There are 19294 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe{ Option of lots: 326, 327 } Emperor Round Coffee Table Marble A Contemporary Round Coffee Table Featuring A Rich Brown Spanish Emperor Marble Top With Distinctive Yet Subtle Natural Brown And White Tones In The Grain And A Brushed Bronze Angled Metal Base This Neo Classical Style Will Suit A Multitude Of Interiors 800 x 800 x 450mm (5055999247900) (Area F)
Bellevue Circular Table The Bellevue Is A Stunning Dining And Occasional Collection, Made In An Updated Colonial Style That Offers Relaxes Living In A Sophisticated Way The Parquet Detailing Is Reminiscent Of By Gone Days Brought Up To Date With This Smart But Casual Collection Using Mindy Ash Solids And Veneers, The Bellevue Is Polished In A Dry Weathered Finish Which Gives A Modern Contemporary Feel To This Elegant Regal Range With The Use Of Traditional Dovetail Jointing On The Drawers, This Wonderful Collection Is Stylish, Well Made And Timeless In It's Appeal, To Suit Modern And Traditional Homes Alike W1200 x D1200 x H750mm (5055999220637) (Area E)
{ Option of lots: 581 } Cleo Dining Table A Contemporary Round Dining Table Featuring Spanish Volkas Marble In White With Grey Vein Detailing In The Grain And A Brushed Bronze Angled Metal Base This Classical Style Will Suit A Multitude Of Interiors And Seats 4 People W900 x D900 x H750mm (5055999224222) (Area E)
1969 Gentlemen's Huntsman & Sons Ltd, Savlle Row Grey suit sold with collarless Turnbull & Asser shirt and cream silk pocket handerchief.Condition report: Measurement across the back at the underarm point is 53 cms. approximately.No damage or staining to Jacket and trousers, both in very good condition.
Gentlemen's clothing including Harris Tweed breeks and jacket, John Michael breeks, Herringbone suit by Oliver Brown, Johnsons check jacket and cashmere herringbone jacket both size R42, velvet evening jacket with braid fastening, Irish linen jacket and a Dunhill British Masters golf jacket.
1997 Yamaha XVS 650 Drag Star, 649 cc, Registration number P625 FGM, Chassis number JYA4VR00000002784, Engine number 4VR0000677. The V Star range was introduced in 1997 as a cheaper alternative to the Harley Davidson cruisers and was available in three trim levels; the Custom XVS650, Classic XVS650A and the Silverado. The air-cooled V-twin engine pushes out maximum torque at 3000 rpm, making this reliable shaft drive cruiser a real pleasure to ride over short or long distances. What differentiates the Star models from the Virago range is their long, low chassis which emphasises the cruiser looks, and at 1610mm the middleweight Drag Star runs with one of the longest wheelbases in the class. The double cradle frame features a rigid-style rear end to give the XVS650 a clean-looking back section. Hidden beneath the rider's seat is a preload adjustable monoshock suspension system that can be easily set up to suit solo or two-up riding simple by removing the seat. More cruiser influence can be seen at the front end with the heavy duty raked front forks. In keeping with its cruiser looks the Drag Star is equipped with a classic teardrop tank, which carries a chrome plated speedometer assembly. Holding a generous 16 litres, the tank gives the Drag Star a decent range, underlining its long-distance capability. This example's previous owner, a lady from Scarborough, purchased her in 2009 and enjoyed her limited use of the bike, only some 6,200 miles in the last 5 years, the mileage today is 32,518. It was purchased by our vendor in 2016 and has been dry stored since. Sold with the V5C and old MOT details, it will need recommissioning.
