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A RARE 9CT SOLID GOLD DUNHILL UNIQUE WATCH LIGHTER CIRCA 1927, REF. 111 D: Silver dial with raised gilt Arabic numerals & inner minute track. M: 18 jewel manual wind movement, signed Dunhill. C: Engine turned case signed Dunhill, patent number, roller mechanism with a straight hinged arm, watch in the centre of the case housed in a hinged door, 9ct hallmarks, dimensions measure 46mm / 37mm / 12mm.CONDITION REPORT D: Original dial in fair condition. M: Working at present. C: In excellent condition. D: Dial / M: Movement / C: Case / S: Strap / B: Bracelet

Destination Blind removed from Connex South Eastern Class 508/2. Measuring 24.5 inches in length on steel roller, the destinations include: London Bridge, Maidstone West, Strood, Tonbridge, Three Bridges etc. Good used condition Also, a small rectangular cut panel from 508202 from vehicle 64696 which originally ran as 508105 until transfer from Merseyside to Connex South Eastern. Scrapped at Eastleigh in the Summer of 2013. Approx 20 inches x 5 inches, unrestored.

A Mamod TE1A steam roller

Unmarked, tinplate lithographed steam roller with working clockwork motor (clock spring), green/black, possibly 1940s English, 14" long (G)

Wilesco Massey Ferguson Power part Steam Roller and Power Part Water Carrier trailer, both in original boxes, appears un-fired, some tarnishing to metal parts through storage to roller, with burner (Both G-VG-BG)

Tinplate and Plastic Farming and Construction group, to include Arnold of Germany crawler tractor with blade, finished in yellow and grey with red detailing, missing driver, with remote and original box (G-BG), 2 Marx Plastic Bodied Reversible tractors, 1 in blue the other red (Both G), a small scale Gama tinplate a clockwork crawler tractor with white tracks, with box remains (G), a KDN tinplate steam roller with very worn box (FG-BA/F) and a boxed SSS Japan Antique Friction Powered Truck (VG-BG)

Collection of mixed tinplate, plastic and battery operated toys, 6 examples to include Triang Minic "Series 2" Road Roller, green body in the original box (G-BG), Marx Toys Power Mite Bulldozer, orange plastic body, missing exhaust sections (G-BG), Modern Toys "Fresh Oranges" Fruits Trailer, some play wear (G-BG), Honk Kong Issue Remote Control plastic BOAC Coach (G-BG), Boxed TPS of Japan Super Flying Police Helicopter (VG-BG) and a loose Alps of Japan Crown Bus, cracked window section (F)

Siku Boxed Diecast Group, 5 examples to include V274 Deutz Dump Truck (VG-BG), V260 Klaus Autoschaufler (G-BG), No.299 Zettelmeyer Road Roller (VG-BG), No.334 School Bus (VG-BG) and No.324 Police Van (VG-BG)

Bassett Lowke Ltd Kit Built Whitemetal Traction Engine Group, 2 loose examples to include a Burrell Traction Engine finished in blue (G) and a Burrell Traction Engine Roller finished in green, requires restoration to front roller (A/F), both examples touched in

Dinky Toys, No.251 Aveling Barford Diesel Roller, green body with red wheels, brown figure driver, tow hook, in the original all card picture sided box (VG-BG)

BOXED DIE CAST TOYS a large collection of boxed models, including Matchbox, Vanguards, Corgi, Britains etc. Also with a boxed Matchbox Series No 1 Diesel Roller, Corgi James Bond Film Canister Gift Set etc.

A cast iron garden roller "The Mac" by The Metal Agencies Co Ltd of Bristol

Bowens Gemini GM750 Plus+ Two Head Outfit, with stands and other accessories in roller case

W & A K JOHNSON: ENGLAND AND WALES, lge scale map, circa 1900, varnished, bkd onto linen, mntd on roller, approx 50" x 42"

A FLINTLOCK BLUNDERBUSS WITH TOP SPRUNG BAYONET. A Flintlock Blunderbuss with 16.1/2" octagonal/round brass barrel with flared muzzle end. Top sprung triangular 14.1/4" bayonet, and barrel catch. Underslung ramrod and steel lock with roller frizzen. Brass furniture and some decoration, stock cracked, no makers name evident. See Illustration

A SET OF SIX ROYAL STAFFORDSHIRE COFFEE CANS AND SAUCERS, each depicting birds, 'The Roller' and 'The Ring-Dove' by Thomas Beswick

German tin plate clockwork speed boat, 2050, to metal tin plate tractors, one with roller, cable car, tank and Greenline coach.

