We found 19703 price guide item(s) matching your search

A Royal Crown Derby Garden Roller, with box

Parker "Roller Beacon" cigarette lighter in original packaging, Kincraft De Luxe combination lighter and cigarette case, Caiman skull, two Tunisian scorpions in framed glazed mount, miniature artists palette, Swan fountain pen, etc

Swarovski crystal glass Dolphin breaking wave with extras, rocking chair, roller skate and coffee pot, boxed with certificates. Boxed with certificate. All good condition. 

Pull along soft toy terrier dog, roller skates, electric shock machine and a AA grill badge.

A Nicole Freres Swiss walnut music box, 19th century, playing two airs, on a three inch brass roller, 13cm wide, (key). Condition Report Numbered to the left of the comb possibly 10239 however the numbers are partly indistinct, the mechanism is dirty but working, although the music sounds rather crackly and distorted, would benefit from a professional service. Case has some chips to the corners.

A grey plastic tool roller cabinet and a grey plastic 'stack-on' tool box, largest 45cm wide x 60cm high.

A Dunhill silver plated 'unique' gas lighter, with box, booklet and outer box. Condition Report The lighter roller appears to be jammed and does not turn, otherwise in good condition throughout.

Reuge Music, Saint-Croix, a Swiss walnut and inlaid cylinder music box, the nine inch roller playing three airs by Frederic Chopin, 38cm wide. Condition Report Three small chips to the black veneer at the bottom of the right foot and center of lower beading otherwise in very good working condition.

A Swiss walnut and inlaid music box, late 19th century, playing two airs, on a three inch brass roller, 12.5cm wide, (key). (a.f).

SET OF CHEMIST'S SCALES BY OERTLING OF LONDON, comprising balance and weights, in glazed case with frieze drawer, 35cm high, along with other related items including pill roller, suppository and pessary moulds

French Fabric Sample Book, early 19th century Enclosing printed cottons of floral, striped, checked, floral, abstract in yellows, pinks, reds, browns, blues, greens and purple, each page has a blue multi-striped frame separated into 10 windows, enclosing samples sized 9cm by 5.5cm 29cm by 40.5cm by 4cm Comprising 49 single sided sample pages, 450 samples each bearing an oval label with a handwritten number, approximately 3% of the fabric samples are missing and some have been cut In a green mottled paper and leather book, stamped to the front Rouleaux Liebach Harmann & Co, A Thann handwritten to the inside page Rouleaux 1821 a dans de M Jques Harmann Liebach 1857, page one handwritten with Commence l'impressionau rouleau en fevrier 1821, translated as 'start roller printing in 1821', several handwritten notations to the margins of the book overall. Scuffing and wear to the binding, and some of the samples have been cut.

Alexander Johnson Remembered Man 1 (Plantain Worker USA, 1896), 2020 Oil, Charcoal and Matt Varnish on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Whatever I am working on, my paintings are always rooted in charcoal drawing. Subsequently these drawings are simplified and abstracted to produce the painted work. I'm interested in history and specifically history captured in the black and white era of photography from say 1860- 1965. I don't know why this monochrome era has always fascinated me so (even as a child) but it does and continues to provide source material for my work. More recently I have taken imagery from Victorian and Edwardian stereoscope cards and carte-de-visites (calling cards) and made paintings from them. Currently, I am working from still-shots of a short piece of film shot in 1929, at the beginning of the Great Depression in the USA, of the 'flagpole skater' who roller-skated non-stop for 51 hours above Holman's Department Store in Monterey California. The scene is included in the John Steinbeck novel Cannery Row and is proving to be a subject that is very fertile for me. Alexander Johnson has had work exhibited at numerous shows, including the Royal Academy of Art 2020 Summer exhibition.

