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BASKET 3 PIECE GARDEN SUIT

3 VINTAGE SUIT CASES

A WWII British 1941 pattern Sidcot Flying suit, a G type oxygen mask, and a Battle damaged MG 15 magazine relic apparently recovered from the wreck of a German Dornier 17, the flying suite with press stud connector panels, zip front and map breast pocket, with ordinance stamped label ' size 3, stores reference 22C/775, breast 34/36' Air Ministry stamped zips, non detachable collar and belt to the back; with g pattern oxygen mask and Relic G15 twin drum magazine with attached manuscript label , 'MG 15 Ammo drum of 9/KG 76 shot down by Spitfires, September 10th 1940, taken at the time by Charlie Brown, Nutfield Cottage, Chapel Lane, Horsted Keynes, East Sussex (3)The Sidcot flying suite was designed by Sidney Cotton in conjunction with Robinson Cleaver Ltd. and first produced in 1917. Zips-some seized and need of attention

1975 Jaguar XK140 Evocation- Unique Autotune Aristocat which has been further enhanced by the vendor- Recently treated to a quality re-spray- 4.2-litre Jaguar XK engine mated to a four-speed manual gearbox'XK2 545' is a unique Jaguar XK140 Evocation based on Autotune's Aristocat kit and further enhanced by the vendor. Finished in Red allied to a sumptuous Red-piped Black interior, the car was originally built by a Captain Jim Roberts and correctly registered by Autotune. Roberts regularly used the car open-topped until removing it from the road to recondition the engine, change the transmission from automatic to manual, install twin alloy fuel tanks etc. However, in the middle of the process his job took him abroad and the Jaguar lay untouched for some five years until rescued by the vendor. He subsequently invested two years extensively modifying and generally improving the car. He treated it to a quality respray after modifying every bodywork panel; fitted a curved windscreen, quarter-lights and wind-up windows; and installed a bespoke interior, new lights, rechromed bumpers, and custom-made copper exhaust system. In common with the original keeper, he took a 'no-expense-spared' approach to the project, as the intention was to keep it indefinitely. However, his circumstances changed and somebody else will now benefit from the time and money that have been lavished on the car - the bodywork, paintwork, interior trim, 4.2-litre XK engine, and four-speed manual gearbox of which he now regards as all being in 'excellent' condition. Designed by Autotune of Rishton, Lancs., the Aristocat was an Evocation 'within the spirit of' the Jaguar XK140, and employed the running gear from a donor XJ6 or XJS housed within a purpose-designed steel spaceframe chassis. Created to suit a range of budgets, it could be built using as much as 80 percent of the donor car components, even including the seats and dashboard. Utilising unmodified XJ suspension resulted in the Evocation being a more practical five inches wider than an XK120 or 140, but only and inch more than the XK150.

1934 Daimler 15hp Saloon- Well maintained example and restored in 2003- Original parts catalogue, instruction manuals and green logbook- MOT'd into February 2019 although exemptRenowned for its large, luxury motorcars, Daimler had to cut its cloth to suit the times, and its answer to the Great Depression was the Fifteen. Launched in 1932, it was the first Daimler priced at less than £500 since the Great War and its name was derived from its tax rating of 15hp. Initially of 1805 cc, its six-cylinder OHV engine drove through the company's proven fluid flywheel transmission with Wilson pre-selective gearchange. By 1934, the engine capacity had been increased to 2003cc, as per the sale car. A well maintained example finished in two-tone Grey and trimmed in Red leather, 'BPC 593' was restored in 2003 and last year treated to a top end engine overhaul. The vendor regards the bodywork, paintwork, interior trim, engine and transmission as all being in 'excellent' condition, and is offering the Daimler complete with original parts catalogue, instruction manuals and green logbook, plus an MOT into February 2019.