Käthe Kruse Puppe, VII, 1926-1933, fest angenähter Kopf, drei Nähte rückseitig, braun bemalte Haare und blonde Echthaarperücke, braune Augen mit Lichtpunkten, Bemalung leicht berieben, kl. Ausbesserung an der Nase, separat angenähter Daumen, Beine mit Scheibengelenken, je Bein drei Nähte, angesetzter genähter Fuß, Reste alter Signatur in rot unter dem linken Fuß, rechte Hand geöffnet und wieder geschlossen, H. ca. 35 cm,bespielt, dazu vier Kleider, ein Anzug, ein Paar Schuhe, Hut und Kleinteile, dazu grüner Original Karton der Käthe Kruse Modell VII. Puppe, bez. Reni VII B 9, dieser beschädigtKäthe Kruse doll, VII, 1926-1933, firmly sewedon head, three seams on the back, brown painted hair and blonde real hair wig, brown eyes with points of light, painting is slightly worn, small scratches on the paintwork, small repair to the nose, thumb sewn on separately, legs with disc joints, three seams per leg, attached sewn foot, remains of an old signature in red under the left foot, right hand opened and closed again,height approx. 35 cm, used, with four Clothes,a suit, a pair of shoes, a hat and small items, along with the original green box for the Käthe Kruse model VII doll, marked Reni VII B 9, which is damaged
Gentleman-Wackelautomat, um 1930 Deutschland, rundliche Figur mit beschwertem Kopf, blauen Glasaugen, Federmechanismus im Torso, Original-Ausstattung: karierter Wollanzug, Weste, Uhrenkette und Strohhut, auf Holzsockel, Höhe 53 cm einschließlich Hut, funktionstüchtig, aber nicht auf Dauer getestet, Gesicht und Hände übermalt, Hutkrempe beschädigt, ohne Schlüssel. Start Price: EUR 160 Nodding Gentleman Automaton, c. 1930 Germany, rotund figure with weighted head, blue glass eyes, spring mechanism in the torso, original checked wool suit, waistcoat, watch-chain and straw hat, on wood base, ht. 21 in. (53 cm) including hat, working but not tested for duration, face and hands overpainted, hat brim damaged, without key. Start Price: EUR 160
Puppenjunge, Waltershausen/ Thüringen, um 1905Porzellan-Kurbelkopf, gemarkt "A 5/ made in Germany/ 174" (J. D. Kestner), blonde Kurzhaarperücke, feste braune Glasaugen, leicht geöffneter Mund mit oberer Zahnreihe. Gemalte Brauen und Wimpern. Kugelgelenk-Körper aus Holz und Masse, bewegl. Handgelenke, Rücken gestempelt "Germany 0". L. 34,5 cm. Im Matrosenanzug, blauer Filz. Doll, porcelain head, compound body. Blond hair. Marked: A 5/ made in Germany/ 174 (J. D. Kestner, Waltershausen/ Thuringia). In sailor suit.
A collection of gentleman's clothing to include a beige linen 54 single breast jacket by Feraud. Jacket has two pockets, lapel pocket, double vent with cream lining. Back length approx. 82cms; Shoulder to cuff approx. 68cms, a light grey 54 single breast wool jacket by Pal Zileri. Jacket has two pockets, lapel pocket, single vent with light grey lining. Back length approx. 82cms; Shoulder to cuff approx. 68cms, two gentleman's jackets from M&S. Lot includes a Kahki cotton jacket size L; with a black linen jacket size 42L, three single breasted wool mix jackets from M&S. Lot includes a gold 44M unvented jacket; a a black/white $$L double vent jacket; with a sage 42L double vent jacket, a pair of men's fishing waders in a German camouflage patter, size 52/52, a black gents single breast, unvented, wool mix suit by Tom English. Suit size 52R,jacket back length approx. 80cms; shoulder to cuff approx. 64cms. Trousers inside leg approx. 77cms, a black classic fit gents single breast dress suit, double vent, wool mix suit by Zara Man. Suit size 54,jacket back length approx. 78cms; shoulder to cuff approx. 68cms. Trousers size 46 inside leg approx. 84cms, four single breasted gentleman's jackets. Lot includes an M&S brown with blue check, wool mix, 44M; Blazer, black pin stripe 42R; unbranded brown check size approx. 44; M&S brown houndstooth 44L and two gents suits, including a Samuel Windsor beige linen suit 44L jacket with 36 waist trousers with inside leg 33; together with an M&S blue wool mix suit with jacket 42M and trousers 36 waist 33 leg. [qty]
Assorted Jean Muir costume, comprising a textured wool trouser suit (size 16); a black tailored coat dress (size 10); black crepe loose fitting jacket (size 12); 7 straight skirts in wool and wool crepe in navy, black, yellow, purple and hot pink (sizes 14 & 16); and three pairs of black jersey trousers, all with elasticated waists (sizes 8 & 14); black wool suit (size 8); black loose fitting tunic top; grey/silver crepe suit (skirt not labelled) (size 16); black crepe open cardigan with shaped front; navy two-piece suit (both size 12); another similar suit in grey/mauve wool (size 14); black leather straight skirt with elasticated waistband (size 8); pale blue long silk skirt printed with circular motifs (size 14); five wool crepe straight skirts in plum, black, pale blue and khaki (sizes from 12-20) (26 items-part rail) Condition report: . Coat dress - several small thread pulls mainly to the front and shoulders, some wear overall. Coat with gilt buttons - couple of thread pulls and slight wear, Four skirts show slight wear. Slight wear overall to other pieces. . Black suit - some thread pulls and wear mainly to the jacket. Black tunic coat - couple of small holes near shoulder, sleeve, and several small thread pulls. Grey three piece; skirt - slight wear, tunic - small hole near hem. Cardigan - couple of thread pulls. Other items show some wear.