Alexander Johnson Flagpole Skater 1, 2020 Oil, Charcoal and Matt Varnish on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Whatever I am working on, my paintings are always rooted in charcoal drawing. Subsequently these drawings are simplified and abstracted to produce the painted work. I'm interested in history and specifically history captured in the black and white era of photography from say 1860- 1965. I don't know why this monochrome era has always fascinated me so (even as a child) but it does and continues to provide source material for my work. More recently I have taken imagery from Victorian and Edwardian stereoscope cards and carte-de-visites (calling cards) and made paintings from them. Currently, I am working from still-shots of a short piece of film shot in 1929, at the beginning of the Great Depression in the USA, of the 'flagpole skater' who roller-skated non-stop for 51 hours above Holman's Department Store in Monterey California. The scene is included in the John Steinbeck novel Cannery Row and is proving to be a subject that is very fertile for me. Alexander Johnson has had work exhibited at numerous shows, including the Royal Academy of Art 2020 Summer exhibition.

Alexander Johnson Flagpole Skater 3, 2020 Oil, Charcoal and Matt Varnish on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Whatever I am working on, my paintings are always rooted in charcoal drawing. Subsequently these drawings are simplified and abstracted to produce the painted work. I'm interested in history and specifically history captured in the black and white era of photography from say 1860- 1965. I don't know why this monochrome era has always fascinated me so (even as a child) but it does and continues to provide source material for my work. More recently I have taken imagery from Victorian and Edwardian stereoscope cards and carte-de-visites (calling cards) and made paintings from them. Currently, I am working from still-shots of a short piece of film shot in 1929, at the beginning of the Great Depression in the USA, of the 'flagpole skater' who roller-skated non-stop for 51 hours above Holman's Department Store in Monterey California. The scene is included in the John Steinbeck novel Cannery Row and is proving to be a subject that is very fertile for me. Alexander Johnson has had work exhibited at numerous shows, including the Royal Academy of Art 2020 Summer exhibition.  

Alexander Johnson Flagpole Skater 4, 2020 Oil, Charcoal and Matt Varnish on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Whatever I am working on, my paintings are always rooted in charcoal drawing. Subsequently these drawings are simplified and abstracted to produce the painted work. I'm interested in history and specifically history captured in the black and white era of photography from say 1860- 1965. I don't know why this monochrome era has always fascinated me so (even as a child) but it does and continues to provide source material for my work. More recently I have taken imagery from Victorian and Edwardian stereoscope cards and carte-de-visites (calling cards) and made paintings from them. Currently, I am working from still-shots of a short piece of film shot in 1929, at the beginning of the Great Depression in the USA, of the 'flagpole skater' who roller-skated non-stop for 51 hours above Holman's Department Store in Monterey California. The scene is included in the John Steinbeck novel Cannery Row and is proving to be a subject that is very fertile for me. Alexander Johnson has had work exhibited at numerous shows, including the Royal Academy of Art 2020 Summer exhibition.

1900-20, 3¼×4¼,, with J. H. Dallmeyer No.2 Stigmatic Series Iif/6 lens, body, VG, lens, G, some light separation to perimeter, complete with C. P. Goerz focal plane roller shutter back

Great Exhibition.- Illustrated London News (The) Grand Panorama of the Great Exhibition All Nations 1851, presenting parallel views of both sides of the exhibition hall, with text beneath, wood-engraving with full hand-colouring, on 11 sheets joined, total approx. 280 x 6700 mm (11 x 263 in), mounted on linen, some nicks and tears, handling creases and surface dirt, on wooden roller lacking ends, with blue cloth flap lettered in gilt, mottled surface stains and very worn, wooden ends with loss, [1851-1852]

London.- Illustrated London News (The) Panorama of London and the River Thames, bird's-eye view showing from Vauxhall Bridge to Greenwich, wood-engraving with hand-colouring on two sheets joined, total size approx. 300 x 2520 mm. (11 3/4 x 99 1/4 in), some marginal tears and minor splitting, some handling creases and surface dirt, on wooden roller with red cloth flap lettered in gilt, wooden ends nearly completely lost, 1845; rolled with engraved key plan, [1845]

Retro items to include rollerblades, roller skates, Osmond's Collectors items, a Playcraft typewriter, an in-car DVD system, a Barney and Duracell Bunny and other items to include an Imperial 70 typewriter

A collection of various loose diecast models, Dinky Toys Bedford Van, military, Dinky Moto cart and Forklift, Corgi 007 Esprit, Dinky Electric Van, Steam Roller etc, (approximately 28).

