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19703 item(s)/page
Matchbox Regular Wheels group of Construction vehicles. (1) 1b Aveling Barford Diesel Road Roller - light green body with gold trim, tan driver, red metal rollers (2) 3a Site Mixer - blue body with engine cover handle cast, orange metal wheels with flat crimped axle (3) 8b Caterpillar Tractor - pliable green rubber tracks (4) 24a Weatherill Hydraulic Excavator - yellow, silver trim, metal wheels with crimped axles (5) 28b Thames Trader Compressor truck - oraange yellow body - generally Near Mint to Mint in Good to Good Plus type B2 boxes (clean bright models possibly old shop stock).
A collection of 9ct gold jewellery to include a brooch modelled as a parasol set with ruby, emerald, sapphire and diamond decoration, length approx 40mm, pin and roller clasp to reverse, along with a stone set full eternity ring, width approx 2mm, size O, combined total gross weight approx 5gms together with two pairs of 9ct gold hoop earrings, weight approx 1.6gms Further details: stones present, some with wear, wear and tear commensurate with age slight dents to earrings
A ruby and 9ct gold brooch in the form of a leaf, set with thee round mixed cut rubies, length approx 30mm, pin and roller clasp, total 4.2gms, along with a pearl set Victorian Etruscan oval brooch set gold brooch, base metal modifications/ components to reverse, total gross weight approx 3.4gms Further details: all stones present and intact, some abrasions, to ruby brooch minor wear commensurate with age, dents and modifications to the other
LJN vintage Dune vehicles and weapons x 6, including Spice Scout, Sand Roller, Sand Tracker, Sand Crawler (crack to wind shield), Electronic Fremen Tarpel Gun and Sardaukar Laser Gun, all Good to Excellent complete, also includes Fleer Bubble Gun Trading card packs x 3, all Excellent unopened. (9)
A Gretsch 1959 Double Anniversary hollow-bodied electric guitar, model 6118Body: Hollow, two-tone smoke green with ivorine bindings, floating scratchplate, serial no.39732Neck: Maple, mid-greenFingerboard: Rosewood, inlaid pearloid markers, 21 fretsHeadstock: Solid, inlaid pearloid logo, applied 'Anniversary Model' plaque, polished steel machine headsPickups: 2 GretschBridge: Bigsby roller tremoloControls: 3 chrome volume knobs, 2 three-way switchesSize: 41.5" overall, scale length 24"Accompaniments: Associated period hard caseProvenance:The Neil Jackson collection.Footnote:Introduced in 1958, the Gretsch Anniversary models followed the same construction pattern as the firm's cornerstone models such as the 6120 Chet Atkins. Both had hollow bodies that were 16 inches wide and 2.5 inches deep, made from braced laminated maple, with dual f-holes and rounded cutaways. Likewise, their necks had ebony or rosewood fingerboards, and they were made to the shorter traditional 24.5-inch Gretsch scale length. The Single Anniversary had one Filter’Tron humbucking pickup in the neck position, a tone switch, and a single volume control. The Double Anniversary boasted two Filter’Tron pickups, a three-way selector switch beside the tone switch on the upper bout, plus an individual volume control for each pickup in addition to the master volume on the horn. Each was available in a sunburst finish or a stylish two-tone, which had a light ‘Smoke Green’ on the top and contrasting darker green on the back and neck, as in the present lot.Condition:Immediately playable. Signs of age and use including minor craquelure to lacquer, some de-chroming to one of the control knobs, wear to the underside of the neck around frets 1 to 7, minor chips and scratches in places, one tuner bent. Case showing some wear but is serviceable.
A Burns, London, 'Vista Sonic' electric guitar, circa 1962Body: Sunburst cherry red, black scratchplate with etched logo, serial no.197Neck: Sunburst cherry redFingerboard: Rosewood, inlaid pearloid dots, 22 fretsHeadstock: Solid S-type, applied acrylic Vista Sonic logo, polished steel machine headsPickups: 3 Burns Tri SonicBridge: Roller tremoloControls: 1 volume, 1 tone, 1 three-way 'Base/Treble/Wild Dog', 1 two-way switchSize: 39" overall, scale length 24"Accompaniments: Vintage hard caseProvenance:The Neil Jackson collection.Footnote:Introduced in June 1962, the Vista Sonic joined the Split Sonic in Burns London line-up, replacing the Vibra-Artist models. Featuring a bolt-on neck design and new polyester finish, the instrument also boasted 'split sound' giving stereo bass and treble, 'Wild Dog' treble, promising brilliant highs with no distortion, and a sensitive manual vibrato. The model lasted until 1964 when the Nu-Sonic replaced it.Condition:Immediately playable. Good overall with some signs of age and use including stress hairlines to the scratchplate, minor scratches to the lacquer in places. Case fair to good with some signs of age and use.
