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19704 item(s)/page
A Honda HRX426QX self propelled rear roller petrol lawnmower CONDITION REPORTS Is a 2007 model. It is clean and tidy and appears to have done little work. The vendor tells us that it was working and a couple of people have started it when viewing. However like everything else in the sale we are NOT selling this as working. It has not been tested by us.
A collection of Britains, John Hill & Co and other lead farm items, including carts, cows, bulls, horses, dogs, kennels, a roller, a water pump, a beehive, various trees, two wheelbarrows, various farm workers, swans and ducks, together with a small collection of hunting figures (playwear, paint chips and faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
English School, early 20th century, Five hand coloured etchings of exotic birds, comprising Momotus Platyrhynchus (Broad-billed Motmot) plate 5; Petrocinda Rufiventus (Blue Thrush) plate 129; Eunystemus Gularis ( Blue-throated Roller) plate 109, initials WC or WL; Fregen Reinwardtu (Toucan) plate 130; and Upupa Capernis (Hooopoe) plate 142, dated 1835, later impressions, 9 ¼ x 12 ¼in. (23.5 x 31.1cm), modern gold fluted frames. (5) * Colours strong but badly foxed. Acidic mount.
Hamilton Watch Company - an early 20th century 14ct gold open faced keyless pocket watch, signed 21 jewel engine turned double roller movement, no. 1554410, the white enamel dial with Arabic numerals, red and black outer minute track and subsidiary seconds' dial, in a Keystone 50mm. case, no. 6102111, with engine turned decoration and turn-off glass. * Winds and runs. Dial has a chip to edge at 1 o'clock and associated hairline to chapter ring. Caser good with a few very light dings to caseback.
A Louis Vuitton monogrammed canvas 'Pegase Legere 55' cabin / trolley bag suitcase, vachetta leather handles, luggage tag and corner mount, gold tone hardware, exterior open pocket, interior with elasticated luggage straps and leather straps, extendable handle, rear roller wheels, approx. 55 x 38 x 18cm., faults, well used. * Signs of regular use throughout. Wear and staining to leather and heavy scratching/wear to plastic fittings. Rub through surface of monogram canvas to upper rear and wear to pattern to opposite top corner. Three small holes to canvas to back edge of left hand side panel and canvas is split to both top and bottom of the same side side panel at joint with hinged front flap - the light grey plastic here is also split and part is missing. One small hole to right hand side panel at lower corner. Interior in good condition. Luggage tag is monogrammed 'S.M'. Lacks padlock & keys.
A Swedish softwood ironing board,carved 'B.M.D. ANO MDCCCXIX' (1819) below the arched top with pierced and carved roundels,29cm wide60cm high,together with a Swedish softwood mangle board,dated 'ANO 1733',75cm long,a beechwood roller,68cm long, anda Swedish 'allmoge' beechwood laundry slapper,19th century, with painted decoration and initials 'A.W.S.',36cm long (4)Condition ReportBoard: with expectedd wear, wormholes and split to top left. Generally good.Mangle board: Someone has begun to saw it in half, common snese prevailed and they stopped. Wear, wormholes, minor loses. Roller: Minor wear.
Savonette-Taschenuhr von Reuge. Schweiz. Mit Musikspielwerk.Circa 45 mm im Durchmesser ohne Krone. Kleines Zifferblatt mit arabischen Zahlen in Schwarz. Sichtfenster auf Stiftwalzenuhrwerk. Vergoldetes Gehäuse mit floralem Dekor. Handaufzug. Deckel mit Porzellanplatte. Diese mit beidseitig gedruckten Darstellungen von einem Liebespaar. Gehäusenummer 2159. Werk läuft an. Spieluhr läuft. Reuge-Etui von einer anderen Taschenuhr.Savonette pocket watch by Reuge. Switzerland. With musical mechanism.Approx. 45 mm in diameter without crown. Small dial with Arabic numerals in black. Viewing window on pin roller movement. Gold-plated case with floral decoration. Manual winding. Cover with porcelain plate. This one with depictions of a pair of lovers printed on both sides. Case number 2159. Movement starts. Music box runs. Reuge case from another pocket watch.
