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Lot 295
IMAMURA KOSO: A SCROLL PAINTING OF A SUIT OF ARMORBy Imamura Koso (1873-1918), signed KosoJapan, Meiji period (1868-1912)Ink, gouache, and watercolors on silk, with an embroidered fabric coated paper frame, showing several mon crests in gilt thread, and mounted as a hanging scroll with porcelain handles with gold gridded decoration. Depicting a samurai armor displayed upon a wood storage box, the armor including a kabuto (helmet), and a somen (full face mask). A war fan, and a sword placed in the front. Sealed and signed to the lower right KOSO. In an orginal inscribed wood storage box, signed KOSO HITSU and DAI with Kao. Condition: Very good condition with minimal creases and slight staining. Provenance: Dutch collection. Dimensions: Image size 98.5 x 35.5 cm, size incl. mounting 188 x 52.5 cmImamura Koso (1873-1918) was a Japanese painter born in Kanagawa Prefecture. Brother of the Japanese painter Shiho Imamura. He studied under Nakajima Tohsai and later moved to Tokyo and studied at Matsumoto Fuko's Angado painting school, where he studied the Yosai school and excelled especially in portraiture. He was a member of the Tatsumi Gakkai and was selected for the Bunten Exhibition and the National Industrial Exhibition.
Lot 1055
A photo-matched jacket worn by Robert Ryan as "Allen Harper" in Trail Street (RKO Radio Pictures, 1947). The gray plaid tweed suit jacket features three front pockets, one interior pocket, shoulder pads, and espresso brown plastic buttons. With a Western Costume tag label that reads, "No. 32273 #1 / Name: Bob Ryan / Chest:43," a Western Costume Co. barcode, and various stamped text into the interior of the arm. No size present. Trail Street follows legendary old-west figure Bat Masterson, who becomes marshal and attempts to bring law and order to the town of Liberal, Kansas.Includes a black and white photograph featuring Ryan wearing the jacket.Photo, 8 x 10 inches
Lot 1175
A black Nudie's tuxedo jacket, worn by Dennis Hopper to the 42nd Academy Awards where his film Easy Rider (Columbia Pictures, 1969) was nominated for Best Original Screenplay, with Jack Nicholson nominated for Best Supporting Actor. He can be seen wearing the garment with Michelle Philips, Jack Nicholson, and others on the red carpet.A men's black wool double-breasted suit jacket, designed by Nudie Cohn. The jacket is cut straight with a wide silhouette and features a relaxed shoulder with light shoulder padding. A synthetic velvet makes up the notch lapel and collar, as well the cuffs of the sleeves; Cohn even added an inverted pleat at the back with dual vents allowing for movement. The lining is a foulard fabric with a paisley motif in black, blue, green, and white. There is a Nudie's label sewn outside the interior left breast pocket reading, "Nudie's Rodeo Tailors, North Hollywood, California." Inside the opposite interior right pocket is a label that reads, "Dennis Hopper, 323." No size marker is present.Together with an original Nudie's Rodeo Tailors handwritten alteration order.PROVENANCE Property from the Life and Career of Dennis Hopper
Lot 1204
A well-worn gray pinstripe Western Wear by Lasso suit consisting of pants and jacket, worn by Dennis Hopper as "Kansas" in his film The Last Movie (Universal Pictures, 1971) and with sunglasses and matchbook in the pocket.The suit can be seen being worn by Hopper during two extended sequences in the first half of the film: first, during a wrap party and second, during his night out with the wealthy Anderson family. Hopper appears in the suit on the cover of the June 19, 1970 issue of Life magazine holding a football and a dandelion (title story, "The Easy Rider makes a wild new movie"), and can be seen additionally wearing the suit in several portrait snapshot photos taken by Robin Platzer in New York City (c. 1979). Includes a DVD of the film and a copy of the Life magazine with Hopper on the cover.PROVENANCE Property from the Life and Career of Dennis Hopper
Lot 1310
A group of clothing, personally-owned by Dennis Hopper. This group includes a cream tank top with thin straps and ribbed detailing, labeled "Higas," size 36; a cream, cotton sleeveless tank top, no size or label present; a black, polyester suit vest with a spotted blue and black grid pattern and two front pockets, no size or label present; and a black and white, trucker-style hat with "Bambu" in black lettering on the front, no size or label present. PROVENANCE Property from the Life and Career of Dennis Hopper
Lot 1385
A gray wool suit jacket, personally-owned by Dennis Hopper. The smoke gray, single vent wool jacket features gray suede elbow patches, black buttons, and shoulder pads. Labeled "Garrison Park Apparel of Distinction" as well as "American Craftsmen." No size present. Please note: signigicant moth holes present. PROVENANCE Property from the Life and Career of Dennis Hopper
Lot 145
A HULC suit and costume as seen worn by Matt Damon in the role of "Max Da Costa" in Neill Blomkamp's dystopian Sci-Fi film Elysium (2013). The costume ensemble is displayed on a custom-made life-size mannequin of Damon. Together with a "ChemRail" hero gun prop as seen used by him. The suit comprises intricate hydraulic dampers and brackets (made of plastic, rubber, and metal), articulated to allow for Damon's movement in the role. The chest brackets, gloves, and shoes comprise production-made parts, while the plastic cover of the head port screen and the electronics were recreated to complete the look of the display. The costume consists of a shirt and pants, studio-distressed with fake blood stains throughout. The gun is made of plastic and rubber, with meticulous painting and the word "ChemRail" in white along the side. The mannequin features Max's tattoos and is mounted on a rotating base with light-up film logo. In the film, Damon plays Max, a parolee living on an impoverished, dystopian Earth who goes on a freedom mission to steal information from a powerful citizen in Elysium, a luxurious space station inhabited by the wealthy and ruled by a corrupt, fascistic government. Because