A scarce novelty combination tape measure and pin cushion in the form of a roller skate, engraved to one side ‘A.J. Ward, 1910’, the complete tape printed in ins. and cms., and wound from the base, 4.5cm.                                                                                                                     From the collection of Margaret Blakeley

Model Cars - a Lesney model of a carriage, Lipton's Tea; another Fire Engine; others, steam roller, Santa Fe, Duke of Connaught, Osram Lamps, advertising; Lesney Models of Yesteryear; qty

TWO TRAYS OF ASSORTED SUNDRIES TO INCLUDE A QUANTITY OF LAMPS, PAIR OF ROLLER BLADES

Moriz Jung, für Cabaret FledermausWerbehandzettel/Probedruck des Cabarets Fledermaus, an einem Reif turnende Affen, im oberen Bereich Schriftzug „Cabaret Fledermaus“ und im unteren Bereich „2. Heft. 1907“, Lithographie, im Druck ligiertes Monogramm „MJ“, leicht gebräunt, Darstellungsmaße ca. 13,8 x 13,5 cm, Blattmaße ca. 21,7 x 14,6 cm. Künstlerinfo: österr. Graphiker (1885 Nikolsburg bis 1915 Höhe Maniloowa bei Lubné), 1901-08 Besuch der Wiener Kunstgewerbeschule bei Carl Otto Czeschka, Alfred Roller, Felician Myrbach und Bertold Löffler, gestaltete für das Cabaret Fledermaus ein Programmheft und ein Plakat, entwarf für die Wiener Werkstätte Bilderfolgen und Postkarten, Quelle: Wikipedia.