A Gretsch Chet Atkins 'Country Gentleman' electric guitar, circa 1963 Body: Hollow dark cherry mahogany, ivorine bindings, floating scratchplate Neck: Maple Fingerboard: Ebony, inlaid pearloid markers, 22 frets Headstock: Solid, black lacquer top, inlaid pearloid logo, applied Chet Atkins plaque, Grover gilt machine heads Pickups: 2 Bridge: Gretsch Bigsby roller tremolo Controls: 1 volume, 2 tone, 3 three-way switches, 2 damper switches Size: 42" overall, scale length Accompaniments: Period hard case Provenance:The Neil Jackson collection. Footnote:The Gretsch Country Gentleman guitar, introduced in 1957, is one of the most iconic models produced by the firm, designed in collaboration with the legendary guitarist Chet Atkins, who sought a sleek, stylish instrument with a versatile tone suitable for various music styles.The original Gretsch Country Gentleman featured a hollow body design with a double-cutaway shape, allowing for easier access to the higher frets. It was made of laminated maple and had a 17 inch wide body with a stylish walnut finish. The guitar also came equipped with unique 'hump block' inlays, a Bigsby vibrato tailpiece, and Gretsch's 'Filter'Tron' humbucking pickups, which provided a warm, clear sound with reduced noise, making it suitable for both country and rock musicians.The Country Gentleman gained widespread popularity in the early 1960s, particularly after George Harrison of The Beatles adopted it as his main guitar. Harrison's use of the guitar on numerous Beatles recordings, such as I Want to Hold Your Hand and during their iconic 1964 performance on The Ed Sullivan Show, solidified the instrument's place in rock history and led to a surge in its popularity.Over the years, Gretsch has released several versions and reissues of the Country Gentleman, maintaining the guitar's classic aesthetic while incorporating modern innovations to meet contemporary players' needs. Today, the Gretsch Country Gentleman remains a beloved and sought-after model, celebrated for its rich heritage, distinctive sound, and connection to some of the most influential guitarists in music history.Chet Atkins (1924–2001) was an influential American guitarist, songwriter, and record producer, widely regarded as one of the most important figures in the development of country music and the Nashville sound. Born in Luttrell, Tennessee, Atkins displayed an early talent for music, learning to play the guitar, mandolin, and fiddle. His innovative fingerpicking style, influenced by Merle Travis, Django Reinhardt, and Les Paul, set him apart as a guitarist and earned him the nicknames 'Mister Guitar' and 'The Country Gentleman'. Condition:Immediately playable. Some signs of age and use including small chips and light scratches, wear to gilding on tailpiece and tremolo arm and wear to gilding on tuners. The dampers have both vulcanised. There is some light craquelure to the headstock. The case is heavily worn.
A Gretsch Chet Atkins 'Tennesean' electric guitar, circa 1961 Body: Hollow, natural mahogany, simulated inlaid F-holes, ivorine bindings, floating plexiglass scratchplate with Gretsch logo Neck: Maple Fingerboard: Rosewood, inlaid pearloid thumbprint markers, 22 frets Headstock: Solid, inlaid pearloid logo, polished steel machine heads, serial no.74211 Pickups: 2 Hi-lo 'Tron Bridge: Gretsch Bigsby roller tremolo tailpiece Controls: 1 master volume, 2 pickup volumes, 3 three-way switches Size: 41.5" overall, scale length 24" Accompaniments: Associated period hard case Provenance:The Neil Jackson collection. Footnote:The Gretsch Chet Atkins Tennessean was introduced in 1958 as an affordable alternative to the higher-end models. While it was the same size and shape with similar specifications including a hollow, laminated-maple body, f-shaped soundholes, maple neck with dark centre lamination, and 6120-style thumbprint fingerboard inlays on the bass side, this was the only Atkins-endorsed model with just one pickup, and it had less ornamentation. Typical of 1958, it had a Filter’Tron pickup of the same style used on the more deluxe Atkins models of the same year, placed in the bridge position. While the top and back of the body were bound, with the same bridge and Bigsby tailpiece as other Atkins models, the headstock and fingerboard of the early Tennesseans were unbound. The pickguard was constructed of Plexiglas with Atkins signpost logo, Gretsch logo, and black back-paint, whereas the other Atkins models of that year had gold back paint on the guards.In 1961, the specs of the Tennessean were altered, as with the present lot, to include a 2.25 inch deep body, painted on simulated f-holes on a dark cherry-walnut stain, two single-coil Gretsch Hi-Lo’Tron pickups, master volume knob on the cutaway bout, three-position pickup selector, tone toggle on the upper bass bout, two volume knobs on the lower bout, and white binding on the fingerboard and top of the body.
