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19703 item(s)/page
DONALD ROLLER WILSON (American b. 1938) A PAINTING, "Helen Longed for the Pickle," 1981, oil on canvas, signed, dated and titled L/L, "DONALD ROLLER WILSON. 1981/15 8:00 P.M. APRIL FOOLS' DAY (ALL FOOLS') THE QUEEN'S DOG'S AUNT HELEN â¤ï¸Ž," verso paper gallery tags. 24" x 21" Provenance: Moody Gallery, Houston, Texas; Exhibited at Little John-Smith Gallery, New York, New York for the "Dog Days of August," exhibition, July 15 - August 20, 1986; Holly Solomon Gallery, New York, New York; LewAllen Gallery, Santa Fe, New Mexico. Condition: Some minor surface stains, but overall in good to very good condition, wear commensruate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
DONALD ROLLER WILSON (American b. 1938) A PAINTING, "Shirley's Friend Looked at the Wall on the Other Side of the Hall...," NOVEMBER 1983, oil on canvas, "...Where he had been promised she would show up but she never did. 1983/11. Monday May 16. 1:43 P.M.," and signed near center, "DONALD ROLLER WILSON," verso a gallery label. 16" x 12" Provenance: Moody Gallery, Houston, Texas. Personal Collection of Roy H. Van Horn, Houston, Texas. Condition: Some craquelure, mild stretcher mark at right, some surface wear and a surface mark L/R, but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
DONALD ROLLER WILSON (American b. 1938) A PAINTING, "Larry's Match Was Too Wet to Light," 1981-1985, oil on pressed board, signed L/C, "Donald Roller Wilson. 1981/5. 7:11 P.M. Wednesday. February 11," verso a paper gallery label. 8" x 10" Provenance: Moody Gallery, Houston, Texas; Personal Collection of Roy H. Van Horn, Houston, Texas. Condition: Some small craquelure throughout, surface dust and debris, occasional translucent surface spots, gallery label with losses, but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
One tray containing a quantity of various modern release white metal horse drawn farming equipment to include a twin axle horse drawn pig cart, a Britains style white metal horse drawn roller, a Britains style four wheel horse drawn hay wagon and others, manufactures to include Tumbledown Farm and others
One tray containing a quantity of various Timpo Britains and other lead hollow cast and diecast farming and zoo related miniatures, to include various zoo animals, a Britains horsedrawn farm roller, a selection of various Britains fencing/gate sections, a Timpo giraffe and other pieces included
Matchbox, Corgi - 21 Boxed diecast vehicles predominately by Matchbox Models of Yesteryear. Lot includes MOY Y2 1930 Bentley; MOY Y21 1894 Aveling-Porter Steam Roller; Corgi #61205 Corgi 'Bourneville' Van; and similar. Models appear to be in Mint condition in Fair -Very Good boxes with storage wear and general imperfections.
Mamod, Ertl - An unboxed Mamod SR1 Steam Roller together with a boxed Ertl 1:16 scale International Farmall Tractor. The Mamod engine shows signs of use and play and overall appears in Good, dusty condition complete with meths burner and scuttle. The Ertl tractor appears in Mint condition in a Fair Plus - Good box with storage imperfections. (2)
Vintage toys: to include Chad Valley wooden counting clock, two Penguin clockwork boats, Tinplate Mettoy Tractor with Trailer, moonstone Taxi, clockwork reversing road roller, battery operated fire chief car, CWS (Co-operative wholesale society) biscuit tin in the firm of a post box, Charbens die cast Ford car, wooden castle.
RAF interest- A silver and paste set brooch in the form of a Spitfire airplane, the wings decorated with paste set stones and enamel targets, size approx 30 x 35mm, pin and roller clasp, marked sterling silver, total gross weight approx 7.2gms along with a silver and gold plated paste set spray brooch, length approx 50mm, barrel pull out claspCondition report: two stones missing- some replacement stones and slight wear to enamel, spray brooch wear and tear all stones intact
A 9ct gold navette shaped presentation brooch, inscribed 'in lumine luce' length approx 40mm, roller clasp and pin, stamped 9ct ,weight approx 8.7gmsCondition report: Good- minor wear and tear only CONDITION:A 9ct gold navette shaped presentation brooch, inscribed 'in lumine luce' length approx 40mm, weight approx 8.7gms
An Italian gold sapphire set brooch, of openwork knot form claw set with rows of three and four circular mixed cut sapphires, with pin and roller catch, marked 750, Italian official national marks 1944 to 1968, for Alessandria, 40mm diameter, 10.94gCondition report: Abrasions/chips to the sapphires.Wear to the claws, one claw missing.Minor surface marks to the gold.