Three German bisque shoulder-head Dolls' House Dolls, man with light brown painted hair and brown felt suit --4¾in. (12cm.) high, women with blonde painted hair moulded into bun, re-dressed in cream and lace, and similar woman dressed as housekeeper, stuffed bodies and bisque lower limbs (G)

A German bisque shoulder-head Gentleman Dolls' House Doll, with moulded blonde moustache and painted hair, blue eyes, stuffed body with bisque hands and boots with holes in heel for stand, original black felt suit and cotton dress shirt --6½in. (16.5cm.) high

A bisque shoulder-head gentleman Dolls' House Doll, with moulded top hat, blonde painted hair, blue eyes and painted moustache, stuffed body, bisque limbs and felt suit --5in. (12.5cm.) high; and lady bisque shoulder head doll in original clothes (clothes discoloured)

 bisque shoulder-head Gentleman Dolls' House Doll, with blonde painted and moulded moustache and hair, stuffed body with bisque limbs and light brown felt suit --5¼in. (13.5cm.) high; and similar maid (G)

A bisque shoulder-head gentleman Dolls' House Doll, with moulded brown moustache and hair, blue eyes, stuffed body, bisque limbs, brown felt suit and cardboard hat --7in. (17.5cm.) high including hat

A vintage Harvard Cooperative Cambridge gents' coat, a Jess Butz Harris tweed jacket and a Daks of London blazer, together with a length of Harris Tweed fabric, along with Brook Brothers gents suits and others to include a Chester Barrie for Austin Reed navy pinstriped suit

A CASED SET OF FOUR STERLING SILVER BRIDGE PENCILS, the square finials enamelled with card suit to one side, stamped sterling silver and engine turned decoration (the length without lead extended is 9.5cm or 3 3/4'', the pens turn extend lead but doesn't retract when turned)

A 1930s green knitted childs dress; a 1940s Billings & Edmonds blue tweed jacket, a pale pink party dress with ruched bodice, a 1950s checked baby coat, a 1960s blue and green childs coat and a white romper suit with blue smocking (6)

A 1940s black jacket; a late 1940s lilac evening dress with gold detail, a late 1940s Peggy Carter grey bead and sequin evening gown, a late 1950s pale pink satin summer dress, a late 1950s Rentner floral patterned dress, a Selfridges black ribbed fabric suit with a velvet collar, a bright pink taffeta halter neck cocktail dress, a 1960s Hardy Amies dress with matching jacket, a grey wool jacket with matching skirt, a maroon needle cord coat, a 1970s Jaeger charcoal grey velvet maxi skirt and a 1970s colourful maxi dress with green velvet ribbon detail. UK size range 10/12 approx

Alan Bean signed 10x 8 colour white space suit in front of lander photo, Inscribed Apollo 12. Good Condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, EU from £4.95, Overseas from £6.95

George Henry Taggart (American school, 1865-1924), Portrait of a gentleman, half length wearing a dark suit, signed and dated 1905 lower right, oil on canvas, 68 x 49cmNotes: The sitter is Winfield S Sample, George Taggart's brother in law.

A set of 4 sterling silver playing card suit design miniature candlesticks, length 5cm.

A SUIT STAND

Tartan and leather suit case

A quantity of small parts from Junkers 88 A-14 3E+HM of KG-6 which crashed at Hare (or Hoare) Hill, Balerno, near Edinburgh on 24th March 1943, including anodised pipe junction stamped “NW16 Argus” etc, an anodised bracket stamped with serial numbers, a 15” solid alloy boat shaped piece with embossed serial numbers and remains of pale blue paint, 3 instrument or engine labels, small alloy fragments, piece of leather flying suit (?), etc.

A gentleman's two piece Jaeger suit together with a Jurteen two piece suit, a Greenwood's classic two piece suit and two further pairs of trousers

A rail of gentleman's suit jackets

A rail of gentleman's suit jackets

Oscar de la Renta black velvet skirt suit with white spot detail, deep satin collar, satin buttons and cuffs, the cuffs with faux pearl and diamante cufflinks

An Edwardian twill cotton red and white striped bathing suit, cut petal detail to collar, cuffs and trousers, with matching skirt, a red wool Edwardian bathing suit with red wool trews ( 4)

A miniature suit of medieval armour on wooden stand, very fine detail, needs viewing, height 30' 76cm

Electrically Heated WW2 RAF Sidcot Flying Suit with original separate quilted inner liner. An exceptional example of the electrically heated suit worn by Bomber crews, with all fittings present. One of the original Air Ministry zip fasteners is missing its tab but the cotton pull is still present. The separate quilter inner liner is also in extremely good condition. Both is a good size.