Frank McKelvey, RHA, RUA (1895-1974) "Portrait of a Man," O.O.C. 92 h x 71 w cms (36" x 28") An understated and dignified portrait by Frank McKelvey, depicting a man dressed in a grey business suit, with matching waistcoat, white shirt and grey silk tie. The identity of the sitter is not known, and few clues are provided by the setting, in terms of architecture or context. Seated in a wooden chair beside a desk, the man?perhaps a senior civil servant, accountant or bank manager?is pleasant looking, with thinning hair. He wears a wedding ring, wristwatch and horn-rimmed spectacles. He has a candid and open expression, and although seated at an angle, with his hands folded, his head is turned slightly so as to look directly at the observer. Although a leading member of the Northern landscape painters, and best known for his Impressionist/Realist views of coastline and countryside, from the outset of his career McKelvey was also a talented portrait painter. In 1918, while a full-time student at the Belfast College of Art, he won the Taylor art competition with his painting The Grandmother. In Queen?s University there are ten portraits by him, while in the Ulster Museum there are thirteen portrait drawings, of US presidents of Ulster extraction. Born in Belfast in 1895, McKelvey attended evening classes at the Belfast College of Art, before enrolling in 1911 as a full time student. He also trained as a poster designer for David Allen and Sons. Over the following years he painted views in the vicinity of Bessborough, Co. Armagh, where his in-laws had a farm. While the Realism of his early work gradually gave way to a more Impressionist palette and approach, McKelvey never swayed from providing an authentic depiction of life of the Irish countryside and coastline, and this ability to capture likenesses is evident also in his portraits. Early in his career, McKelvey was commissioned by Thomas McGowan to paint a series of views depicting the older parts of Belfast city: these are now in the collection of the Ulster Museum. In 1920 he established a studio in Royal Avenue and over the following years became a member of the Belfast Art Society, the Ulster Society of Painters and, in 1930, the Royal Hibernian Academy. In 1924, after marrying he settled in Co. Down, but two years later moved back to Belfast. In New York McKelvey was one of a number of Irish artists shown at the Hackett Gallery, while in Dublin, in 1937, he had his first exhibition at the Victor Waddington Gallery. A founder member of the Royal Ulster Academy in 1930, he last exhibited with the RUA in 1969. McKelvey?s favourite locations for painting landscape were Co. Armagh, the Antrim Coast and, in later years, Co. Donegal. Dr. Peter Murray, 2022
'PANKO' - PLAYING CARDS'Panko or Votes for Women. The Great Card Game. Suffragists v. Anti-Suffragists' [complete pack of 48 pictorial playing cards], illustrations by E. T. Reed of 'Punch', printed in black, red, purple and green, each card numbered 10, 20, 30 or 40 in red or green, versos with purple on white geometric design, with printed sheet of rules, creased and marked, in original card slip case, lacking base panel, within outer printed box lacking both end panels, worn, 97 x 72mm., London, Peter Gurney Ltd., c.1909 (2)Footnotes:'PANK! PANK! PANK!' – 'PANKO OR VOTES FOR WOMEN': A complete set of the popular Suffragist card game with sheet of rules.The pack comprises four Suffragist suits and four Anti-Suffragist suits, each of six cards, the object being to exchange cards and collect a complete suit in a game similar to rummy. The present set has the points printed on each in red (for Anti-Suffragists) or green (for the Suffragists) and its original printed sheet of ten rules. The game, costing two shillings, was