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Click here to subscribeA linen striped jacket by Dana (French) size 40 European, colours are browns, greys, red, mustard striped with two pockets; a dog tooth check suit 100% wool, by an Italian designer, colours/design are beige, green, black check, circa 1980's; a Prince of Wales check coat, Mandarin collar, lapels fastening or high necked, made in France by Dana, circa 1970's *(moth grazes in places, loose button) (3)these need airing, but condition is generally ok
Early 20th Century Costume, comprising a white linen skirt suit of panelled and appliqued flared style, similar long sleeve jacket of 'swing' style with lapels; a pale pink two piece woven with spots comprising a long skirt with multi pleated trims to the hem and matching blouse with short sleeves, later crochet trims and lace modesty panel; pale pink white cotton muslin two piece, of long skirt and long sleeved top both with drawn thread work detail, later black velvet and silk floral rosette belt; a mauve coloured cotton long skirt with cut work and embroidered circles; cream wool long skirt with lace insert to the front and applique covered buttons and matching bodice (af); cream silk blouse with long sleeves, crochet modesty panel and pleated details (6)Cream linen suit - unlined, some wear and discolouration.Cream cotton two piece embroidered with spots - replacement lace to the front and back of the neck, some damage to the lace and loose threads, lace appliques later applied. The skirt is discoloured and numerous areas of light brown marks, some wear.Pale pink cotton skirt with cut work circles and embroidered spots - replacement waistband, wear and rubbing to the hem.Cream self striped bodice two piece - bodice - had insertions put into the silk, some slight discolouration, lower part of bodice has been cut, loose threads. Matching skirt - altered and insertions, slight discolouration.Pale pink cotton two piece - tiny circular repair to the front, wear to the collar and couple of areas of discolouration.Cream silk shirt/bodice - slight wear under the arms, several tiny brown spots, wear to the lace.
NB - Cream Suit is a modern copy.Cream Silk Suit, comprising a long sleeve jacket with patch pockets, collar and button fastening, and long skirt with pleats; similar Cream Silk Jacket with collar and patch pockets; Brown Floral Printed Cotton Dress with net and lace lower sleeves and collar, pleated and tiered skirt (3)Cream silk jacket - rubbing/slubs to the top of the left sleeve, some rubbing and wear overall.Brown printed dress - repair and patch to the back of the neck. Discolouration and wear to the lace and modesty panel.Cream silk suit - a modern copy - condition good.
Circa 1960-80s Evening and Day Wear, comprising a Dorville cream chiffon mounted sleeveless long dress with printed green design and gathered trim to hem; similar style dress in pale blue and blue metallic woven flowers and belt; Clive Byrne orange, black and metallic chevron striped long sleeved long dress and fabric belt (size 16); Miss Parisenne multi coloured long sleeved dress with buttons to the front and waist tie; Marjon Couture cream chiffon mounted long sleeved full length dress with beaded waistband (size 16); black velvet and purple silk evening dress; Frank Usher orange/red long sleeve jersey dress with wrap style skirt (size 42); black long sleeve jersey dress; two similar pink and floral jersey dresses, DL Barron orange patterned long sleeve dress and matching jacket (size 14); Eastex orange, black and grey A-line dress, similar dress in pale green chiffon; Simon Ellis London floral corduroy long skirt and waistcoat (size 14), two other skirts, Indian cotton print dress and a rust coloured trouser suit; gentleman's red wool blazer, two morning coats in black and grey and an evening tail coat ; Assorted Early 20th Century Mainly Ladies Costume Accessories, including white cotton undergarments, corsets, straw boater, fur jacket and stole, stockings etc (21) (part rail and two boxes)