Maria Cyrenius, Südliche Hafenszeneexpressive Darstellung eines mediterranen Hafens, welcher fast gänzlich von den gelben, orangenfarbenen und roten Segeln der Fischerboote dominiert wird, das Gemälde stammt von der Hand einer ungewöhnlichen, innovativen Künstlerin - Maria Cyrenius - die ihr ganzes Leben selbstbewusst der Kunst widmete und stets danach trachtete, malerische Konventionen zugunsten einer tief empfundenen, zeitgemäßen Darstellung zu überwinden, zu Lebzeiten hoch geachtet - im regen Austausch mit Cuno Amiet und Max Pfeiffer Watenpuhl stehend - ist die Künstlerin heute zu Unrecht nahezu vergessen, 1917 bemühte sich Johannes Itten um Anstellung Maria Cyrenius in seiner Wiener Kunstschule und schreibt in einem Brief vom 2.2.1917 an die Künstlerin "... Möchte Ihnen nur schnell mitteilen, dass ich Sie als meine Kollegin betrachte und deshalb für Sie das Unterrichtsgeld auf 50 Kr. monatlich ansetze. Auch für den laufenden Monat. In der Hoffnung, dass Sie meinen Vorschlag annehmen, grüsse ich Sie bestens ...", Itten schreibt in einem weiteren Brief an Cyrenius vom 2.9.1918 anerkennend "... Besonders die Beilage freute mich, da ich daraus ersah dass Sie mit aller Kraft dem tiefen unbekannten nahe kommen wollen, und um das höchste Gut stetig ringen. An der Stetigkeit des Ringens erweist es sich ob die Arbeit aus Liebe oder um des Lohnes willen getan wird; aber um des Lohnes willen arbeiten heisst ein Löhnling sein. In des Löhnlings Werk fliesset nie die Kraft des reinen lebendigen Rythmus. Von der Arbeit aus Liebe getan wünschen wir dass Sie nie ende ...", das noch dem Jugendstil verpflichtete Gemälde zeigt schon erste Anklänge des Expressionismus und zeigt den ungewöhnlichen Fokus der Künstlerin, während konventionelle Künstler sicher die malerische Schönheit des Hafens und seiner Baulichkeiten im Bild thematisiert hätten, schildert Cyrenius, fasziniert von deren Leuchtkraft, eine aus bunten Tüchern gestaltete, dynamische "Landschaft" von Segeln der Fischerboote vor dem Blau des Wassers und lässt die architektonische Silhouette der Hafenstadt in den Hintergrund treten, pastose Malerei mit breitem Pinselduktus und leuchtender Farbigkeit, Öl auf Leinwand, wohl um 1906 während ihrer Italienreise entstanden, rechts unten signiert "M. Cyrenius", Craquelure, gering restauriert, Farbplatzer, etwas restaurierungsbedürftig, schön gerahmt, Falzmaße ca. 62 x 77 cm. Künstlerinfo: auch Marie Cyrenius, dt.-österreichische Malerin, Holzschneiderin, Illustratorin, Keramikerin, Emailkünstlerin und Pädagogin (1872 Lockstedt oder Lochstedt bis 1959 Klosterneuburg), früh verwaist, verlebte sie die Kindheit bis 1886 bei der Großmutter, ausgebildet an der höheren Töchterschule Gardelegen bzw. Braunschweig, Schülerin der Haushaltungsschule Bad Harzburg, 1890-92 Ausbildung zur Zeichenlehrerin in Berlin, 1892-94 Privatschülerin des Malers Paul Flickel in Berlin, ab 1898 Weiterbildung bei Ludwig von Herterich in München, ab 1900 in Wien ansässig, hier 1900-03 zunächst Schülerin von Alfred Roller an der Vorbereitungsklasse der Kunstgewerbeschule Wien und ab 1903/04 Schülerin von Rudolf von Larisch und Felician Freiherr Myrbach von Rheinfeld, hier schloss sie Freundschaft zu Helene von Taussig, Magda Mautner-Markhof (verehelichte Grasmayr), Emma Schlangenhausen und Hilde Exner, 1906-07 Reise nach Italien (Rom), 1909-12 mehrere Aufenthalte in Paris und Schülerin der Académie Ranson, zeitweise Aufenthalt in Worpswede, 1910 Schülerin von Cuno Amiet in Oschwand, beschickte ab 1906 Ausstellungen, unter anderem die Wiener Secession, 1914-15 Krankenpflegerin im 1. Weltkrieg, ab 1916 Privatschülerin von Johannes Itten in Wien und Schülerin der Kunstgewerbeschule, 1916 Schülerin der Keramikklasse von Michael Powolny, 1916 Eröffnung eines eigenen Ateliers in Wien, 1918 und 1920-21 Schülerin der Emailklasse von Adele Stark, folgte 1919-20 Johannes Itten ans Bauhaus Weimar und fungierte als Obfrau der Metallwerkstatt, schloss hier lebenslange Freundschaft zu Max Pfeiffer-Watenpuhl, 1921-37 in Wien und Salzburg vor allem als Emailkünstlerin freischaffend und parallel 1923-24 Schülerin von Josef Hoffmann in Wien sowie 1924-37 als Zeichenlehrerin am Salzburger Mädchen-Realgymnasium tätig, ab 1926 österreichische Staatsbürgerschaft, 1926 mit Pfeiffer-Watenpuhl in Ragusa [heute Dubrovnik in Kroatien], 1927 Reise nach Venedig, 1938-59 in Wien ansässig, beschickte in Salzburg die Kunstausstellungen des Sonderbunds österreichischer Künstler, des Salzburger Kunstvereins, des Wirtschaftsverbands bildender Künstler Salzburgs und der Salzburger Künstlervereinigung "Der Wassermann", beschickte ferner Ausstellungen in Wien, München, Paris, Berlin, Leipzig, Bern, Stockholm und Stuttgart, 1898-1911 Mitglied im Verein der Künstlerinnen zu Berlin, Mitglied in der Vereinigung bildender Künstlerinnen Österreichs und im Österreichischen Werkbund, erhielt diverse Auszeichnungen wie den "Grand Prix" auf der Pariser Weltausstellung 1937, Quelle: Saur "Bio-Bibliographisches Künstlerlexikon", AKL, "Käthe, Paula und der ganze Rest", Salzburg-Wiki, Österreichisches Biographisches Lexikon, Volker Wahl "Das Staatliche Bauhaus in Weimar - Dokumente zur Geschichte des Instituts 1919-1926" und Dressler.