A Modernist 18ct gold and diamond pendant/brooch, comprising interwoven layers of round wire with bead terminals scattered with claw set round brilliant cut diamonds, diamond weight over 2.0 carats, size approx 65mm, pin and roller clasp and safety chain, unmarked assessed as 18ct gold, total gross weight approx 46.5gms Further details: good, all stones present and intact, minor wear and tear only clasp in working order
A Belle Epoque diamond and pearl set gold brooch comprising a open wire scrolled form decorated with grain set diamonds, with larger old cut diamond set accents, interspersed with half pearls rub over set in gold with milled borders , the centre set with a pearl shaped diamond weighing approx 0.50ct, the bottom with a small pearl dropper, length approx 43mm x 28mm, detachable pin with roller clasp, unmarked assessed as 15ct gold with silver settings, total gross weight approx 7.5gms in a Hancocks & Co box Further details: good all stones present and intact, some slight abrasions to diamonds, commensurate with age
An early 20th century ruby, diamond and pearl set gold brooch in the form of a four leaf clover, each leaf set with a pear cut ruby approx 4 x 3.8mm, within a grain set border of old cut diamonds, with a round cultured pearl to the centre, silver settings with a gold reverse, diameter approx 18mm, pin and roller clasp to reverse, total gross weight approx 3.2gms Further details: good- stones present some wear and tear, opens to stones
A 10 BORE FLINTLOCK TRAVELLING PISTOL BY HEARDER, PLYMOUTH, BIRMINGHAM PROOF, CIRCA 1850 AND A 40 BORE FLINTLOCK TRAVELLING SIGNED STEVENS, CIRCA 1830; the first with octagonal sighted barrel inscribed ~Plymouth~ on the flat, struck with the barrelsmith~s and proof marks on the left at the breech engraved tang, signed stepped lock engraved on the tail, full stock, and engraved brass mounts including trigger-guard with a garland on the bow and pineapple finial, and horn-tipped wooden ramrod with iron worm; the second with octagonal sighted barrel inlaid with a gold line at the breech (rust), stepped bolted lock with roller (cock missing bolt incomplete) walnut full stock, chequered butt, and engraved iron mounts; the first: 15.2 cm; 6 in barrel; (2)
A FLINTLOCK BLUNDERBUSS BY WILLIAM 2 NICHOLSON, NO. 45 CORNHILL, LONDON, TOWER PRIVATE PROOF MARKS, CIRCA 1790 ; with brass barrel formed in five stages divided by raised mouldings, belled at the muzzle, signed over the breech and sparsely engraved at each end of the latter, engraved iron tang, signed stepped lock fitted with large roller (light rust patination), full stock (fore-end cracked, light bruising), inlaid with silver wire scrolls around the tang (small losses), engraved brass mounts comprising trigger-guard decorated with a rococo flower on the bow and with acorn finial, solid side-plate, butt-plate with a rococo shell and foliage on the tang, vacant escutcheon, two ramrod-pipes (one dented), and iron ramrod; 36.0 cm; 14 in barrel ; ; William 2 Nicholson is recorded at this address circa 1786-94.; ;
A FLINTLOCK BLUNDERBUSS LATE 18TH CENTURY, THE LOCK SIGNED R. JENNINGS, EARLY 19TH CENTURY; with brass barrel flaring towards the muzzle, inscribed ~London~ on the flat within a linear frame drawn-out to a loop over the breech, engraved tang decorated with foliage and border ornament, signed stepped engraved bevelled lock decorated with foliage and border ornament, fitted with bevelled lock decorated en suite, rainproof pan and roller (the lock added to a let-in panel of wood in the blunderbuss~s early working life), figured full stock (light bruising), pineapple chequered grip, engraved brass mounts comprising trigger-guard decorated with a rococo flowerhead on the bow and with acorn finial, butt-plate with tang en suite, and a pair of moulded ramrod-pipes and associated horn-tipped wooden ramrod with iron worm; 29.0 cm; 11 1/2 in barrel; ; A Richard Jennings is recorded at Broad Street, Hereford 1821-30, Little Berrington Street 1834-44 and Broad Street 1849.; ;
A 22 BORE IRISH FLINTLOCK OFFICER~S PISTOL BY P. WHITNEY, CIRCA 1790; with octagonal sighted barrel struck with Dublin proof marks on the left of the breech, border-engraved tang decorated with foliage, signed stepped lock with engraved tail, fitted with roller and bevelled cock, figured walnut full stock, chequered butt, and engraved iron mounts comprising trigger-guard with pineapple finial, stirrup ramrod, and ramrod-pipe; 20.2 cm; 8 in barrel; ;