Circa 1950-60s Jackets, Coats and Dresses, comprising a Julian Rose black and blue floral embroidered dress suit; a Sylvia Mills blue floral dress suit with bow accents to the dress and ties to the collar; a Sylivea black and blue skirt suit; Margold Model grosgrain peach coat with long sleeves and pockets; similar blue coat with long sleeves, pockets, a single button to collar; a turquoise coat with a wide collar and long sleeves; a blue silk dress with short sleeves, jewelled neckline, belt and gathered at one shoulder; a similar green silk dress with short sleeves, bow to the waistband and a V-neckline; a blue mid length coat with a covered button fastening at the collar, mid length sleeves and embroidery; a similar blue and gold coat with long sleeves (10)
Circa 1950-60s Costume, comprising a brown dress with button up bodice and three quarter length sleeves; six mid length skirts in black, navy and blue; a blue shirt: a white broderie anglais style shirt; an Intrex green blazer and mid length straight skirt suit; a blue/green blazer jacket; two dog tooth blazer jackets; a grey jacket; a Matinex black mid length coat with button detail; a blue mid length coat etc (18)
Circa 1950-60s Ladies Jackets and Blouses, comprising a pink knitted top with button detail, a similar long sleeved cardigan in white; white short sleeve textured shirt; a lace shirt with short sleeves and cream buttons; peach crepe long sleeve shirt with a button up collar, attached jabot with lace trim; dusky pink short sleeve crepe shirt, collar with lace detail and translucent buttons; a light blue crepe short sleeve blouse, lace detail to the collar; cream silk shirt with short sleeves, lace details to the sleeves, bust and neckline; a cream silk shirt with long sleeves; a cream crepe cardigan with a red lace placket, neckline and hem; a brown lace covered skirt suit with a fur accent to the collar; a cream, brown and black textured pattern shirt with short sleeves and a scooped neckline; a brown silk jacket with long sleeves, wrap front with a button fastening; a pink grosgrain textured jacket with an embroidered collar and gathered detail to the hem; a brown grosgrain jacket with an embroidered collar, pockets and button up bodice; a Knitted by Boulanger black wool cardigan with embroidery to the neckline and pockets; a black wool cardigan with gold beading, embroidered placket and to the back of the neck; a Linda Leigh blue lace jacket with lace covered buttons; a cream lace cropped tie up jacket; a pink grosgrain textured Robert Dorland jacket with peach buttons (20)Pink knit top - 19" bust and 19" in length, discolouration to the shoulders and the under arms; White cardigan - 19" bust and 23" in length, stains and discolouration to the front of cardigan, placket, arms and shoulders; White textured shirt - 19" bust and 22" in length, overall in good condition; Lace shirt - 16" bust and 21.5" in length, a few buttons missing,overall in good condition; Peach shirt - 18" bust and 20" in length, slight wear; Pink shirt - 21" bust and 21.5" in length, slight wear to the collar and back of the shirt; Light blue shirt - 19" bust and 21.5" in length, discolouration near underarm and light staining on the back of blouse; Cream silk shirt - 18" bust and 22.5" in length , in overall good condition; cream silk shirt - 2-" bust and 23" in length, slight wear; cream and red cardigan - 15" bust and 28" in length, slight discolouration under the arms, spots of staining all over the cardigan; Brown lace suit - Jacket: 19.5" bust and 22" in length, Skirt: 15.5" waist and 29" in length, slight staining near buttons, otherwise slight wear; Cream, brown shirt - 13" bust and 18" in length, light staining to the front and loose stitching to one of the sleeves, otherwise slight wear; Brown silk jacket - 21" bust and 20" in length, overall slight wear; Pink jacket - 21.5" bust and 22.5" in length, missing button and discolouration to the collar and cuffs, spots of staining and a pull to the fabric on the front of jacket; Brown jacket - 20" bust by 23.5" in length, alteration to the waistline of the jacket, slight pulling to parts of the jacket; Boulanger cardigan - 17.5 Bust and 24,5" in length, slight wear; Black cardigan - 20.5" Bust and 24" in length, slight wear; Linda Leigh - 20" Bust and 24" in length, discolouration to parts of the jacket, especially the neckline and buttons; Linda Leigh jacket - 18.5" Bust and 16.5" in length, slight wear; Robert Dorland jacket - 18.5" Bust and 21.5" in length ,In overall good condition
