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Bandai 1:60 Big Scale Model Z Gundam Series No.27 MSZ-006 model kit, unmade, within Good Plus to Excellent opened packaging. Also includes Sotsu Agency RX-78-2 Mobile Suit Gundam digital clocks x 2, Excellent, within Good opened packaging. (3) 

Star Trek collectables x 9 includes Playmates 1701 Collector Series 3 figure pack, Playmates Alien Series Captain James Kirk with Balok and Baloks's Puppet figure pack, Playmates Alien Series Ensign Harry Kim Species 8472 figure pack, Playmates Strike Force U.S.S. Enterprise NCC-1701-D with Captain Picard and Commander Riker, Playmates Strike Force Klingon Bird of Prey with Valkris and Commander Kruge, Playmates The Next Generation Borg Ship, Playmates Transporter Series Mr. Spock, Playmates Toyfare Exclusive Mr. Spock in Environmental Suit from "The Tholian Web", Next Generation U.S.S. Enterprise shaped bubble bath bottle, All generally Good Plus to Near Mint, within Fair Plus to Excellent packaging, with most being sealed. (9)

Galileo telescope walking stick by Messrs. T. Bradford & Co., Manchester. Enclosed in the end of the horn handle is a small compass. This has a hinged brass cover which has a lens mounted in a small hole at the centre. When this cover is raised it acts as a back sight for a telescope. This is created by a separate glass lens sold with the stick. This additional glass magnifying lens fits on the shaft and slides backwards and forwards to suit long or short viewing distances. Having taken a sighting a compass bearing could be established. Unfortunately, as with most examples of this stick design, the separate lens is missing, (A typical lens of this nature is shown below in the green photo.) A variation is some canes --like this one-- have a very small trigger arrangement mounted under the curve of the handle which, when engaged, locks the compass in place. The bamboo shaft features an ornately decorated gold collar directly below the compass cover. The cover is embossed "LUCE HOSKING'S PATENT”. The collar engraved elaborate scrolls and a shield with the initials “JRR” The overall length of the stick is 33”/840mm. .Note-- the small trigger on this stick (see photos) is inoperable. For further details of this cane design see ----https://canequest.com/gadgetsystemdual-purpose-canes/professional-canes/

Robert Sonneman Style 1980s Table Lamp - a whimsical and stylish addition to any space. Imported from France, this lamp showcases the playful aesthetic reminiscent of Robert Sonneman's renowned work for George Kovacs. With a height of 61cm, including the shade, this lamp features a unique hammered glass base in a spiral shape, complemented by a brass rod adorned with hand-blown pink glass details. The lamp is topped with a folded acrylic conical shade, boasting organic wavy edges and secured in place by three acrylic ball studs. Currently wired for an EU plug, we are happy to modify it to suit the buyer's location. This lamp captures the spirit of the 1980s and brings a touch of French elegance to any interior.

Radlett Chair Bailey Pewter The Radlett Chair Is The Latest Addition To Our Stunning Range Of Occasional Chairs Finished In Bailey Pewter, A Soft Grey Fabric, Featuring Statement Black Metal Legs, This Beautiful Chair Gives The Perfect Modern Yet Retro Vibe To Suit A Range Of Interior Styles Whilst Making A Real Statement In The Home W 810 x D 850 x H 890 Mm New in Box(5059413258725)

Cabinet With its oak top, this free standing kitchen storage unit features 3 useful drawers, a large pan drawer, and a rustic and contemporary aesthetic that will suit a variety of homes. The product bases are lightly brushed in a moody, timeless grey hue to allow the grain of the wood to remain visible. The black cup handles create a contemporary look with their simple, clean lines. Ex-Showroom 85 x 62 x 100cm

Radlett Chair Bailey Pewter The Radlett Chair Is The Latest Addition To Our Stunning Range Of Occasional Chairs Finished In Bailey Pewter, A Soft Grey Fabric, Featuring Statement Black Metal Legs, This Beautiful Chair Gives The Perfect Modern Yet Retro Vibe To Suit A Range Of Interior Styles Whilst Making A Real Statement In The Home W 810 x D 850 x H 890

