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19704 item(s)/page
Lot 300
Galle - Cameo glass flask vase, with 'eye-bath' neck, lilac and grey glass overlaid on frosted pink, decorated with trailing flowers and foliage, cameo mark Gallé*, 15cm high Very light scuffing to rim. Some white paint spots from a roller which may be removable. Body colour uneven to reverse and with superficial scuffs. Some surface pitting and light flaws of the manufacturing process evident.
Lot 267
A collection of treen items,comprising a rosewood candle snuffer, 25cm long, a toddy ladle, with a twisted baleen handle, 19.5cm long, a pair of turned pedestal vases, 20cm high, a boxwood thermometer case, enclosing a glass thermometer, 13.5cm long, a Mauchline ware money box, of barrel form, with a printed scene 'Herne Bay Looking East', 8.2cm high, a turned gaming counter box and counters, 5cm diameter, a footed bowl, painted with a figural band, 11.5cm diameter, a mahogany book form money box, 16cm high, a similar book form box, 19.3cm high, a turned lignum vitae swagger stick, 55cm long, a turned ball and cup game, lacking ball, 27cm high, a marquetry folding stand, 27cm wide, an 18th century carved oak panel, 36cm high, a 17th/18th century carved walnut scroll, 16.5cm high, and a turned and carved roller, 34.5cm long (qty.)Ladle) Split and chip to the bowl.Vases) With chips to the edges and general wear.Scroll) With later applied wall hanging loop.Knocks, losses and wear throughout.
Lot 439
KARL GUSTAF HJALMAR ARMFELT (1873-1959) for FABERGE - a jewelled vari-coloured gold mounted nephrite stamp dampener, of swept oblong form on bracket feet, applied with green gold laurel swags suspended from red gold ribbons and set with cabochon rubies, stamped 56AD, and RA, base 2 5/8" wide overall, 1" high (Illustrated) (Est. plus 21% premium inc. VAT)Lacks crystal roller. Lacks one central ruby to bow which also lacks one end of ribbon, the bow with the ruby lacks both ends of ribbon and is slightly loose on pin holding it to nephrite. Very small chips to top outer edge, small bruise to inner rim. Bottom edge of side with three rubies has small bruise to left foot, tiny chip just right of centre and similar far right foot
Lot 2
ORME & SONS OAK BILLIARD LIFE POOL ROLLER, MANCHESTER C.1890, BILLIARD / LIFE POOL ROLLER SCOREBOARD IN MEDIUM ENGLISH OAK, RECTANGULAR CASING WITH CENTRAL SLATE MARKER FLANKED ON EACH SIDE BY X5 LIFE POOL SLIDES, REVEALING MOTHER OF PEARL DISCS & MARQUETRY STARS FOR EXTRA LIVES, TWO LOWER TANDEM ROLLERS IN WHITE WITH BLACK NUMBERING, IVORINE SLIDING POINTERS, APPROX. 102CM (W) X 53CM (H) (40 X 21)
Lot 3
ORME & SONS OAK BREAKFRONT BILLIARD LIFE POOL ROLLER IN CABINET, C. 1890, BILLIARD / LIFE POOL ROLLER SCOREBOARD IN MEDIUM / DARK OAK, THE RARE DESIGN OF BREAKFRONT CABINET HOUSING BALL STORAGE FOR 33 BALLS BEHIND HINGED CENTRE SLATE. FLANKED ON EACH SIDE BY 5 X LIFE POOL SLIDES, ROLLERS IN WHITE WITH BLACK LETTERING, EBONY POINTERS SLIDING WITHIN INSET GROOVES, APPROX. 108CM (W) X 70CM (H) (42 X 28), BOTTOM SHELF NOT INCLUDED
Lot 6
RILEY OF ACCRINGTON OAK SNOOKER LIFE POOL ROLLER, C.1910, MEDIUM OAK BILLIARD/LIFE POOL ROLLER SCOREBOARD WITH SHAPED & WAISTED CABINET & SHAPED PEDIMENT, SLATE CENTRE AREA FLANKED BY X6 LIFE POOL SIDES TO EACH SIDE WITH RAISED COLOURED KNOBS, NUMBERED ROLLERS WITH RARE GREEN LACQUER FINISH & GOLD LEAF LETTERING, SOLID BRASS POINTERS SLIDING ON BRASS RAILS, APPROX. 104CM (W) X 70CM (H)
Lot 26
Charbens and other Road Works with Workers, Watchman's Hut with stool, brazier and Watchman, two drain pipes, Tar Boiler, Road Roller, No Road sign, trestles with replaced barrier pole, Street Lamp (both ends of base damaged), Belisha crossing (one end of base broken) bollard, and Site Office Wagon, with stove and bunk beds (Condition Good, office door missing, chassis and brakes loose) (26)
Lot 270
Britains Miniature Gardening, Man with Lawnmower Man with roller, Man with wheelbarrow, (barrow damaged), Boy with swing, Children with see-saw, Greenhouse (some hooks missing), garden seat with Old Man and Woman, two cold frames, two roses, two pergolas, rustic arch (one element damaged), five tubs, six conifers, sundial, new model tree (some leaves missing), four long balustrades, ten short balustrades, ten balustrade posts, seven seed trays and fifteen flowerpots (Condition Good) 1938 (82)
Lot 174
A 9 carat yellow gold close curb link bracelet with padlock fastener, nineteen charms attached; steam roller, trophy, old woman who lived in a shoe, seal with black onyx base, lantern, seal with intaglio carved base of a squirrel and initials RD, boot, Holy Bible, bloodstone ball and claw, mandolin set with a cluster of nine garnets, Aladins lamp, Atlas holding up a globe, state carriage, penguin, poodle, banded agate bead in a coiled serpent, pig in a motor car, seal of cupid on an anvil with cornelion base, pearl in a shell, all charms bear a 9 carat gold British hallmark except for cupid that tests as gold and the intaglio seal that tests as metal. gross weight 174.6g.Condition report:Please see further images uploaded to our website.The padlock fastener is functioning and secure, the links on the bracelet do not show any wear and are quite close curbs, length of bracelet approximately 18/19cm.
