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An assortment of vintage clothes. Including a Pierre Balmain two piece suit, W Bill Ltd knitted dress, boxed ladies felt hat, feather and bird headpieces, etc Condition Report: Pierre Balmain suit worn and needs dry cleaning but no noticable damage.

An assortment of textiles. Including suits, dresses and other garments Condition Report: Blazer with makers lable Hall Brothers Oxford and the checked suit same maker.

Four pieces of gents outdoor clothing including a Barbour lining, a Barbour Bedale, an Austin Reed suit and a Crysalis country clothing wool coat

A plum crepe 1930's full length evening dress with sequin detail, a black taffeta late 1940's cocktail dress with a ruched bodice and a black wool 2 piece tailored suit (3)

A lot of Britains post WW2 version RAF figures comprising firefighters in hazmat suits (5), RAF Regiment - some retouching (9), Pilot in Sidcot suit, Pilots from set 1894 (11 but 5 badly worn), flight sergeants (2), aircraftsmen (4), WRAF, firefighters 1 arm missing and 2 bases retouched, sidcot suit base retouched, sergeants and aircraftmen 2 heads loose, otherwise generally G-VG, (33),

SUNDRY ITEMS ETC to include a 35mm slide projector, slide trays, slide viewer, pot black snooker cue in box (cue is in good condition), small quantity of DVDs and CDs, suit bag, knitting needles, watercolour paints, etc

A collection of gents clothing. Includes three piece suit, bowler hat etc.

A collection of four vintage blouses and a suit jacket, predominantly circa 1950s.

A collection of ladies 1960s clothing to include Jean Varon blouse, velvet skirt, skirt suit, dress suit and jacket.

A mixed lot of vintage clothing to include psychedelic 60s jump suit, 1950s iridescent dress, 1960s sequinned dress, 1950s sun top and 1940s under dress.

A collection of 1930s and onwards gents clothing to include three tail coats, a suit jacket and two pairs of dress trousers.

A Veteran running-board mounting tool box and tools, circa 1905,the wooden tool box with interior divider and textured black tread to lid, 63cm wide, with key, together with assorted tools to suit Veteran or Vintage cars including two adjustable wrenches, a hand drill, various C-spanners, an oiler, two hammers, and other assorted tools. (Qty)This lot is subject to the following lot symbols: † ◊† VAT at the prevailing rate on Hammer Price and Buyer's Premium.◊ £30 + VAT uplift and storage at £6 + VAT per lot per day.For further information on this lot please visit Bonhams.com

A five piece set of Ferrari 550 Maranello luggage by Schedoni of Italy,to fit 1998 model, in black leather embossed with Ferrari 'Cavallino' emblem, with tan pigskin lined interior, comprising two suitcases, a suit-carrier, a Gladstone style vanity case and a shoe case, four with yellow cloth protective drawstring outer bags, complete with padlocks and keys, showing little sign of use and in seemingly good overall condition. (9)This lot is subject to the following lot symbols: ◊◊◊◊ £60 + VAT uplift and storage at £12 + VAT per lot per dayFor further information on this lot please visit Bonhams.com

A Louis Vuitton gentleman's hat-box, circa 1912,brown honey leather case, to suit storage of two hats, with branded leather handle to lid, with copper-riveted metal reinforced edging and corners, central brass lock, opening to beige cloth and suede lined interior, the padded lid with paper label to inside edge and with ink-stamped number '182645', with two interior canvas straps with branded buckles and two support cords with hooks, the lid with impressed initials 'A.S' and with some old marks and stains, the case measuring 38 x 31 x 36cm, offered together with a 1994 fax from Louis Vuitton of Paris confirming the hat-box original date of sale as 8th June 1912. (2)For further information on this lot please visit Bonhams.com

A roll of light green 'velvet' fabric, 144cm wide (might suit covering card tables etc)

Steve Harley + Cockney Rebel, Steve Harley's 1970's Clown stage costume, the black and silver thread lamé top having a net collar and flowers with zip fastening together with the matching trousers.Steve Harley "The first Cockney Rebel wore lurex clown suits, two green, two blue and my own in black. We never felt part of the Glam Rock movement, but there was a real theatricality about my early songs and it seemed natural to portray ourselves with a theatrical image." This suit has been in a plastic cover since 1973.Lots 1001-1043 have been consigned by Steve Harley, singer and frontman of 1970s group Cockney Rebel, whose number one hit ‘Make Me Smile (Come Up and See Me)’ has been covered at least 120 times and appears on soundtracks as diverse as The Full Monty, Lego Rock Band, and a Marks & Spencer’s advert.The collection includes stage costumes, vinyl, backstage passes, souvenir brochures and Harley's own script for the 1986 Andrew Lloyd Webber musical of The Phantom of The Opera.

