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19703 item(s)/page
Matchbox group of 2 models boxed as follows: Matchbox No.1 Aveling Barford Diesel Road Roller with straight canopy, green body, gold trim, red wheels, and painted figure, comes with original box. (NM,BNM) and Matchbox No2 ' Muir Hill Site Dumper '. Green body with green painted metal wheels. Model with some very slight paint chips and missing figure, complete with Moko box. (VG-NM,BNM)
A Matchbox Superfast G-13 construction gift set, housed in the original sliding tray window box, comprising of granule hopper, site engineer's car, big bulldozer, rod roller, Atlas tipper truck and articulated truck, all models are in NM condition, box has some tears to corners and edges, otherwise complete
„Baby - Roller-Skate Mouse“. Murano, Martin Bradley (geb. 1931), 1992. Massives farbiges Glas, seitl. gemarkt, limitierte Auflage 4/25, H=21,8 cm. Dazu zertifizierte Farbfotografie mit Signatur des Künstlers. Vgl. Ausstellungskatalog „Contemporary Art in Glass Murano, Venice 1992“, Hongkong 6.11.-14.12.1992, Nr. 44.
„Roller-Skate Mouse“. Murano, Martin Bradley (geb. 1931), 1992. Massives farbiges Glas, seitl. gemarkt, limitierte Auflage 4/25, H=27,6 cm. Dazu zertifizierte Farbfotografie mit Signatur des Künstlers. Vgl. Ausstellungskatalog „Contemporary Art in Glass Murano, Venice 1992“, Hongkong 6.11.-14.12.1992, Nr. 46.
Hans Hartung - - 1904 Leipzig - 1989 Antibes T 1975 - R 25. 1975. Acryl auf Leinwand. Links unten signiert und datiert. Auf der umgeschlagenen Leinwand signiert, betitelt und bezeichnet. Auf dem Keilrahmen nochmals betitelt und bezeichnet sowie mit Richtungspfeil. 130 x 162 cm (51,1 x 63,7 in). [SM]. • Hans Hartung, einer der wichtigsten Vertreter des europäischen Informel und einer der einflussreichsten Protagonisten der École de Paris. • Das Musée d’Art Moderne de la Ville de Paris würdigte den Mitbegründer des deutschen Informel jüngst mit einer großen Retrospektive (11. Oktober 2019 bis 1. März 2020). • Mithilfe dieser großen schwarzen und blauen, offensiv in Szene gesetzten Zeichen suggeriert der Künstler eine Bildperspektive, einen räumlich wirkenden und belebten Farbraum. So wirkt die Abstraktion wie eine Übersetzung von inspiriertem Gefühl. Das Werk ist im Archiv der Fondation Hans Hartung et Anna-Eva Bergman registriert und wird in das in Vorbereitung befindliche Werkverzeichnis aufgenommen. PROVENIENZ: Galerie Kallenbach, München (1987 direkt vom Künstler erworben). Privatsammlung Nordrhein-Westfalen. 'I am always, always looking for a law, the alchemic rule that can turn rhythm, movement and color into gold; to transmute apparent disorder with the sole aim of conveying perfect movement and so creating order in disorder, and order through disorder.' (Hans Hartung zit. n. Jennifer Mundy, Hans Hartung. Works on Paper 1922-56, London 1996, S. 20) „Die Bildmittel rücken als Sprache des Malers so weit in den Vordergrund', so der Kunsthistoriker Will Grohmann, „daß man zunächst nur sie sieht. Mit Recht, denn sie sind mehr als bloße Mittel, sie spiegeln das, was wir früher als persönlichen Ausdruck bezeichneten.“ Die Komposition 'T 1975' zeigt vor einem hellen lila und gelben, leuchtkastenartigen Hintergrund eine von Hartung nahezu parallel entwickelte und mit einer Gummiwalze aufgetragene Figurine. 'T 1975' ist typisch für die Zeit und den unerhörten Reichtum an Formen und Farben, die Hartung zu einer harmonischen Idee vereint. Ab Anfang der 1970er Jahre setzt Hartung Werkzeuge ein wie eben eine Gummiwalze, die eigentlich zum Einfärben eines Lithografiesteins dient, um die Farbe, oft Schwarz und hier bisweilen Blau, auf einen vorab mit der Spritzpistole gleichmäßig eingefärbten Hintergrund zu rollen. Es bleibt nicht bei der Gummiwalze; Hartung präpariert etwa unterschiedliche Bürsten, Rollen, Besen, Pinsel, Schaber, Kratzer, Spachtel, Fächer und vieles andere mehr, um mit diesen