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Beaton (Cecil). Cecil Beaton, c. 1950s, full-length in profile, wearing cap and tweed suit, holding an aphid spray pump, seated on garden patio, silver print, photographer's stamp to verso, no. 317/11, old glue marks, 188 x 158mm (7.4 x 6.2in.), together with another self-portrait, standing and smiling with arms akimbo in corner of patio with climbing plants, c. 1960s, silver print, no stamp, 242 x 195mm (9.5 x 7.6in.) (2)
*Suffolk. Important and scarce medieval manuscript vellum manorial roll for the Manor of Lydgate [Lidgate] for the court leet held on Tuesday next after the feast of Corpus Christi [sixty days after Easter] in the 2nd year of Henry IV [1401], the document records the names of tithing (jury), amercements for non?payment of debts and non?attendance to answer plea, amercements, mainly for unlawfully turning their animals on the Lord's land and chopping down trees, Precept - Admissions and surrenders, further amercements for various offences, election of officers, the reverse of the document records various orders default of suit of court, defection of villeins, sale of a cottage without a licence, inquiry into ownership of land, etc.. A remarkable document detailing and recording the operation of the feudal system. With a translation of the main areas covered in the document and an inventory which identifies place names referred to and their present locations in and around Newmarket. (1)
S..Van Abbe (20th century contemporary). PORTRAIT OF A GENTLEMAN, SEATED, THREE QUARTER LENGTH, WEARING A PIN STRIPE SUIT, WHITE SHIRT AND BOW TIE, HOLDING A CIGAR IN HIS RIGHT HAND. Indistinctly signed and dated Nov 1944, oil on canvas, {112cm by 86cm (44in by 34in)}. *Contained within an elaborate partially carved and gilded plaster frame decorated with foliate scrolls and flowers.
A Royal Worcester Figure of a Gentleman Enjoying a Cigar, 1914, No. 2632, wearing a purple suit and leaning on a table with yellow cloth, green printed crown and wheel mark and date code, {13cm high} (cigar restored); and Another, of a gentleman in a lilac cloak holding a top hat, green printed crown and wheel mark and date code for 1914, {13cm high} (2)
R. A. Bell- Portrait of a gentleman, head and shoulders turned to the right in a grey suit and red tie; oil on canvas, signed and dated Sept '86, 50.7x40.2cm: together with one other portrait in oils on canvas by the same hand, a landscape study and a still life in oils on canvas, and two further portrait studies in charcoal, all by different hands, 19/20th century, various sizes, (6), (part unframed)
Two early 20th century boys suits, one with steel cut buttons, a black satin boys suit with black patent leather shoes, together with two infants carrying coats one with embroidered decoration and other babies and children clothes to include dresses, christening gowns etc, dating mainly from the early 20th century.
Dudley (Robert), Monthly Maxims. Rhymes and Reasons to Suit the Seasons and Pictures New to Suit them Too, n.d., c. 1880, num. col. illusts., a.e.g., orig. blind-stamped cloth gilt, slightly rubbed, square 4to, together with Barnes (Eleanor), As the Water Flows. A Record of Adventures in a Canoe on the Rivers and Trout Streams of Southern England, 1927, num. col. and b & w illusts., a.e.g., orig. green morocco gilt by Best & Co., spine sunned, slim 4to, with other misc. books, mostly illustrated and juvenile works (3 shelves)
A set of four ivory counter boxes, Mariaval le jeune, Paris, circa 1720, each box representing a card suit, with swivelling dial, painted in green, red and yellow and engraved with commedia dell'arte figures, insets and animals, containing numerous differently-shaped 'fish', each width 8.5cm, 3.375in wide, in original silk-lined fishskin case (a lot).
The Pearly King of Wembley; his skeleton suit, comprising wool jacket, bell bottom trousers, waistcoat and tweed cap, all stitched with white and smoke coloured mother-of-pearl buttons forming various decorative motifs including a 'fleur de lys', 'a crown', 'anchor' (hope), a 'Maltese cross', a 'flag', a 'horse's head' and a 'carrot', together with good luck symbols - 'horseshoes' and a 'black cat', and playing card symbols - 'Life's a Gamble.' Together with Hildtich a Key black and white check shirt. Some tears, holes and repairs.
A Pair of Meissen Figures of a Swain and Shepherdess, mid/late 19th century, the girl stepping down a scroll-moulded base with a sheep at her feet, her striped skirt flouncing in a breeze, her companion wearing a blue suit and fur-lined ermine cloak, standing with a garland in his raised hand, a dog at his side, incised model numbers 1305 and 1306, impressed 120 and 140, crossed swords in underglaze blue, {25cm} (she: repairs to hat, hands, waist, crook, leaves and sheep's leg; he: repairs to head, dog's legs, leaves).
FOLLOWER OF GEORGE FRANCIS MULVANY, RHA (1809-1869) PORTRAITS OF A LADY AND A GENTLEMAN A pair, each seated half length, she wearing a blue dress and holding a book, he wearing a suit and reading a newspaper by a table, oil on canvas, shaped mounts Each 42.5 x 34cm. (2) ++ Relined; some slight retouching
A 1960's design sample ladies trouser suit, the jacket with horizontal stripes in green, pink and purple, with matching green trousers, a quantity of other ladies clothing dating from the 1930's onwards to include a 1930's green striped silk tea dress, together with various ladies evening wear.
A gentleman's cream linen suit by Cacharel, together with a Donald Campell ladies linen suit comprising of green jacket and skirt and a white top, a 1960's cream twisted woollen suit, a Christian Dior day dress and hooded jacket, a blue jersey dress with embroidered single rose detail, and a ladies jacket and striped summer dress (7).
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19204 item(s)/page