A Victorian gold amethyst brooch, an oval mixed cut amethyst, milligrain set to a plain collet, with scrolling milled wire frame, with later metal pin and roller catch, tested as approximately 9ct gold, 27 x 23mm, 5.58gCondition report: Pin and roller catch are later additions, have been soft soldered to the brooch.Soft solder and later fittings visible through the front of the brooch.Some surface marks/scratches to gold.Pin a little bent.
A gold and silver diamond set horseshoe bar brooch, a horseshoe shaped centrepiece with a slightly graduated row of old eight and old European cut diamonds in silver clawed collets backed in gold, applied to the centre of a bar brooch designed as opposing riding crops, with pin and roller catch, tested as approximately 9ct gold and sterling silver, with metal pin, 51mm long, 4.61gCondition report: Minor surface marks/scratches to metal.Roller catch and pin are later replacements.
An 18ct white gold diamond and gemstone en tremblant dragonfly brooch, a row of buff top green gemstones channel and rub set to the body, with a lower pair of wings pavé set with brilliant cut diamonds, and an upper pair of wings, mounted en tremblant, and set with square mixed cut blue topaz, to pin and roller catch, Edinburgh 1999, 40 x 56mm, 11.38gCondition report: Some of the diamonds slightly dirty, would benefit from being cleaned.Pin and catch in working order.
A silver plique-à-jour enamel butterfly brooch, with red, yellow and green plique-à-jour enamel wings, marcasite set abdomen, cultured freshwater pearl thorax and circular mixed cut ruby eyes, with pin, roller catch and concealed pendant bale verso, 56 x 51mm, 10.00gCondition report: Minor surface marks/scratches/tarnish to silver.Surface reaching inclusions to the rubies.
A quantity of jewellery, to include a Victorian gold and silver, chalcedony and turquoise brooch, the oval chalcedony plaque applied with a silver turquoise set forget-me-not, rub set in gold with scroll frame, tested as approximately 9ct gold, with later gilt metal fittings and plates, 41 x 33mm, an 'Amerikaner' gold plated spray brooch, with pin and roller catch, marked Amerikaner A*D, possibly by Andreas Daub, an oval hinged 9ct metal core bangle, by Henry Griffiths & Sons, a single row graduated cornelian bead necklace, a bead necklace, and a metal box chain (6)
An Arts & Crafts silver dyed green agate and moonstone brooch, attributed to Sybil Dunlop, a lozenge shaped cabochon dyed green agate rub set to the centre, with a trefoil of circular cabochon moonstones in clawed collets at each point, with scrolls and circular cabochon moonstones between, to pin and roller catch, tested as approximately sterling silver with metal pin, 47 x 40mm, 17.10g, together with an unmounted circular cabochon moonstone (2)Condition report: A slight chip to one of the moonstones. The loss appears to be at the surface of a surface reaching fracture. Very minor surface marks to some of the other gemstones.Minor surface marks/scratches/tarnish to metal commensurate with age.Pin very slightly bent. A nice blue schiller to most of the moonstones.