Lot 42
A mind 20th Century carved emerald, ruby and diamond gold suite, comprising a bangle, the centre set with a cluster of round brilliant cut diamonds within a border of carved ruby flowers, each set to the centre with a diamond, within surround of carved emerald leaves, diameter approx 45mm, claw set throughout to a pierced hinged bangle with engraved floral decoration, width approx 20mm, box clasp, internal diameter approx 55mm, unmarked, along with a matching ring, setting diameter approx 23mm, size M, a matching brooch in the form of a bouquet with bar like sweeps set with round cut rubies and brilliant cut diamonds, pin and roller clasp fitting, length approx 80mm and a pair of matching earrings, setting diameter approx 20mm with clip fittings, all unmarked assessed as 14ct gold, in the style of Cartier, total gross weight approx 109.3gms Further details: good- all stones present and intact, some slight abrasions to stones wear ad tear commensurate with age, some distortion to the sweeps on brooch
Lot 465
A number of sets of superior quality window dressings made from linen fabric with an exquisite lilac flower print by Brian Yates. 3 sets 125 cm by 255 cm, 1 set187.5 by 256 cm, 2 smaller roman blinds 59.5 by 146 cm and 2 large roller blinds. There are 8 box pelmets, one for each window dressing.very minor sun damage to trim on one large set of curtains (please request further images if required).
Lot 136
A GEORGE II MAHOGANY TRIPOD TABLECIRCA 1760The piecrust tilt top with a birdcage support, the feet with recessed casters74cm high, the top 82cm diameterCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses,The top revolves on the base by way of the birdcage action, this is quite firm however, the top of the stem has been clad in metal - presumably to stop the wood rubbing on wood when twisted - it is almost certainly laterThe lock mechanism appears to be original, and holds securely at time of reportThe roller castors appear to be original Overall solid and stable, with very little wobble to the top on the base or through the locking action. Please refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 148
A GEORGE II MAHOGANY 'BREAKFASTE' PEMBROKE TABLE IN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 177072cm high, 101cm wide (with leaves up), 61cm deepThe design of this table closely relates to Thomas Chippendale's design for a 'Breakfaste Table'. See The Gentleman and Cabinet Maker's Director (1762) plate LX. For similar examples see the Christie's catalogue prepared for the contents of Dumfries House, 12th July 2007, page 169, and an example by Samuel Smith, page 191.Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses,The handles appears to be the original, the locks also, there is no key for the drawer but there is to the cupboard doors below, this is operating at time of report - the drawer is unlockedOverall solid and stableOverall with a dark colour - the catalogue and online images are a fair reflection of the appearanceThe interior of the cupboard has been silk lined previously, there are old tack marks where this has been affixedThe roller castors appear to be originalThere is some signs of old woodworm Please refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 151
A GEORGE II MAHOGANY TRIPOD SUPPER TABLECIRCA 1750The circular top above a 'gun barrel' turned pillar, the tripod base with outswept legs terminating in paw and ball feet71cm high, the top 101cm diameterCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses,The top with various old marks and stains and overall an unevenness to the colour, the base a more uniform colour overall, there are also scuffs and marks to the leading edgesThe lock mechanism appears to be original, and holds securely at time of reportOverall solid and stableThe roller castors concealed beneath the feet are almost certainly original Please refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 186
Y A GEORGE III MAHOGANY, SYCAMORE AND SATINWOOD PEMBROKE TABLEATTRIBUTED TO HENRY KETTLE, CIRCA 1775Centred with a marquetry rose, the drawer with a sliding leather inset writing surface69cm high, 51cm wide, 92cm wide with the leaves raised, 68cm deepThis fine Pembroke table, in the manner of Hepplewhite, closely relates to an example by cabinet maker Henry Kettle, supplied to John Parker the younger, later Lord Boringdon for the saloon at Saltram, Devon (Illustrated in C.Gilbert, Pictorial Dictionary of Marked London Furniture, 1700-1840, Leeds, 1996, fig. 543, p.289). A further related table, also in the manner of Henry Kettle, finished with a harewood ground and shaped panels to the leaves, is illustrated