he is dying of radiation poisoning, the smuggler directing his mission provides him with a surgically installed exoskeleton or "HULC suit" to give him extra strength and stamina, particularly as his body deteriorates. Damon can be seen in a HULC suit and costume of this type throughout the majority of the film, with Max obtaining a ChemRail gun during the action-packed finale on Elysium.Blomkamp's approach to special effects relied on in-camera effects as much as possible: miniatures, models, and mechanical props, as well as location shoots and gray suit performance. New Zealand-based Weta Workshop handled the design and creation of the HULC suits for Max and Kruger (Sharlto Copley), as well as droid and props. Concepts for the HULC suits were created by Aaron Beck of Weta Workshop.Includes a DVD of the film.79 x 26 x 26 inches (mannequin with base); 11.5 x 3.5 x 39.25 inches (gun)PROVENANCE Lot 426, ScreenUsed, "Spring 2016," March 20, 2016
Lot 159
A custom-made blue and white pin-striped jacket and pants as seen worn by Conrad Janis in the short-lived Sci-Fi sitcom Quark (David Gerber Productions, 1977). The suit is made of a polyester blend fabric and the jacket features Velcro closures and a sewn-on patch with a galactic symbol. Size labels or size tags are not present.The pilot for the series aired in May 1977, the same month Star Wars was released and became a phenomenon, then the series premiered as a mid-season replacement the following February with an episode titled "May the Source Be with You." Janis portrayed a tyrannical bureaucrat named Otto Bob Palindrome.Pants, 31 waist x 32 inseam; the chest of the jacket is approximately 40 inchesPROVENANCE From The Collection of ReelClothes
Lot 199
Two original LED costume components as seen worn by Billy Crudup as "Jon Osterman / Doctor Manhattan" in Watchmen (Warner Bros. Pictures, 2009).To aid the special effects team in creating the iconic blue glow that the character Doctor Manhattan is known for in the film, Crudup would wear a white body suit that was covered in these types of LED panels that would illuminate during filming.Largest: 7 x 5.5 inches
Lot 205
A Judge security guard costume-made for the production of Judge Dredd (Hollywood Pictures, 1995).These 'Judge Hunters" can be seen when they apprehend Judge Dredd for murder. This costume consists of a black polyester flight suit with a black rubber belt and metal badge buckle.Included is a black rubber chest piece with resin shoulder plates, a resin helmet with flip up smoke black tinted visor featuring a recessed chrome eagle, and a set of black leather boots with rubber, foam and plastic details. Please note that the gloves are not from the production.As Dredd gets stripped of Judge police medal after trial, the security guards come in to arrest Dredd and escort him to prison. Dredd then breaks out of the security escort and goes on the run while the security guards go after him and "Fergie" played by Rob Schneider.Includes a DVD of the film.77 x 27 x 12 inches
Lot 348
A "Creeper" costume, as seen worn by Jonathan Breck in Victor Salva's horror film Jeepers Creepers (United Artists, 2001), displayed on a custom mannequin with stunning hand-painted head. In the film, brother and sister "Darry" (Justin Long) and "Trish" (Gina Philips) are pursued by the Creeper, a predatory cicada-like creature that arises from slumber every 23 years to feed.Created by Make-Up & Monsters Studios, the costume consists of a foam winged bodysuit with foam gloves and feet mounted on a steel-reinforced mannequin. The mannequin's hand-painted fiberglass head is built from the original production molds and includes wispy white hair. The feet were modified for pre-production screen tests for the sequel film, Jeepers Creepers 2 (United Artists, 2003) and used as reference for the redesign.For the majority of Jeepers Creepers, the Creeper appears as an ominous man in a hat and trenchcoat. However, after Trish runs him over with her car, he reanimates and reveals his wings. Little by little, the film reveals more of his insect-like features, including the pebbled skin of the suit and, finally, the wings. While the unfolded wings were brought to life via a combination of practical effects and CGI, this particular suit includes one folded wing and one wing stump.The suit was worn by Breck during the filming of the sequence in which Trish runs over the Creeper, as well as during the sequence in the police station when the Creeper crawls menacingly along the wall.Includes a DVD of the film. 82.25 x 33.5 x 34.25 (overall display); 97 x 45 x 39 inches (in crate)PROVENANCE Lot 582, "Hollywood Auction 27," Profiles in History, April 5, 2007.
Lot 349
A hero costume as seen worn by Milla Jovovich in the role of "Alice" in the Resident Evil (Constantin Film, 2002).The costume consists of: a bias-cut poly-satin red slip dress with spaghetti straps, side zipper, and asymmetrical hem; burgundy Spandex shorts; and a pair of black leather knee-high boots with flat soles. No sizes or labels present. Each boot has "Alice / #1" written on the inside in marker (with traces of fake blood).In the film, Alice awakens naked in the shower with no memory of who or where she is. She finds the dress and puts it on, wearing it for the film's duration. Costume Designer Esther Walz says of the iconic ensemble in New York Post: “I had a strong vision of what I wanted Alice to wear, so I drew it. She’s lost her memory, but we get the feeling that this dress had been laid out to go to dinner and then she passed out and then whatever happened in that facility happened, and she wakes up and finds this evening dress on the bed. At the time I was really obsessed with Galliano, and I was wearing a lot of Galliano, and I loved how he was using chiffon and how girly his things looked. I was also thinking of Asian films, where women would wear these flowy dresses but still fought. So it was the idea of an evening gown that was also kind of a battle suit. The asymmetry came from the fact that it needed to be open so she could fight, and would be able to move around.”Includes a DVD of the film.