AN IMPRESSIVE TIBETAN THANGKA OF PALDEN LHAMO, C. 1900 Tibet, c. 1900. Impressively painted with tempera on cloth. The vivid thangka depicts Tibet's protector, Palden Lhamo (a Tibetan form of the ancient Indian deity Shridevi), encircled by her entourage, riding her mule through a sea of blood. Palden Lhamo's name means 'Glorious Goddess'. A myth surrounding this goddess tells of how, moved by compassion for sentient beings, she threatened to kill her own son if her husband would not cease from performing human sacrifices. Forced to carry out her ultimatum, she used her son's flayed skin as a saddle whilst fleeing the kingdom. Mounted and the roller ends of brass. Condition: Good overall condition with losses to painting, crackling, creases, minor touch-ups – all as visible in the images provided. Some soiling to the mounting. One of the roller ends slightly loose. Provenance: Austrian private collection. Dimensions: Total size 119.5 x 76 cm, image only 65.5 x 45.5 cm
A HANGING SCROLL PAINTING OF A PRUNUS TREE, QING China, Qing dynasty (1644-1912). Ink painting with some color mounted as a hanging scroll, depicting a flowering prunus tree. Signature, inscription and three seals in the upper right corner with another seal in the bottom left corner. Ivory roller ends. Condition: Some creases and soiling. Provenance: Collection of Rodney Pete and Marge Henricksen. The Henricksens formed their collection while living in Japan in the 1960s and early 1970s. Dimensions: Total size 198 x 57.5 cm, painting only 160 x 40 cm.
A HANGING SCROLL PAINTING AFTER YU ZHIDING (1647-1709) China, Qing dynasty (1644-1912). Depicting an impressive and idyllic landscape scene featuring a meandering river, fishing huts, trees and mountains. With a brocade mounting and wood roller ends. Signature and two seals in the upper right corner. Condition: The mounting with some repairs, wear and tear. The image with horizontal creases and some associated wear and a small hole in the upper left corner. Provenance: Collection of Rodney Pete and Marge Henricksen. The Henricksens formed their collection while living in Japan in the 1960s and early 1970s. Dimensions: Total size 193 x 63.5 cm, painting only 154 x 43 cm.
A HANGING SCROLL ‘SHAN SHUI’ PAINTING, QING China, Qing dynasty (1644-1912). Depicting an idyllic landscape scene featuring a river, huts, trees and mountains. Mounted as a scroll with wood roller ends. Signature/inscription and seals in the upper left corner with another two-character inscription in the corner in the back. Condition: The mounting with some wear and tear. The painting with some wear and soiling. Creases. Provenance: Collection of Rodney Pete and Marge Henricksen. The Henricksens formed their collection while living in Japan in the 1960s and early 1970s. Dimensions: Total size 151 x 47.5 cm, painting only 102 x 29.5 cm.
A STONE RUBBING HANGING SCROLL DEPICTING BAMBOO, LATE QING China, late Qing dynasty (1644-1912), 19th century. Depicting leafy stalks of bamboo with two seals and an inscription. With bamboo roller ends fitting to the depiction of the scroll. Condition: Good overall condition some wear and creases to mounting. The image with some losses and a repaired tear in the back. Provenance: Austrian private collection. Dimensions: Size total 175 x 60.5, Size stone rubbing print only 107.5 x 40.5 cm.
AFTER LIN FENGMIAN: A HANGING SCROLL PAINTING, 1920 China, 1920s. Artist signature Lin Fengmian. The painting depicting a man carrying baskets next to tree, many ships visible on the horizon. Brocade mounting and lacquered wood roller ends. Signature, inscription and red seal in the upper right corner. Condition: Some repaired tears to the mounting. The image in good condition. Provenance: Dutch private collection. Dimensions: Total size 151.5 x 51 cm.
A HANGING SCROLL PAINTING, LATE QING China, late Qing dynasty (1644-1912). The ink painting mounted onto a scroll and depicting resting fishermen drinking tea and eating below willow trees and an impressive mountainous landscape. Signature, inscription and seals to the upper right corner. Condition: Good condition with some expected creases and soiling, as visible in the images provided. One of the wood roller ends lost. Provenance: Hungarian private collection. Dimensions: Total Size 211 x 57 cm.
AFTER ZHANG DAQIAN (1899-1983) A large painting with depictions of lotus flowers and leaves on unusual gold paper, in the manner of Zhang Daqian. Signed and with three seals: Zhang Daqian. Wood roller ends. Condition: Good condition, minor creases. Provenance: From a European private collection. Dimensions: 224.5 x 82 cm (with mounting), painting size: 132.5 x 66 cm
LIU YUESHENG (B. 1941): A HANGING SCROLL PAINTING DATED 1982 China, Renxu (1982). The painting likely relating to the legend of Nüwa, the mother goddess of Chinese mythology, repairing the sky. A paper label in the back reads: Liu Yue Sheng: ‘Flight of the fancy Fee [fairy]’. With wood roller ends and a fitted brocade storage box. Condition: The image in good condition, the mounting with a repaired tear and some creases. Provenance: Croatian private collection, formerly in the collection Prof. Dr. D. Nowak (as per label on the fitted brocade storage box). Dimensions: Size 156 x 62 cm.
