Centaur Sculpture Galleries

δ Banksy (b.1974)Golf SaleScreenprint in black, 2004, stamped with the red Banksy tag, numbered from the edition of 750 in pencil, printed and published by Pictures on Walls, London, on wove paper, with full margins, sheet 345 x 495mm (13 5/8 x 19 1/2in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTIONδ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)No Ball Games (Grey) (Signed)Screenprint in colours, 2009, signed and numbered from the edition of 250 in pencil, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, with full margins, sheet 668 x 697mm (26 3/8 x 27 3/8in) This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTIONδ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)Donuts (Strawberry) (Signed)Screenprint in colours, 2009, signed and numbered from the edition of 299 in pink crayon, printed and published by Pictures on Walls, London, with their blindstamp, on Arches 88 wove paper, the full sheet, sheet 556 x 757mm (21 7/8 x 29 7/8in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)Applause (Signed)Screenprint in colours, 2006, signed and dated in pencil, numbered from the edition of 150, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, with full margins, sheet 807 x 1215mm (31 3/5 x 47 5/8in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)Pulp Fiction (Signed)Screenprint in black and yellow, 2004, signed and dated in white crayon, numbered from the edition of 150 in pencil, printed and published by Pictures on Walls, London, on wove paper, with full margins, sheet 486 x 694mm (19 1/8 x 27 3/8in)This work has been authenticated by Pest Control Office and a new Certificate of Authenticity is being issued.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTIONδ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974) Bomb Middle England Screenprint in colours, 2002, numbered from the edition of 500 in pencil, printed and published by Pictures on Walls, London, on wove paper, with full margins, sheet 347 x 988mm (13 5/8 x 37 7/8in) This work has been authenticated by Pest Control Office and a new Certificate of Authenticity is being issued. WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)Stop and Search (Signed)Screenprint in colours, 2007, signed in blue pencil, numbered from the edition of 500 in pencil, printed and published by Pictures on Walls, London, with their blindstamp, on Arches 88 wove paper, with full margins, the sheet 763 x 575mm (30 1/4in x 22 5/8in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)Toxic MaryScreenprint in colours, 2003, numbered from the edition of 600 in pencil, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, with full margins, sheet 700 x 499mm (27 1/2 x 19 5/8in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office. WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)Very Little Helps (Signed)Screenprint in colours, 2008, signed in blue crayon, numbered from the edition of 299 in pencil, printed and published by Pictures on Walls, London, on wove paper, with full margins, sheet 505 x 372mm (19 7/8 x 14 5/8in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)I Fought The Law (Colour AP) (Signed)The very rare screenprint in black and yellow, 2004, signed and numbered from the edition of 71 AP's in pencil, there were three other colourway combinations within this edition, an artist's proof aside from the standard signed edition of 150 with the text in orange, printed and published by Pictures on Walls, London, on wove paper, the full uncut sheet 1000 x 700mm (39 3/8 x 27 5/8in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTIONδ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)Trolleys (Colour) (Signed)Screenprint in colours, 2007, signed and numbered from the edition of 750 in pencil, printed and published by Pictures on Walls, London, with their blindstamp, on Arches 88 wove paper, with full margins, sheet 567 x 760mm (22 1/4 x 30in) This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)CND (Signed)Screenprint in red and black, 2005, signed and dated in pencil, numbered from the edition of 150, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, with full margins, sheet 700 x 500mm (27 ⅜ x 19 ⅝in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTIONδ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

** δ Banksy (b.1974)Weston Super Mare (Signed)Screenprint in colours, 2003, signed and numbered from the edition of 750 in pencil, there were 150 signed prints, printed and published by Pictures on Walls, London, on wove paper, with full margins, 349 x 998mm (13 3/4 x 39 1/4 in) This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTIONδ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