Steve Harley, a gentleman's red gabardine two piece suit, the single breasted jacket with round front pockets and red silk interior.Lots 1001-1043 have been consigned by Steve Harley, singer and frontman of 1970s group Cockney Rebel, whose number one hit ‘Make Me Smile (Come Up and See Me)’ has been covered at least 120 times and appears on soundtracks as diverse as The Full Monty, Lego Rock Band, and a Marks & Spencer’s advert.The collection includes stage costumes, vinyl, backstage passes, souvenir brochures and Harley's own script for the 1986 Andrew Lloyd Webber musical of The Phantom of The Opera.Chest approx. 42cm cross.The lining is worn and has been re-stitched around the armpit.Cigarette burn to the right sleeve and above the right pocket.There is a stain to the bottom of the back.Two further cigarette burns and staining to the right of the crotch.

Steve Harley, a 1970's three piece suit comprising of a black velvet single breasted jacket with silk trim and pink silk interior, a pair of matching flared trousers and a green and black check waistcoat, thought to have been purchased from the London boutique Granny Takes A Trip.Lots 1001-1043 have been consigned by Steve Harley, singer and frontman of 1970s group Cockney Rebel, whose number one hit ‘Make Me Smile (Come Up and See Me)’ has been covered at least 120 times and appears on soundtracks as diverse as The Full Monty, Lego Rock Band, and a Marks & Spencer’s advert.The collection includes stage costumes, vinyl, backstage passes, souvenir brochures and Harley's own script for the 1986 Andrew Lloyd Webber musical of The Phantom of The Opera.No label.A couple of small marks to the jacket, otherwise condition is generally good.Chest width approx. 42cm.Trousers waist approx. 36cm, rise 36cm, length 102cm.

A group of novelty china teapots including a Ringtons Mourice Ltd Edition of 7500, (25cm h), a teapot in the form of a chimpanzee in suit and bowler hat with newspaper, a postman being attacked by a bulldog holding on to a mailbox (3)

ROMAN RIBERA CIRERA (Barcelona, 1848 - 1935)."Musician with cello".Oil on canvas.Signed in the lower left corner.Size: 60 x 35 cm; 79 x 51 cm (frame).Besides portraying the elegant and lavish life of the Parisian bourgeoisie at the end of the century, Román Ribera made paintings of musicians that remind, for their setting and excellent workmanship, of the Dutch and Spanish painting of the 17th century. This is the case here, where the artist depicts a musician with a cello in his hand. One of the most outstanding aspects of the painting is its successful treatment of colour and light. He uses a chromatic range of warm ochre, earthy and reddish tones, which he contrasts and contrasts with the brilliant white of the collar of his suit and the gold buttons on his coat. The artist, on the other hand, reveals himself to be a great draughtsman and demonstrates his interest in psychological introspection, offering us the image of a musician meditating, his gaze lost, despite the moment of calm he enjoys. Every detail of the costume has been depicted in all its rightful qualities, as was usual in Roman Ribera's precious plastic art.A Catalan painter, Roman Ribera studied drawing at the La Lonja School in Barcelona and painting at Pere Borrell's academy. He furthered his studies in Rome between 1873 and 1976, and travelled and exhibited in London. In the Italian capital he attended the Accademia Chigi and devoted himself to painting, but avoiding the contagion of the academicist mannerism of the Roman school. In 1877 he went to Paris with the art dealer Adolphe Goupil, who had acquired the rights to reproduce all his work. There he continued his training, this time directly studying scenes of Parisian street life. A year later he took part in the Universal Exhibition in Paris, where he achieved a decisive success with his three works of remarkable literary verism. However, he did not quite feel at ease with this type of subject matter and soon began to focus on depicting the elegant life of the period in works such as "Exit from the Ball", which he alternated with genre scenes in the Spanish Baroque tradition such as "A Flemish Drinker". In 1881 he took part in the National Exhibition in Madrid with precisely the aforementioned work with a Baroque setting, and in 1883 he was awarded the Encomienda de Isabel la Católica. After twelve years in Paris he returned to Barcelona, where he had already exhibited at the Centro de Acuarelistas (1885) and at the recently inaugurated Sala Parés. He then exhibited his work at the Artistic and Literary Association and the Parés and Rovira halls, as well as at the Universal Exhibition of 1888 and the Fine Arts Exhibition of 1894, obtaining great critical and public acclaim and soon won the favour of the wealthy Catalan bourgeoisie. In 1893 he submitted two paintings to the exhibition organised by the Barcelona Athenaeum: "Innocence" and "Incógnitca". Cirera regularly exhibited his work individually in the Rovira Room and as a group in the Artistic and Literary Society of Catalonia. He was a member of various official juries, and also of the Barcelona Museum Board in 1901. In 1915 he was appointed Member of Merit of the Artistic Circle of Barcelona. On his return to Spain Ribera continued to depict the life of the upper classes, the luxury of their homes, the richness of their costumes, etc., becoming a faithful portraitist of the Catalan upper middle classes of the Restoration, as he had already been of the French bourgeoisie of the Third Republic. He worked mainly in Barcelona, but also travelled to Madrid and held exhibitions of his work there. His work is currently held in the MACBA in Barcelona, the Museu d'Art de Girona, the Museu de Montserrat, the Biblioteca Víctor Balaguer and in various important private collections.