Circa 1950-60s Assorted Jackets, Coats and Dresses, comprising a pink dress suit with a jewelled and floral applique neckline; Alice Edwards black fine grosgrain long sleeved coat with a wide collar; a pink long sleeved coat with detail to the pockets; a black horizontal ribbed coat with mid length sleeves and double button detailing to the cuffs; a blue mid-length A-line dress embroidered overall with floral details, a central zip from the neck to waist down the front of the dress; a brown long sleeved silk dress with long sleeves with bow detail; a Kinross Model black dress with short sleeves, a wrap bodice V-neckline and overall floral embroidery; a brown dress suit with floral embroidery; a Jean Allen black and red silk coat with a tassel decoration and belt: a light brown dress with thick straps, jewelled neckline with piped detail; Bio-Phil light brown dress suit with a horizontal striped and embroidered pattern, jewelled neckline and thick straps to the dress (11)Pink dress suit - Jacket- 21" bust and 36" in length and Dress- 20" bust and 34.5" in length, slight marking to the shoulder of the jacket, some discolouration around the inside of the dress and jacket neckline, sewing visible and of poor quality around the button holes and lining of the dress. Alice Edwards coat - 23" bust and 42" in length, wear and poor quality sewing alterations to the lining of the coat. Pink coat - 23" bust and 44" in length, discolouration around the buttons. Black ribbed coat - 23.5" bust and 35" in length. Blue dress - 19.5 bust and 37" in length. Brown silk evening dress - 20" bust and 42.5" in length; Kinross Model dress - 20" bust and 38" in length. Brown dress suit - Jacket-22" bust and 38" in length and Dress- 21" bust and 38" in length. Jean Allen coat - 22" bust and 41" in length. Brown dress - 20.5 bust and 38" in length. Bio-Phil suit - Jacket - 18" bust and 36" in length, Dress - 18" bust and 34" in length, slight wearing to areas such as the collar of the jacket and dress neckline
Circa 1970s Welsh Tapestry Wool Garments, comprising a 'Real Welsh Tapestry All Wool' purple, green and blue jacket with collar and patch pockets; blue, white, green and black cape with shaped button fastening, matching short skirt and belt tie; green, orange and dark pink three quarter length coat with round neck, button fastening, scooped patch pockets, plaited matching wool drawstring belt, brown wool trims and button detail to the hem; Other Items comprising a yellow, grey and white checked full length A-line skirt and matching fitted jacket; Elgee of London brown wool trouser suit with flared trousers, double breasted jacket with wide lapels; RBA French wool black and white checked jacket with round neck, gathered yoke to the back and large patch pockets (6)
Assorted Circa 1960-70s Day and Occasion Wear, comprising a Berkertex brown and cream linen two piece suit (size 12), a similar Carnegie Model brown and cream linen shift dress; Mansfield green two piece suit with coloured neck tie to the matching short sleeve top; pink silk type sleeveless shift dress with bow detail; Kelstree psychedelic printed cotton mini dress (size 14); printed cotton pinafore dress with buttons to the front; St Honore black, grey and white knitted sleeveless jumper dress with polo neck; Miss Jody by Morcosia red canvas coat with white hem and contrast over stitching; Simon Howard London cream linen zip front jacket with open weave sleeves and inserts; Nam-Reebi bright green linen cropped long sleeve jacket with zip front; yellow linen type sleeveless jacket with floral embroidered trims to the lapels; Canda bright floral cotton sleeveless long line shirt with collar; three tops labelled John Craig, Radley and Brutus (15)