SUIT ( TWEED )

O'NEILL FULL WET SUIT SIZE XL TALL PLUS ARM EXT AND SIZE 11 BOOTS IN CARRY CASE

Sydney S. Morrish (1836-1894, British) An elegant lady wearing a white silk dress and gloves, a bonnet with a pink parasol holding a Manchester terrier puppy, oil on canvas, framed, signed lower left and dated 1870, 55 x 40cmThis lively, spirited dog breed is a true terrier. Bred in Manchester, England, for the common man's sports of rat killing and rabbit coursing, he's got game and he loves to show it. The Gentleman's Terrier (as he is known in Victorian England) is not a sparring dog but loves a good chase, making him a flyball and agility expert.Though his looks suggest a miniature Doberman Pinscher or a large Miniature Pinscher, the Manchester Terrier is his own canine. A wee dog with a strong bark, he's got personality to burn: loyal, hearty, and a terrific watchdog who adores hanging out with his people. Among terriers, the Manchester is known to be one of the more well-mannered and responsive breeds and today spends his time as a terrific companion who can hold up his end of the conversation.The history of sunshades goes back thousands of years, but it was during the Italian Renaissance of the 16th century that umbrellas and parasols were introduced to Europe. At first the items were large, used interchangeably, and generally carried by a servant to protect the wealthy from the elements and sun. Some were heavy (made of leather) but silk, paper, and cotton grew in popularity. During the 1700s parasols had already evolved into a woman's fashion item, designed and decorated to match each promenade dress or walking suit, and was clearly defined as a sunshade; not for rain and snow. To make them collapsible developed around 1800, but ribs would break, paper tear, and the materials mildew if left damp. By the early Victorian era metallurgy had improved and alloy ribs were being used, nickel silver particularly popular. This type of thin strong metal was developed in Germany by craftsmen in an attempt to imitate the Chinese combination of copper, nickel and zinc, known as paktong.At the beginning of Queen Victoria's reign the parasols were quite plain, but by about 1850 tassels and frills grew in popularity. In each ensuing year the adornments became more ostentatious. If a dress had bows or flounces, the parasol could be adorned with the same decoration. This was a matter of taste, and ladies selected modest or extravagant versions for different circumstances, and based on what their income would allow. Of course it was only the wealthy who used parasols as a day-to-day accoutrement. A poor girl might have a simple parasol for church, or a Sunday afternoon stroll. It was during the 1850s the marquise parasol was developed, a style that tipped at the top, so a lady could hold the shaft straight and still shade her face well no matter the angle of the sun.During this time many houses featured racks (two horizontal parallel arms) for placing open parasols and umbrellas high overhead in front and back halls; ideal for implements that didn't close, could be damaged by constant opening and closing, or damp items. Parasol handles were usually straight, but some hooked examples exist. A plain parasol might have a wooden or metal pole with a bone handle, while the most expensive choices were of carved ivory shafts, decorated with inlaid jewels and gold banding. An in between version could be with carved horn and silver filigree accents. Throughout the Victorian era the handles grew longer, so "carriage" parasols were designed with a hinge in the middle to allow breakdown and ease of movement in tight spots.

Late 70s Yves Saint Laurent grey A-line skirt (French size 38), 1960s black wool shift dress from Berlin ,with grosgrain trimmed neckline and bow (size 42), 1970s black velvet dinner dress, caftan shaped with large plastic bobble buttons and loops to the front (size 10 approx), 1960s boned swim/play suit, from Richard Shops emerald green with white crossed-ribbon decoration to pockets and across the chest (size 10-12) approx.

A group of smart 1980s day wear, to include black and white silk print skirt and blouse suit by Zandra Rhodes for Jack Mulqueen Ltd (size 8), calf length yellow wool crepe pleated skirt from Burberrys (size 8-10 approx - some splits in the lining), white culottes and brown print skirt and top from Jones New York (American size 4), white trousers from Tahari (American size 6) (7)

Dress by Diane Fres, 1980s, polyester georgette, cream with a pattern of black dashes, contrasting panels at waist hem and collar bone. Together with silk two-piece cocktail suit by Christyne Forti, black with two bold white stripes to the front of the skirt which converge at stiffened peaks at the waist, and a white stripe from padded shoulder to wrist (size 12). (3)

1970s Missoni suit and tank top in bright green and blue and white checked woven wool, the jacket long and slim, closing with a single hook and self-fabric belt with long thin blue plastic buckle, lined with pale green silk jersey (a few stitches need replacing under one arm, and there are one or two snags to the wool). The A line over knee length skirt has the fabric cut on the diagonal, lined with silk jersey, (one or two small snags on the wool). The wool jersey tank top striped to the back, a deep band at the front waist and shoulders in blue and greens, the front is a diagonally placed weave of blue squares and white dittos on emerald green, square neck and deep arm holes trimmed with the white ditto on green, one visible mend on the chest (approximately size 10).