δ Banksy (b.1974)Girl with BalloonScreenprint in red and black, 2004, numbered from the edition of 600 and inscribed 'DN' in pencil, printed and published by Pictures on Walls, London, on wove paper, the full sheet, sheet 651 x 495mm (25 3/4 x 19 1/2in) This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)Radar Rat (hand sprayed)Screenprint in black, uniquely sprayed with red aerosol paint, 2004, numbered from the edition of 25 in pencil, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, the full sheet, sheet 360 x 360mm (14 1/8 x 14 1/8in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTIONδ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

* PAULE VÉZELAY (BRITISH 1892 - 1984), A GROUP OF FIVE FORMS screenprint on paper, signed, titled, dated 1970 and numbered 6/33 image size 36cm x 61cm, sheet size 56cm x 76cm Unframed.

Anna Francis Scafell Pike Detail, 2021 Screenprint Monoprint on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) I am a Bristol-based printmaker. I was born in Derbyshire and after completing a photography degree at Nottingham Trent University went on to study an MA in Interactive Multimedia at Bath Spa University where I began to explore the use of digital drawing. All contour lines in my work are hand drawn digitally before printing or being transferred to the screen printing frame. Although my work began by studying man-made forms within the landscape I am now primarily inspired by natural contours and the formation of land and water, using maps as a starting point of reference. My work is a celebration of nature's raw and delicate beauty. All of my screen prints are unique, one-off experimental pieces.   Exhibitions March 2021 - Online exhibition at The Old Lock Up Gallery, Cromford. November - December 2020 - Woolwich Contemporary Print Fair Online Edition. September 2020 - April 2021 - London Original Print Fair online exhibition, represented by Clemens Buntig Editionen, Germany. June - August 2020 - Group show at The Irving Gallery, Oxford. May - June 2020 - Online group show at The Old Lock Up Gallery, Derbyshire. April - May 2020 - Expanse exhibition at A2 Gallery Wells with Tara Vignoles, postponed until summer 2021. August 2019 - Group show at The Create Centre, Bristol. Dancing with Demons fundraising event. 2016 - 2018 - Work on display at Hidden Gallery, Clifton, Bristol. October 2015 - 'Places' group show at The Tobacco Factory, Bristol. October 2014 - Solo show at No.1 The Harbourside, Bristol. November 2013 - Solo show at The Goods Yard, Creative Common, Bristol.A2 Gallery Wells   About the Postcards These are all sections of unique screen print mono-prints. They are all studies of landscapes in the uk. They are all a celebration of nature's raw and delicate beauty.  

Anna Francis Scafell Pike Detail, 2021 Screenprint Monoprint on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) I am a Bristol-based printmaker. I was born in Derbyshire and after completing a photography degree at Nottingham Trent University went on to study an MA in Interactive Multimedia at Bath Spa University where I began to explore the use of digital drawing. All contour lines in my work are hand drawn digitally before printing or being transferred to the screen printing frame. Although my work began by studying man-made forms within the landscape I am now primarily inspired by natural contours and the formation of land and water, using maps as a starting point of reference. My work is a celebration of nature's raw and delicate beauty. All of my screen prints are unique, one-off experimental pieces.   Exhibitions March 2021 - Online exhibition at The Old Lock Up Gallery, Cromford. November - December 2020 - Woolwich Contemporary Print Fair Online Edition. September 2020 - April 2021 - London Original Print Fair online exhibition, represented by Clemens Buntig Editionen, Germany. June - August 2020 - Group show at The Irving Gallery, Oxford. May - June 2020 - Online group show at The Old Lock Up Gallery, Derbyshire. April - May 2020 - Expanse exhibition at A2 Gallery Wells with Tara Vignoles, postponed until summer 2021. August 2019 - Group show at The Create Centre, Bristol. Dancing with Demons fundraising event. 2016 - 2018 - Work on display at Hidden Gallery, Clifton, Bristol. October 2015 - 'Places' group show at The Tobacco Factory, Bristol. October 2014 - Solo show at No.1 The Harbourside, Bristol. November 2013 - Solo show at The Goods Yard, Creative Common, Bristol.A2 Gallery Wells   About the Postcards These are all sections of unique screen print mono-prints. They are all studies of landscapes in the uk. They are all a celebration of nature's raw and delicate beauty.  