* English playing cards. Iranian Popular Playing Cards, Thomas De La Rue, for the Iranian Monopoly, circa 1937, a complete deck of 52 offset playing cards (French suits), plus joker and title card, designed by V. Romanowski de Boncza, double-ended courts representing different Persian dynasties, aces with Persian smybols, lightly dusty, joker with tiny pale brown stain centrally, versos green with black double-ended design of warriors fighting, each card 90 x 62 mm, with original box bearing Iranian tax seal, together with: Optik pack, Thomas De La Rue & Co, circa 1905, a complete deck of 52 offset playing cards (French suits), plus joker, double-ended courts, spade and diamond suit signs adapted for players with defective sight, standard 1862 ace of spades, lightly dusty, few minor marks, versos red/pink ornamental pattern, each card 90 x 62 mm, with original 2-part box, plus: Q Playing Cards, De La Rue, for W. & G. Baird, 1936, a complete deck of 52 offset playing cards (French suits), plus joker and score card, double-ended courts showing only the heads, plain aces, indices with values as words rather than numbers, 10 of diamonds with tiny mark centrally, versos blue with central white letter Q, each card 88 x 58 mm, with original box, with 19 other De La Rue 20th century packs, including: Lyons Corner House pack, circa 1935; Film Star pack, 1933; Culbertson's Own Self-Teaching Playing Cards, circa 1935; Onoto pack, with verso design of parrot on trellis with berried tree by Sir Edward J. Poynter; Baron's Filter Tipped pack; and others, many with original box, including one 1932 Centenary facsimile of the second De La Rue deck in unopened tax wrapper with original box, a quantity of cards from each deck mounted with photo corners onto 15 display boards, most encapsulated in clear plastic (none examined out of boards), the remainder in plastic bags, the boards 54.5 x 40.5 cm and similarQTY: (22)NOTE:Provenance: Collection of Dudley Ollis.First item: Cary collection, ENG 132 (de luxe edition); Fournier, British 420.Third item: Berry, The Waddington Playing-Card Collection, [W293]; EPCS newsletter no.18 (Nov. 1987) pp.2-3; Fournier, British 440.

* Swiss playing cards. Nouveau Jeu d'Officiers, Geneva, Switzerland: Johann Rudolf Hauser, 1744, 41 (of 52, without: 8, 7, 6 of diamonds; valet, 10, 9 of spades; 8, 4 of hearts; 8, 3, ace of clubs) copper engraved playing cards (French suits), each card depicting a character in military costume (the Dames portraying their wives), with small suit sign and Roman numeral (pip cards) or French rank (courts) to upper left, and Arabic numerals (1-52) to upper right, captioned at the foot in 3 languages, 20 cards with early hand-colouring, spotted and dusty, some marks and stains, extremities somewhat worn, Dame of clubs with long vertical tear, and small loss to lower right corner, 10 of clubs with small surface losses (affecting background), plus one (of 2) title cards, title printed in French and Italian, with imprint, toned and dusty, short tear to lower edge, also with sometime added (and partly removed) diamond suit sign and Roman numeral to upper corners, versos speckled red, each card approximately 107 x 71 mm, plus a 1962 letter from the Scottish United Services Museum, regarding the original engravings upon which this pack is based, all cards mounted with photo corners onto 3 display boards, encapsulated in clear plastic (none examined out of boards), each board 42 x 59.5 cmQTY: (1)NOTE:Provenance: Collection of Dudley Ollis.British Museum 1896,0501.800 (Schreiber, Swiss 26); Fournier, SWI 1; Mann, All Cards on the Table, p.168; Schweizer Spielkarten (1978) No.130a.The cards represent soldiers of various countries including Germans, Poles, Highlanders, and Pandars, with designs based on a series of engravings by Martin Engelbrecht: Costumes Militaires de 1740. The first edition of this pack, Jeu d'Officiers, illustrated Maria Therese and her allies, in addition to soldiers that took part in the wars of 1740. This second edition replaces Maria and allies with additional soldiers.