MA QUAN (B. 1938): A HANGING SCROLL PAINTING, DATED 1987 China, Dingmao (1987). By Ma Quan (b. 1938). Depicting a beauty in front of a flowering tree. Inscription with one red seal to the right with another large red seal in the left upper corner. With wood roller ends. Condition: Excellent condition. Only very minimal creases. Provenance: Croatian private collection. Dimensions: Size total 196.5 x 66.5 cm.
AFTER QI BAISHI (1864-1957): A HANGING SCROLL PAINTING China, 20th century. After Qi Baishi. Depicting a lobster and two catfish. Signature, inscription and red seal to the upper left corner, with another seal in the bottom right corner. Condition: Good condition, some creases. No roller ends. Provenance: Austrian private collection. Dimensions: Total size 170 x 80 cm.
A KAKEJIKU OF A SAMURAI Japan, 19th century, Edo period (1615-1868) The scroll painting with lacquered wood roller ends and a finely painted central image depicting a samurai with a sword and war fan. Signed and sealed. SIZE total 185.5 x 49.5 cm, image only 100 x 35.5 cm Condition: Very good condition, some expected wear and creases. Provenance: Croatian private collection.
A KAKEJIKU OF A BEAUTY Japan, 19th century, Edo period (1615-1868) The scroll painting with ivory roller ends and a finely painted central image depicting a beauty. Signed and sealed. SIZE total 1124 x 49 cm, image only 35.7 x 29 cm Condition: Very good condition, some expected wear and creases. Provenance: Croatian private collection.
Fayence-Walzenkrug, 18. Jh., Kobalt-blauer Dekor mit springendem Hirsch und Hirschkuh, Zinndeckelmontage mit kugelförmiger Daumenrast, Deckelinnenseite mit Punzen. Unter dem Boden wurde die Zinnmontage geöffnet/aufgebogen, um die kobaltblaue Signatur/Marke freizulegen. Leicht ber., Montage mit kleineren Dellen, H. 27 cmFaience roller jug, 18th century, cobalt blue decoration with jumping stag and hind, pewter lid mount with spherical thumb latch, lid interior with hallmarks. Underneath the base, the pewter mounting has been opened/bent up to expose the cobalt blue signature/mark. Slightly rubbed, mounting with minor dents, h. 27 cm.
Fayence-Walzenkrug, 18. Jh. Umlaufender, polychromer Dekor mit Ernteszene, Zinndeckelmontage mit kugelförmiger Daumenrast, Deckelinnenseite mit Punze. Leicht ber. und best., H. 24 cmFaience roller jug, 18th century. Circumferential polychrome decor with harvest scene, pewter lid mounting with spherical thumb rest, inside of lid with hallmark. Slightly rubbed and bumped, h. 24 cm.
2 Walzenkrüge, Westerwald, um 1800. Graues Steinzeug mit figürlichem und ornamentalem Ritzdekor und Kobaltblauer Staffage. Zinndeckelmontage, Daumenrasten fehlen. Leicht ber.,Haarriss, H. 21 cm2 roller jugs, Westerwald, around 1800. Gray stoneware with figural and ornamental incised decoration and cobalt blue staffage. Pewter lid assembly, thumb catches missing. Slightly rubbed,hairline crack, h. 21 cm
Armlehnsessel um 1860, Nussbaum massiv, geschweiftes Gestell mit floralem Schnitzwerk auf Rollenfüßchen, passend zur vorherigen Position, 100 x 60 x 56 cm.- Das Möbel kann nicht in unseren Räumen besichtigt werden.Armchair around 1860, solid walnut, curved frame with floral carving on roller feet, matching the previous item, 100 x 60 x 56 cm.- The furniture can not be viewed in our rooms.

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19703 item(s)/page