We found 19204 price guide item(s) matching your search

Batman's (Val Kilmer) sonar-suit Batcowl from Joel Schumacher's superhero sequel Batman Forever. Batman wore his newly redesigned, sonar-suit-modified cowl when he and Robin (Chris O'Donnell) set out for their final fight with The Riddler (Jim Carrey) and Two-Face (Tommy Lee Jones). This foam-rubber cowl has a pair of ear-like protrusions at the top and holes for the eyes and mouth. It features three pieces of Velcro and a pair of cloth pieces on the inside of the collar section, to attach it to the suit. The cowl exhibits some signs of wear, including white residue on the interior and exterior, a pair of small holes ۠on one side of the neckline and the back of the head ۠and a slight crack on the chin section of the mouth hole. Dimensions: 42 cm x 35.5 cm x 22.75 cm (16 1/2" x 14" x 9")£8000-10000 Ω

Batman's (Val Kilmer) chest emblem from Joel Schumacher's superhero sequel Batman Forever. Batman displayed his chest emblem on his Batsuit as he saved Gotham from the villainous duo of Two-Face (Tommy Lee Jones) and The Riddler (Jim Carrey). Designed by Academy Award-nominated costume designer Bob Ringwood, the emblem, along with the rest of the Batsuit, was updated from previous Batman films. Made of resin, the emblem features the iconic black Batman symbol on a gold background. On the reverse of the emblem are two holes where it would have been attached to the costume. "Bat" and the playful inscription "Last One Boyz 94'" have been handwritten in black marker pen on the reverse. The emblem comes on a custom-made display, which is made from wood, acrylic and metal, upon which the emblem is mounted via the same holes with which it was attached to the suit. Dimensions (displayed): 8 cm x 16 cm x 23 cm (3 1/4" x 6 1/4" x 9")£3000-5000 † Δ

A suit of armour worn by Mordred (Robert Addie) in John Boorman's Arthurian epic Excalibur. The grown-up Mordred wore his armour in battle against King Arthur (Nigel Terry) and his loyal knights after he challenged his father for the throne.Handmade in aluminium by legendary movie armourer Terry English, and finished in faux-gold spray paint, this was the only suit of elder-Mordred armour made for the film. The suit consists of a chest and back plate, arms, gauntlets, scaled skirt, leg and foot guards, and a chainmail neck piece. English made the instantly recognisable aluminium helmet after production for display purposes, as the original fibreglass version was lost. The armour is embellished with rivets, spikes and muscular definition and held together with leather straps and metal buckles.A number of unique marks on the chest and arms screen match the armour to that seen in the film. The set was used in countless stunts and action sequences, which left the suit with a number of scratches and repairs. Most notably, the breastplate was modified for the shot in which Mordred receives a mortal chest wound from Excalibur, and reshoots required English to repair the hole. The repair is visible on screen, as is €˜gold'-painted Gaffer tape attached to the lower left bicep. The suit exhibits the previously stated wear, as well as wear from age, including fragile leather straps and the absence of several scales from the skirt. The legs are marked "Eric" for use in a subsequent production.£10000-15000 M *Special shipping required; see special shipping notice in the Buyer's Guide

An American Ground Sergeant flight suit, with badges for United States Air Forces Central Command and Air Force Special Operations

A Edwardian inlaid salon suit, comprising two seater sofa four corner chairs and two open armchairs

A 19th century cream and gold page boys suit with diamonte buttons, gold thread edging and lace cuffs

An Elizabeth II Tin containing buttons together with four coloured glass in whist suit shaped Dishes.

Louis Vuitton; A Brown Nylon Garment/Suit Bag, with hanger, 100 x 53cm.

A Late XIX Century Salt in the Form of a Brass Monkey, dressed in a sailor suit and hat and holding a large mother of pearl bowl, mounted on a black marble base, 9cm high.