* English playing cards. Comic Fortune Telling Cards, Reynolds & Sons, circa 1863, 50 (of 52, without 7 & jack of spades, also note the 6 of clubs is present but from another deck with slightly paler pink verso) lithographed playing cards (French suits), the missing cards present as photocopies, the red suit cards printed entirely in red, each card with a humorous scene or character, with caption below, dusty and toned, some spotting (mostly affecting edges), king & 3 of diamonds generally spotted, several cards with some surface loss, sometimes affecting caption or image (mostly only touching), queen of hearts more broadly affected and with some edge wear, together with Directions sheet (very spotted, adhesive tape repair on verso), square corners, versos plain pink, each card 91 x 63 mm, 19 cards plus Directions sheet mounted with photo corners onto a display board, encapsulated in clear plastic (not examined out of board), the remainder in a plastic bag, the board 54.5 x 40 cmQTY: (1)NOTE:Provenance: Collection of Dudley Ollis.Berry, Playing-Cards of the World, [262]; Berry, The Waddington Playing-Card Collection, [W318] & [W319] & [W320]; Fournier, British 230.The first known advertisement for this humorous deck appeared in The Stationer in 1863.

Christie (Agatha). The Hound of Death and Other Stories, 1st edition, London: Odhams Press, 1933, occasional light spotting, original cloth (spine faded), dust jacket, a few chips and tears, losses at spine ends and head of rear panel, 8vo, together with The Man in the Brown Suit, Bodley Head, 1958 reprint editionQTY: (2)

* French playing cards. Gatteaux Empire design, Liege: J.T. Dubois, 1811, a complete deck of 52 stencil coloured wood engraved playing cards (French suits), single figure neo-classical named courts, each with dot indices to indicate ranks (double-ended), also with double-ended suit signs, jack of hearts with maker's ink stamp, eagle watermark, occasional minor foxing spots or marks, versos plain white, each card 82 x 54 mm, together with: Gatteaux portrait officiel, unknown maker, between 1816-1830, a complete deck of 52 stencil coloured wood engraved playing cards (French suits), single figure named courts, filigranes on king of diamonds (head of cockerel) and queen of spades (head of dog), jack of clubs with medallion dated 181[6] (indistinct), most courts with fleur de lys, ace of clubs with garland of fleur de lys, fleur de lys watermark, somewhat toned and soiled, jacks of diamonds and clubs with some pale brown marks, king of hearts toned with light spotting, two pip cards with pale brown stain to one blank corner, another with tiny area of abrasion to one corner, versos plain pink, each card 83 x 54 mm, plus: Gatteaux portrait officiel, unknown maker, circa 1830s-1840s, a complete piquet pack of 32 stencil coloured wood engraved playing cards (French suits), single figure named courts, filigranes on king of diamonds (head of cockerel) and queen of spades (head of dog), jack of clubs with medallion dated 1816, all courts without fleur de lys (abolished 1830), king of diamonds and queen of hearts each with a tiny spot of surface abrasion (to face and gown respectively), queen of clubs with tiny brown spot to neckline of gown, versos plain blue, each card 83 x 54 mm, 16 cards from each pack mounted with photo corners onto 3 display boards, encapsulated in clear plastic (none examined out of boards), the remainder in plastic bags, the boards 54.5 x 40 cmQTY: (3)NOTE:Provenance: Collection of Dudley Ollis.First item: Berry in The Playing Card vol. XIII no. 1 Aug 1984, p. 21; British Museum 1896,0501.761 (Schreiber, Flemish 13); Cary, FRA 359; Hoffman (1973) p. 34 & illustrated plate 53b. Uncommon.Second item: Berry, Playing-Cards of the World, [522], [56] & [352a]; Berry in The Playing Card vol. XIII no. 1 Aug 1984, pp. 21-23; Cary, FRA 16 & 18.Third item: Berry, Playing Cards of the World, [63] & [78]; Berry in The Playing Card vol. XIII no. 1 Aug 1984, pp. 21-23; Cary, FRA 19 & 20; Hoffman (1973) pp. 34-35 & illustrated fig. 11.