Assorted Circa 1970-80s Costume, including Jean Muir black crepe long sleeved jacket (size 18), a black suede trouser suit with black leather trims (size 14 and 16), and a peach crepe full length long sleeve dress (size 14); Caroline Charles green mid length dress with ruching around the waist, V-wrap neckline (size 14); Jean Varon pewter jersey style full length dress with a high draped neckline (size 14); Frank Usher gold metallic jersey three piece including a thick strap top with a V-neckline, a long sleeve gold V-neck top with shoulder pads, and an open placket gold metalic jersey jacket (size 18); Frank Usher full length dress with green and blue paisley chiffon style sheer fabric with a peach underdress (size 14); Bob Schulz black wool crepe mid length long sleeve dress with a multi stripe pleated sash (size 12); Hardy Amies black mid length long sleeve silk mix kaftan with ruched tie cuffs and a scooped tie neckline (large) and another in white cotton with a button up neckline and buttoned cuff (size 12) (10)
Assorted 20th Century Costume and Accessories, comprising a Hartnell, 26 Bruton Street purple and pink mohair dog tooth check tailored skirt suit (size 36); Mondi double breasted black and white dog tooth check jacket printed with large flower heads (size 38); pair of Charles Jourdan court shoes (size 7.5) and matching bag in silver and black suede; Paloma Picasso black leather shoulder bag; Christian Dior light brown turban hat, Philip Treacy black and white animal print wool beret; brown crocodile handbag and fur capelet (rail and box)
Assorted 20th Century Costume, comprising a Jenners white satin wedding dress with elbow length sleeves, scooped neck, pleated skirt and train; another circa 1960s dress in white crepe made to an Ossie Clark design with buttons to the front and Victorian style long sleeves; Kitty Copeland black tricel long sleeveless evening dress with gathered bodice, belt, faux wrap skirt and attached black scarf, another in white; Oleg Cassini black open weave sleeveless shift dress; brown linen open jacket; Christian Dior gentleman's navy double breasted blazer; Hartnell green and blue silk and linen mix two piece suit (size 12); Frank Usher black and white appliqued/patchwork evening jacket; cream mink jacket (10)Jenners wedding dress - 34" bust, some staining to the hem and wear.Crepe wedding dress - 34" bust, some wear.Ballet dresses - 32" bust and both show wear and repairs.Horrocks dress - 32" bust, slight staining under the arms and slight wear, colours good.Black chiffon dress - 42" bust and slight fading and wear.Kitty Copeland black dress - 32" bust, couple of loose threads and wear to the hem.Kitty Copeland white dress - 32" bust, two small brown marks to the front, some marks to the scarf and slight wear overall.Oleg Cassini - 32" bust, and slight wear.Linen jacket - some wear.Christian Dior Blazer - some wear, 42" chestHartnell - slight wear
Assorted Circa 1980s and Later Costume, comprising four items by Caroline Charles including a black velvet full length dress with long sleeves, zipped cuffs and a faux V-neck wrap top (size 14), a long sleeved spotted navy and cream shirt (size 14), long sleeved jacket with sequin and beaded applique in a floral pattern (size 14); full length black velvet skirt with a slit up the front (size 14); four items by Diane Freis comprising a black and floral beaded crepe full length dress, with a V-neck and tassel tie neck, a two piece including a pair of black wide leg trousers and floral long sleeved beaded top, a beaded crepe long sleeve shirt with shoulder pads, featuring a floral and clock pattern, a floral crepe long sleeve shirt with sequin and beaded applique; Amanda Wakeley long sleeved gold coloured velvet style tunic, with a V-neckline and silk cuffs (size 14), a black velvet two piece comprising a pair of wide leg trousers (size 16), and a long sleeve tunic top with a V-neckline and silk cuff sleeves (size 14); Valentino full length black crepe skirt (size 12); Donna Karan black sequin embellished long sleeve tunic top with a scooped neckline (size small); Flora Kung purple silk floral two piece including a mid-length skirt and a sleeved top with shoulder pads (size 14) and a brightly coloured patterned silk shirt with a ruched back, mid length sleeves and V-neckline (size 14); Gerard Pasquier navy and cream crepe accented two piece, including a full length short sleeve dress with a V-neckline (size 20) and a open placket jacket (size 18); Rodier Paris wool style cream two piece skirt and long sleeve blazer, with navy piping to the hem (size 18); Baccarat three piece suit in blush pink with peach and beige accents including a wrap full length skirt with belt, long sleeve blazer and thick strap cotton top (size 14) (18)