Lot 369
A U.S. one sheet film poster for George A. Romero's Dawn of the Dead (Laurel Group, 1978), signed by Romero (who has also inscribed "Stay scared!"), producer Dario Argento, Tom Savini, Gaylen Ross (who has inscribed her character name, "Fran"), David Emge ("Fly Boy"), Scott H. Reiniger ("Roger"), Ken Foree, Claudio Simonetti ("Goblin"), Michael Gornick, Leonard A. Lies ("aka Machete Zombie"), Clayton Hill ("Sweater Zombie"), Sharon Ceccatti ("Nurse Zombie"), David Early, Mike Christopher (HK2), David Crawford ("Dr. Foster"), John J. Amplas, Frank A. Serrao ("Gray Suit Zombie"), and Jim Krut.In the classic, grand scale sequel to Night of the Living Dead (Image Ten, 1968), a small group of survivors of the zombie apocalypse take refuge in a giant shopping mall, only to find themselves menaced by the undead (who have returned to the mall because it was their favorite place when they were alive) and a gang of greedy, nihilistic bikers. Romero's use of the zombie subgenre to examine the greed, complacency, and violence inspired by capitalist society, combined with Savini's spectacular gore effects, have profoundly influenced the directions taken by subsequent films and television shows about zombies.41 x 27 inches; 14 x 10.5 inches (folded)
Lot 372
A linen backed one sheet film poster for George A. Romero's Dawn of the Dead (Laurel Group, 1978), signed by Romero, Dario Argento, Tom Savini, Claudio Simonetti (who has also inscribed his band's name, "Goblin"), Ken Foree, Gaylen Ross ("Fran"), David Emge ("Fly Boy"), Scott H. Reiniger (Roger), David Crawford ("Dr. Foster"), David Early ("Mr. Berman"), John Amplas, Roy Frumkes ("Pie-in-the-Face"), Jim Krut, Frank A. Serrao ("Gray Suit Zombie"), Leonard A. Lies ("aka Machete Zombie"), Sharon Ceccatti ("Nurse Zombie"), Clayton Hill ("Sweater Zombie"), Mike Christopher (HK2), Michael Gornick, and others. This poster, with the film's title in green text, was issued for early screenings of the film (likely in Pittsburgh and New York, where it opened several weeks earlier than in Los Angeles and other cities). It is considered rarer than the film’s subsequent one sheet, which has red title text.42.5 x 29 inches (linen backing); 27 x 40.75 inches (poster)
Lot 373
A German A1 poster of George Romero's horror classic Dawn of the Dead (Laurel Group, 1978) under its alternate title, Zombie, signed by Romero, producer Dario Argento, makeup artist and cast member Tom Savini, composer Claudio Simonetti (from Goblin), and cast members including Ken Foree, David Emge (who has also signed his character's nickname, "Fly Boy"), Scott H. Reiniger ("Roger"), Gaylen Ross ("Fran"), David Crawford ("Dr. Foster"), Frank A. Serrao ("Gray Suit Zombie"), Leonard Lies ("Machete Zombie"), Sharon Ceccatti ("Nurse Zombie"), Clayton Hill ("Sweater Zombie"), Jim Krut, Mike Christopher, and Michael Gornick. This is the "psychedelic" German A1 design (an alternate design uses an image from the film).In the classic, grand scale sequel to Night of the Living Dead (Image Ten, 1968), a small group of survivors of the zombie apocalypse take refuge in a giant shopping mall, only to find themselves menaced by the undead (who have returned to the mall because it was their favorite place when they were alive) and a gang of greedy, nihilistic bikers. Romero's use of the zombie subgenre to examine the greed, complacency, and violence inspired by capitalist society, combined with Savini's spectacular gore effects, have profoundly influenced the directions taken by subsequent films and television shows on the subject.33 x 23.25 inches; 11.75 x 8.25 inches (folded)
Lot 42
A photo-matched, hand-tailored, custom-made three-piece suit as seen worn by Ian McKellen as the officiant at his close friend Sir Patrick Stewart's wedding to singer Sunny Ozell on September 7, 2013. Size is not present.A custom-made light gray wool suit with a herringbone pinstripe and a silver silk jacquard paisley vest. The jacket is a single-breasted cutaway formal design, has two flap pockets, functioning buttons at both cuffs, and a slit vent at the back. The interior showcases bespoke techniques like hand sewn top-stitching at the lining and bias tape finished seams: "Exclusively Hand Tailored For Sir Ian McKellen By GROVER OF LONDON." In an article about the wedding for Vulture, Stewart and Ozell agreed that "the best outfit might have belonged to the always dapper McKellen, who wore a gray three-piece suit ("Were our grays too similar?" asked Stewart after the fact.)" The men first met in 1977 when performing together in Tom Stoppard's play Every Good Boy Deserves Favour. However, they didn't become close until working together as enemies in the film X-Men (2000, 20th Century Fox), in which McKellen played Professor Charles Xavier, aka Professor X, and Stewart played Erik Lehnsherr aka Magneto. Links to images of McKellen wearing the suit are available upon request.