widely distributed by the Women's Social and Political Union, the advertisement claiming 'Not only is each picture in itself an interesting memento, but the game produces intense excitement without the slightest taint of bitterness', and was used a way of subtly disseminating propaganda into domestic circles. As Elizabeth Crawford writes, 'the translation of the mechanics of the women's suffrage campaign into board and card games was a masterstroke that originated from within the Women's Social and Political Union. Not only were funds raised, but the message of the cause was brought into domestic circles where more rabid propaganda might not have been welcomed' (Crawford, E., The Women's Suffrage Movement, A Reference Guide 1866-1928, 1999, p.235)For further information on this lot please visit Bonhams.com
SENDAK (MAURICE)An extensive collection, assembled over the past 30 years, of the works of Maurice Sendak, comprising some 340 volumes covering virtually all of Sendak's works in first edition, later editions, and foreign translations, together with several hundred printed ephemera such as proofs, posters, pamphlets, brochures, programmes, cards, leaflets, greetings cards, point of sale displays and exhibitions catalogues, and objects such as Wild Thing dolls, t-shirts, tote bags, badges, etc., a sample of the highlights including:(i)7 books inscribed with original drawings, comprising (all in publisher's bindings):- Where the Wild Things Are, first edition, inscribed on half-title 'For Vera, Indeed – a first! Maurice Sendak May '92' with drawing of the head of Moishe the Wild Thing, first issue dust-jacket, price-clipped, lightly toned, 8mm. tear to front panel, slightly longer tear at foot of spine [Hanrahan A58], oblong 4to, [New York], Harper & Row, 1963; - ibid., later edition, inscribed on half-title 'For Dan for Christmas 1983, from Robert and Frank and Maurice, Dec. 25, '83' with large drawing of Moishe in Christmas hat saying 'Boo!', dust-jacket (price-clipped, tears and repairs), oblong 4to, Bodley Head, 1983; - ibid., 25th anniversary edition, number 150 of 250 copies signed by Sendak on half-title and with drawing of Moishe signed and dated 'Oct. '88' loosely inserted, oblong 4to, [New York], Harper & Row, 1988; - AYME (MARCEL) The Wonderful Farm, early edition, illustrations by Sendak, drawing of a seated pig signed 'Maurice Sendak' on front free endpaper, dust-jacket (price-clipped, spine toned) [Hanrahan A2], 8vo, New York, Harper, 1951; - The Magic Pictures: More about the Wonderful Farm, early edition, drawing of a leaping pig (with 'Oink!') signed 'Maurice Sendak' on front free endpaper, first issue dust-jacket, spine toned, tear at foot of rear panel [Hanrahan A10], 8vo, New York, Harper, 1951;- Higglety Pigglety Pop!, first edition, inscribed on front free endpaper 'Aug. '68 For Bevan, All best wishes! Maurice Sendak' with drawing of the cat-milkman, dust-jacket (price-clipped, spine toned) [Hanrahan A68], square 12mo, [New York], Harper & Row, 1967; - OPIE (IONA AND PETER) I Saw Esau, number 285 of 300 copies signed by Iona Opie and Sendak, with drawing of baby in romper suit dated 'May '92' below, slipcase [Hanrahan A136], 8vo, Walker Books, 1992(ii)Over 90 books signed and frequently inscribed by Sendak, including: - EIDINOFF (M.L.) and H. RUCHLIS. Atomics for the Millions, first edition of the first book illustrated by Sendak, signed on front free endpaper and dated 'Oct. '84', library mark on rear pastedown, endpapers toned, rubbed [Hanrahan A1], 8vo, New York, McGraw-Hill, 1947; - ibid., first UK edition, signed on half-title and inscribed 'For Vera', endpapers spotted, lightly rubbed, shelfmark on spine, 12mo, George G. Harrap, 1950;- Where the Wild Things Are, first edition, inscribed on