Gerätschaften erstaunliche Effekte zu erzielen. Er entwickelt dabei ein technisch variables System, mit dem er die großen Gesten in seinen Bildern formuliert. Aber seine Malerei erschöpft sich nicht in ihren Werkzeugen, sie dienen ihm wie hier die Gummirolle, um unterschiedliche Möglichkeiten des Malprozesses als Experiment mit unvorhersehbarem Ergebnis zu gestalten. Ein Malprozess, den er nicht so sehr als ein Ereignis mit unvorhersehbarem Ausgang versteht, sondern eher als ein Experiment, das zu einem gewissen Anteil präzise steuerbar ist; - eine Technik, die schon K. O. Götz mit dem Rakel sich zu eigen macht, eine Technik, die nicht zuletzt Gerhard Richter zu einer eminent charaktervollen Bildformulierung steigert. Dunkle Farben, eine schwarze und eine blaue Form, stehen hier vor lichtdurchflutetem Hintergrund. Diesen extremen Gegensatz präzise herauszuarbeiten, trotz der Zweidimensionalität der monochromen Farben einen imaginären Tiefenraum zu kreieren, befördert Assoziationen beim Betrachten. Mithilfe dieser großen schwarzen und blauen, offensiv in Szene gesetzten Zeichen suggeriert der Künstler eine Bildperspektive, einen räumlich wirkenden und belebten Farbraum. So wirkt die Abstraktion wie eine Übersetzung von inspiriertem Gefühl. [MvL] Aufrufzeit: 18.06.2021 - ca. 17.30 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONHans Hartung -1904 Leipzig - 1989 Antibes T 1975 - R 25. 1975. Acrylic on canvas. Signed and dated in lower left. Signed, titled and inscribed on the folded canvas. Once more titled and inscribed, as well as with a direction arrow, on the stretcher. 130 x 162 cm (51.1 x 63.7 in). • Hans Hartung is one of the most important representatives of European Informalism and one of the most influential protagonists of the École de Paris. • The Musée d’Art Moderne de la Ville de Paris lately honored the co-founder of German Informalism with a grand retrospective (October 11, 2019 - March 1, 2020). • Through the aggressively staged large blue and black signs the artist suggests a perspective of a three-dimensional and vivid color space. Thus the abstraction is like a conversion of inspirational sensation. The work is registered in the archive at Fondation Hans Hartung et Anna-Eva Bergman and will be included into the forthcoming catalog raisonné. PROVENANCE: Galerie Kallenbach, Munich. (acquired from the artist in 1987) Private collection North Rhine-Westphalia. 'I am always, always looking for a law, the alchemic rule that can turn rhythm, movement and color into gold; to transmute apparent disorder with the sole aim of conveying perfect movement and so creating order in disorder, and order through disorder.' (Hans Hartung, quote from Jennifer Mundy, Hans Hartung. Works on Paper 1922-56, London 1996, p. 20) 'The pictorial means come to the fore as the painter's language', said the art historian Will Grohmann, 'that at first one only sees them. Rightly, because they are more than mere means, they reflect what we used to describe as a personal expression'. The composition 'T1975' shows a figurine in front of a light purple and yellow, background that looks like a light box, developed by Hartung in almost parallel manner and applied with a rubber roller. 'T1975' is typical of the time and the audacious abundance of shapes and colors that Hartung combined in a harmonious concept. Since the early 1970s Hartung has been using tools like the rubber roller, which is actually a tool used to dye a lithographic stone in order to roll the color, often black and sometimes blue, onto a background evenly colored with a spray gun beforehand. But there is a lot more than the rubber roller: Hartung prepares various types of brushes, rollers, brooms, paint brushes, scrapers, spatulas, fans and much more devices with which he achieves amazing effects. He developed a technically variable system with which he formulated the grand gestures in his pictures. But his painting