One tray containing a quantity of various modern release Britains and other horsedrawn farming implements and effects to include a Britains horsedrawn roller, a Britains farmer's gig, a white metal modern release horse drawn plough, and other examples

A G&M Originals limited edition 1/32 scale boxed model of a Marshall steam roller, finished in blue, model requires restoration to rear canopy, but appears complete with certificate No. 2/100 released

A Mamod SR1A road roller with steering rod and fuel tablets and sold with Mamod miniature polishing machine

A Wilesco Old Smoky steam roller traction engine comprising of cream chrome and red body complete with funnel and burner, loose example

A foil-backed flat cut garnet brooch, possibly formerly an aigrette, with a pierced and arched leaf-shaped section, set with a central line of foil-backed flat cut octagonal garnets, with open scroll sections to each side, set with circular and oval foil-backed flat cut garnets. A ribbon and cluster to one end, set with foil-backed flat cut garnets. A later hinge, curved pin and revolver clasp. 73 x 23 x 8.5mm, 13.2gProvenance: The Estate of Virginia Chapman, late of Debden Manor.Condition report: Tested and valued as sterling silver.This piece was probably originally an aigrette, c.1710.Remnants of gilding.Remnants of a previous fitting to the main spine.An additional patch where the roller catch is fitted and at the hinge.Garnets bright and lively, no obvious deterioration to the foil.No obvious abrasion.A small chip to one corner of a garnet at the end, and a very small garnet cracked at the same end under 10x magnification.

An Art Deco peridot and diamond clip brooch, with a later pin and roller catch. An arrowhead-shaped brooch, with two outer rows of old European cut diamonds, all milligrain set, with a central row of graduated trapezoid cut diamonds, all channel set. A paper scroll at each end, milligrain set, with an old European cut diamond, with a circular mixed cut peridot, milligrain set at the end. Tested as approximately platinum and 14ct white gold. 44 x 24.00mm, 7.67gCondition report: Later brooch fitting a roller catch.Very small areas of wear to the table facet edges.Light surface marks to the mount.

A gold and enamel signal flag brooch, c.1930,in the style of Benzie, and of flagpole form, eight polychrome enamelled flags spelling 'good luck' with a twisted wire decorative rope, marked 9CT, base metal pin, 51mm long, 5.84g, together with a 9ct gold RAF tie tack, Birmingham 1991, 0.73g (2)Condition report: The last/lower flat with damage and losses to the blue enamel. Light surface wear to the mount.Tarnish at the hinge. Roller catch slightly stiff.Shallow surface loss in one corner of second flag.Enamel scratched.

A Continental gold amethyst and cultured pearl brooch/pendant,with an open cluster of six, pear cut amethysts. Open scrolling sections between, with incised and textured decoration, and a pear cut amethyst drop below. Fully drilled cultured pearl drops to the outer edges, with a drop-down bale and brooch pin, with roller catch. Marked 750. 60 x 44mm, 19.08gCondition report: Light surface marks to the amethysts.Surface reaching inclusions to some of the amethysts.Light surface marks to the gold.Clasp secure.