Modern Ladies Clothing, comprising a House of Bruar checked wool jacket (size 18); Tuttanbrukem black velvet tunic top; Claire Charles Pitlochry grey wild silk suit with a tiered skirt, tunic style top and matching trousers and scarf; another in red silk skirt suit with a tartan silk lining; red wild silk skirt suit and matching Portland Hats with white feather trim, and a Portland Hats fascinator; long sleeve linen jacket with a round neck; sleeveless long red tunic with matching trousers and leopard print silk long coat and matching scarf; long sleeve shirt with frills to the collar and another similar; Accessories comprising pair of Franchetti Bond brown suede ballerina pumps (size 39); Cotswold Collection silver suede heles (size 40); Otto Lucas Harrods black straw hat with silk 'petalled' mounts; Bermona brown silk hat (in hat box); Panda, Webron and Whiteley yellow straw hats (rail and box)
United Irishman, A National Weekly Review, 1899-1906. The United Irishman: was a radical nationalist newspaper co-founded by Arthur Griffith and William Rooney, which ran from 1899 to 1906. In 1906 the paper collapsed under a libel suit, but was shortly afterwards re-founded as Sinn Féin. This set, whilst incomplete, includes issues from nearly all volumes (excluding vol. 2) and has several good runs. Library of John Sweetman MP (1844-1936); Whytes Auctioneers 5 April 2008; Private Collection.
A SUIT OF ARMOR WITH SUJIBACHI KABUTOJapan, Edo period (1615-1868)The matching components of black-lacquered iron and laced in two shades of blue as well as orange, cream, brown, and green. Comprising a sujibachi kabuto, the 16-plated hachi mounted at the top with an elaborate tiered chrysanthemum-form tehen kanamono, the fukigaeshi with gold-lacquered mokko mon (flowering quince crests), above the four-lame shikoro; a menpo with facial hair and a four-lame yodare-kake; a do partly covered with reverse-decorated textile and applied with two gilt chrysanthemum-form fittings suspending loose rings with felt; two six-lame sode; seven sections of five-lame kusazuri; two kote with blue silk and kusari; haidate with blue silk and reverse-decorated fabric; and two suneate with leather, blue textile, and kusari.HEIGHT approx. 118 cmCondition: Very good condition with minor wear, few age cracks and little flaking to lacquer, some soiling to textiles.Provenance: Dutch collection.With a black-lacquered wood storage box.
A SUIT OF ARMOR WITH SUJIBACHI KABUTO AND LARGE DRAGON MAEDATEJapan, Edo period (1615-1868)The matching components of black-lacquered iron and laced in blue with highlights of cream, brown, and green. Comprising a sujibachi kabuto with a 62-plate red-lacquered hachi mounted at the top with a partly gilt tiered chrysanthemum-form tehen kanamono, the fukigaeshi applied with metal roundels decorated with stylized birds, the mabizashi with gold hiramaki-e dragons and mounted with a large gilt and red-lacquered wood maedate in the form of a fierce three-clawed dragon with outstretched tongue amid flames; a menpo with facial hair and a five-lame yodare-kake; two-six lame sode; a do with gold-lacquered rim and applied with a gilt chrysanthemum-form fitting suspending a loose ring; two kote and haidate each with kusari over blue textile; seven sections of five-lame kusazuri; and two suneate.HEIGHT approx. 150 cmCondition: Good condition with some wear, the non-lacquered iron components (particularly the chainmail) with signs of oxidation, some soiling, tears, and losses to textiles, minor flaking and small losses to lacquer, few minuscule chips to wood; minor losses to armor components.Provenance: Czech private collection.With a wood storage box.