French school, ca. 1820."Portrait of a gentleman.Oil on canvas.Round period frame with losses.Measurements: 54 x 45 cm; 68 x 59 cm (frame).In this work we see a typical nineteenth-century portrait, with the gentleman of three quarters in the foreground. The gentleman wears a black suit and a white shirt. He covers his shoulders with a velvety burgundy sash, and appears to be looking directly at the viewer, although his proud attitude establishes a certain distance from us.

Pair of Louis XV style candlesticks. France, ca. 1870.Gilded bronze.Measurements: 24 x 14 x 14 cm.Pair of candlesticks made in bronze whose design is framed in the transition between the late baroque and the rococo. The model is the usual one throughout the Baroque period, a model of European origin characterised by a foot and a voluminous shaft. The ornamental motifs are reminiscent of examples of the decorative art of the Louis XVI period, but reinterpreted to suit 19th-century aesthetic tastes.

Two Palitoy Action Man Figures, comprising of a 1960's moulded hair Action Man, wearing a silver zip up space suit with boots and gloves, a flock haired bearded Action Man, wearing a black jumper, green trousers, green jacket, white belt, black boots; together with a quantity of Action Man accessories including radio back pack, scuba gear, clothing, weapons, life raft, field telephone.

Three Palitoy Flock Haired Action Man Figures, including Action Man Red Devil (left arm broken) helmet, goggles, red jump suit, black boots. A bearded Eagle Eye Action Man, long overcoat, green trousers, black boots, a blonde haired Action Man (non-Eagle Eyes), flying jacket, grey jumper, green trousers, black boots; together with a small quantity of accessories.

A Michel Ambers two piece ladies suit, size 12; together with a Lalage Beaumont black dress, size 14

A Gieves & Hawkes navy double breasted suit, with chalk stripe (1998), the trousers with tunnel tops and turnups, approx. 44" chest, W38, IL31.5

A Henry Poole & Co (2002) double breasted navy suit, with light chalk stripe, the trousers with tunnel tops and turnups, approx. 44" chest

A Cerruti for Harrods silk and cotton two piece suit, 42R, waist 32

An A.T. McGurrell double breasted birdseye suit with red lining silk, 42R, small hole to front; together with one other navy suit (AF)

An AT McGurrell double breasted charcoal suit, 42R, with three pairs of trousers (AF)

A four piece AT McGurrell tweed suit, c.1994, comprising single breasted jacket, 42R; waistcoat; trousers; and shooting breeks

A four piece AT McGurrell tweed suit, comprising single breasted jacket, 42R; waistcoat; trousers; and shooting breeks