7 Matchbox Series. No.1 Road Roller, in light green with red rollers. No.14 Bedford Lomas Ambulance. No17 Metropolitan Taxi. No23 Caravan. No37 Karrier Bantam Coca-Cola lorry. No47 Trojan Brooke Bond Tea. Plus a No50 Commer Pick-Up. All boxed, some wear/damage. Contents VGC. Plus a loose Yesteryear 1914 Sunbeam motorcycle combination, GC some pickling to finish.

A Quantity of Dinky Toys. Including an Avro York airliner (70A), Blaw Knox Bulldozer (561), Dumper Truck (562) Humber Police Patrol Car (256). Plus an International Road Signs set (771). All boxed. Plus 6 loose Dinky – Packard, fork lift, Bedford tipper, roller, trolley and a 4 wheel trailer. Also a few other items – 2x boxed Anguplas ‘Mini Cars’ series Ford Edsel. Corgi AEC Forward Control BP issue ‘Potter’s Asthma Cure’, boxed. Matchbox Dinky series one Land Rover, boxed. Some wear/damage to boxes. Items QGC-GC some chipping.

A quantity of playworn Dinky Toys. 4x Ford Transit vans, variations. Military including – Thornycroft Mighty Antar Transporter, Centurion tank, Scammell Recovery Tractor, Foden 10 wheeled lorry, Kubelwagen, Alvis Scorpion tank, hovercraft etc. Plus a Blaw Knox tractor and bulldozer, Muir Hill Dumper, road roller, caravan, Vauxhall and Daimler Ambulance, 2x Bedford TK and a Ford D series etc. QGC-GC some paint chipping overall.

Dinky Toys Singapore Flying Boat (60h). Cast fuselage, tinplate wings, with four two bladed propellers, early example without roller, in silver with stencilled roundels. GC for age, some surface rusting to wing tops and minor chipping to the underneath. Plate 8

An early 19th century apothecary’s mahogany cabinet, the front opening to reveal shelves for 4 large and 2 small (5 missing) square section glass stoppered bottles, a drawer containing a horn handled palette knife marked “GPO/ W. Cadman”, a wooden handled polished steel pill roller, a pair hand scales with brass weights, and a small glass measuring cylinder, below this a large drawer with a glass pestle and mortar, 3 small bottles and other items, at the back of the cabinet a sliding “secret” panel conceals a section for 4 jars (3 missing) for dangerous drugs, flush fitting brass handle to top, brass keyholes (key missing) to lid, 10½” x 9” x 7” overall, and lined with red baize. GC Plate 3

An early 20th Century leather suitcase (handle a/f) and a late Victorian oak billiards roller scoring board, a/f.

Mamod Steam Engine and Attachment Group, to include a loose Mamod Steam Roller with burner and scuttle (G), a Mamod traction engine with canopy, burner and scuttle (G) and a boxed Mamod LW1 Lumber Wagon (VG-BG)

Mamod Live Steam Group, to include a Loose Mamod SR1 Steam Roller, with burner, scuttle and steering rod, appears un-fired (VG), sold with a boxed Mamod OW1 Open Wagon (VG-BG)

Ives black 2-4-0 steam outline 3 rail loco no. 258 with roller pickups and eight wheel bogie Ives limes tender, missing one axle guard, 2 x no. 610 olive and red Pullman bogie coaches and a no. 612 Observation coach with verandah - all with labels: manufactured by The Ives Corporation, Irvington N.S. all (G)

Dinky Toys, 60H Singapore flying boat, cast silver fuselage with tinplate wings, 4x 2 propellers (both reproduction), red plastic roller to underside, light blue roundel transfers later added, displays well, repainted

Britains, lead farm, 3x 4F tumbrel cart (one a/f, the other G); plus 9F horse roller, looks repainted frame; and 40F farm cart with horse, pre-war example, good condition (x5) (G & a/f)

Triang Minic Series large scale Road Roller, Aveling Barford example, pressed steel example with mid green body, grey plastic rollers and driver, with key, loose example (G)