half-title 'to Mary B. Stancisto, Maurice Sendak, Jan. '71', early issue dust-jacket with Caldecott Medal label and blurb and price $3.95, spine panel very lightly toned, oblong 4to, [New York], Harper & Row, 1963; - ibid., first UK edition, signed on half-title and inscribed 'to Vera', dust-jacket lightly toned, oblong 4to, Bodley Head, 1967(iii)Miscellanea, including: - American Booksellers Association 1991 poster, colour lithograph, number 172 of 275 copies, numbered lower left and signed and dated '91 lower right, 780 x 620mm.; - Pictures by Maurice Sendak, number 471 of 500 copies with signed reproduction of drawing of a Sealyham terrier, portfolio containing 20 prints [Hanrahan A78], the box 650 x 430mm., New York, Harper & Row, 1971; - ibid., UK version, number 4 of 1,000 copies, no signature called for, Bodley Head, 1972; - another copy, number 421; ibid., German version, number 799 of 1,000 copies, no signature called for, Zurich, Diogenes Verlag, 1972; - Fly By Night, galley proofs, stamped 'First Proof 61229 Jun 25 1976', green paper wrappers [cf. Hanrahan A95], 4to, [New York, Farrar, Straus & Giroux, 1976]; - ibid., proof sheet with 16 illustrations, folded, 640 x 950mm.; - fax sent by Ursula Nordstrom of Harper & Row, to 'Dear Colleague', enclosing statement of Sendak on the censorship of the naked baby of In the Night Kitchen by librarians, 3pp., stapled, 4to, 24 April 1972; - Higglety Pigglety Pop!, proof sheet with 14 full-page illustrations and 8 vignettes, printed on thick paper, numbered '20' in felt-tip and 'light' in pencil', folded [cf. Hanrahan A68], 910 x 600mm., [?New York, Harper & Row, 1967]; - I Saw Esau, complete set of unbound, unfolded colour proofs [cf. Hanrahan A136], 4to, Walker Books, 1992; - several Wild Thing dolls, unopened in original packagingFootnotes:'In a lifetime of making and illustrating books, Maurice Sendak has contributed to American literature an astonishing body of creative work... from the early, brash illustrations for Atomics for the Millions to... the richness of imagery and imagination in picture books such as Where the Wild Things Are and In the Night Kitchen' (Stephen K. Urice, Sendak at the Rosenbach, 1995). The present collection is surely one of the most extensive and thorough in private hands; a full list is available on request.Provenance: Property from a London private collection.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
A lady's sapphire and diamond set 'Datejust' automatic 18ct gold bracelet watch by Rolex, circa 1988, the circular blue dial with single-cut diamond markers, magnified date display at 3 and centre seconds hand, to a yellow gold case with fixed bezel of alternating oval mixed-cut sapphires and round brilliant-cut diamonds, numbered 69000A, the calibre 2135 automatic movement numbered 3783287, model ref. 69198, serial no. L538186, on a yellow gold Jubilee link bracelet, clasp numbered 8571, the case and bracelet with Swiss gold marks and 18ct gold convention marks, dial, case, movement, winder and bracelet signed, accompanied by maker's box, case width 2.6cmCondition report: Light surface wear to dial. Surface wear to glass, scattered small chips and nicks to rim. Scuffs, scratches, nicks and chips throughout case and bracelet, commensurate for use. The bracelet clasp is functioning. Sapphire are well matched, with light surface wear. Diamonds are well matched, bright and lively in appearance. The movement is currently running but working order has not been tested and cannot be guaranteed. The winder is currently functioning. Gross weight including movement approx. 76gm. Total watch length approximately 17.5cm, would suit a medium-sized wrist. No spare bracelet links included. Signs of wear to box. No guarantee card included.