A Peter Hutchinson morning suit, comprising coat, approx. 46" chest, a pair of hound's tooth wedding trousers with large elastic braces, and a grey linen waistcoat; together with a double breasted dinner jacket and trousers, the jacket 52R, the trousers 46R

A Gieves & Hawkes gent's cotton suit, the jacket 42R, the trousers W34 (marks to trousers and jacket)

A made-up morning suit, the jacket by Ermenegildo Zegna, the waistcoat by Favourbrook, and the striped trousers by Gieves & Hawkes, W34

A Paul Costello single breasted pin stripe navy suit, size 46R, the trousers W40, L32

An Austin Reed navy wool pinstripe suit, double breasted, size 44L, with two pairs of trousers, W42 L34, each with turnups

An Ermenegildo Zegna navy pinstripe double breasted wool suit, the trousers tapered with turnups; together with one other similar, each approx. 40" chest

An Ermenegildo Zegna navy double breasted wool suit, together with one other similar Ermenegildo Zegna suit in black, approx. 40" chest

A gent's morning suit with grey double breasted waistcoat and pinstripe trousers, approx. 44"

A Collier & Stanley, Manchester (1957) single breasted wool suit, the trousers with side fastening brace buttons and fishtail back; together with a navy wool single breasted suit, 48L; and a further Ideal 'Terylene' suit

A Gaddi's size 14 ladies two piece silk linen mix suit

A Thinsulate snow suit, large

Aubusson tapestry. France, 17th century.Knotted wool.Good state of preservation.Measurements: 280 x 242 cm.The refinement of the carpets and handmade tapestries of Aubusson were very popular in the court of Louis XIV, period to which the tapestry we show here belongs. The central field depicts a classically inspired scene, with three ladies accompanied by a putto and a bull, set in a wooded clearing. The young women evoke the Roman goddess Flora and two wild nymphs. The bull reminds us of one of Zeus' metamorphoses. The Greco-Roman atmosphere, however, is transformed to suit the courtly taste of the 17th century. The large central medallion is ornamented with decorative patterns based on flowers with sensual corollas.Known as the "capital of tapestry", Aubusson's centuries-old art of painstaking execution has been classified as intangible cultural heritage by Unesco since 2009. The making of a tapestry of this level requires a complex technique and the intervention of a whole chain of trades. The tapestries are made with images of any artistic style prepared by a specialist in cardboard painting. The weaving is done by hand on the back of the tapestry by a heddle maker using a horizontally positioned loom and woollen yarns dyed by hand on the spot. This technique is very time-consuming and costly. Aubusson tapestries are the most emblematic craftsmanship of the luxury sector in Limousin, famous since the 17th century, and their value has even increased over time.

Aubusson tapestry. France, 17th century."Moses making water flow from a rock".Knotted wool.Good general state of preservation. Slight wear and tear and missing lower border.Measurements: 210 x 270 cm.The refinement of this tapestry, which reproduces the biblical scene in which God grants Moses the power to make water flow from a rock, testifies to the high quality of Aubusson's tapestries. They were very popular at the court of Louis XIV, the period to which the tapestry shown here belongs. With hardly any borders around the episode depicted, in order to give all the importance to the central scene, it is set in a wooded landscape in richly contrasting tones with a predominance of green and ochre shades. The figure of Moses points to the place from which the spring will gush forth to quench the thirst of the people of Israel. His companions express their faith in the word of the Lord with gestures of hope. The attire has been rendered in its rich qualities. The biblical theme has been reinterpreted to suit the courtly taste of the 17th century.Known as the "capital of tapestry", Aubusson's centuries-old art of painstaking execution has been classified as intangible cultural heritage by Unesco since 2009. The making of a tapestry of this level requires a complex technique and the intervention of a whole chain of trades. The tapestries are executed with images of any artistic style prepared by a specialist in cardboard painting. The weaving is done by hand, on the back of the tapestry, by a weaver using a horizontally positioned loom and woollen yarns dyed by hand on the spot. This technique is very time-consuming and costly. Aubusson tapestries are the most emblematic craftsmanship of the luxury sector in Limousin, famous since the 17th century, and their value has even increased over time.

Luggage - a large brown leather Gladstone type holdall, suit case etc (3)

A modern reproduction 16th century style suit of armour raised on stepped square sectioned base, height approx 210cm.