1980s pink wool suit by Jil Sander, long line jacket with two flapped pockets and padded shoulders (small spots will probably clean out), straight skirt to over knee length (size 42). 1980s black wool jacket by Jil Sander (size 40) and 1980s suit by Sarah Spencer (size 12), blue and white printed seersucker cotton, double breasted jacket with self fabric buttons and straight over the knee length skirt with short split at the back (a few spots for the cleaners). (5)

Pink suit from Christian Dior, early 1960s, probably a silk and wool mix, double breasted with large buttons, fabric belt which closes with a hook and eye over loosely gathered waist, over-knee length skirt, label reads Christian Dior - London, Modele Original , made in England , and the stamped number 28432, it also has the Harrods label and plastic Christian Dior tag hanging from the inside (size 10). Also a late 60s cream wool suit by Diorling by Christian Dior, neat jacket, cut higher at the back, two flapped pockets and gilt brass buttons, short skirt (size 8 approx).

Green silk full length caftan with gold brocade at the neck and zip down the back, lined in purple, probably made in the late 1960s and a green caftan trouser suit from the same era, made of a heavy slubby silk, the neck line embroidered with gold thread and green silk in rows of leaves and curlicues. Fully lined in green silk, the trousers have a band of embroidery at the knee, below which the trousers flare gently (size 8 approx).

A late 50s/early 60s Worth suit in red and black tweed, neat jacket with four large plastic buttons, two flapped pockets and a false pocket, narrow skirt, just over knee length, some damage at waistline and a couple of mends to the lining hem (size 8-10 approx). Also a late 60s/early 70s, sleeveless dress and jacket from English Lady (size 12 approx), in tomato red wool, in a diamond figured weave, snazzy chrome and red plastic buttons (a few moth holes in dress).

Blue moire tafetta 1930/40s cocktail suit (tiny - size 6-8 approx), rust marked, and a black net 1930s evening dress; bias cut black silk crepe slip, plait detail on shoulder straps and down the front, the net has deep kick frill and stiff band to weight and swish the hem, with net bolero stiffened into frills (impossibly tiny -size 4?), some small holes. (4)

A box of lovely heir loom baby clothes comprising two silk Christening robes, smocked and pintucked (some moth damage), wool challis Christening coat (bit mothed) and a Christening cloak of cream challis embroidered with silk wild flowers and a pleated silk trim (moth damage to trim). Linen smock, cream satin jacket and shorts trimmed with lace, pale blue silk suit with white silk covered buttons and trim from Debenhams and Freebody, green trimmed silk shirt from Debenhams and Freebody, green silk shirt with muslin collar and trim, cream silk shirt with blue silk trim, and cream silk shirt from Treasure Cot Co. Silk romper shorts, two in green , one blue and one eau de nil. Silk and lace bonnet from Frederick Corringe Ltd, silk romper suit with pink embroidery and green grosgrain suit with collar and cuffs of Irish crochet and a lined cream wool coat from Debenham and Freebody and pintucked muslin bonnet (21)

Gents three piece tweed suit in green windowpane herringbone Alsport worsted from John G Hardy, tailored in Nicosia size 40" chest and 32" waist. Small moth holes on the waistcoat and jacket.