Lot 466
A batwing ensemble as seen worn by Demi Moore as "Madison Lee" in the action/comedy Charlie's Angels: Full Throttle (Columbia Pictures, 2003). The two-piece outfit/ensemble is composed of an attribution Tom Ford for Yves Saint Laurent Rive Gauche jacket and a pair of Jean Paul Gaultier Femme trousers. The jacket had its label cut out, most likely from production, but has been identified as Tom Ford for YSL fall/winter 2002, a black jacket composed primarily of a dense silk fabric and trimmed with cotton tulle at the cuffs and a pleated cotton tulle lavalier appliqued to the collar (cuffs and lavalier have a raw edge). There is a double zip closure, which features the Cassandre “YSL” monogram on each pull, the plaque is framed by horizontal pleated cotton tulle that spans the length of the zipper from the under-bust to the hem. An additional accent is a frayed silk at the seams of the collar, shoulders, cuffs, and front opening. The interior is unlined but has finished seams with bias tape. The jacket for the production had a silk panel attached to mimic glider suit wings, the fabric is sewn into the inner seam of both sleeves and then sewn into the back side seams, there is an inverted vent with three elastic cinch bands, as well as fanned top-stitched lines from the underarms to the hem. The designer label at the interior neckline was cut out, there is a tag sewn in that reads, “Madison #2 BAT,” referencing the character and the flight stunt. The trousers are a black wool, worn at the hips, and feature a hook-and-eye and fly-zip closure, pant crease on each leg as well as cuffed bottoms, welted side pockets, and one right back-leg pocket, all the pocket linings were cut and sewn shut for production purposes. The trousers like the jacket had a silk gusset sewn between the legs with a fan top-stitching detail to help mimic a flight glider suit. There is a Jean Paul Gaultier Femme label, as well as a tag sewn in reading, “Madison #2 BAT.” The pants do not have a marked size, but the jacket is a French 36.Demi Moore, not just her character in Charlie’s Angels Full Throttle, was often seen and photographed in notable Tom Ford for YSL designs for several seasons during his design tenure. The garments worn have become iconic and highly collectible on the second-hand market.Charlie's Angels: Full Throttle, the second installment in the reboot film series, follows the Angels as they must solve a series of murders following a security breach in the WPP (Witness Protection Program) server. Moore as Madison wears the ensemble on a rooftop as Charlie's Angels confront her, where a fight then ensues. This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
Lot 475
A custom-made Werner Russold gray suit with salt and pepper end on end weave and a red windowpane design, as seen worn by Matt Damon as Edward Wilson in Robert De Niro's The Good Shepherd (Universal Pictures, 2006), together with a costume tag from the production. The film recounts the early period of the Counter Intelligence Agency (CIA) from the perspective of Wilson, a fictionalized agent. No size tags.
Lot 492
A suit ensemble as seen worn by Dominic Chianese as "Junior Soprano" in the Emmy Award-winning television series The Sopranos (Chase Films, 1997-2007). The navy blue, pinstripe suit features a double vent suit jacket with white basting stitches present and shoulder pads, label reads "Made in England," size 42L; a pair of matching dress pants, no label present, size W 36" L 37"; a 100% cotton, blue and white-striped button-down shirt with a white collar and sleeve cuffs, labeled "Peterborough Row," with "Uncle Junior" handwritten in black ink on the label, size 16; and a 100% silk, blue, maroon, gold, black, and grey colored tie with a printed Italian-style graphic throughout, labeled "Sherry Wolf," no size present.The suit is featured in Episode 6 of Season 1 titled "Pax Soprana," in the scene where Uncle Junior is getting fitted.
Lot 521
An original costume ensemble as seen worn by Bob Odenkirk as "Jimmy McGill / Saul Goodman" in the fifth season, episode 1, "Magic Man," of the crime drama television series Better Call Saul (AMC, 2015-22).The ensemble consists of a long sleeve baby blue dress shirt labeled "Anto / B O / Nov 2017," the size label is not present; a two-piece dark gray suit; the jacket has a notched lapel and two-button closure, four, non-functional, buttons sewn on each cuff, padded shoulders, with one welted front pocket, a solitary exterior left breast pocket, and two interior breast pockets; on the right interior of the jacket is labeled di Stefano and on the left interior of the jacket reads "Bob Odenkirk" in personalized stitching, size labels are not present; and a gray tie with blue/white diagonal stripes labeled, "Briony." Together with a costume tag used by the Production Wardrobe Department during filming.This iconic costume as seen worn by Odenkirk as "Jimmy McGill / Saul Goodman" during a scene in the corridors / Bars office in the State Bar building when Jimmy changes his name to Saul Goodman. Later in the episode, the costume is as seen worn by Odenkirk during the scene with Rhea Seehorn as "Kim Wexler" at Kim's condo.
Lot 522
A costume ensemble as seen worn by Patrick Fabian as "Howard Hamlin" in the crime drama television series Better Call Saul (AMC, 2015-22).The ensemble consists of a cotton lavender long-sleeve dress shirt with white French cuffs and collar labeled "di Stefano," Size L; a two-piece navy wool suit with white pinstripes; the jacket has a notched lapel and two-button closure, four, non-functional, buttons sewn on each cuff, padded shoulders, with two welted front pockets, a solitary exterior left breast pocket, and two interior breast pockets; the right interior of the jacket has labels that reads, "di Stefano," and "Patrick Fabian;" the left interior of the jacket has labels that reads "Vitale Barberis Canonico," and "Ariston;" the interior of the pants has a label that reads, "Patrick Fabian;" a navy tie with a label that reads, "Otaa;" a pair of navy suspenders with red darts, a brown leather triangle at back; a set of gold-toned cuff links with knots on the ends and a straight tie bar with screw on balls on the ends, and a lavender handkerchief. Together with a costume tag used by the Production Wardrobe Department during filming.
Lot 553
A 3-piece set as seen worn by Robert Hardy as Winston Churchill in War and Remembrance (Dan Curtis Productions, 1988).This lot includes a felt fedora with grosgrain band labeled "Scotts," with a handwritten "CBC Beaverbrook" on the leather lining, and handwritten C.B.C on a sticker label; a 100% cotton button-up poplin shirt with a chest patch pocket, button cuffs, and shirttail hem, labeled "Jonelle Care Free Cotton," no size present (please note there is staining to the back neck collar); adjustable suspenders with belt attachments; a navy blue and white polka dot bowtie with back hook closure; a button-up suiting vest with four front welt pockets, labeled "Angels," with hand-written "Robert Hardy June 1989" text on the maker's label; a button-up suiting blazer with a chest welt pocket, two waist flap pockets, lightly padded shoulders, button cuffs, tonal satin-blend lining with a welt pocket, and multi-colored striped sleeve lining, no label or size present; a beige cotton-blend "fat suit" with velcro closures labeled "Brettles," and "Angles," with a handwritten "Mr. Robert Hardy" handwritten on the costumiers label; grey, black, and white striped pants with a zip fly and hook and bar closure, decorative buttons on the waist, and a back welt pocket, labeled "Angels," with "Mr. Robert Hardy," handwritten on the maker's label, no size present; and lace-up black leather dress shoes, labeled "Executives," size 8.War and Remembrance is a television mini-series based on the novel of the same name. The series follows a family between America's entrance into World War II and the day after the disaster at Pearl Harbor.