1 tray of mixed playworn and repainted diecast vehicles, to include Dinky Toys, Corgi Toys and Matchbox Examples, specific vehicles to include Dinky Shado 2 and Dinky Toys Aveling and Barford Roller

Britains, No.9505 tumbrel cart (missing raves and rear board), on plinth of poor box, plus 4 played-with examples, and a horse roller (some incomplete) (F-G)

Britains, lead farm, Crescent and Charbens, 7 various tumbrel carts, 3 milk carts, 2 Crescent builders, carts, some incomplete, plus man with wheelbarrow, 3 churns, 3 horses, horse roller etc (mixed condition F-G)

Unusual pressed steel, aluminium and brass finished Steam Roller, comprising of red body with green wheels, hand operated steering, and aluminium front roller, max length 25cm

Britains, No.9F horse roller, pre-war in pale blue with grey horse, minor wear, in pre-war green card box with grubby label (VG,BF)

20th century AD. A rectangular paper panel on a fabric backing with wooden roller; central painting of a dismounted rider leading his mount, with panels of calligraphic text and red chop seals. 492 grams, overall: 63 x 177cm, image: 60 x 100cm (23 1/2 x 69 3/4"). Acquired on the London art market before 1995. [No Reserve]

20th century AD. A rectangular paper panel on a fabric backing with wooden roller; block of calligraphic text and panels with erotic scenes. 255 grams, 234 x 25cm (92 x 9 3/4"). Property of a London gentleman; acquired before 1996. [No Reserve]

20th century AD. A rectangular paper panel on a fabric backing with wooden roller; central painting of a Arya Tara with a stringed instrument surrounded by Buddhist scenes, panels of calligraphic text and red chop seals. 496 grams, overall: 174 x 64cm, image: 100 x 61cm (68 1/2 x 25 1/4"). Private collection, West London, UK; acquired in the 1990s. [No Reserve]

20th century AD. A rectangular paper panel on a fabric backing with wooden roller; painted polychrome scene of mountains and a waterfall, forest and a small boat; panel of calligraphic text and one red chop seal; attributed to Xun Xiao. 485 grams, 179 x 57.5cm overall, 67 x 42.5cm image (70 1/2 x 22 1/2"). Property of an American lady living in Arizona, USA. Xun Xiao, (1883-1944), was a landscape artist who specialised in the rugged mountains and forests that were popular with Chinese scholars and Zen Buddhist monks as symbols of perfect harmony. [No Reserve]

20th century AD. A rectangular paper panel on a fabric backing with wooden roller; central paining of Buddha standing on a lotus flower surrounded by Buddhist scenes. 496 grams, overall: 172.5 x 63cm, image: 61 x 100cm (67 1/4 x 24 3/4"). From a central London collection formed between 1990-2000. [No Reserve]

20th century AD. A rectangular paper panel on a fabric backing with wooden roller; painted scene of a mother kneeling beside her sleeping child, two cats playing alongside; panel of calligraphic text and two red chop seals; attributed to Zhou Huang. 602 grams, 200 x 66cm overall, 67 x 46cm image (78 3/4 x 26"). Property of an American lady living in Arizona, USA. Huang Zhou (1925–1997), was actively involved in the art of the People's Liberation Army under which he became a staff painter at the Military Museum of the Chinese People’s Revolution. In 1981, he was appointed Deputy Director of the Research Institute of Traditional Chinese Painting. He was also a social activist who made outstanding contributions to the preservation and promotion of national art and to the advancement of public art education. [No Reserve]

20th century AD. A rectangular paper panel on a fabric backing with wooden roller; painted monochrome scene of mountains with trees, bridge with figures; panel of calligraphic text with two red chop seals; attributed to Wu Hu Fan. 505 grams, 210 x 50cm overall, 66 x 31cm image (82 3/4 x 23 3/4"). From the Cao collection; formed 1980-1990; formally the property of a collector Beijing collector. [No Reserve]

20th century AD. A rectangular paper panel on a fabric backing with wooden roller; painted scene of two birds in a rocky landscape with foliage; column of calligraphic text and two red chop seals; attributed to Shen Quan. 559 grams, 210 x 60cm overall, 105 x 45cm image (82 3/4 x 23 1/2"). Property of an American lady living in Arizona, USA. Shen Quan, (1682–1760), was a Chinese painter during the Qing Dynasty. He specialized in bird-and-flower painting and his works became influential in Japanese Edo period art. He was invited to Japan by a high official in 1731, acquiring many Japanese students after his arrival. His paintings soon became very popular, and after his return to China in 1733 he continued to send paintings back to Japan. Shen's paintings were popular for their realistic, colored images of animals and flowers, and three-dimensional trees and rocks. [No Reserve]