A white gold diamond and sapphire India Star brooch,with a brilliant cut diamond, grain set to the centre radiating tapered rays, grain set with pairs of graduated brilliant cut diamonds, with sapphire set rays between, pin and roller catch. Tested as approximately 18ct gold. 30mm diameter, 6.48g. A case by 'Mappin and Webb Ltd.'Condition report: The setting is secure.Clasp secure.Some surface marks to the reverse.Tested as 18ct white gold. Not hallmarked.Estimated total diamond weight approximately 0.75ct.No tarnish or discolouration.Principle diamond assessed as approximately: colour J-K, clarity SI1-SI2Small diamonds assessed as approximately: colour G-I, clarity SI1-I1Please view additional images.

A ruby and diamond two colour bar brooch,with alternating circular mixed cut rubies and old European cut diamonds, all claw set to two row underbezels, pin and later roller catch. Tested as approximately 18ct gold and platinum. 37 x 3.70mm, 3.29gCondition report: A replacement fairly modern roller catch.

A white gold black diamond, diamond and fancy diamond, bee brooch,with black diamonds, pavé set to the head and thorax. The abdomen composed of alternating rows of black and fancy light yellow diamonds, all grain set, the wings grain set with brilliant cut diamonds to a pin and roller catch. Marked 750. 58 x 30mm approximately, 11.88gCondition report: One black diamond eye deficient.Pin and roller catch in working order.Surface reaching inclusions to the black diamonds.No maker's marks.The soft colours of the yellow and the variations in saturation would indicate they are more likely to be natural, but without a lab report we cannot state categorically.Not period - fairly modern.  

A collection of loose playworn and repainted Dinky Toy farming interest diecasts, mixed examples to include Massey Harris tractor, Aveling & Barford roller, manure spreader, various trailers, stake truck and various other examples

A 14ct rose gold and diamond brooch in the form a fur tree branch with pine cones, set with three small claw set round brilliant cut diamonds, diamond weight approx 0.10ct, length approx 40mm, pin and roller clasp fitting, stamped 14k, total gross weight approx 14gmsCondition report: Good- all stones present and intact, minor wear and tear, slight bend to pin

A diamond and emerald spray 18ct white gold  brooch, comprising two daisy heads each one rub over set to the centre with a round old cut diamond, each petal grain set with round old cut diamonds with further diamonds set to the leaves and terminals, total diamond weight approx 1.20carats, with three oval cut emeralds interspersed, length approx 60mm, roller clasp and pin, total gross weight approx 17.2gms Condition report: Good- all stones present and intact, minor wear and tear to metal, clasp in working orderCONDITION:centre stones approx 0.20ct, 0.25ct 

A collection of assorted watercolours comprising botanical study Ramsons and Cowslip by Shirley Anne Johnson, shipping scene by Darak Caistar entitled Thames Barges, a steam roller scene by Peter Merrin and a Tower Bridge scene, indistinctly signed (4)

A David Andersen Norway silver and enamel pansy brooch, with purple and mauve enamel, size approx 40mm, roller clasp and pin, marked to reverse David Andersen Norway Sterling 925SCondition report: good- all enamel present and intact, tarnish in areas, marks clear, slight bends to pin and clasp would benefit from tightening 

SET OF ROLLER SKATES

Eubank Empire Roller Sweeper together with a Wine Rack

A French 18ct white gold ruby and diamond bird brooch. The brooch in the form of a bird having a pavé set diamond body and a ruby set eye, completed with roller clip fastener. Estimated diamond weight 2cts. French eagle assay mark to body.  Measures approx 2inches. Weight 10.3g.

A mid century French 18ct gold sapphire and diamond brooch. The brooch being formed in the style of an oversized bow with flower spray and lattice work. Completed with roller clasp. Assay marks to the pin and body of brooch, including partial owl import mark. Weight 16g. Measures 2 inches.