Lot 569
A suit as seen worn by Robert Duvall as "Earl Pilcher Jr." in the comedy/drama A Family Thing (United Artists, 1996). The ensemble includes a white, cotton-blend button-down shirt, labeled "Sears Roebuck And Co.," size 15 - 32/33; a grey striped suit jacket with matching pants, labeled "Haggar Gentleman's Fit Imperial," size 40, which matching trousers, size 32 x 32; and a black genuine leather belt, size 34. A Family Thing follows Earl Pitcher Jr., who, when his mother gives a deathbed confession that his biological mother died while giving birth to him, must travel and make peace with his other family. Duvall as Earl wears the ensemble at the funeral of who he believed to be his real mother.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
Lot 574
An ensemble as seen worn by Billy Campbell as "Mitch Hiller" in the crime/thriller Enough (Columbia Pictures, 2002). Together with costume tags. The ensemble includes a white, cotton-blend button-down shirt with a single breast pocket, labeled "John W. Nordstrom,' size 16.5-37; a pair of sand, linen trousers, labeled "Mondo di Marco," size 36; a mahogany leather belt, labeled " Polo Ralph Lauren," size 38; and a grey, 100% wool suit jacket with shoulder pads, front and interior pockets, labeled, "Canali Proposta" as well as "Mel Fox Clothiers - Encino, Calif.," size L. Enough follows Slim (Jennifer Lopez), who, after discovering her husband's abusive side, takes her daughter and attempts to escape — a plan that forces Slim to take matters into her own hands when his determination to find her persists. Campbell as Mitch wears the ensemble as he speaks to the owner of a house he wants to buy with his wife. This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
Lot 575
An ensemble as seen worn by Billy Campbell as "Mitch Hiller" in the crime/thriller Enough (Columbia Pictures, 2002). Together with a costume tag. The ensemble includes two matching polyester-blend, charcoal grey button-downs, with single breast pockets, both labeled "Ermenegildo Zegna," both size L; and a grey tweed, wool/cashmere-blend suit jacket with shoulder pads, front and interior pockets, labeled, "Canali" as well as "Mr. Sid," size L. Enough follows Slim (Jennifer Lopez), who, after discovering her husband's abusive side, takes her daughter and attempts to escape — a plan that forces Slim to take matters into her own hands when his determination to find her persists. Campbell as Mitch wears the tops at home when Slim finds out he has been cheating on her.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
Lot 599
A "bloody" fat suit as seen worn by Sean Penn as Governor Willie Stark when he is assassinated in All The King's Men (Columbia Pictures, 2006), together with a costume tag from the production. The lycra suit is stuffed with synthetic foam and covered with fake blood from Stark's bullet wounds.In the film, based on Robert Penn Warren's Pulitzer Prize-winning novel, Penn plays a politician in the American South. Accompanied by a Certificate of Authenticity from Columbia Pictures.
Lot 673
A custom made navy and white Glen Check wool suit as seen worn by Sean Penn as Glendon Wasey in Shanghai Surprise (HandMade Films, 1986). Together with a turquoise silk tie. The film starred then newlyweds Madonna and Penn.No labels present. Made by Barbara Matera. The trousers have a weighted hem. Together with a wardrobe bag that has a label inscribed “2x blue wool suits.” Costume design by Judy Moorcroft.Includes a scene still image.The Proceeds From This Lot Benefits The Material World Foundation. PROVENANCE Donated to the Foundation by the George Harrison Estate
Lot 694
A two-piece beige linen skirt suit custom-made for Madonna as Gloria Tatlock in Shanghai Surprise (HandMade Films, 1986). The film starred then newlyweds Madonna and Sean Penn.The suit includes a tailored jacket and a slender skirt with pleats to the hem. The skirt and jacket both have Barbara Matera labels typed “Madonna.” Costume design by Judy Moorcroft.The suit is not seen in the final cut of the film.The Proceeds From This Lot Benefits The Material World Foundation. PROVENANCE Donated to the Foundation by the George Harrison Estate
Lot 70
A "Mr. Black / Berserker" Predator creature costume as seen worn by Brian Steele in Nimrod Antal's reboot/sequel film Predators (20th Century Fox, 2010), mounted on a custom mannequin with forest undergrowth detailed base.The costume includes: a hand-painted foam latex body suit with matching hands and feet; a foam latex headpiece with the Predator's characteristic dreadlocks crafted from foam; a hard rubber helmet with fiberglass layer, jawbone detail and various other decorations; hard rubber armor pieces; bracers with resin blades; a rubber collar; latex loincloth; and resin shoulder cannon. True to the original films, the long-awaited Predators follows a group of humans fighting to survive in a mysterious jungle while being hunted by the titular aliens. Adrien Brody, Topher Grace, Danny Trejo and others star as the human killers selected as prey. Steele portrays two of the Predators in the film, "Mr. Black / Berserker" (the Predator leading the hunt) and "Falconer." The group first encounters Berserker after discovering the Predator camp, the three Predators decloaking one by one after they have fled. Berserker can be seen most extensively at the end of the film, when survivors "Royce" (Brody) and "Isabelle" (Alice Braga) are attempting to escape. Royce faces off against the Predator and ultimately beheads it with an axe.Steele got his start in television roles such as "Harry" on Harry and the Hendersons (Amblin Television, 1991-1993) and moved on quickly to play a variety of animals, demons, vampires, and other fantastic creatures.Includes a DVD of the film.88.25 x 43 x 38 inches (overall)PROVENANCE Lot 346, "Entertainment Memorabilia," Prop Store of London, September 26, 2017
Lot 752
A colorful bathing suit and Perry Ellis Portfolio yellow button-up shirt as seen worn by Shawn Wayans as Kevin Copeland in disguise as Brittany in White Chicks (Revolution Studios, 2004).In the film, Marlon Wayans and Shawn Wayans play macho black FBI agents forced to go undercover as Brittany and Tiffany, white women socialites in the Hamptons. Wayans wears this style of ensemble when, as Brittany, he knocks out a patronizing guy on the beach with an expert football throw. Accompanied by a Certificate of Authenticity from Revolution Studios. Size 15 1/2 / 32/33 (shirt)
Lot 762
A custom-made C & J gray suit as seen worn by Adam Sandler as Michael Newman in Click (Columbia Pictures, 2006), including an Angelo Rossi gray and black striped silk tie. Michael Newman is a workaholic architect who finds himself questioning his life choices when an angel type, Morty (Christopher Walken), gives him a "universal remote" which allows him to rewind and fast forward through his life. Sandler wears this style suit in the sequence in a graveyard in which he tells Morty he wants to return to the last time he saw his father (Henry Winkler), and in the following moving scene in which his wish is granted.Please note: This lot does not include the pictured shirt. Includes a tag bearing the words "Hero Tie" which was originally attached to the tie.Accompanied by a Certificate of Authenticity from Revolution Studios and Columbia Pictures.No size tags.