20th century AD. A rectangular paper panel on a fabric backing with wooden roller; block of calligraphic text and panels with erotic scenes. 243 grams, 234 x 25cm (92 x 9 3/4"). Acquired on the London art market before 1995. [No Reserve]

20th century AD. A rectangular paper panel on a fabric backing with wooden roller; painted scene of mountains with trees, river and figures on a bridge; panels of calligraphic text and two red chop seals; attributed to He Weipu. 475 grams, 195 x 53.5cm overall, 79.5 x 31.5 image (76 3/4 x 21"). Property of an American lady living in Arizona, USA. He Weipu, (1842-1922), is noted for his calligraphy and landscape paintings as well as being a connoisseur and collector of art who amassed a large collection of ancient seals. [No Reserve]

20th century AD. A rectangular paper panel on a fabric backing with wooden roller; central painting of a seated Buddha holding a vessel surrounded by Buddhist scenes, panels of calligraphic text and red chop seals. 507 grams, overall: 173 x 63cm, image: 100 x 60cm (67 1/4 x 24 3/4"). Property of a London gentleman; acquired before 1996. [No Reserve]

20th century AD. A rectangular paper panel on a fabric backing with wooden roller; central painting of birds on a branch above a landscape, column of calligraphic text and red chop seals. 531 grams, overall: 171 x 63cm, image: 63 x 39cm (67 1/4 x 24 3/4"). London private collection, acquired 1985-1995. [No Reserve]

20th century AD. A rectangular paper panel on a fabric backing with wooden roller; painted scene of a robed girl seated on a ledge beside a river beneath a rock overhang; column of calligraphic text and two red chop seals; attributed to Chen Shaomei. 459 grams, 199 x 51cm overall, 87 x 32cm image (78 1/4 x 20"). Property of an American lady living in Arizona, USA. Chen Shaomei (1909~1954), who was a well-known painter, who, in his short life, made a big impact on the Chinese art scene. He was famous for his landscapes and portraits, often combining the two. [No Reserve]

20th century AD. A rectangular paper panel on a fabric backing with wooden roller; central painting of children playing and a servant tending to birds in a cage; calligraphic text and red chop seals. 523 grams, overall: 175 x 65cm, image: 40 x 73cm (69 x 25 1/2"). Private collection, West London, UK; acquired in the 1990s. [No Reserve]

20th century AD. A rectangular paper panel on a fabric backing with wooden roller; monochrome painted scene of a bird perched on a branch with foliage; panel of calligraphic text and two red chop seals; attributed to Zhu Da. 425 grams, 194 x 50cm overall, 88.5 x 44cm image (76 1/2 x 19 3/4"). From the Cao collection; formed 1980-1990; formally the property of a collector Beijing collector. [No Reserve]

20th century AD. A rectangular watercolour painting of a bamboo tree on a dark-blue paper backing with wooden roller, signed and with red chop seal in the lower right corner. 64 grams, 62cm (24 1/2"). Property of an Essex, UK collector; acquired on the UK art market, 1980-1990. [No Reserve]

20th century AD. A rectangular paper panel on a fabric backing with wooden roller; painted monochrome scene of trees in a landscape; calligraphic text and five red chop seals; attributed to The Qing Dynasty emperor. 370 grams, 196 x 38cm overall, 65.5 x 25.5cm image (77 x 15"). From the Cao collection; formed 1980-1990; formally the property of a collector Beijing collector. [No Reserve]

20th century AD. A rectangular paper panel on a fabric backing with wooden roller; painted scene depicting Hai Liu seated on the three-legged toad in a landscape with flowers, holding up on of the gold coins which he uses for bait; panel of calligraphic text and on red chop seal; attributed to Chou Ying. 583 grams, 199 x 53cm overall, 78 x 34cm image (78 1/2 x 20 3/4"). Property of an American lady living in Arizona, USA. Chou Ying, (1494-1552), was a Chinese painter who specialized in the gongbi brush technique. He painted with the support of wealthy patrons, creating images of flowers, gardens, religious subjects, and landscapes in the fashions of the Ming dynasty. He incorporated different techniques into his paintings, and acquired a few wealthy patrons. His talent and versatility allowed him to become regarded as one of the Four Masters of the Ming dynasty. [No Reserve]