Anna Francis Scafell Pike Detail, 2021 Screenprint Monoprint on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) I am a Bristol-based printmaker. I was born in Derbyshire and after completing a photography degree at Nottingham Trent University went on to study an MA in Interactive Multimedia at Bath Spa University where I began to explore the use of digital drawing. All contour lines in my work are hand drawn digitally before printing or being transferred to the screen printing frame. Although my work began by studying man-made forms within the landscape I am now primarily inspired by natural contours and the formation of land and water, using maps as a starting point of reference. My work is a celebration of nature's raw and delicate beauty. All of my screen prints are unique, one-off experimental pieces.   Exhibitions March 2021 - Online exhibition at The Old Lock Up Gallery, Cromford. November - December 2020 - Woolwich Contemporary Print Fair Online Edition. September 2020 - April 2021 - London Original Print Fair online exhibition, represented by Clemens Buntig Editionen, Germany. June - August 2020 - Group show at The Irving Gallery, Oxford. May - June 2020 - Online group show at The Old Lock Up Gallery, Derbyshire. April - May 2020 - Expanse exhibition at A2 Gallery Wells with Tara Vignoles, postponed until summer 2021. August 2019 - Group show at The Create Centre, Bristol. Dancing with Demons fundraising event. 2016 - 2018 - Work on display at Hidden Gallery, Clifton, Bristol. October 2015 - 'Places' group show at The Tobacco Factory, Bristol. October 2014 - Solo show at No.1 The Harbourside, Bristol. November 2013 - Solo show at The Goods Yard, Creative Common, Bristol.A2 Gallery Wells   About the Postcards These are all sections of unique screen print mono-prints. They are all studies of landscapes in the uk. They are all a celebration of nature's raw and delicate beauty.  

Anna Francis Scafell Pike Detail, 2021 Screenprint Monoprint on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) I am a Bristol-based printmaker. I was born in Derbyshire and after completing a photography degree at Nottingham Trent University went on to study an MA in Interactive Multimedia at Bath Spa University where I began to explore the use of digital drawing. All contour lines in my work are hand drawn digitally before printing or being transferred to the screen printing frame. Although my work began by studying man-made forms within the landscape I am now primarily inspired by natural contours and the formation of land and water, using maps as a starting point of reference. My work is a celebration of nature's raw and delicate beauty. All of my screen prints are unique, one-off experimental pieces.   Exhibitions March 2021 - Online exhibition at The Old Lock Up Gallery, Cromford. November - December 2020 - Woolwich Contemporary Print Fair Online Edition. September 2020 - April 2021 - London Original Print Fair online exhibition, represented by Clemens Buntig Editionen, Germany. June - August 2020 - Group show at The Irving Gallery, Oxford. May - June 2020 - Online group show at The Old Lock Up Gallery, Derbyshire. April - May 2020 - Expanse exhibition at A2 Gallery Wells with Tara Vignoles, postponed until summer 2021. August 2019 - Group show at The Create Centre, Bristol. Dancing with Demons fundraising event. 2016 - 2018 - Work on display at Hidden Gallery, Clifton, Bristol. October 2015 - 'Places' group show at The Tobacco Factory, Bristol. October 2014 - Solo show at No.1 The Harbourside, Bristol. November 2013 - Solo show at The Goods Yard, Creative Common, Bristol.A2 Gallery Wells   About the Postcards These are all sections of unique screen print mono-prints. They are all studies of landscapes in the uk. They are all a celebration of nature's raw and delicate beauty.