OASIS / RELATED - 7" COLLECTION. A collection of 21 x 7". Titles include The Shock Of The Lightning, I'm Outta Time (x 2), Beady Eye inc Soul Love, Second Bite, Shine A Light, Bring The Light, The Roller, Liam Gallagher inc All You're Dreaming Of..., Shockwave, Noel Gallagher's High Flying Birds inc Lock All The Doors (x 3), The Dying Of The Light, Ballad Of The Mighty I, In The Heat Of The Moment, Riverman, AKA.. What A Life, If I Had A Gun, The Death Of You And Me (x 2). The condition is generally Ex+/ As New/ sealed.
A yellow metal diamond square openwork brooch, signed Cartier, comprising a centre floral cluster of seven round brilliant cut diamonds with an outer border of eight trefoils of round brilliant cut diamonds, all in claw settings, with a roller catch fastening, diamond diameters between approx 2.55 and 3.25mm, total weight estimated as 1.92 carats, assessed mounted collectively colour H to I and clarity VS1 to VS2, brooch diameter 32mm, not marked but tested as 18ct goldPartial Cartier signature to back but not believed to be Cartier.Hairline cracks in bars under centre stone.Metal tarnished.
A yellow metal square shaped peridot, amethyst, and half pearl brooch, comprising a centre cluster of seven 3.6mm half pearls within a scrollwork mount, with four oval peridots alternating with four round amethysts, having roller catch fastening, peridot dimensions each approx 3.85 x 2.2mm, total weight estimated as 0.72 carats, brooch dimensions 35 x 25mm, gross weight 7g, not marked but tested as approx 14 to 15ct gold
New American Musical Box in Original-Versandkiste, 1887Eine Variante der Gem Roller Organ, amerikanische Organette mit Holzwalzen, Hersteller: "Autophon Company", mit Goldfarbe ornamentiertes Holzgehäuse (36 x 32 x 20 cm), 20 Tonstufen, spiralförmige Anordnung der Stifte, sodaß ein Musikstück 3 Walzenumdrehungen andauert. - Mit 5 Walzen. Spielt laut und gut. Start Price: EUR 650 Zustand: (3/3)New American Musical Box Reed Organ in Original Transport Box, 1887Autophon Company, variant of the Gem Roller Organ, with hand-turned helically-pinned wood cylinder playing one air in three revolutions, gilt-stencilled wood case and five cylinders, 14 1/5 x 12 ½ x 7 4/5 in. - Plays loudly and well. Start Price: EUR 650 Condition: (3/3)
Patent-Papyrograph von Zuccato, ab 1874Früheste Form der Schablonenvervielfältigung, erfunden 1874 von Eugenio de Zuccato, mit Farbwalze, Pinsel und Tintenbehälter in Holzkasten mit Papier-Etikett: "Zuccato & Wolff, London". Start Price: EUR 120 Zustand: (3-4/-)Zuccato's Patent Papyrograph, 1874 onwardsEarliest form of document-reproduction technique, known as stencil duplicating, invented in 1874 by Eugenio de Zuccato, the outfit including ink roller, brush and ink container in wood box with paper label: "Zuccato & Wolff, London". Start Price: EUR 120 Condition: (3-4/-)
Motor-Fahrrad Bianchi Aquilotto, ab 1953Eduardo Bianchi, Mailand, Italien. 45ccm-Zweitaktmotor für 20:1-Gemisch, Kraftübertragung mit Reibrolle auf den Hinterreifen, schwerer Rahmen, Gabel mit Swing-Federung, Vorder- und Hinterreifen mit Trommelbremsen, Gepäckträger, Kapselbehälter für technische Unterlagen unter dem Sattel, fahrradtypischer Lenker, elektrische Hupe, Original-Lackierung, Sattel und Reifen erneuert, ohne Papiere. - Mit hochgestelltem Motor läßt sich dieses Fahrzeug wie ein, wenn auch schweres, Fahrrad bewegen. Start Price: EUR 750 Zustand: (3/-)Bianchi Aquilotto Motorbike, 1953 onwardsEduardo Bianchi, Milan, Italy. With 45cc two-stroke engine for 20:1 mixture, power transmission with friction roller to the rear tyre, heavy frame, fork with swing suspension, front and rear tyres with drum brakes, luggage rack, capsule container for technical documents under the saddle, typical bicycle handlebars, electric horn, original finish, saddle and tyres replaced, without papers. - Note: With raised engine, this vehicle can be moved like a bicycle, albeit a heavy one. Start Price: EUR 750 Condition: (3/-)
Merrow Associates - a 1960s chrome, rosewood and glass inset three-tier tea trolley, raised on roller castors, of Allen key construction, h.64cm, w.73cm, d.46cmStands well. Roller castors operate smoothly. Rosewood surface with long scratch towards one edge of top. Slight surface fading to timber also. Chrome and glass good and original. Could do with a light clean overall.