A SUIT OF ARMOR WITH A SUJIBACHI KABUTO BY KATSUHISA MYOCHIN AND A FALCON SASHIMONOThe kabuto by Katsuhisa Myochin, signed Katsuhisa sakuJapan, Edo period (1615-1868)Laced predominantly in blue, with green, orange, cream, and brown as well. Comprising an iron sujibachi kabuto, the 32-plate hachi with za-boshi and mounted at the top with an elaborate six-tiered chrysanthemum-form tehen kanamono, the mabizashi and fukigaeshi covered with textile and applied with neatly incised gilt roundels, the fukigaeshi with dragons and the mabizashi with chrysanthemums, the helmet laced with a black-lacquered iron four-lame shikoro, the gold-lacquered circular maedate with a mokko mon (flowering quince crest); an iron menpo with facial hair and a four-lame yodare-kake; an iron do partly covered with reverse-decorated textile and fitted with seven sections of black-lacquered iron five-lame kusazuri; haidate of black-patinated iron; two sode of black-lacquered iron; two kote over floral-decorated silk and with kusari; and two iron suneate decorated with kurusu mon (cross crests). The back of the do mounted with a gilt and lacquered wood sashimono in the form of a falcon on a perch above a horsehair fringe, the pole of bamboo.The kabuto signed to the interior KATSUHISA saku [made by Katsuhisa].HEIGHT approx. 130 cm (excl. sashimono) and approx. 185 cm (incl. sashimono)Condition: Good condition with some wear, minor nicks and small losses, some loose threads and minor losses to lacing, age cracks, flaking and small losses to lacquer, fading, wear, creases, and losses to textile, small dents, light scratches.Provenance: Czech private collection.With a wood storage box with metal fittings.
COLLECTION OF 1960s/70s PALITOY MADE ACTION MAN FIGURES WITH PAINTED HEADS AND ACCESSORIEScomprising one USA Spaceman with suit, helmet, boots, gloves, breathing apparatus etc, the other a Red Devil Parachutist with jumpsuit, boots, helmet, parachute pack and parachute and reserve chute; together with German Stormtrooper uniform with tunic, trousers, boots (jackboots), helmet, cartridge belt, 2 x triple cartridge sections, holster, field pack, 2 x 'stick' grenades, Schmeisser sub machine gun; and Action Soldier uniform with shirt, trousers, brown boots, cap; and a large selection of other items including trousers, camouflaged jacket, bag, hat, helmet, boots, ammo belts, scuba tanks, weapons, grenades, knives holsters and water bottle, all from a genuine childhood collection
Action Man Interest - to include Paltoy Special Operations Tent, incomplete, stars cut from box and tape to box, a flock haired eagle eye Action Man figure wearing a helicopter pilots suit, helmet with visor, accessories include clothing, breathing apparatus, skis and poles, flippers, boots, weapons.
§ Brian Hagger (British 1935-2006) Tyne Main Cole, Seagrave Roadsigned and dated 'BRIAN HAGGER 1972' (lower right)oil on canvas51 x 76.5cmProvenance:With Thackeray Gallery, London, where purchased by the present vendor 11th April, 1972A painter and draughtsman of urban and industrial scenes, Brian Hagger was born in Bury St Edmunds in 1935. After training at Ipswich School of Art and the Royal College of Art, under tutors including Colin Moss, Pif Fortin, Carel Weight, Ruskin Spear and Ceri Richards, Hagger became the studio assistant to William Scott and exhibited his work in numerous exhibitions in Piccadilly and the Kings Road. In London, Hagger enjoyed considerable critical success, holding numerous solo exhibitions at the Bramante Galleries and Thackery Gallery and he exhibited with the Royal Academy throughout the 1960s, 70s, and 80s. Typical of Hagger’s work both in style and subject, the present lots demonstrate Hagger’s atmospheric and characteristically restrained and atmospherically tempered palette, punctuated by unexpected flashes of colour. Describing his practice, Hagger wrote, ‘I have always been interested in Urban landscape and seascape. This has been the subject matter of my work for most of my life… although almost photographic in concept I try to base them on sound principle of abstract design. An important part of the paintings are the figures which are stylised and simplified to suit the painting in question’.