MATITA COUTRE SPORT SUIT

MOURNING SUIT & 2 PAIRS TROUSERS AND MOURNING SUIT JACKET

ZAPA TROUSER SUIT (NEW) SIZE 16

Rolls-Royce - A.H. Buckle (fl. 1945)Portrait of Harry Swift, OBE, three-quarter length, striding forward wearing a double-breasted suit, flanked by vignettes and trophies, including OBE medal, car and aeroplane enginessigned and dated 1945, pencil on paper, 22cm x 26cm; Emergency Services Organisation letter and poster, framed as one; Visit of the American Mission, October 30th, 1942, dinner menu; Unveiling of the Statue of Mr. F. Henry Royce at Derby, Wednesday, June 247th 1923, guest list, invitation to meet the Earl of Birkenhead, further ephemera; dinner invitation and booklet from the Chairman and Directors' dinner for Ernest Walter Hives's elevation to the peerage as Baron Hives of Duffield; WW2 and post-War aeronautical event programmes, some military; Aircraft fitted with Rolls-Royce Engines publications (2)Statement of Accounts and Directors' Report: 1959, 1960, 1961 (3); Rolls-Royce Limited, Review of Activities: 1966 - 67, 1967 - 68 (2); Rolls-Royce: Achievement [aeronautical engineering], various; Rolls-Royce Naval Power; Rolls-Royce Industrial and Marine Power; further official publications and pamphlets; posters, plans (archive) Provenance: Harry 'Sft' John Swift, OBE, of Thorpe House, Littleover, Derby, former Overall General Manager of Rolls-Royce.

A modern suit valet.

A modern suit valet.

Brooks Brothers gents' suits and others to include a Chester Barrie for Austin Reed navy pinstripe suit

Three vintage suitcases, a suit carrier, a vintage leather briefcase, a mid 20th century Corona typewriter cases, a mid 20th century Webcar record player and a vintage vinyl record player

A miniature oval Portrait of a boy in a skeleton suit with a bird perched on his finger. 2 1/2" (6cms) x 2" (5cms).

Maude E. Pilkington [fl.1888-1914]-A miniature portrait of a young man, head and shoulders,:- with blue eyes, short fair hair parted on the left, and moustache, wearing a brown suit and black tie, signed bottom right,on ivory, oval, 8cm.

A grey and mushroom tiered evening dress and matching bolero jacket and scarf/stole by Reel in chiffon, early 1980s, a striking white long evening dress in see through fabric with the lower skirt has a full circle of fabric, a rolled scarf neckline with shocking pink flower design on fabric - a black cocktail suit with a pointed detail hemline with velvet parts, the jacket which matches has metal buttons and velvet parts; together with a purple cocktail suit which has velvet parts and unusual designed parts of a embossed fabric, the skirt has a pink pointed hemline, the jacket has purple velvet sleeves, heavily embossed, looped fastenings and metallic buttons, early 1980s by Eastern Touches (Indian) and a velvet waistcoat, embellished in a Tulip design in pink/mauve flowers (late 1970s) and a black cocktail suit (larger size 18) jacket and pencil skirt in self pattern design, jacket has covered buttons and reverts classic

A suit of amethyst seed pearl 9ct gold jewellery, comprising a ring set with an oval amethyst to the centre with pearl surround, approx 7mm x 5mm, size N 1/2, a matching pendant on a chain, approx 18'', along with a similar pair of stud earrings, set with round amethysts, with a combined total gross weight approx 9gms

A second World War flying suit including a jacket and trousers

A VICTORIAN SWEPT GILT PICTURE FRAME, to suit a canvas, approximately 25" (64cm) high x 30" (76cm) wide. (1)

Metal model of a suit of armour

An engraved suit of armour,late 19th/early20th century, on a wooden stand,170cm high overall

A 'Traje de Luces' or 'Suit of Lights' matador's outfit,comprising:a gentleman's chaquetilla jacket of fuchsia pink silk, lined in a striped blue and green silk, heavily embroidered with gold metallic sequins and couched metallic threads in square panels, each with a four-leaf flower to the body and sleeves, the shoulders with applied oval panels, highly embellished with raised metallic rondelles, finished with gilt thread tassels,matching taleguilla trousers in a stitched fuchsia pink fabric, pink silk panels with matching embellishment to the sides,a similar waistcoat in pink silk, embellished with sequins and couched gilt threads in scrolling motifs, andthe original pale blue silk matador capote de pasao cape, with applied collar highly embellished with metallic sequins, couched metallic threads in a scrolling motif and embroidered with polychrome silk thread roses and other flowers, with matching embroidery to the edges and centre of the cape, lined in a red and blue damask silk, inscribed in pen to the reverse, 'Recuerdo. Para mi querido amigo Reginald Wright del suyo Felix Rodriguez Bilbao 10 ago 10 1929' (4)

Character Doctor Who figures, to include The Doctor in a space suit, Rose and K-9, Cyberman, Gelth Zombie, Captian Jack Harkness and The Doctor, (6)

Kevin Francis Peggy Davies figure Harlequin, limited edition with orange suit and purple base