A lady's mink coat, and a Davies & Son, Savile Row, gentleman's two-piece suit (2)

Framed relief depicting a Medieval knight in suit of armour labelled Greenwich 1515, approximately 61cm, framed

Railway Interest - British Railways mackintosh with internal labels, two piece suit with braces and British Railways buttons to double-breasted jacket, flat cap with badge WSR, black-painted metal hand lamp and another lamp (6)

GIORGIO ARMANI TROUSER SUIT.

British Rail clothing, including two raincoats, a woollen overcoat and a three piece woollen suit.

Royal Dux Collection of Novelty Figures ( 3 ) In Total. All with Pink Triangles to Base. Comprises 1/ Comical Dog In Suit with Large Bow Tie. Height 5.5 Inches. 2/ Zebra Playing Concertino. 5 Inches High. 3/ Kitten / Cat Dressed In Blue Dress and Large Shoes. 5 Inches High. All Figures are 1st Quality and Mint Condition.

Ladies Vintage 1960's Velvet Skirt Suit And 1970's Maxi Dress. A cerulean blue slim velvet suit comprising sleeveless shell top with zip back and mock neck collar along with a matching midi pencil skirt. Labels to interior 'Elida Of London' approx size UK 8. Also a 1970's crochet detail maxi dress in sky blue poly blend with cream crochet bodice and cuffs, long sleeves, zip back and self coloured belt. Approx size, UK 8. Label to interior 'Anthony James Couture' Both in reasonable vintage condition

John Butler Yeats RHA (1839-1922)Portrait of Master Milo RyanOil on canvas, 66 x 51cm (26 x 20’’) UnframedExhibited: Dublin, Royal Hibernian Academy, 1903, No. 100Provenance: The sitter’s family, by descent.Yeats completed a number of intriguing portraits of children throughout his career. Beginning with his own offspring, he made multiple sketches of their early years, a particularly touching example is a drawing of the infant W.B Yeats asleep in the family home. Portraits of children are challenging for an artist, as they are faced with a subject whose personality is not yet fully defined. However, this is part of their charm.Though we do not know the exact age of the sitter, Master Milo Ryan looks to be around eight or nine when the portrait was completed. Yeats chooses to depict him standing, with an open book in hand as if he was just in the process of reading a passage out to us. Yeats has painted the young boy in a strong light, which throws up the details of his formal attire. Dressed in a suit jacket, with a shirt and tie, the clothes feel as if they are too big for him, the triangles of the shirt collars extending out over his narrow shoulders. The face is beautifully rendered especially the large brown eyes of his sitter, which express a sensitivity, a youthfulness behind the somewhat formal composition. Working from an almost black background, Yeats introduces colour through flashes of white, pink and blue highlights. The pages of the book appear as dabs of paint, which Yeats, using the end of a brush scrapes a line through to suggest the folds in the paper. Despite the dark colour tones, there is warmth to the boy’s features, the pink and orange highlights of his flushed cheeks. Milo Ryan, was born on June 7th, 1892 and educated at Trinity College, Dublin. He served with the Royal Army Medical Corps during the Great War, taking a permanent commission as Captain in 1919 and becoming a Major in 1927. He died at Lahore on December 4th, 1936 at the age of 44.We know that this work was included in the Royal Hibernian Academy annual exhibition in 1903, so presumably it was painted around this time. This was a busy year for Yeats; he had been commissioned by Hugh Lane to paint twenty portraits of figures from the Irish cultural milieu for his modern art gallery. Lane had also helped Yeats secure his old studio at no. 7 St Stephen’s Green in Dublin. John Quinn, an American lawyer turned art collector visited Ireland the year previously and purchased from Yeats his portrait of his son William, which is now part of the NGI collection. He also requested a further three portraits of John O’Leary, Douglas Hyde and George Russell. The portrait of AE was not finished until 1903 and he persuaded Quinn to let him enter it into the annual RHA exhibition.One would not consider Yeats to be a society portrait painter, in the traditional sense, in that he did not make significant money from the commissions. He painted people he knew, family friends and relatives, fellow artists and writers. As a result they feel familiar, more personal than traditional portraits of the period. There is a sense of kinship between the artist and his subjects, in which he is gently probing at a further understanding of their personality and Yeats once remarked ‘The best portraits will be painted where the relation of the sitter and the painter is one of friendship’. His portraits often have a sense of being unfinished, quick sketch like brushstrokes move across the canvas. It seems the artist did not want to produce static, conventional portraits in which the sitter is frozen in time, but rather allow them to act as enquiries into the personality and thoughts of his subjects who, as with all human beings, young and old, were ever evolving. Niamh Corcoran, September 2019