Jayson Lilley Waterloo Sunset 1/4, 2021 Screenprint on Card Signed on front and verso 10 x 15cm (3¾ x 5¾ in.) Jayson Lilley works at the forefront of printmaking practices, incorporating painting and collage techniques into his process making each print different from the next. With a passion for urban landscapes, his work is known for its architectural focus, zooming in on familiar landmarks and reproducing iconic structures from the metropolis. These dynamic scenes sit against backdrops of expansive skies, created using large areas of gold, copper or silver leaf. The texture and imperfections of this hand-applied leafing adds to the originality of each piece. In order to pick out the detail in a cityscape, Jayson works with hundreds of individual photographs and redraws each element to create a composite image. This not only presents a unique perspective on the landscape through the eyes of the artist, but also allows the viewer to see the individual details of every structure and building, a level of detail not achievable through a camera lens. "My infatuation comes by the shape that my chosen building or vista makes as it cuts its way into the sky - the negative space draws me in as much as the building itself." - Jayson Lilley  

Jayson Lilley Waterloo Sunset 2/4, 2021 Screenprint on Card Signed on front and verso 10 x 15cm (3¾ x 5¾ in.) Jayson Lilley works at the forefront of printmaking practices, incorporating painting and collage techniques into his process making each print different from the next. With a passion for urban landscapes, his work is known for its architectural focus, zooming in on familiar landmarks and reproducing iconic structures from the metropolis. These dynamic scenes sit against backdrops of expansive skies, created using large areas of gold, copper or silver leaf. The texture and imperfections of this hand-applied leafing adds to the originality of each piece. In order to pick out the detail in a cityscape, Jayson works with hundreds of individual photographs and redraws each element to create a composite image. This not only presents a unique perspective on the landscape through the eyes of the artist, but also allows the viewer to see the individual details of every structure and building, a level of detail not achievable through a camera lens. "My infatuation comes by the shape that my chosen building or vista makes as it cuts its way into the sky - the negative space draws me in as much as the building itself." - Jayson Lilley  

Jayson Lilley Waterloo Sunset 3/4, 2021 Screenprint on Card Signed on front and verso 10 x 15cm (3¾ x 5¾ in.) Jayson Lilley works at the forefront of printmaking practices, incorporating painting and collage techniques into his process making each print different from the next. With a passion for urban landscapes, his work is known for its architectural focus, zooming in on familiar landmarks and reproducing iconic structures from the metropolis. These dynamic scenes sit against backdrops of expansive skies, created using large areas of gold, copper or silver leaf. The texture and imperfections of this hand-applied leafing adds to the originality of each piece. In order to pick out the detail in a cityscape, Jayson works with hundreds of individual photographs and redraws each element to create a composite image. This not only presents a unique perspective on the landscape through the eyes of the artist, but also allows the viewer to see the individual details of every structure and building, a level of detail not achievable through a camera lens. "My infatuation comes by the shape that my chosen building or vista makes as it cuts its way into the sky - the negative space draws me in as much as the building itself." - Jayson Lilley  

Jayson Lilley Waterloo Sunset 4/4, 2021 Screenprint on Card Signed on front and verso 10 x 15cm (3¾ x 5¾ in.) Jayson Lilley works at the forefront of printmaking practices, incorporating painting and collage techniques into his process making each print different from the next. With a passion for urban landscapes, his work is known for its architectural focus, zooming in on familiar landmarks and reproducing iconic structures from the metropolis. These dynamic scenes sit against backdrops of expansive skies, created using large areas of gold, copper or silver leaf. The texture and imperfections of this hand-applied leafing adds to the originality of each piece. In order to pick out the detail in a cityscape, Jayson works with hundreds of individual photographs and redraws each element to create a composite image. This not only presents a unique perspective on the landscape through the eyes of the artist, but also allows the viewer to see the individual details of every structure and building, a level of detail not achievable through a camera lens. "My infatuation comes by the shape that my chosen building or vista makes as it cuts its way into the sky - the negative space draws me in as much as the building itself." - Jayson Lilley  