* English playing cards. Crowquill Transformation pack, Reynolds & Sons, circa 1850, the complete deck of 52 stencil coloured lithographed playing cards (French suits), designed by Alfred Henry Forrester, also known as Alfred Crowquill, single figure caricature courts, the pip cards with uncoloured suit signs each containing small caricatures, on plain backgrounds (pink for hearts & diamonds, blue for spades & clubs), Old Frizzle ace of spades with maker's name (toned), lightly dusty, some minor marks (mainly to pip cards), few pip cards with minor dents to an edge, 6 of diamonds with two tiny spots of surface loss (centrally and near right edge), square corners, versos blue dotted hexagons, each card 92 x 65 mm, 32 cards mounted with photo corners onto a double (folding) display board, encapsulated in clear plastic (not examined out of board), the remainder in a plastic bag, the board 54.5 x 40 cm (folded)QTY: (1)NOTE:Provenance: Collection of Dudley Ollis.Cary collection, ENG 148; World of Playing Cards website, Crowquill Transformation page; World Web Playing Cards Museum, WWPCM03552.

* English playing cards. Standard pattern, Thomas Wheeler, circa 1802, a complete deck of 52 stencil coloured woodblock playing cards (French suits), single figured courts of early Wheeler type, Ludlow Garter type A4 ace of spades (die no.44, 1st recut), few minor spots or marks, four pip cards with small surface loss/abrasion mainly to blank areas: on 3 of spades affecting one suit sign, square corners, gilt edges (added later?), each card 88 x 62 mm, with early two-part box, covered in decorative watered silk, with gilt-lettered label 'Principal Superfine Cards', 16 cards mounted with photo corners onto a display board, encapsulated in clear plastic (not examined out of board), the remainder in a plastic bag, the board 53.5 x 42 cmQTY: (1)NOTE:Provenance: Collection of Dudley Ollis.The Playing Card, vol.31, no.1 (July-Aug 2002) pp.20-33 (this actual pack illustrated p.23).This deck is one of Wheeler's early packs, with a design crudely copied from the courts that Hall was producing at the time.

* English playing cards. Ludlow & Co Patent Knight's Cards, Thomas Wheeler, circa 1800, 50 (of 52, without ace of clubs & 10 of spades) stencil coloured woodcut playing cards (French suits), engraved aces representing different Orders of chivalry, single figure courts of early Wheeler design, and with a single suit sign to top corner, Ludlow Garter type A3 ace of spades (die no. 42, 1st recut), unusual suit signs throughout, clubs and diamonds with uncoloured centres, spades and hearts with additional outlines in colour (possibly hand-coloured), browned and spotted, some brown stains or marks, a little wear to some corners, ace of spades with tiny blue stain to lower right corner, many cards poorly centred/trimmed, affecting some court card borders, and affecting one suit sign outline on four of hearts, square corners, gilt edges, versos plain white, each card approximately 88 x 61 mm, ace of clubs present as a photocopy, 20 cards mounted with photo corners onto a display board, encapsulated in clear plastic (not examined out of board), the remainder in a plastic bag, the board 53.5 x 42 cmQTY: (1)NOTE:Provenance: Collection of Dudley Ollis.British Museum, 1876,1014.1565-1616 (Willshire, English 280) for the double-ended version; The Playing Card, vol.31, no.1 (July-Aug 2002) pp.20-33 (this actual pack illustrated pp.24-25); Tilley, p.118 (illustrated).This design, with only one pip sign on the courts, is possibly the first edition of these Ludlow Knight's Cards: other packs are known with two pips signs on the courts, one at each end. This single figured version seems to be a little less commonly found than the slightly later double-ended edition.