A Second World War US Army Air Forces Type F-3A Electrically Heated Flying Suit, size Medium-Regular, comprising a jacket with Talon zip, pair of brown leather gloves with knitted green wool inserts, a pair of bib-type trousers with Conmar zip and a pair of shoe inserts, size L

Smoking - a mid 20th century rectangular promotional tobacco box, There is a Nosegay Tobacco to Suit Every Taste, in red, green ground, 11cm high, 22cm wide, 15cm deep, c.1958; others, Tom Tough; Settler Flake; My Flake; Murray's Gold Bar, Westminster, various sizes; etc qty

MICHAEL CORLEONE AL PACINO GODFATHER WORN SUIT. A two piece 'Verri Vomo' suit, worn by Al Pacino in character as Michael Corleone during production of The Godfather III. Originally sold by 'The Prop Store of London' in 2009 and sold with signed COA. Handwritten note to inner breast label reads 'Al Pacino'.

JOHN TRAVOLTA FACE OFF WORN SUIT. An original film costume used and worn by John Travolta in 'Face Off' and to comprise three piece suit made by Dominic Gheradi (with printed label with John Travolta's name), tie and cufflinks. Sold originally by 'Star Wares Collectibles' in 2007 and includes hand signed COA.

A quantity of vintage ladies suits comprising of a turquoise Harrods Mansfield skirt suit together with a three piece pink and silver Tricosa suit,a pink Mansfield dress suit, bright green Mansfield skirt suit and a fawn Jaeger skirt suit (5)

A vintage burgundy velvet Louis Feraud skirt suit, black velvet Jaeger skirt suit, long blue velvet evening dress and a Kai-Ming beaded knitted top (4)

A GROUP OF PLAYING CARDS to include, Germany, Dondorf, Frankfurt, Rhineland pattern, Standard Courts, Ace each have two different historic and battle scenes, Ace of diamonds shows Napoleon in St. Helene and Egypt, red patterned backs for Jacobson Van DenBerg & co, 52 cards + J + bridge card and calendar for 1939, c.1939, France, Anon maker, French National pattern, small patience cards with double ended unnamed courts, square corners, no indices, pink patterned backs, 52 cards plus slipcase, c.1880, together with B.P. Grimaud, Paris patience cards, French National pattern, round corners, no indices, blue patterned backs, 52 cards plus box, c.1900, Austria, Ferdinand Piatnik & Sons, Vienna, French suit signs, double ended courts, round corners, no indices, backs red urn with flower, 32 cards, c.1920, Switzerland, J.Muller & Cie, Schaffhouse, Swiss pattern, standard double ended courts, round corners, indices within suit sign, backs blue and black tartan, 36 cards, c.1900, Germany, Dondorf, Frankfurt, Baroness Piquet, No.161, backs with roses, 36 cards plus Boc, c.1890

A vintage oatmeal tweed skirt suit and gloves

Action Man: An unboxed Action Man in Space Suit outfit, together with a selection of Action Man accessories including Gun Emplacement, Horse etc. (one box)

A three piece suit with black satin piping, white epaulettes and Rhinestones embellishments, owned by James Brown. Purchased from 'The James Brown Collection sale held by Christie's New York, Thursday 17 July 2008 - copy of original receipt available

A brown leather three piece suit comprising, two seater sofa and two arm chairs, in good condition

Pierced dish en-suit, 6.5” wide B’ham 1932 192g.