A BOXED WILESCO LIVE STEAM ROLLER (DAMPFWALZE), No.D365, 'Old Smoky' not tested, appears complete and in good condition with accessories, instructions and fuel, with Remote Control Lead No.D361 and instructions, box complete with packing piece but has some minor damage and wear

CANADA STAMPS 1897 Diamond Jubilee used set to $2, top values with roller cancels, 1/2c thinned, other minor faults, but still a difficult stamps.

Original Ferrari 458 Speciale complete 3-piece Schedoni luggage set.Original 2013 - 2015 Ferrari 458 Speciale Complete 3 Piece Schedoni luggage set in black alcantara comprising:2 x Roller Cabin luggage bags1 x Shoulder bag3 x Dust bagsThis lovely complete Schedoni luggage set is perfect for any trips you have planned in your Speciale. Tailor made by Schedoni in Modena, and trimmed in the same Alcantara as the seats, this black set with red stitching would be perfect for either a Rosso or Nero spec car. The set is brand new, complete with the original silk dust bags, and still retains the original packing inside to maintain the shape of the bags as well as having the original protective wrapping on the zippers! If you own a Speciale and didn't opt for the luggage from new, this set is a must have. Please contact Shan Stokes on 07890 0933372 / shan@silverstoneauctions.com to discuss the lot in more detail. Click here for more information and any additional photographs

Worksplate AVELING & PORTER ENGINEERS ROCHESTER KENT ENGLAND BY ROYAL LETTERS PATENT No2350 1888 ex 10 ton single cylinder road roller. Dispatched new to Kirkleatham UDC Yorkshire, then to Redcar UDC and lastly to Bomford & Evershed Salford Priors. It was scrapped in the late 1930's. Oval engraved brass, face polished, and complete with most of the original black wax infill. Measures 10in x 7.5in.

A Collection of Vintage Toys, including a 1950's 'Goblin' washing machine and roller, a Britains model of Big Ben and soldiers, small puzzles etc:- One Box

NZG, Siku, Joal, First Gear, Corgi - An unboxed collection of 15 mainly diecast construction and commercial vehicles in various scales. Lot includes First Gear Mack Truck; Joal Cat CB534 Roller; nCorgi Volvo FH15 'Chris Bennett' and similar. Models show signs of display and have minor wear, but overall generally appear to be in Good - Excellent overall condition, and are unchecked for completeness.

Wilesco - An unboxed Wilesco live steam D366 'Old Smoky' brass and black steam roller. The model has signs of display and use but generally appears to be in Excellent unboxed condition.

Crescent tractor and trailer plus other similar items: Good large die cast lorry, London maker hard to read, large scale garden implements roller, mower etc plus water pump, old coach etc.

A 1930s Brimtoy Pocketoy No 9/501 tinplate clockwork Mechanical Steam Roller in original carton

A Moko Lesney 1-75 No 1 - Diesel Road Roller, dark green, very good, boxed.

Seven pens and pencils, including a Conway Stewart 57 fountain pen and pencil in Conway Stewart box, a stainless steel Parker biro in box, a Parker Duofold, a Parker 25 in box, a Parker roller ball and a Platignum fountain pen

A Dunhill roller ball pen, gilt with black panel to clip, in box

A large cased roller rule by Adie & Son, Edinburgh, 60cm wide Condition Report: Available upon request

A Mamod live Steam Roller SR1A, boxed.

A 1966 Ducati 350 classic racing motorcycleEngine number DM 25094450Ducati frame with narrow case engineMarzocchi forksDouble sided Grimeca front brakeFlanged alloy rimsHagon rear shocksVic Camp style aluminium fuel tank Nova Close ration gearbox with straight cut gears and alloy clutch basketLacey built crank with Husaberg con rod Green/white cam with rocker are roller bearing conversion34 mm Amal MK2 concentric carbLucas Rita ignitionPitsch Kroba type tachoRaced by the owner on short circuits and 8 times M.G.P classic races Various race wins at Darley Moor and winner two years running Aintree club 350 Classic ChampionshipGood condition and ready to raceMotorcycle location: LoughboroughAll lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to biddingPlease read our terms and conditions