Georgian hallmarked silver salt raised on three feet, (marks rubbed) with spoon to suit, pair of hallmarked silver pedestal salts, Birmingham 1893, pair of octagonal hallmarked silver peppers, Birmingham 1903 and a further small pepper formed as a flour shaker, weight 209g, gilt oval swing handled bowl, Mappin & Webb coffee or similar pot, cased hallmarked silver handled knives etc

Goldsmiths & Silversmiths Company Ltd George VI cased hallmarked silver cruet set comprising salt, pepper and mustard together with two spoons to suit, three main pieces London 1938, weight without liners 181g, width of case 24cm

Mappin & Webb cased George VI hallmarked silver cruet set comprising two each of peppers, open salts with blue glass liners and mustards with covered blue glass liner, Birmingham 1939, together with four spoons to suit, weight excluding liners 243g, width of case 24cm

George V hallmarked silver cruet set comprising two open salts, mustard and two peppers, all but peppers having blue glass liners, Birmingham 1918, maker William Hutton & Sons Ltd, together with two further hallmarked silver mustards and various spoons to suit, weight without liners 298g

A shell thimble holder and thimble, to suit chatelaine or similar sewing set, height including chain 8cm

I. Moller (German, 19th century),Portrait of a young boy in sailor suit with toy yacht in a costal landscape,Watercolour on porcelain,Signed and dated "1874" lower right,38cm x 28cm,Gilt oval glazed frame

A pair of mid 20th Century travel suit / brief case. With red leather, gilt braiding and flip locks. Initials G. R. Z. to front. Together with a brown leather work brief case, with leather handle. Largest measures approx. 17cm x 49cm x 37cm 

A TIGER’S EYE AND GOLD NECKLACE, BY GEORGES LENFANT, CIRCA 1970The long chain formed as a series of alternating ropetwist and polished links, interspersed with woven knot-shaped motifs and polished tiger’s eye beads, in 18K gold, maker’s mark 'GL' for Georges Lenfant, French assay marks, length 91cmGeorges Lenfant was born into the world of French jewellery design, and he quickly became a master of his trade. Growing up, he undertook several apprenticeships before studying jewellery in Paris and abroad. In 1900, Georges set up his own workshop at 47 rue des Petits-Champs, minutes away from his patrons at the Place Vendome and Rue de la Paix. He was well established by 1903 and was listed in a publication of the Revue de la Bijouterie, Joaillerie, Orfevrerie of that year. His creative designs and flawless execution put him in demand with the larger jewellery houses and, in a bid not to be forgotten behind famous names such as Cartier, Mellerio dits Meller and Van Cleef & Arpels, Georges established a maker’s mark in 1909 and proceeded to stamp each piece before it left his workshop.In 1915, Georges was joined in the firm by his son Jacques who, at the age of just eleven, was eager to learn the art of jewellery. His keen interest would stand by him as, in time, Jacques would take over the business and create some of Georges Lenfant’s most memorable designs.Neither Georges nor Jacques shied away from collaboration and the Georges Lenfant company had been working with Sandoz for many years when, in 1927, Gustave-Roger Sandoz sold his business to Georges under the condition that his son, Gerard Sandoz, remained as artistic director. Between them, they created striking examples of Art Moderne jewellery, their work infused with bold lines, bright colours and contrasting shapes.Following the end of WWII, Lenfant took over Verger Freres. This heralded a new collaboration with Vacheron Constantin, who had been working with Verger Freres for some time. Constantin and Lenfant busied themselves with watch design and, together, they created pieces for Hermes.The 1960s and 70s saw Jacques at the helm of Georges Lenfant and his passion for goldsmithing led to beautiful textured pieces that celebrated the versatility of the metal.Jacques’ captivation by the different shapes and textures that could be wrought with gold led to his signature chain pieces as he was fascinated by how the interlocking links could be arranged into a myriad of patterns. Over three thousand pieces were inspired by the chain motif and are now some of Georges Lenfant’s most notable creations.In 2003, Georges Lenfant was bought by Bouder and ceased to operate. However, pieces bearing the Lenfant mark continue to prove popular, their numerous collaborations meaning that there is a design to suit everyone.Condition Report: Tiger’s eye: Well matched and with typical internal featuresMaker’s park ‘GL’ partially rubbed/ identifiable. Additionally stamped 750 for 18K gold.Light surface wear, overall good conditionTotal gross weight approx. 114.7g