Three Second World War Battledress Blouses, one to a Lieutentant, label dated 1943, 38" chest, one labelled British Pattern, Made in Australia, 38" to 39" chest and dated 1943, and one labelled Size No.9 (39" to 40" chest) and dated 1945; three Pairs of Battledress Trousers, one 35" waist and dated 1942, one 37" to 38" and dated 1945, and one 30" waist; a Pair of Denim Overall Trousers, labelled Siz 9 (33" to 35" waist) and dated 1940; a Post Second World War Denim Tank Suit, to a Captain, with bronze rank pips, labelled Size No.4 (38" to 40" chest, 34" to 36" waist), dated 1946 (8)Condition report: 1 - Stitched repair to inner collar.2 - Replaced panels at inner collar.3 - Minor soiling to neck.4 - The last pair of trousers described have moth holes and wear.5 - Soiled and with repairs to the legs.6 - Some fraying to stitches, otherwise good.
A Quantity of Second World War/Post War Khaki Drill Uniforms, including a smock and trousers, two jackets with patch pockets, a pair of trousers, a pair of shorts, two shirts - one with slip on shoulder straps to a Captain IAOC; also, a snow suit smock and trousers, a cold weather peaked cap with sheepskin lined ear flaps, dated 1944, a No.2 service cap dated 1961, and a 1940 pattern battledress blouse to a Captain, labelled size 16 (39" to 40" chest) and dated 1946 (13)Condition report: Various worn conditions
A Second World War RAF Composite Flying Suit, comprising a pair of Irvin sheepskin lined leather flying trousers, with Air Ministry label Size 7, Waist 36"-38", Seat 42"-44", Leg 34 1/2", the brass zips with Lightning pull tabs and elasticated braces; an unlabelled sheepskin lined leather flying jacket with replaced front zip, and metal cuff zips with Aero pull tabs; a pair of sheepskin lined brown suede flying boots dated 1941, possibly size 7; a leather flying helmet and goggles (6)Condition report: Trousers with tears to each leg, zips work, one patch pocket missing with flap remaining, other patch pocket with loose stitching. Jacket wiht tears around the cuffs, some seams with stitch loss, cuff zips broken, main zip a replacement. Boots - rubberized seal around sole is perished, one inner leather zip flap coming unstitched, otherwise good. Helmet with no markings or ear pieces. Goggles with no visible markings.
G... Zangzanar(?) (20th century)Portrait of a young man, half length seated, in a dark suit and bow tieindistinctly signed u.r., oil on canvas82 x 55.5cmCondition report: There is an h-shaped tear to the upper right, see illustration. Otherwise in generally good order, not examined under UV light, for a more detailed report please contact the department.
Emilio Pucci skirt and shirt suit, the skirt with side button fastening, the shirt a light weight cotton , the skirt heavier weightCondition Reportsize 12 probably, the waistband of the skirt would sit lower, the label has been cut out of the skirt, the shirt is a fine cotton and the skirt a heavier weight
Vintage boucle wool suit labelled Tricosa, lurex detail to the collar, loop and button fastening, a vintage shirt and skirt labelled Franck Oliver, Paris, three vintage patterned skirts, a black cardigan embroidered with silver bugle beads labelled Lotus Export Enterprises, a vintage jacket and skirt suit, the jacket with mandarin collar, satin coloured buttons, bracelet sleeves, an Escada cotton white jacket, a Rose Marie Reid chiffon shirt, a purple mohair wool jacket and a Mondi khaki green skirt (11)Condition ReportAll garments in good condition, no staining or odours
Frank Usher 1950's style black grosgrain jacket with faux jet buttons, size 14, a Quin & Donnelly plaid short jacket, size 10, a French Connection black skirt suit with silver coloured pin stripe with skirt, trousers and jacket, size 6, a French Connection black jacket, size 6, a T M Lewin skirt suit, size 8, a plaid blazer jacket and a Max Mara Weekend patterned jacket (6)
Various assorted clothing to include a machine tapestry style jacket, a printed leopard skin cotton jacket, a full-length oriental style patterned skirt and blouse, a pair of jeans printed as tiger skin labelled Kenar, a cream linen trouser suit with full-length tunic top, a black cocktail dress, boned bodice, a grey and black striped coat dress labelled Gallery, a tweed double-breasted jacket with a velvet collar, Denim and Co. double-breasted jacket with epaulettes and a Charlotte Halton three-quarter length waisted dog-tooth check jacket with half-belt at the back (10)
Loading...