is not limited to its tools; like the rubber roller here, they serve him to make the painting process an experiment with unpredictable results. A painting process that he does not understand as an action with an unpredictable outcome, but rather as an experiment that can be precisely controlled to a certain extent - a technique that C.O. Götz has made his own with the squeegee, a technique which, not least, Gerhard Richter elevates to an eminently characterful image formulation. Dark colors, a black and a blue form, stand here against a light-flooded background. Precisely worked out extreme contrasts, an imaginary depth of space despite the two-dimensionality of the monochrome colors, provokes associations in the observer. With the help of these large black and blue, aggressively staged signs, the artist suggests a pictorial perspective, a deep and lively color space. So the abstraction works like a translation of an inspired feeling. [MvL] Called up: June 18, 2021 - ca. 17.30 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.
An Edwardian ruby and diamond set 15ct gold bar brooch, comprising a central claw set oval ruby within a border of rose cut diamonds, setting approx 7 x 9mm, length approx 50mm, pin and roller clasp stamped 15ct,total gross weight approx 3.9gms in an original A.S Wigg & Son Newmarket fitted box Condition report: good- all stones present and intact, some abrasions to stones, possible replacement 9ct gold pin, age related wear and tear commensurate with age
A peridot and unmarked yellow metal bracelet, comprising five lozenge shaped peridot rubover set to the centres of open oval shaped links, to a fancy rectangular open link chain, length approx 18cm, box clasp and safety chain, probably 15ct gold, total gross weight approx 10gms along with a peridot and pearl set yellow metal brooch, rub over set to the centre with a square cut peridot with a quatrefoil of hald pearl decoration to a geometric bar of gold links, length approx 40mm, probably 15ct gold, later replacement pin fitting with replacement base metal roller catch. total gross weight approx 3.4gms in a W.H Collins & Sons Ltd, Bury St EdmundsCondition report: Good- all stones present and intact, some minor wear commensurate with age
A silver and moonstone brooch by Bernard Instone, circular form claw set to the centre with a cluster of round cabochon moonstones, within a filigree wirework border with granular bead accents, size approx 25mm, pin and roller clasp to reverse, marked Made in england, silver B.I, total gross weight approx 6.2gms Condition report: Good- all stones present and intact, minor wear and tear, clasp in working order, small crack to applied mane bar to reverse
An Edwardian diamond and pearl set platinum and gold brooch, comprising an engraved wish bone shaped bar top engraved with scroll and foliate decoration set to the tip with a half pearl, suspending a pendant dropper, comprising a graduated row of old cut diamonds set within an open work triangular shaped border set set with further half pearls and old cut diamonds, total diamond weight approx 0.60ct, later pin and roller clasp, unmarked assessed as platinum and 18ct gold, total gross weight approx 6.2gms Condition report: Good- all stones present and intact, wear and tear commensurate with age
1988 Fender Stratocaster Plus electric guitar, made in USA, ser. no. E4xxxx7; Finish: Fiesta red; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.89kg; Overall condition: good *A rare to find version with the early type half-angled roller nut
AFTER QI BAISHI (1864-1957): A HANGING SCROLL PAINTINGChina, 20th century. After Qi Baishi. Depicting a lobster and two catfish. Signature, inscription and red seal to the upper left corner, with another seal in the bottom right corner.Condition: Good condition, some creases. No roller ends.Provenance: Austrian private collection.Dimensions: Total size 170 x 80 cm.