Watson (Alfred E. T., editor). Fur and Feather Series, 12 volumes, large paper issue, London: Longmans, Green and Co., 1893-1906, illustrations by Archibald Thorburn, Charles Whymper, A. J. Stuart-Wortley, George Roller and others, partly unopened, a few endpapers with some toning, original parchment-backed cloth, some toning to spines, small water stains to Fox and Wild-Fowl spines, 8vo QTY: (12)NOTE:Large paper limited edition, 19/157 copies.
A Second War Bomber Command D.F.C. group of five awarded to Flight Lieutenant James McCubbin, R.A.F.V.R., 9 Squadron, Royal Air Force Distinguished Flying Cross, G.VI.R., reverse officially dated 1943, in its Royal Mint fitted case of issue; 1939-45 Star; Air Crew Europe Star; Defence and War Medals 1939-45, these last four in named Air Ministry card box of issue addressed to ‘F/Lt. James McCubbin’ at Motherwell, Scotland, extremely fine (5) £1,800-£2,200 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- D.F.C. London Gazette 28 September 1943: ‘This officer has completed very many sorties and has invariably displayed great persistence to achieve success. On more than one occasion his aircraft has been attacked by fighters but Pilot Officer McCubbin has displayed great skill to outmanoeuvre the enemy aircraft and return safely to base. He has displayed inspiring leadership and great courage.’ James McCubbin flew on anti-submarine operations with the 10 Operational Training Unit Detachment at St. Eval from October 1942 to January 1943. The Detachment augmented Coastal Command squadrons in the Bay of Biscay and Western approaches. He was the pilot of a Whitley V bomber from No. 10 OTU Detachment on 28-29 October 1942, engaged on an anti-sub sweep when, as recorded in his log book ‘oil leak port engine at 11:00 hrs - switched off 16:00 - oil leak starb. engine, danger of seizing - ditched 17:15. Adrift in dinghy 84 hrs - rescued by A.S.R. & R.N. HMS “Cutty Sark” 03:39hrs 2/11/42.’ Membership of the Goldfish Club followed, as did the adoption of “Cutty Sark” nose art for McCubbin’s regular Lancaster bomber, following a period at Wigsley 1654 Conversion Unit and transfer to No. 9 Squadron at R.A.F. Waddington in March 1943. The squadron moved to R.A.F. Bardney in April 1943, from where operations were carried out against targets in Germany, Italy, Spain, Czecho-Slovakia and North Africa. Log book entries include: ‘3 April - Ops Essen - holed by flak. 4 April - Ops Kiel - engaged ME 109. 4 May - Ops Dortmund - first prang since April ‘41. 12 May - Ops Duisburg - over 2,000 tons on target. 20 June - Ops Friedrickshaven - landed Blida North Africa. 23 June - Ops Spezia - return from North Africa 25 June - Ops Gelsenkirchen - P.F.F. u/s. 5 Sept - Ops Mannheim - attacked by N/F - 5 attacks - got him! - a/c badly damaged - end of tour.’ The consequent combat report concluded ‘The E/A had fired long bursts at the Lancaster in each attack and the Lancaster’s rear gunner also fired long bursts during each attack. During the final attack E/A burst into flames as shots from the rear turret hit him, he dived beneath the strbd wing obviously on fire, this was confirmed by the flight engineer and air bomber. This E/A is claimed as destroyed... The Lancaster suffered considerable damage, the bullet holes being too numerous to count.’ After completing his second operational tour, McCubbin was engaged largely as a Flying Instructor and left the R.A.F. in 1947, later becoming a roller in a Scottish steel factory. Sold with the recipient’s R.C.A.F. Pilot’s Flying Log Book for the period September 1941 to January 1947; Postagram message of congratulations for D.F.C., signed by ‘Bomber’ Harris; P.F.F. brass wings; original Goldfish Club membership card, cloth patch and small enamelled lapel pin; a quantity of original photographs including crew and their regular Lancaster ‘W’ ED654 ‘Cutty Sark’; and various other educational and flying related paperwork and certificates.