A GOLD BRACELET, BY GEORGES LENFANT, CIRCA 1965Composed of slightly concave woven gold links, in 18K gold, with maker's mark 'GL' for Georges Lenfant, French assay marks, length 18cmGeorges Lenfant was born into the world of French jewellery design, and he quickly became a master of his trade. Growing up, he undertook several apprenticeships before studying jewellery in Paris and abroad. In 1900, Georges set up his own workshop at 47 rue des Petits-Champs, minutes away from his patrons at the Place Vendome and Rue de la Paix. He was well established by 1903 and was listed in a publication of the Revue de la Bijouterie, Joaillerie, Orfevrerie of that year. His creative designs and flawless execution put him in demand with the larger jewellery houses and, in a bid not to be forgotten behind famous names such as Cartier, Mellerio dits Meller and Van Cleef & Arpels, Georges established a maker’s mark in 1909 and proceeded to stamp each piece before it left his workshop.In 1915, Georges was joined in the firm by his son Jacques who, at the age of just eleven, was eager to learn the art of jewellery. His keen interest would stand by him as, in time, Jacques would take over the business and create some of Georges Lenfant’s most memorable designs.Neither Georges nor Jacques shied away from collaboration and the Georges Lenfant company had been working with Sandoz for many years when, in 1927, Gustave-Roger Sandoz sold his business to Georges under the condition that his son, Gerard Sandoz, remained as artistic director. Between them, they created striking examples of Art Moderne jewellery, their work infused with bold lines, bright colours and contrasting shapes.Following the end of WWII, Lenfant took over Verger Freres. This heralded a new collaboration with Vacheron Constantin, who had been working with Verger Freres for some time. Constantin and Lenfant busied themselves with watch design and, together, they created pieces for Hermes.The 1960s and 70s saw Jacques at the helm of Georges Lenfant and his passion for goldsmithing led to beautiful textured pieces that celebrated the versatility of the metal.Jacques’ captivation by the different shapes and textures that could be wrought with gold led to his signature chain pieces as he was fascinated by how the interlocking links could be arranged into a myriad of patterns. Over three thousand pieces were inspired by the chain motif and are now some of Georges Lenfant’s most notable creations.In 2003, Georges Lenfant was bought by Bouder and ceased to operate. However, pieces bearing the Lenfant mark continue to prove popular, their numerous collaborations meaning that there is a design to suit everyone.Condition Report: Minor signs of wear, overall in good conditionMaker's mark and French assay marks located on the tongue of the claspTotal gross weight approx. 111.60g

A large selection of hand knitted teddy bear outfits, including eight jumpers, a cream dress, brown sailor style suit, seventeen cardigans, nineteen tank tops, a teddy bear bag, and other items suitable for teddy bears and dolls, varying sizes

A Sunridge flotation suit.

90s INDIE - 7" PACK. A quality pack of 22 90s indie 7" singles. Artists/ titles include Pulp inc Common People (ISC 613, yellow vinyl pressing. Record VG+/ sleeve VG+), Something Changed (ISC 632, pink vinyl. VG+/ VG+), Do You Remember The First Time (ISC 574, brown vinyl. VG+/ VG+). Oasis inc D'You Know What I Mean (CRE 256, M/ Sealed. Shrinkwrap has shrunk and distorted the shape of the sleeve), Don't Look Back In Anger (CRE 221, VG+/ no sleeve). The Seahorses inc Love Is The Law, Blinded By The Sun. Blur - On Your Own. Paul Weller inc Peacock Suit (No: 01184), Friday Street. Lemonheads, Shed Seven, The Trash Can Sinatras, Monaco, Ocean Colour Scene, Screaming Trees, Cast, The Charlatans. Condition is generally VG+ to Ex+.

Ercol - Lucien Ercolani - A retro vintage 20th century circa 1970's dark elm dining suit. The lot to include a dark elm drawleaf dining table having a straight top raised on a trestle base, together with four highback spindle hoop back dining chairs, to include two carvers. Table measuring; 74 x 114 x 71cm