in P. Broome, The Hyde Park Collection, Hong Kong, 1985, p.191.Henry Kettle's known career began when he was taken into partnership with the cabinet-maker William Henshaw around 1770 whose workshops were at 18 St. Paul's Church Yard. Kettle continued solely at this address from circa 1774 when he took over the firm of Philip Bell at 23 St. Paul's Church Yard, the address from which he appears to have centred his business from around 1777. He is also discussed in G. Wills 'Some Labelled Furniture at Saltram', Furniture History, Leeds, 1966, vol.II, p.37 (pl.XIX).Closely related examples, all also fitted with the same unusual form of castors, were sold: Christie's, New York, Important English Furniture, 17th October 2003, Lot 230 ($26,290). See also Bonhams, Bond Street, London, Fine English Furniture, 21st November 2006, Lot 62 (£12,000) and lot 115, 2 March 2004 at the same venue. (£14,340)Condition Report: Marks, knocks, scratches, abrasions consistent with age and useThe interior of the drawer with a green leather lined slide, the inset is probably a replacement it has a creaseThe handle appears to be the original, the lock probably later, there is no key, The roller castors appear to be original, they have leather rollersOverall solid and stableCleaned and polished appearance overallPlease refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 343
OHASHI SUISEKI: A SCROLL PAINTING OF A TIGER AND FULL MOONBy Ohashi Suiseki (1865-1945), signed Suiseki and sealed SuisekiJapan, late 19th to early 20th centuryFinely painted in ink and watercolors on silk and mounted as a hanging scroll with a silk brocade frame, depicting a tiger seated on its haunches with its head raised amid reeds and grass, its striped fur neatly executed, below the full moon partly obscured by wispy clouds. Signed lower left SUISEKI with seal Suiseki. With dark wood jiku (roller ends).SIZE 125 x 50.5 cm (image) and 210 x 69 cm (incl. mounting)Condition: Very good condition with minor wear, little creasing, minor soiling.Provenance: Belgian private collection, assembled during the 1980s and 1990s.Ohashi Suiseki (1865-1945) was born in Ogaki, Gifu Prefecture and studied under Amano Hoko in Kyoto and Watanabe Shoka in Tokyo. Paintings of tigers, his most popular subject, were awarded the gold prize at the Paris Exposition in 1900 and at the St. Louis World's Fair in 1904.Auction comparison: Compare a six-panel screen by the same artist depicting two tigers at Christie's, Japanese and Korean Works of Art, 22 September 2004, New York, lot 184 (sold for 9,560 USD).
Lot 147
A RARE SCROLL PAINTING DEPICTING A YUREI (GHOST)Japan, late 19th centuryFinely painted in ink and watercolors on silk, with a silk brocade frame and mounted as a hanging scroll. Depicting a frightening female ghost, the lower area with vividly painted brushstrokes to show the ghost's semi-corporeal form, arising from flames, shrouded in a long flowing robe, her skin a dark gray color, the black hair falling loosely over the shoulders, the face with a fierce yet pained expression. A painted 'silk brocade frame' surrounds the image of the yurei, with the ghost painted over this 'frame' in some areas, creating a strikingly dramatic effect. With bone jiku (roller ends).With two seals to the lower right 勝蓮之画 "surpassing lotus" and 楽天 "happy and heaven", indicating a prayer directed at the painting rather than an artist signature, as artists often refused to sign their names on pictures of ghosts.SIZE 111 x 41.5 cm (image) and 173 x 46.5 cm (total)Condition: Very good condition with minor wear and little staining.Provenance: From a private collection in New York, USA.With a wood storage box.Yurei-zu are a genre of Japanese art consisting of painted or woodblock print images of ghosts, demons, and other supernatural beings. They are considered to be a subgenre of fuzokuga ('pictures of manners and customs'). These types of art works reached the peak of their popularity in Japan in the mid- to late 19th century.Literature comparison:Compare to a painting of a ghost by Shimizu Setsudo in the Tokugen-in temple in Maibara, published in Tamura, Can (Fall 2020) The Ghost Scrolls of Manshu-in and Tokugen-in, Visual Anthropology Review, vol. 36, issue 2, Fall 2020, p. 343-360. Compare a related painting of a ghost by Kawanabe Kyosai in the collection of the British Museum, museum number 1996,1010,0.1.Auction comparison:Compare a related painting of a female ghost by Maruyama Okyo, dated late 18th century, at Bonhams, Fine Japanese Art, 12 November 2015, London, lot 225 (sold for 18,750 GBP).
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19704 item(s)/page