This elegant evening cape is a fine example of the Art Nouveau style. Crafted from a luxurious blend of silk and wool, the fabric features a fine cream and pink slippersatin adorned with intricate floral and leaf embroidery scrolling. Created under the English couturier, John Redfern.Label 'A Redfern'Fabric composition : wool, silk, and trimLength : 105 cmWidth : 180 cmCondition: There are a few minorly-seen stains and missing threads on the garmentProvenance: Mavrocordato familyOriginating from the esteemed Mavrocordato family, historical rulers (ospodar) in regions forming modern-day Romania, this collection of 15 vintage garments intricately weaves together aristocratic elegance and cultural evolution. Among these treasures are select pieces by the influential British couturier John Redfern, who left an indelible mark on women's wardrobe development. Notably, Redfern adorned crowned heads, with admirers including British Queens Victoria and Alexandra, and Russian empresses Maria Feodorovna and Alexandra Feodorovna. At the close of the nineteenth century, Redfern's groundbreaking Taylor suit marked a pivotal shift in women's fashion, characterized by a jacket-like top, matching skirt, blouse with a high-standing collar, and a woman's tie. This ensemble, worn by the future Queen Alexandra during her travels to Europe with the Prince of Wales, encapsulates the intersection of fashion and royalty. The craftsmanship and overall fabric quality of these garments are not only striking but also contribute to their high historical and collectible importance, making this antique clothing selection truly exceptional.

Vivid-black couture bolero jacket with lapel and sleeves, embellished in ivory-hued lace. The black skirt is made of wood, trim and silk.Dimensions of the jacket : Length 44 cm, Waist 73 cmLength of the skirt : 113 cmCondition: Some imperfections, such as missing threads, ripped lining, holes in the interior, slightly damaged closureProvenance: Mavrocordato familyOriginating from the esteemed Mavrocordato family, historical rulers (ospodar) in regions forming modern-day Romania, this collection of 15 vintage garments intricately weaves together aristocratic elegance and cultural evolution. Among these treasures are select pieces by the influential British couturier John Redfern, who left an indelible mark on women's wardrobe development. Notably, Redfern adorned crowned heads, with admirers including British Queens Victoria and Alexandra, and Russian empresses Maria Feodorovna and Alexandra Feodorovna. At the close of the nineteenth century, Redfern's groundbreaking Taylor suit marked a pivotal shift in women's fashion, characterized by a jacket-like top, matching skirt, blouse with a high-standing collar, and a woman's tie. This ensemble, worn by the future Queen Alexandra during her travels to Europe with the Prince of Wales, encapsulates the intersection of fashion and royalty. The craftsmanship and overall fabric quality of these garments are not only striking but also contribute to their high historical and collectible importance, making this antique clothing selection truly exceptional.

This is an early 20th-century suit, comprised of a black velvet bolero jacket and polka-dot patterned skirt, with a contrasting black bow.Label 'Hermine 211 rue Saint Honoré Paris'Fabric composition : skirt (nylon, velvet, possibly organzine) jacket (silk, velvet)Dimensions jacket : Length 34 cm Waist 74 cmLength skirt : 98 cmCondition: Overall good condition. There are some imperfections such as a broken closure on the skirt and some minor stainsProvenance: Mavrocordato familyOriginating from the esteemed Mavrocordato family, historical rulers (ospodar) in regions forming modern-day Romania, this collection of 15 vintage garments intricately weaves together aristocratic elegance and cultural evolution. Among these treasures are select pieces by the influential British couturier John Redfern, who left an indelible mark on women's wardrobe development. Notably, Redfern adorned crowned heads, with admirers including British Queens Victoria and Alexandra, and Russian empresses Maria Feodorovna and Alexandra Feodorovna. At the close of the nineteenth century, Redfern's groundbreaking Taylor suit marked a pivotal shift in women's fashion, characterized by a jacket-like top, matching skirt, blouse with a high-standing collar, and a woman's tie. This ensemble, worn by the future Queen Alexandra during her travels to Europe with the Prince of Wales, encapsulates the intersection of fashion and royalty. The craftsmanship and overall fabric quality of these garments are not only striking but also contribute to their high historical and collectible importance, making this antique clothing selection truly exceptional.