Ally McIntyre Early Blue, 2021 Mixed Media on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) After graduating in Painting and Sculpture from University of Alberta in 2013, Ally McIntyre completed the MA Fine Art course at the prestigious Goldsmiths University of London, where she was awarded the Jealous Prize 2014/2015 and HIX Award 2015. Her solo exhibitions at Jealous 'Moondazed' in 2015, 'Dog Days' in 2016, 'Decaf Honey' in 2017 all of which proved sell-out successes with artworks placed in private collections around the world. Most recently, Ally was a finalist for the 20th anniversary Royal Bank of Canada (RBC) Painting Competition in Canada. Ally McIntyre's work rebels against the constraints the art canon has imposed on painting. She reinvents her subjects through large dimensions, bright colours and an unconventional pairing of mixed media and styles. Bold and assertive, her work stands up to the prevalent association of large-scale art with the male artist. Confident brush strokes envelop glimpses of realism and dissolve faces into playful combinations of dream-like colour, line and glitter. Ally's work is an amalgamation of various genres across history; faux-naive, realism, kitsch, expressionism, and cartoon. The subject and narrative of her work often has to do with the structure of hierarchy in culture, art, human-animal relations, and somehow circumventing or looking at it in a new way, that can place importance on a subject that may otherwise not be considered honourable or iconic. Her work is placed in many public and private collections including the Victoria & Albert Museum Permanent Print Collection, where her Jealous Prize winning screenprint 'Ferdinand' joins the growing archive of Jealous Prize winner's prints.  

Mike Sibthorp, (20th century) 'November Moon' screenprint, signed, titled and numbered 3/60 in pencil, 58 x 35cm

Donald Hamilton Fraser (Scottish 1929-2009) Embracing Ballet Dancers, signed bottom right, numbered 177/250 bottom left, screenprint, measurements 66 x 47.5 cm, frame 87 x 67 cm, together with a further print of a Dancer holding her skirt, signed bottom right, numbered 106 x 225 cm bottom left (2)Consigned from a corporate collection. Please note there is additional VAT on the hammer priceCondition report: The prints are framed under glazing, not examined external to the frame. The sheets appear well preserved with no obvious signs of any rips, creasing or folds and there does not appear to be signs of deterioration. The colours appear well preserved. The frames have minor wear and tear. The second print measures 59 x 49 cm, frame 87.5 x 81.5 cm

Ronnie Wood (British b.1947) Howlin Wolf, screenprint, signed pencil bottom right, Ronnie Wood Scream Art blind stamp bottom right numbered 86/250, measurements 59 x 42 cm (PL), 72 x 53 cm (SH)Please Note- this lot is subject to VAT on the hammer price

Peter Blake (British b.1932) Our Sweet Love, screenprint with diamond dust, signed bottom right, numbered 10/75 bottom left, measurements 75 x 57.3 cm (SH)Please Note- this lot is subject to VAT on the hammer price

JOHN PIPER CH. (1903-1992). Ludlow Castle, (Levinson 213), screenprint in colours, numbered 85/100 and pencil signed 'John Piper' in lower margin, Pl.21 1/2 x 31in

Cremer, Jan, signed, Cremer on his motorbike, screenprint 100 x 69 cm. Edited by Art Unlimited.CREMER, JAN (1940), ges. r.o., Jan Cremer op zijn motor, zeefdruk (opl.75,1993) 100 x 69 cm. Uitgave Art Unlimited.

Bogart, Bram, signed, abstract in red and yellow, screenprint (37/60) 64 x 80 cm.BOGART, BRAM (1921-2012), ges. en gedat. 1981 r.o., abstract in rood en geel, zeefdruk (37/60) 64 x 80 cm.

Corneille, signed, woman, bird and cat, screenprint 45 x 32 cm.CORNEILLE, (1922-2010), ges. en gedat. 2003 r.o., vrouw, vogel en kat, zeefdruk (10/200) 45 x 32 cm.

Corneille, signed, man and woman, screenprint 45 x 32 cm.6CORNEILLE, (1922-2010), ges. en gedat. 2003 r.o., man en vrouw, zeefdruk (9/200) 45 x 32 cm.