A hallmarked 9ct gold and ruby fox head brooch pin. The hallmarked 9ct yellow gold brooch pin in the form of a fox's head having ruby set eyes to hinge pin and roller clasp verso. Hallmarked for London, 1966. Maker's mark C&F. Measures 2.5cm x 1.6cm. Weighs 9.6g. All weights, measurements and sizes are approximate.
A collection of cameo brooch pins, necklace pendants and plaques. The lot to include a hallmarked 9ct gold mounted oval carved cameo featuring the portrait of a woman facing right, hallmarked for Birmingham, 1968. A hallmarked 9ct gold mounted round cameo brooch pin with twisted rope border decoration to hinge pin, roller clasp and safety chain verso, hallmarked for Birmingham, 1970. A 9ct gold oval cameo necklace pendant, marked 9ct to bale verso. The lot to also include a large rolled gold mounted carved cameo brooch pin depicting a woman holding a bowl of water for a bird, unmarked. Two cameo plaques. Largest measures 5.8cm x 4.5cm. Smallest 1.8cm x 1.5cm. Gold cameos measure 16.7g. Total lot weight 35.25g. All weights, measurements and sizes are approximate.
A 19th century gold, pearl and paste mourning brooch pin. The antique mourning brooch pin having a central white paste stone surrounded by a halo of seed pearls, engraved gold ivy leaves to swirling mount with black enamel decoration. The brooch pin also having a glazed panel, hinge pin and later roller clasp to verso. Unmarked, surface tests indicate gold. Measures 5.4cm x 4.3cm. Weighs 18.4g. All weights, measurements and sizes are approximate.
A 9ct gold and white stone necklace pendant and brooch pin suite. The 9ct yellow gold jewellery to include a pierced necklace pendant in the form of a flower set to the centre with a round cut white stone to tapered bale, marked 375 to bale. The lot to also include a matching 9ct yellow gold brooch pin set with a central round white stone to hinge pin and roller clasp verso, hallmarked with import mark for London. Brooch measures 1.6cm x 1.5cm. Pendant measures 1.8cm x 2.4cm (including bale). Weighs 3.3g. All weights, measurements and sizes are approximate.
A hallmarked 9ct rose gold flower brooch pin. The 9ct rose gold brooch pin having leaves twisting across the bar brooch with rose tassel to hinge pin and roller clasp verso. Hallmarked to pin for Sheffield, 2003. Sponsor's mark SJL. Measures 4.5cm x 2.2cm. Weighs 4.57g. All weights, measurements and sizes are approximate.
A Lalique gold tone metal pendant necklace and a Lalique seahorse brooch pin. The lot to include a Lalique yellow tone metal pendant necklace strung on adjustable brown cord, signed Lalique to verso. The lot to also include a Lalique yellow tone metal and pink iridescent glass seahorse brooch pin with hinge pin and roller clasp verso. The Lalique jewellery to come boxed in Lalique branded boxes. Pendant measures 5cm x 5cm. Cord measures 70cm (adjustable). Brooch pin measures 6.5cm x 3.3cm. Total weight 41.7g. All weights, measurements and sizes are approximate.
A hallmarked 9ct gold, amethyst and diamond dragonfly brooch pin. The 9ct yellow gold brooch pin in the form of a dragonfly set with a central bezel set pear cut amethyst and four claw set pear cut amethysts to the yellow and white gold wings, to white gold abdomen set with six round brilliant cut diamonds. The dragonfly brooch pin having a hinge pin and roller clasp to verso. Hallmarked for Sheffield. Measures 2.6cm x 2.8cm. Weighs 2.4g. All weights, measurements and sizes are approximate.
A hallmarked 9ct gold and cultured pearl golfing brooch pin. The 9ct yellow gold circular brooch pin having a golf club crossed with a flag and a cultured pearl surmounted by a number 1 with crown and leaves to top. The brooch pin having a hinge pin, roller clasp and bale to verso. Hallmarked for Birmingham, 1991. Measures 3cm x 4cm. Weighs 6.14g. All weights, measurements and sizes are approximate.

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19703 item(s)/page