Lot 769
An ensemble as seen worn by Sean Penn in the comedy/drama What Just Happened (Linson Entertainment, 2008), starring Robert De Niro, Bruce Willis, Robin Wright, and Stanley Tucci. The ensemble includes a white, cotton button-down, with splattered fake blood and tears from production, labeled "Joseph & Feiss," size 16 32/33; a gray, single-breasted, silk/wool-blend suit jacket, with two front pockets, a single breast pocket, and two interior pockets, with matching pants, both labeled "Dolce and Gabanna," custom sizing, both with splattered fake blood from production.In the self-referential satire about the Hollywood film industry, Penn stars as himself.
Lot 775
An ensemble as seen worn by Keanu Reeves as "Theodore 'Ted' Logan" in the adventure/comedy Bill and Ted Face the Music (Hammerstone Studios, 2020). Together with two costume tags. The ensemble includes a crimson cotton button-down featuring an abstract print, with a single breast pocket, no size or label present; a gray, double vent suit jacket with three front pockets, two interior pockets, and gray plastic buttons, no size or label present; a pair of matching gray suit pants, no size or label present; a pair of navy blue socks with a yellow smiley face pattern, no size or label present; and a pair of slate gray Converse Chuck Taylor high-top sneakers, with "Hero 2" handwritten on the interior of each sneaker, size US 10. Bill and Ted Face the Music, the third film in the series, follows aging musicians Bill and Ted, who must write the ultimate song to unite the human race before the space-time continuum is destroyed.
Lot 812
Two suit jackets, as seen worn by Peter Ustinov in the role of "Hnup Wan" in the Disney film One of the Our Dinosaurs is Missing (Walt Disney Productions, 1975), including one tailcoat and one double-breasted jacket.The black tailcoat features a breast pocket, two interior pockets, a black nylon interior lining. The tailcoat retains its original interior costumiers label detailing, from "Bermans & Nathans," as well as the production and actor's name. Another label features "Lloyd - A.6. c. 44" handwritten in black marker on the interior. Buttons have been replaced with alternatives by the Costumier for subsequent alternative production use. The double-breasted jacket features two front pockets, two interior pockets, and black plastic buttons, retaining its original interior costumiers label detailing, from "Bermans & Nathans," as well as the production and actor's name.Set in the 1920s, One of Our Dinosaurs is Missing follows the robbery of a dinosaur skeleton from London's Natural History Museum, which contains a top secret microfilm from China, and the frenzied search that ensues. Ustinov as Wan can be seen wearing the coats in several key scenes, to include those at the beginning of the film within the Natural History Museum.
Lot 848
A color photograph of Marilyn Monroe wearing a pink union suit in front of a fireplace, signed and dated 1953 in ink by photographer John Florea (as "Johnny Florea") in his copyright credit stamp on the verso. Florea became well-known as a photographer for Life magazine, specializing in portraits of actresses, from 1941 to 1949 (pausing to work as a war correspondent in World War II). After leaving Life, he continued his celebrity photography, and went on to have a second career as a successful TV writer, producer, and director from the 1960s through the 1980s. He took many well-known portraits of Monroe from 1950 to 1953. 12 x 18 inches
Lot 903
An Edith Head costume design for Madeleine Carroll as Gail Allen in the film production Honeymoon in Bali (Paramount 1939). An original costume design by legendary costume designer Edith Head, sketch artist unknown. The sketch features a full-length female figure in a skirt-suit ensemble, a fitted short-sleeve diagonal check jacket worn with a white blouse and black fan pleat skirt paired with black heeled mules. The ensemble is a smart look for Carroll who plays Gail Allen a buisness manager on 5th Avenue in New York. The sketch is unsigned with no anotations of markings. Carroll is a busy buisness manager by chance walks onto a boat and meets happy-go-lucky Bill "Willie" Burnett (Fred MacMurray) who owns the boat and lives in Bali. They quickly fall in love and he proposes, Gail turns him down. After Willie leaves she regrets her decision and it is off to Bali to find true love. SKETCH: 14.5 X 22.5 INCHESMOUNT: 19.5 X 31 INCHES
Lot 906
A two-piece Edwardian ensemble as seen worn by Barbara Stanwyck as Julia Sturges in Titanic (20th Century Fox 1953). An Edwardian-style wool mushroom-colored two-piece skirt suit, the jacket features a wide lapel (crochet-covered double button closure) with a corresponding full-length skirt with a gathered hem at the back of the skirt, both garments each have 20th Century Fox labels sewn inside; the skirt has an additional bias tape label reading,1"-69-6-1190 Barbara Stanwyck A691-08."The film is a fictionalized story set against the historical tragedy of the Titanic, the ship that struck an iceberg in the North Atlantic and sank in 1912, totaling 1,500 deaths and only 700 survivors. Stanwyck plays aristocrate Julia Sturges who wears this ensemble at the beginning of the film when she boards the ill-fated Titanic. The costumes for the film were designed by Academy Award-winning costume designer Dorothy Jenkins.PROVENANCE Lot 208 Auction 1854, Christie's May 30, 2007.