A collection of Chanel couture clothing to include a short buckle jacket with matching skirt (P16222V08834), a collarless red tweed jacket (P18110V10358), a black & white contrast trim Boucle jacket (P11965V07036), two silk sleeveless dresses ( P33186V20942), a pink short jacket with matching long skirt (P12783V07322), two belts in presentation boxes, a tweed jacket & skirt suit (P22366V13169), a Runway Blush - Pink cashmere jacket an skirt suit with wood buttons (P18171V10310) and a red and white flecked tweed jacket & skirt suit (P11615V06858)All appear to be in good condition with no obvious visible faultsPlease follow the link below to a drive folder containing 98 images from various angles showing dirt, marks if any, bobbling and also including labels indicating sizes.https://drive.google.com/drive/folders/1efUec8Xenvn23AA-8suizgegyRGo2_j7?usp=sharing
A mid to late 1940's fawn Gaberdine suit, fitted jacket with two flap pockets on each side of jacket, fully lined, buttons x4 on jacket and on flap pockets, matching skirt with pleats on front and back of skirt, metal zip, size 14, comes with coral effect brooch on lapel; with a matching hat with velvet hoop detail
A coffee coloured suit, the jacket has a velvet collar, short box design, flap pockets, with a pencil skirt, by Vendome, 1970/80's, a cream Betty Barclay large cream shift with mock snakeskin trim and a trim on pockets, raglan sleeves, size 18, a Susan Small XL, top, coffee coloured and made in England, polyester with an Egyptian style gold and bronze braided motif on the neckline; an ivory 1960's off white/cream suit with pencil skirt (marked), with metal zip, stitching round edge of jacket is pure wool with small mark, size 10 skirt, 14 jacket, A Louis Feraud size 14 long 1980's jacket, stitching round edge, long elongated collar, and long pencil skirt (5)
Chanel : Tailleur Jupe Rouge Et Bleu MarineAnnées 1990Veste rouge avec bordure bleue et boutons CC dorés, jupe bleue avec bordure rouge (2)Rapport de condition : B-Poitrine : 36'/90cm, hanche : 36'/90cm, taille approximative 38TVA sur les articles importés au taux en vigeur sur le prix d'adjudication et la comission d'achat.Footnotes:Chanel: a Red and Navy Blue Skirt Suit1990sThe jacket in red with blue trim and gold tone CC buttons, the skirt in blue with red trim (2)Condition Grade B-Chest 36'/90cm, hips 36'/90cm, approximate size 38Please note this lot has TVA at the prevailing rate on both Hammer Price and Buyer's Premium.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on hammer price and buyer's premium, if the object remains in the EU.TVA sur les objets importés au taux en vigueur prelevable sur le prix d'adjudication ainsi que sur la prime d'achat dans le cas où la voiture reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
PABLO RUIZ PICASSO (Malaga, 1881-Mougins, 1973)."Suite 156".Engraving, copy 24/50.Signed in plate, justified by hand.Belonging to the series "Suite 156".Work published in "Picasso Suit 156". Kosme Baraño Letamendia, Ed. BBV, Bilbao 1998.Measurements: 50 x 65 cm; 75 x 88 cm (frame).This series is made up of a set of one hundred and fifty-six prints from as many copperplates that Picasso engraved when he was over ninety years old. The works reveal his old age through an iconography that never fails to show an elderly Picasso. The prints do not provide an overall view, but they all have in common a retrospective look at the artist's life and work, and a nod to his visual memory. Thus we can glimpse the theme of the circus, to which Picasso was a regular in his youth, the female nude, with images of brothels, or his debt to painters for whom he felt admiration.The creation of Suite 156 was structured in three stages. From January to 25 May 1970, Picasso engraved more than fifty copper plates. In the second stage, between 25 February and 16 June of the following year, he made nearly a hundred plates, including thirty-eight dedicated to the image of Degas. Finally, in March 1972, he produced three more copperplates, two of them for Suite 156. Of this series, printed in its entirety by the brothers Piero and Aldo Crommelynck, fifty numbered copies were printed. The only three complete series