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Ronald Brooks Kitaj RA (American, 1932-2007) 'THE JEWISH QUESTION' Screenprint in colours, 1969-70, signed with initials in pencil, from the edition of 150, from the portfolio 'In Our Time: Covers for a Small Library After the Life for the Most Part', printed by Kelpra Studios, London, published by Marlborough, on wove paper, with full margins sheet 77 x 56.8cm, unframed
*Victor Vasarely (French, 1906-1997) 'EZINOR' Screenprint in colours, 1949, signed and numbered 117/138 in pencil, from the series 'Descartes - Discours de la Methode', printed by Atelier Broutelles et Launay, on wove paper, the full sheet sheet 46 x 40cm *Artist's Resale Right may apply to this lot.
*Richard Hamilton CH (1922-2011) 'KENT STATE' (Lullin 77) Screenprint in colours, 1970, signed and numbered 2966/5000 in pencil, printed by Dietz Offizin, published by Dorothea Leonhardt, Munich, on Schoeller Durex paper, with full margins sheet 73 x 102.3cm, unframed *Artist's Resale Right may apply to this lot.
*Sandra Blow RA (1925-2006) 'RILIEVO' Screenprint in colours with collage, including screenprinted paper, 2005, signed and numbered 51/80 in pencil, created to celebrate the artist's 80th birthday, on wove paper, with full margins image 51.3 x 50.5cm *Artist's Resale Right may apply to this lot.
*Craigie Aitchison RA (1926-2009) 'STILL LIFE WITH BIRD VASE' Screenprint in colours, 2004, signed, dated and numbered 280/300 in pencil, printed and published by Advanced Graphics, London, on wove paper, the full sheet printed to the edges, within folder and with the book 'Pictures', published by Timothy Taylor Gallery and Waddington Galleries, London, all within slipcase sheet 28 x 22cm, unframed slipcase 30.5 x 26 x 3cm *Artist's Resale Right may apply to this lot.
*Martin Creed (b.1968) 'WORK #3171' Screenprint in colours, 2018, signed, dated, inscribed with title and numbered 74/100 in pencil verso, on thick glossy wove paper, the full sheet, alongside the LP 'Work No.117: All The Sounds On A Drum Machine', within record sleeve sheet 17.9 x 17.8cm, unframed overall 18.6 x 18.5 x 0.2cm *Artist's Resale Right may apply to this lot.
*Patrick Caulfield RA (1936-2005) 'LARGE WHITE JUG' Screenprint in colours, 1990, signed and inscribed 'AP 8/10' in pencil, from the ‘White Ware Prints’ portfolio, printed by Advanced Graphics, London, published by Waddington Graphics, London, on wove paper, with full margins sheet 107 x 81.1cm, unframed *Artist's Resale Right may apply to this lot.
*Richard Hamilton CH (1922-2011) 'KENT STATE' (Lullin 77) Screenprint in colours, 1970, signed and numbered 289/5000 in pencil, printed by Dietz Offizin, published by Dorothea Leonhardt Munich, on Schoeller Durex paper, with full margins image 67 x 87cm *Artist's Resale Right may apply to this lot.
Ronald Brooks Kitaj RA (American, 1932-2007) 'THE DEFENCE OF TERRORISM' Screenprint in colours, 1969-70, signed with initials in pencil, from the edition of 150, from the portfolio 'In Our Time: Covers for a Small Library After the Life for the Most Part', printed by Kelpra Studios, London, published by Marlborough, on wove paper, with full margins sheet 77 x 57.5cm, unframed
*Patrick Caulfield RA (1936-2005) 'LAMP AND KUAN WARE' Screenprint in colours, 1990, signed and inscribed 'AP 7/10' in pencil, from the ‘White Ware Prints’ portfolio, printed by Advanced Graphics, London, published by Waddington Graphics, London, on wove paper, with full margins sheet 107 x 81cm, unframed *Artist's Resale Right may apply to this lot.
* Lloyd (Reginald J., 1926-). King of Carrion, by Ted Hughes, 1970, screenprint with acrylic hand-colouring, signed and dated at foot, 54.5 x 42 cm (21.5 x 16.5 ins) (Qty: 1)NOTESWith note to verso by the artist 'Hand set and printed from wooden type on a Hercules poster press obtained in Bideford, Mr Johns'.
Andy Warhol (1928-1987)Tomato-Beef Noodle O´s, from Campbell's Soup II, 1969 (F. & S. II.61)screenprint in colours on smooth wove paper - number 155 from an edition of 250 (total edition includes 26 artist's proofs).Printed by Salvatore Silkscreen Co., Inc., New York. Published by Factory Editions, New York.hand signed in ball-point pen and stamp-numbered 155/250 verso88.90 x 58.40cm (35 x 23in)Provenance: Private Collection Literature: Feldman-Schellmann II.61One evening in 1962, the philosopher and art critic Arthur Danto happened to see a work by Andy Warhol in the window of the Leo Castelli Gallery in New York. The work was a stack of screen-printed Brillo Boxes, just like the boxes you could find in the supermarket, but these were recreated by Warhol and they were empty. Danto realised in that moment that Warhol had transformed the whole notion of fine art. As far as he was concerned, things would never be the same again.Born in Philadelphia in 1930, Warhol had worked as a very successful commercial artist and illustrator in New York since the early 1950s. But now he was transforming the subjects and methods of popular and commercial culture into the currency of fine art. Pretty much every American, Danto realised, could understand a Warhol. You didn't need knowledge of art history or any kind of insider information. At a stroke he had bypassed the pretensions of an art world elite - an elite that included Danto himself.Warhol went on to draw on any number of everyday subjects including, famously, Campbell's Soup cans, dollar bills, advertising imagery and film stars. When Warhol used images of film stars, he didn't aim for a classical studio portrait, he took ordinary publicity shots, as reproduced in newspapers and magazines, familiar to millions of people, made silkscreen versions of them, mechanically, but with some interventions, and produced them in multiples. His studio was called, appropriately, the Factory. His Ingrid Bergman has her in character as Sister Superior Mary Benedict in The Bells of St Mary's. Aidan Dunne, September 2019
Andy Warhol (1928-1987)The Nun, from Ingrid Bergman, 1983 (F. & S. II.314)screenprint in colours on Lenox Museum Board - numbered 215 from an edition of 250 (total edition includes 20 artist's proofs) with the printer's blind stamp Rupert Jasen Smith, New York.Published by Galerie Borjeson, Malmo, Swedenhand signed in pencil and numbered 215/250 lower right96½ x 96½cm (38 x 38in)Provenance: Taylor Gallery, Belfast; Private Collection Literature: Feldman-Schellmann II.314
Three signed prints to include: Renée Halpern (Polish/French, b. 1915):La Chaise Rayée, colour lithograph, hand signed in pencil, 35 x 45 cm; together with a further hand-signed colour screenprint of geraniums by Bob Sanders (b. 1945) & an abstract landscape, colour screenprint, hand-signed & numbered, 43 x 58 cm (3)
Terry Frost RA (British 1915-2003)/Orange and Blue Q Newlyn, 1997/signed in pencil and numbered 144/150/screenprint, 49cm x 53cm/Provenance: Julian Lax Gallery, London CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
John Piper (British 1903-1992)/The Pebble Alcove, Stowe/limited edition print 1/70/screenprint, 61cm x 45cm/Provenance: Marlborough Fine Art CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk/Piper. Glazed mounted and framed and in very good condition
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12816 item(s)/page