Lot 909
A dark green wool suit jacket and matching skirt as seen worn by Bette Davis in the film Where Love Has Gone co-starring Susan Hayward (Paramount, 1964).A well-tailored three-piece ensemble designed by legendary costume designer Edith Head for Bette Davis as Mrs. Gerald Hayden. The ensemble features a single-breasted two-button wool-tweed jacket with a shawl lapel and round neckline paired with a matching high-waisted skirt that hits below the knee. The ensemble comes with a blouse made of cotton tulle with a wool tweed applique sewn at the decolletage, which fills the jacket's neckline. The smart look resembles something a high-society woman would wear, clean lines and fabric cut on the grain. There are Paramount studio labels in each garment and scribbed in pen on each is "Bette Davis" written in cursive. The film is based on Harold Robbins' book Where Love Has Gone printed in 1962 about a divorced couple's daughter, Danielle Miller, who stands trial for killing her mother Valerie Miller's lover. The story many believe to be based on the murder of Stompanato, Lana Turner's lover who was stabbed by her daughter Cheryl Crane. Bette Davis plays the matriarch "Mrs. Gerald Hayden" who is seen wearing this ensemble when she shows the then newly-wed Millers, an apartment she purchased for them in San Francisco.PROVENANCE Originally from The Collection of Debbie Reynolds
Lot 952
A navy blue ribbed bikini as seen worn by Doris Day on April 22, 1971, at her home in Beverly Hills, California, and featured in the 1971 issue of Modern Screen Magazine.The blue knit bikini features a triangle top with a cream nylon interior lining, cup ribbing, and double-strand adjustable straps, as well as matching low-rise bottoms. Labeled "Cole of California." No size present. Includes magazine clippings from Modern Screen Magazine featuring Day in the suit.
Lot 958
Three Edith Head costume designs of Ann Blyth as Gloria Brent in the film The Buster Keaton Story (Paramount 1957). Three mixed medium costume designs by Edith Head, illustrations likely by sketch artist Grace Sprague, no signatures present. The first sketch is a full-length female figure wearing a black skirt suit ensemble with leopard accents, a fastener, gloves, and oxford pumps. At the upper right corner is an outline of a female figure in a black skirt suit but with light pink accents at the lapel and pockets. Then at the top left-hand corner are notes for specific scenes. This illustration shows a detailed setting, it appears to be the front house of a theater with a Buster Keaton lobby card. The second sketch is a full-length female figure modeling a corded-check-pink taffeta house dress, and apron holding a spatula. There is a swatch of what appears to be silk taffeta at the top right corner and the top left corner a handwritten annotation reading, “#9-Sc. 195 INT BUSTER’S KITCHEN (D) BREAKFAST." The third sketch is a full-length female modeling a fitted grey dupioni silk dress with a fitted bodice and full-length pencil skirt tapered to the ankle. The collar and cuffs have a white accent adding a subtle sophistication to the design. There is a grey fabric swatch at the left corner and the right corner is handwritten notes, "#3 INT WINTERS OFF. SO. 91-95 (PREVIEW CARDS)."This film was based on the life of Buster Keaton known for his extreme physical and slapstick comedy in silent films. His work went on to inspire comedians like Lucille Ball. DIMENSIONS:SKETCHES 14 X 16.75 INCHESMOUNT 32 X 39.25 INCHES
Lot 96
A "Lev Andropov" stunt spacesuit as seen worn by Peter Stormare's stunt double from Michael Bay's Sci-Fi disaster film Armageddon (Touchstone Pictures, 1998). In the film, a rag-tag team of core drill workers is sent on a mission to space to stop a rogue asteroid from destroying Earth.The costume includes: a top and pants with suspenders; a pair of gloves and boots; a belt with four holsters for batteries; a backpack-style oxygen tank with chest plate; a collar; and a replica helmet. Handwritten labels to the interior read "Lev Stunt" and "Lev Stunt Clean." There are electronic components, including lighting and ventilation (untested). Each piece has been distressed for authentic appearance during filming, with numerous intentional rips, scuffs, and other markings.In the film, Russian cosmonaut Lev Andropov (Stormare) survives the destruction of the space station to join the team on the Freedom shuttle to plant the nuclear bomb on the asteroid. After landing, "A.J." (Ben Affleck), "Bear" (Michael Clarke Duncan), and Lev must jump their vehicle across a vast canyon, crashing through a rocky outcropping in the process. As the "only certified astronaut," Lev exits the vehicle to perform an emergency repair. The stunt performer can be seen wearing a suit of this type during this sequence as Lev struggles to repair the vehicle while avoiding flying debris. Includes a DVD of the film.Figure: approximately 72 inches tall; 32 x 30 x 23 (in boxes)
Lot 960
A costume design by Edith Head for Audrey Hepburn as the title character Sabrina (Paramount 1954). A mixed medium costume design for Audrey Hepburn, likely illustrated by sketch artist Grace Sprague. The sketch features a full-length female figure in a chic charcoal-colored skirt-suit ensemble, The design is comprised of a double-breasted off-the-shoulder jacket with a shawl lapel, a mock-turtleneck top, fitted pencil skirt that narrows below the hips to below the knee. Accessorized with matching elbow-length gloves, a hat with a white veil, pointed black pumps, a top-handle bag, completed with a cigarette holder and lit cigarette. There is no signature present. This sketch was likely a preliminary sketch for the production. Audrey was asked by the film's director Billy Wyler to get a French designer wardrobe for the character's return home from her time abroad in Paris, where Sabrina trains to become a chef. Hepburn before filming made an appointment with the French couturier Hubert de Givenchy. The designer thought he was meeting with Katherine Hepburn, so he advised Audrey when she came into the salon to look at some of his previous season's patrons unaware that she was the one who made the appointment. Both laughed about the mix-up and became the most popular pairing of a designer and muse in fashion history. Givenchy was not credited for Audrey's wardrobe in Sabrina, Edith Head was credited since she was the costume designer who oversaw the production. Givenchy did receive proper credit when he designed Audrey's wardrobe for Breakfast at Tiffany's, whose looks were so iconic and timeless they still set hearts a-flutter today. DIMENSIONS:SKETCH 13.75 X 16.75 INCHES MOUNT 18 X 24.5 INCHES