AFTER ZHANG DAQIAN (1899-1983)A large painting with depictions of lotus flowers and leaves on unusual gold paper, in the manner of Zhang Daqian. Signed and with three seals: Zhang Daqian. Wood roller ends.Condition: Good condition, minor creases.Provenance: From a European private collection.Dimensions: 224.5 x 82 cm (with mounting), painting size: 132.5 x 66 cm
QIAN XUEJING: A HANGING SCROLL PAINTING, 20TH CENTURYChina, 20th century. By Qian Xuejing (dates unknown). Depicting 'sandong tu', the three treasures of winter (shitake, bamboo and radish). With a long inscription to the right and one red seal. Another red seal in the bottom left corner. With wood roller ends.Condition: Some creases, overall in good condition.Provenance: Croatian private collection.Dimensions: Size total 150 x 61 cm.
Plate XXXIV and P1019L in the upper right-hand corner, this engraving depicts a roller, by Prideaux John Selby (1788 - 1867), noted British ornithologist, etcher, and engraver, with P J Selby near the base of the branch at the bottom and “M” below Roller, possibly for Robert Mitford, who often assisted Selby in completing etchings and engravings of bird life, unframed, with small diagonal corner crease in the lower right, the plate measures 16 x 22 3/8 and the image is 10 1/2 x 16 in. wide, to benefit the Sarasota Audubon Society. Please note that all sales are final. No refunds will be given under any circumstances.
Plate XXXIV and P1019L in the upper right-hand corner, this engraving depicts a roller, by Prideaux John Selby (1788 - 1867), noted British ornithologist, etcher, and engraver, with P J Selby near the base of the branch at the bottom, and “M” below Roller, possibly for Robert Mitford, who often assisted Selby in completing etchings and engravings of bird life, unframed, with light stain in the margin at the bottom, the plate measures 16 x 22 3/8 and the image is 10 1/2 x 16 in. wide, to benefit the Sarasota Audubon Society. Please note that all sales are final. No refunds will be given under any circumstances.
A yellow and white metal, diamond and enamel pendant brooch in the form of a Maltese cross, suspended below a 30mm bar with a swivel clasp and a roller catch fastening, thirty-seven Old European cut diamonds, dimensions between approx 1.6mm and 3.8 x 2.4mm, total weight estimated as 1.18 carats, assessed mounted collectively colour I to J and clarity SI2 to I1, diamonds in grain and bezel settings within a lilac and white guilloche enamel mount, cross diameter 28mm, gross weight 16.6g, not marked but tested as 15ct, in fitted Wartski caseCondition report: Enamel is damaged in places.
A white metal Art Deco style sapphire and diamond lozenge shaped panel brooch, featuring a centre oval faceted sapphire surrounded by 54 Old European cut diamonds, all in grain settings, with a roller catch fastening, sapphire dimensions approx 7.1 x 6.4 x 2.95mm, weight estimated as 1.17 carats, diamond dimensions between approx 1.6 x 1.2mm and 3.4 x 2.15mm, total weight estimated as 1.69 carats, assessed mounted collectively colour J to K and clarity SI2 to I1, brooch dimensions 31 x 18mm, gross weight 9.3g, not hallmarked but tested as platinumCondition report: Sapphire with some fractures on the pavilion.Several diamonds with minor fractures.
An Art Deco style white metal, ruby and diamond swag shaped bar brooch, comprising 81 Old European and rose cut diamonds in grain settings, with a border of 72 rectangular cut rubies in invisible settings, with a roller catch fastening, diamond dimensions between approx 0.9 x 0.8mm and 2.7 x 1.7mm, total weight estimated as 1.12 carats, assessed mounted collectively colour I to J and clarity VS2 to SI1, ruby dimensions between approx 1.5 x 1 x 1mm and 1.9 x 1.25 x 1.2mm, total weight estimated as 1.62 carats, brooch width 52mm, gross weight 9g, not marked but tested as platinumCondition report: Several rubies and diamonds with minor fractures.