Moonraker (1979) linen backed Original US one sheet film poster picturing Roger Moore as James Bond 007 in British space suit with detailed sci-fi artwork by Dan Goozee "Outer Space now belongs to 007" Jaws played by Richard Kiel is seen flying towards Bond metal teeth first while the Bond Girls float around the space station in zero gravity, previously folded now on linen, 27 x 41 inch. (1)

Moonraker (1979) ''Blasting off this summer!'' advance one sheet film poster with space age art of Roger Moore as James Bond dressed in space suit held up in zero gravity by a bevy of Bond girls painted by Dan Goozee, previously folded now linen backed measuring 27 x 41 inch. (1)

An RAF Air Crew Flight Suit Emergency Escape Knife

A miniature suit of armour with etched detail, on square sectioned wooden base, height including base approx 103cm. Provenance: The Great Stromboli.Additional InformationWear and tear throughout, please refer to illustrations.

ALEX CAMPBELL (born 1936); an acrylic on canvas, a man in a turquoise pinstripe suit, entitled 'You've got to laugh wearing a suit like this', signed lower left and detailed on verso, February 1992.Additional InformationSignature lower left is hidden by frame.

A large reproduction suit of armour with sword on square section wooden base, height including base approx 210cm. Provenance: The Great Stromboli.

A collection of twenty nine Bad Taste Teddies, including Skin Suit, Pin Head, Frankenteddy, Operation, etc

A gentleman's mourning suit with stripe trousers, a gentleman's dress dinner jacket with piping and a academic gown, stamped Ede and Ravenscroft Limited, with mortar.Provenance: Formerly at the shop of Lawrence Clarke, a Lincoln tailor from 1950 to late 1990's. His shop at 43 Silver Street was started by his father after World War 2 and Mr Clarke trained as a tailor on Savile Row, London.

New unopened 2-piece floatation suit size XL

One piece insulated wet weather suit, size XXL

3 ladies skirt suits and a trouser suit.

Utility pockets to both interior and exterior of suit.

δ Norman Parkinson (1913-1990)Going For a Stroll, A Collection of Five Editorial PhotographsFive gelatin silver prints, 1955-1959, four annotated in pencil verso in an unknown hand, each on gloss photographic paper, each with margins, various sizes, the largest sheet 408 x 510mm (16 x 20in) (unframed) (5)A group lot of five editorial photographs taken for different advertising campaigns. In order of sequence, Vogue's 'Fresh Approach to Coming Events' feature in May 1959 with Lady Rendlesham, a Vogue fashion editor of the time, and her daughter pushing the pram on the Serpentine; Enid Munick 'Scutty' Boulting wearing a Jaeger suit for the Vogue January 1958 feature 'More Than Your Money's Worth'; The model Nina de Voe in Michael Ascher fashion in Vigland Park, Oslo, Norway for 'Vogues Eye View of Scandinavia' July 1955; Aquascutum advertisement in 1957 with Major Christopher modelling The Portman Coat. Also an editorial for Aquascutum, fashion model Ann Gunning was photographed by Parkinson for Vogue in November 1957 alongside Parkinson's own Jaguar. His sports saloon car, a Jaguar 3.4 TYT 100, was frequently included in his photoshoots for a contemporary touch of masculine elegance.Provenance:From the Angela Williams Archive, United Kingdom. Gifted directly from the artist to Williams, who was an assistant to Norman Parkinson during the time his studio was based in Twickenham, London.Exhibited: Age of Innocence Exhibition, Julia Margaret Cameron Museum, Isle of Wight, 2011.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

A Delft Toby jug c.1770, seated on a low box with his hands resting on his knees, wearing a sponged blue suit with manganese detailing, some chipping, 24.5cm. Provenance: acquired from Puttick & Simpson, 29th November 1967, lot 48. Bought as Lambeth delftware.