Lot 971
Two Edith Head costume designs, a sketch of Rhoda Flemming as Laura Denbow, and a sketch of Jo Van Fleet as Kate, in the film production Gunfight at the O.K. Corral, starring alongside Burt Lancaster and Kirk Douglas (Paramount, 1957).The first sketch is a mixed medium costume design by Edith Head, an illustration likely by sketch artist Pat Barto. The illustration is of Fleming as Denbow poised against a fence wearing a fringe leather jacket, gaucho pants, boots, cowboy hat, bandana, and gloves. On the illustration stapled at the right-hand corner is a swatch of suede. There are several hand-written notations documenting the costume for production continuity reading, “#3 COAT #1 SUIT, #6 + #7 INT RANCH HOUSE SC. 147, EXT. K RANCH SC. 148, EXT. ROAD TO TOWN SC. 149-177, INT. CHANCE SALOON SC. 175-212, EXT NO CHANCE SALOON SC. 213, EXT. K RANCH SC. 221.” There is no signiture present. The second sketch is a mixed medium costume design by Edith Head, an illustration likely by sketch artist Pat Barto. This illustration is of Jo Van Fleet as Kate dressed in all black posed with her left hand on her hip and the right at her gun holster. The outfit is comprised of a western bib shirt with a folded collar done up with a beige knotted bandana, belted high-waisted pants that taper to the ankle, knee-high cowboy boots, and a cowboy hat, complete with a holster slung on the hips. "Kate" is written in pencel at the left side of the sketch, there is no signiture present. This western drama features Lancaster and Douglas, opposites who team up, to take on a gang of cattle stealing thugs in Tombstone, Arizona. These straight shooters bring adventure and excitement, illustrating the lawless Wild West. DIMENSIONS:SKETCH 1 12.5 X 16.5 INCHESSKETCH 2 14 X 16.75 INCHES MOUNT 33 X 26 INCHES
Lot 52
A Teak 1960s/70s G Plan dining room suit, rounded Rectangular pull-out extending dining table, integral fold-out leaf, 158cm long, (112cm closed) 112cm wide, four three bar back chairs, drinks cabinet sideboard with cupboard and fall doors above pair of cupboard doors and three drawers, tapering legs, 145cm high, 160cm wide, 46cm deep (6)
Lot 486
A FULL SUIT OF FIELD ARMOUR, 20th century, comprising helmet with hinged visor, two piece chest plate, three piece shoulder plates, articulated shoulders and elbows, articulated gauntlet with multiple finger plates, two piece tasset, legs with articulated knees and feet, all connected with rivets and leather strap work, on wood stand, 70" tall (Illustrated) (Est. plus 24% premium inc. VAT)Condition Report: Generally good
Lot 487
A FULL SUIT OF FIELD ARMOUR, 20th century, comprising helmet with hinged visor, two piece chest plate, three piece shoulder plates, articulated shoulders and elbows, articulated gauntlet with multiple finger plates, one piece tasset, legs with articulated knees and feet, all connected with rivets and leather strap work, on wood stand, 67" tall (Illustrated) (Est. plus 24% premium inc. VAT)Condition Report: Generally good
Lot 133
A GEORGE III MAHOGANY AND MARQUETRY PEMBROKE TABLE ATTRIBUTED TO JOHN SHARROTT, CIRCA 1790 71cm high, 51.5cm wide (95.5cm opened), 81cm deep Condition Report: Table with the marks, knocks, scratches and abrasions commensurate with age and use.Some old splits and chips.Handles are old replacements but are well cast and suit the piece. No key present, lock is open. Some strips of old but later tape to underside of drawer. Some possibly later screws to the interior if the carcass. A few minor old veneer repairs. Slight warping to the timber of the top and hinged leaves. Some sun fading to timber in places. A few isolated old worm holes - see images.Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 210
A GEORGE III MAHOGANY 'DRUM' LIBRARY TABLE CIRCA 1800 With gilt tooled leather inset top 73.5cm high, the top 92.5cm diameter Condition Report: Table with the marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips. The peg which secures the stem inside the top is lacking. As a result, the top is slightly wobbly. Some small veneer and moulding losses. Some minor old repairs - see images. Handles are later replacements but are in period taste and suit the table well. No key present, but all locks are open. Leather inset to the top has some age but appears to be a later replacement. It bear the expected wear, fading, marks and scuffs. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 211
A REGENCY GILTWOOD X-FRAME WINDOW SEAT IN THE MANNER OF THOMAS HOPE, CIRCA 1815 69cm high, 75cm wide, 41cm deep overall Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Surface has been re-gilded at some point.The gilt with the expected wear, chips and some losses - see images for details. Seat is slightly discoloured and has some marks and 'pulls'. Later supporting blocks to the backs of the lappet carved friezes at the tops of the legs. Gilt metal ball feet have good age but are likely later additions, however they suit the piece well. Please refer to additional images for visual reference to condition.Condition Report Disclaimer
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