Delicate garment made of cream silk and lace. It’s fastened at the front of the bodice with waist band and collar band.Length : 138Waist : 76 cmCondition: There are some visible spots, stains, and minor signs of discoloration on the dressProvenance: Mavrocordato familyOriginating from the esteemed Mavrocordato family, historical rulers (ospodar) in regions forming modern-day Romania, this collection of 15 vintage garments intricately weaves together aristocratic elegance and cultural evolution. Among these treasures are select pieces by the influential British couturier John Redfern, who left an indelible mark on women's wardrobe development. Notably, Redfern adorned crowned heads, with admirers including British Queens Victoria and Alexandra, and Russian empresses Maria Feodorovna and Alexandra Feodorovna. At the close of the nineteenth century, Redfern's groundbreaking Taylor suit marked a pivotal shift in women's fashion, characterized by a jacket-like top, matching skirt, blouse with a high-standing collar, and a woman's tie. This ensemble, worn by the future Queen Alexandra during her travels to Europe with the Prince of Wales, encapsulates the intersection of fashion and royalty. The craftsmanship and overall fabric quality of these garments are not only striking but also contribute to their high historical and collectible importance, making this antique clothing selection truly exceptional.

This art-deco era dress is made of soft silky material. Its pleated, it has an elegant bow decoration on the neck and long sleeves.Fabric composition : silk and crepeLength : 124 cmWaist : 98 cmCondition: Very good condition, except some discoloration on the lining and the bowProvenance: Mavrocordato familyOriginating from the esteemed Mavrocordato family, historical rulers (ospodar) in regions forming modern-day Romania, this collection of 15 vintage garments intricately weaves together aristocratic elegance and cultural evolution. Among these treasures are select pieces by the influential British couturier John Redfern, who left an indelible mark on women's wardrobe development. Notably, Redfern adorned crowned heads, with admirers including British Queens Victoria and Alexandra, and Russian empresses Maria Feodorovna and Alexandra Feodorovna. At the close of the nineteenth century, Redfern's groundbreaking Taylor suit marked a pivotal shift in women's fashion, characterized by a jacket-like top, matching skirt, blouse with a high-standing collar, and a woman's tie. This ensemble, worn by the future Queen Alexandra during her travels to Europe with the Prince of Wales, encapsulates the intersection of fashion and royalty. The craftsmanship and overall fabric quality of these garments are not only striking but also contribute to their high historical and collectible importance, making this antique clothing selection truly exceptional.

The coat has a straight cut. It has been made with soft, sapphire-hued velour fabric. One of the most surprising features of this coat are the oversized, fabric-covered buttons.Label ‘Au bon Gout Bucharest’Length: 123 cmCondition: The garment is in a good condition, but there are some minor imperfections such as small discolorationProvenance: Mavrocordato familyOriginating from the esteemed Mavrocordato family, historical rulers (ospodar) in regions forming modern-day Romania, this collection of 15 vintage garments intricately weaves together aristocratic elegance and cultural evolution. Among these treasures are select pieces by the influential British couturier John Redfern, who left an indelible mark on women's wardrobe development. Notably, Redfern adorned crowned heads, with admirers including British Queens Victoria and Alexandra, and Russian empresses Maria Feodorovna and Alexandra Feodorovna. At the close of the nineteenth century, Redfern's groundbreaking Taylor suit marked a pivotal shift in women's fashion, characterized by a jacket-like top, matching skirt, blouse with a high-standing collar, and a woman's tie. This ensemble, worn by the future Queen Alexandra during her travels to Europe with the Prince of Wales, encapsulates the intersection of fashion and royalty. The craftsmanship and overall fabric quality of these garments are not only striking but also contribute to their high historical and collectible importance, making this antique clothing selection truly exceptional.