A skirt, jacket, blouse and top in embossed fabric, a long sleeve dress with a contrasting paisley jacket, a Frank Usher skirt and matching blouse and a lightweight tailored suit with a blouse

A tweed check suit, another check suit by Futrofsky and a wool crepe suit

A pale tweed fleck sleeveless dress with matching jacket and skirt, a herringbone tweed sleeveless dress, jacket and pattern blouse outfit with a cloche hat, all by John Bowen of Malmesbury and another tweed skirt suit

A gentleman's black dinner suit, a cream evening jacket and black trousers

A Mary Donan lightweight suit in all over floral design, another Mary Dolan lightweight suit in bright animal print, a three-piece pastel check suit and a knitted top and skirt by Jaeger

Flying suit used in the Falklands

Grey 3 piece morning suit (44L) together with a coloured waistcoat

Tomasz Starzewski ladies 3 piece navy suit- jacket & trousers, skirt, & ladies 3 piece suit, black & white checked jacket with brown trim, with 1 grey & 1 brown matching skirts

Daks gentleman's grey wool suit (44)

Gents tartan suit

**Catalogue Change** Light Horse Rally Trap. To suit 16 / 17 hh. 

Small collection of early 20th Century clothing to include two dresses and a child's linen suit (a lot)

Barbie by Mattel - a collection of four boxed Barbie dolls to include Then and Now Bathing Suit Barbie #P6508, Barbie Glow in a Dark Hair Extension Halloween Glow #55196, Barbie Rock Star #CFR05 and Collector Edition Harley Davidson Motorcycle Barbie #25637 [4].

Suit of Stuart crystal Shaftesbury pattern glassware, twelve settings comprising red wine & white wine glasses, tumblers, port glasses, champagne glasses, sherry glasses, eleven highball tumblers, large wine glass and carafe Condition Report Click here for further images, condition, auction times & delivery costs

A Maltese Souvenir Suit of Armour, early 20th century, the shield painted with crowned arms on a circular base, 43cm high

An opportunity to buy a whole fat lamb. It will be ready Late December 2019 or early January 2020. The butcher can cut it  to suit your own specific requirements. It will be packed ready for the freezer. Delivery/collection by arrangement'. They are bred and reared in Thorndon. Breeding stock always available too!

Hilda.Using a mixture of plein air and studio work, Alfie’s visual art captures the distinct landscapes of East Anglia through playful and evocative collages. Alfie worked in collaboration with Rick Wakeman, famous keyboardist and songwriter of the progressive rock band ‘Yes’. for this multi media piece of art. Rick has signed ‘Hilda’.The sheep's main bodies measure approximately 90cm long x 72cm high x 30cm wide. Artist:Alfie Carpenter in collaboration with Rick Wakeman.Artist and musician, Alfie Carpenter works with paint, paper, voice sounds and words to create songs and scenes. Based in rural Suffolk and using a mixture of plein air and studio work, Alfie’s visual art captures the distinct landscapes of East Anglia through playful and evocative collages. Having trained as a singer and composer, Alfie writes and performs dream-folk songscapes as well as exhibiting his art across the UK. Alfie’s musical and artistic outpourings are equally atmospheric. Whether the components are shapes, colours and textures or pitches, words and voices, Alfie assembles music and art to give life to a landscape, idea, vision or emotion. Sponsor:Bar14/Cafeye & Eye Salon.Cafeye and Bar 14, although relatively new businesses to Eye, have already gained an excellent reputation. At Cafeye delicious breakfasts and lunches ( with a Mediterranean theme) are served alongside fresh coffee and a selection of wines. Bar 14 is open Wednesday, Thursday, Friday and Saturdays ( summer opening times) from 6pm – 11pm. Alongside good music, a super selection of fabulous cocktails and wines are served by a friendly team.https://www.facebook.com/Bar14-617365668676825/     https://www.facebook.com/Caf%C3%A8ye-222130678359250/Eye hair salon is a small friendly hair salon located within Eye Suffolk. We have been trading as Eye Salon for over 2 years now and have gained a large client base. We have a large range of hairdressing services that we can adjust to suit our clients’ individual needs, whatever style or age. All staff members are well trained with well known, trusted brands like Wella, Nioxin, Moroccan Oil, Olaplex, American Crew and all have a passion for hair.https://www.facebook.com/eyehairandbeautysalon/