of Suite 156 in existence are in the Musée Picasso in Paris, in a private collection and in the Bancaixa Foundation.The creator of Cubism together with Braque, Picasso's painting marked a turning point in the history of art. He began his studies in 1895 at the Provincial School of Fine Arts in Barcelona, and only two years later he held his first solo exhibition at the café "Els Quatre Gats". After several short stays in Paris, Picasso settled permanently in the French capital in 1904. After his blue and pink periods in the early years of the century, the painter began his geometrical experiments in 1906, during a stay in Lérida. A year later he began to paint "Les Demoiselles de la Rue Avinyó", and in 1909 he came into contact with Braque and his Cubist period began. During the second decade he developed his classical period, and produced his famous sets for Diaghilev's Russian ballets. In 1936 he was appointed director of the Prado Museum by the Government of the Spanish Republic, and a year later he painted "Guernica". His definitive international recognition came in 1939, when he was given a retrospective at the MOMA in New York. During the following decades he was the subject of anthological exhibitions all over the world, in Rome, Milan, Paris, Cologne and New York, among many other cities. He is represented in the most important museums around the world, such as the Metropolitan, the MOMA and the Guggenheim in New York, the Hermitage in St. Petersburg, the National Gallery in London and the Reina Sofía in Madrid.
Mahatma Gandhi (1869-1948) - Gandhi's personally made and worn Khadi loincloth. The cloth of hand woven white cotton construction, and embroidered to one corner ' Bapu ' (Gandhi). Supplied with an original c1930s note on headed Dr Kanuga (Gandhi's personal physician) stationery which reads "clogs and cloth of reverend Bapu are contained herewith." Folded. Some staining from age, and a central area of wear from use. Total size 79cm x 99cm History: On September 22, 1921, Mahatma Gandhi took the decision of shedding his suit and tie and donning a loincloth, which remained his attire until his death in 1948. Gandhi’s decision was inspired by his desire to completely boycott British goods and to popularise the idea of ‘swadeshi’ by making khadi more accessible to the poor. Khadi is a hand-spun and woven natural fibre cloth promoted by Mahatma Gandhi as swadeshi (self-sufficiency) for the freedom struggle of the Indian subcontinent, 'Khadi' term is used throughout India, Pakistan and Bangladesh. The first piece of the hand-woven cloth was manufactured in the Sabarmati Ashram during 1917-18. The coarseness of the cloth led Gandhi to call it 'khadi'. Gandhi's loincloth, along with his spectacles and sandals form part of his iconicity and images of him wearing such garments are deemed to be some of the most iconic images of the twentieth century. Provenance: from the collection of Dr Kanuga, Gandhi's personal physician. Mohandas Karamchand Gandhi (2 October 1869 – 30 January 1948) was an Indian lawyer, anti-colonial nationalist and political ethicist who employed nonviolent resistance to lead the successful campaign for India's independence from British Rule, and in turn inspire movements for civil rights and freedom across the world. Gandhi's birthday, 2 October, is commemorated in India as Gandhi Jayanti, a national holiday, and worldwide as the International Day of Nonviolence. Gandhi is commonly, though not formally, considered the Father of the Nation in India, and was commonly called Bapu (Father). Provenance - from the collection of Dr Balvantrai N. Kanuga, Gandhi's personal long-term physician and friend.
A mixed lot to include and large trunk 77cms x 42cms x 30.5cms, small selection of costume Jewellery, wedding veils, enamelled bread tin 22cms h, Turnbull & Asser checked shirt with original packaging, 1940's leather navy court shoes, brown crocodile handbag, 1950's floral bathing suit, wood and paper umbrella and othersCondition ReportAge related wear and dirt grime. Rusting to truck marks and scratches. leather shoe very worn and cracking to leather on the handbag.
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