A 16 BORE FLINTLOCK OFFICER~S PISTOL SIGNED CLARK, LONDON, BIRMINGHAM PROOF MARKS, CIRCA 1820with rebrowned barrel struck with proof marks beneath and inscribed ~London~ on the flat at the breech, the latter inlaid with a platinum line and with platinum-lined vent, engraved breech tang incorporating the back-sight, signed stepped bevelled lock fitted with bolt safety-catch, roller and semi-rainproof pan, decorated with star bursts beneath the pan and on the tail, figured walnut full stock, chequered butt, engraved iron mounts comprising trigger-guard decorated with foliage and trigger-plate with pineapple finial, stirrup ramrod (links replaced), and horn fore-end cap23.5 cm; 9 1/4 in barrel;
A 25 BORE FLINTLOCK PISTOL FOR THE AMERICAN MARKET SIGNED T. ATWOOD, LONDON, CIRCA 1820with octagonal sighted brass barrel inscribed ~London~ on the top flat, struck with proof marks on the left of the breech and the barrelsmith~s marks ~E.B.~ beneath, engraved iron tang incorporating the back-sight, signed bevelled engraved lock with roller and engraved cock (retaining screw replaced), figured half-stock, rounded butt cut with a trellis pattern of triple line chequering, inset with a German silver oval engraved with a star on the pommel, engraved iron trigger-guard decorated with foliage on the bow and with pineapple finial, vacant shield-shaped German silver escutcheon, barrel-bolt escutcheons and fore-end cap, steel under-rib and ramrod-pipes (the forward pipe detached), and brass-mounted ramrod, perhaps the original21.8 cm; 8 5/8 in barrelProvenance; A New Jersey Collection, sold Sotheby~s, New York, 15th January 1991, lot 617. ;
Toys & Juvenalia - W Britain (Britains) 1960's plastic floral miniature garden series accessories, comprising No.2592 greenhouse, unboxed; No.2569 twenty pieces of crazy paving, unboxed; No.2594 lawn mower and hose, unboxed; No.2595 garden roller and wheelbarrow, unboxed; No.2597 garden swing couch, boxed; other accessories including plants, trees and buildings (quantity)
MORI KANSAI (1814-1894): A FINE 'HARVEST TIME' SCROLL PAINTINGBy Mori Kansai (1814-1894), signed Kaei gan tsuchinoe-saru chushu utsusu, Heian Kansai Shiyo and sealed Kansai and Tachinaba shi, ShiyoJapan, Kyoto, dated 1848Painted with ink and watercolors on silk and mounted as a hanging scroll with a fine silk brocade frame. The painting depicts a very interesting composition of a harvest with large daikon radishes and a bunch of rice grain sheaves (inataba) dried on a rack. Two birds are squawking at each other on a shaft of bamboo which hangs from the rack.Signed to the lower right with a long inscription and two seals: 嘉永元戊申仲秋寫、平安寛斎小容 Kaei gan tsuchinoe-saru chushu utsusu, Heian Kansai Shiyo [Painted by Kansai Shiyo (Mori Kansai, art name Shiyo), in mid-autumn of Kaei 1 (1848), Kyoto]. The seals reading 寛斎 & 橘氏小容 “Kansai” and “Tachinaba shi, Shiyo”.With an inscription to the back of the scroll: 山水。図大坤(大根)”Sansui, zu Daikon”[Painting of Daikon radish in the earth] The character Kon is written with 坤 which means earth and the second hexagram of the I Ching diagram.SIZE (image) 55 x 133 cm and 69.4 x 207 cm (including mounting)Condition: Good condition with only minor wear and creases. One roller end is lost.Provenance: German private collection.Mori Kansai (art name Shiyo, 1814-1894) was born at Hagi in Nagato Province and moved to Osaka in 1831 to study with Mori Tetsuzan, who later sent to Kyoto where he painted in the Maruyama-Shijo style. A staunch adherent of the imperial loyalist faction, he found himself in political difficulties in the 1860s but after the Meiji Restoration opened a successful private art academy and continued to paint in a wide range of styles. His works are often dated.
NOJIRO UNSEN: A FINE SCROLL PAINTING OF A WILD BOARBy Nojiro Unsen, signed Unsen with seals Nojiro no in and UnsenJapan, late 19th to early 20th centuryFinely painted in ink and watercolors and mounted as a hanging scroll, depicting a wild boar (inoshishi) jumping amongst grasses, a pine tree visible in the distance. Signed UNSEN and with two red seals Nojiro no in [seal of Nojiro] and Unsen. With wood jiku (roller ends).SIZE (image) 46.5 cm x 128.5 and 61 x 195 cm (including mounting)Condition: The image in excellent condition with only very minor wear. The mounting with some wear and tear.Provenance: German private collection.

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19704 item(s)/page