An early 20th century yellow metal bar brooch in the form of a be-ribboned hat, featuring a centre oval cabochon cut garnet with a tied ribbon set with 95 rose cut diamonds, with a roller catch fastening, garnet dimensions approx 14.5 x 13.6 x 4.4mm, weight estimated as 8.57 carats, diamond dimensions between approx 1.2 x 1.3mm and 1.8 x 2mm, no weight estimated due to restriction of settings, brooch width 45mm, gross weight 8g, not marked but tested as 18ctCondition report: The garnet has several minor chips.Several diamonds are fractured.
A George III oak and mahogany eight-day longcase clock with brass arch top dial, silvered chapter ring, moon roller and two subsidiary dials, 220cm high 23.02.21 Case is faded in parts, swan neck pediment is later, case with small chips in parts, some later added beading, trunk door is slightly bowed and the door lock is missing, dial is dirty, dial winding holes have been later drilled to fit a later eight day movement, later seatboard, pendulum suspension spring is broken, with two weights, movement is dirty.
A vintage cast iron Roller, by H. R. Williams & Co. Barnstaple, 60in (152cm) high x 24in (61cm) diameter. Note; This lot can be Viewed at and must be Collected from West Yelland Farm, Fremington, Barnstaple, EX31 3HE strictly by appointment only. Viewing times: Thursday 10th and Fri 11th June 10am-4pm.
Majorette (France) Diecast Models, Super Builders 5 Piece Set, Roller, Front End Loader, Crane Truck, Super Dump Truck, and Shovel engine, with collectors catalogue, in mint original condition, box has edge/age wear, plus 325 Caravanne set,326 Mercedes Limousine, 338 Sedan & Sailboat,339 Cadillac Limousine, 343 El Camino & Motor boat,362 NASA Radar, all in mint boxed condition, unboxed Citroen CX and two boxed Guiloy (Spain) excavators. (10 items)
Eight Boxed Matchbox Lesney Superfast Models,2e Jeep Hot Rod, pink body, light green base,3d Monteverdi Hai, orange body, no ‘3’ label, 6e Mercedes 350SL, orange body, cream interior, 10e Piston Popper Rolamatics on base, 12e Bigg Bull, orange rollers, 15e Fork Lift Truck, red body, yellow hoist, grey forks, 17f The Londoner Bus ‘Berger Paints and 21e Rod Roller, yellow body, black wheels, flame label ,models are in near mint to mint original condition, boxes are good to excellent.(8 items).
Corgi 1:50 scale Vintage Glory of Steam limited edition models, comprising 80104 John Fowler & Co Leeds Ltd Fowler B6 road locomotive 'Atlas' - Norman E.Box Ltd, boxed with certificate, No.5270 of 6,100; 80109 John Fowler & Co Leeds Ltd Fowler B6 road engine 'Lafayette' war dept, boxed with certificate, No.0182 of 5,600; 80111 John Fowler & Co Leeds Ltd Fowler B6 stump cutter 'Super Lion', boxed with certificate, No.0628 of 5,700; 80112 John Fowler & Co Leeds Ltd Fowler B6 crane engine - Marstons Road Service, boxed with certificate, No.0114 of 5,200 and 80304 Garrett 10 ton road roller 'The Baroness', boxed with certificate, No.0528 of 5,400 (5)
Dinky Toys 23a racing car, silver body with red trim, racing number '4' to sides, black ridged hubs with black rubber tyres, unboxed; Dinky Toys 251 Aveling Barford road roller, green body with driver figure, red rollers, unboxed; Dinky Toys Austin Taxi "The Queen's Silver Jubilee 1977", silver body with seated driver figure, unboxed and an unusual unmarked lead motorcycle cart, pale blue body with seated driver figure, black hubs, white rubber tyres, unboxed (4)

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19703 item(s)/page