20th century AD. A rectangular paper panel on a fabric backing with wooden roller; painted scene of a robed male and heron in a landscape with trees and a river; calligraphic text and two red chop seals; attributed to Shangguan Zhou. 405 grams, 198 x 44.5cm overall, 80 x 37cm image (78 x 17 1/4"). From the Cao collection; formed 1980-1990; formally the property of a collector Beijing collector. [No Reserve]

20th century AD. A rectangular paper panel on a fabric backing with wooden roller; painted scene of two Jainist arhat scholars; single column of calligraphic text and two red chop seals; attributed to Guanpeng Ding. 55 grams, 67 x 40cm (26 1/4 x 15 3/4"). Property of an American lady living in Arizona, USA. [No Reserve]

20th century AD. A rectangular paper panel on a fabric backing with wooden roller; central painting of chrysanthemums surrounded by panels of calligraphic text and red chop seals. 493 grams, overall: 174 x 64cm, image: 100 x 62cm (68 1/2 x 25 1/4"). From a central London collection formed between 1990-2000. [No Reserve]

20th century AD. A rectangular paper panel on a fabric backing with wooden roller; polychrome painted scene of an old man on a donkey addressing a wayfarer and child; attributed to Huang Shen. 658 grams, 220 x 84cm overall, 134 x 67.5cm image (86 1/2 x 33"). Property of an American lady living in Arizona, USA. Huang Shen (1687–1772) was a Chinese painter during the Qing Dynasty. In the earliest part of his career he excelled at cursive calligraphy and favored a meticulous style. Later on he became better known as an artistic innovator who was one of the Eight Eccentrics of Yangzhou. When it came to paintings of people he favored images of religious, historic, and common people. His more famous works include The Drunk Monk and Shepherd. [No Reserve]

20th century AD. A rectangular paper panel on a fabric backing with wooden roller; painted monochrome scene of an eagle on a tree; column of calligraphic text and two red chop seals; attributed to Gao Jianfu. 664 grams, 218 x 67cm overall, 115 x 50cm image (85 3/4 x 26 1/2"). Property of an American lady living in Arizona, USA. Gao Jianfu (1879–1951) was a Chinese artist during World War II. He is known for leading the Lingam School's effort to modernize Chinese traditional painting as a new national art which was influenced by the styles that he studied in Japan. [No Reserve]

20th century AD. A rectangular paper panel on a fabric backing with wooden roller; central paining of a seated disciple of the Buddha with sceptre and vessel surrounded by Buddhist scenes, panels of calligraphic text and red chop seals. 521 grams, overall: 172.5 x 63cm, image: 100 x 60cm (67 1/4 x 24 3/4"). London private collection, acquired 1985-1995. [No Reserve]

20th century AD. A rectangular paper panel on a fabric backing with wooden roller; painted scene of a tree with blossom and two birds; two panels of calligraphic text, four red chop seals; attributed to Xie Zhiliu. 696 grams, 217 x 66cm overall, 124 x 50cm image (85 1/2 x 26"). Property of an American lady living in Arizona, USA. Xie Zhiliu, (1910–1997), was a leading traditional painter, calligrapher, and art connoisseur of modern China. He was a prominent member of the Shanghai School of art. His work is in the collection of the National Art Museum of China in Beijing; In 2010, the Metropolitan Museum of Art of New York City held an exhibition of around 150 of his works, donated by his daughter to celebrate his 100th birthday. [No Reserve]

20th century AD. A rectangular paper panel on a fabric backing with wooden roller; painted winter scene with robed girl and trees; column of calligraphic text and three red chop seals; attributed to Fu Baoshi. 448 grams, 207 x 52cm overall, 58 x 33cm image (81 1/2 x 20 1/2"). Property of an American lady living in Arizona, USA. Fu Baoshi, (1904-1965), went to Japan to study the History of Oriental Art in the Tokyo School of Fine Arts in 1933. He translated many books from Japanese and carried out his own research. In painting itself, he brought Japanese visual elements to the Chinese ink painting tradition. [No Reserve]