This art deco black dress is decorated with a plissé pleat at a neckline and hemline, the dress comes with a floral- patterned satin belt (even though the belt probably originally belongs to a different gown).Length : 132 cmWaist : 86 cmCondition: Some minor imperfections, such as discoloration and small stains on the outer layer of fabricProvenance: Mavrocordato familyOriginating from the esteemed Mavrocordato family, historical rulers (ospodar) in regions forming modern-day Romania, this collection of 15 vintage garments intricately weaves together aristocratic elegance and cultural evolution. Among these treasures are select pieces by the influential British couturier John Redfern, who left an indelible mark on women's wardrobe development. Notably, Redfern adorned crowned heads, with admirers including British Queens Victoria and Alexandra, and Russian empresses Maria Feodorovna and Alexandra Feodorovna. At the close of the nineteenth century, Redfern's groundbreaking Taylor suit marked a pivotal shift in women's fashion, characterized by a jacket-like top, matching skirt, blouse with a high-standing collar, and a woman's tie. This ensemble, worn by the future Queen Alexandra during her travels to Europe with the Prince of Wales, encapsulates the intersection of fashion and royalty. The craftsmanship and overall fabric quality of these garments are not only striking but also contribute to their high historical and collectible importance, making this antique clothing selection truly exceptional.

This magnificent gown is fashioned from silk satin and wool with lace. The gown is decorated with strass, it’s sleeves and collar, the back and the skirt are covered in stones. The day dress comprises of a jacket, a long skirt, and an additional underskirt. Label ‘Mlle Guerin Gastinel rue pertinax 14 nice’Dimensions jacket : Length 67 cm, Waist: 65 cmLenght skirt : 117 cmCondition: Some imperfections, such as holes on the lining and some signs of damage on the underskirtProvenance: Mavrocordato familyOriginating from the esteemed Mavrocordato family, historical rulers (ospodar) in regions forming modern-day Romania, this collection of 15 vintage garments intricately weaves together aristocratic elegance and cultural evolution. Among these treasures are select pieces by the influential British couturier John Redfern, who left an indelible mark on women's wardrobe development. Notably, Redfern adorned crowned heads, with admirers including British Queens Victoria and Alexandra, and Russian empresses Maria Feodorovna and Alexandra Feodorovna. At the close of the nineteenth century, Redfern's groundbreaking Taylor suit marked a pivotal shift in women's fashion, characterized by a jacket-like top, matching skirt, blouse with a high-standing collar, and a woman's tie. This ensemble, worn by the future Queen Alexandra during her travels to Europe with the Prince of Wales, encapsulates the intersection of fashion and royalty. The craftsmanship and overall fabric quality of these garments are not only striking but also contribute to their high historical and collectible importance, making this antique clothing selection truly exceptional.

This ensemble consists of a jacket, a skirt, an additionalunderskirt, and a pillow. Inside, there is an ivory and gold woven silk label bearing royal appointments to H.I.M Empress of Russia & H.R.H Queen Alexandra.Fabric composition : wool, cotton, silk, and laceLength : 46 cmWaist : 52 cmProvenance: Mavrocordato familyOriginating from the esteemed Mavrocordato family, historical rulers (ospodar) in regions forming modern-day Romania, this collection of 15 vintage garments intricately weaves together aristocratic elegance and cultural evolution. Among these treasures are select pieces by the influential British couturier John Redfern, who left an indelible mark on women's wardrobe development. Notably, Redfern adorned crowned heads, with admirers including British Queens Victoria and Alexandra, and Russian empresses Maria Feodorovna and Alexandra Feodorovna. At the close of the nineteenth century, Redfern's groundbreaking Taylor suit marked a pivotal shift in women's fashion, characterized by a jacket-like top, matching skirt, blouse with a high-standing collar, and a woman's tie. This ensemble, worn by the future Queen Alexandra during her travels to Europe with the Prince of Wales, encapsulates the intersection of fashion and royalty. The craftsmanship and overall fabric quality of these garments are not only striking but also contribute to their high historical and collectible importance, making this antique clothing selection truly exceptional.

This night gown’s inner layer is made of organza, its stitched together with an outer lace layer. The gown has button fastenings.Fabric composition: lace, cotton, organzaLength : 168 cmWaist : 81 cmCondition: Some imperfections such as discoloration and stains on the back of the garmentProvenance: Mavrocordato familyOriginating from the esteemed Mavrocordato family, historical rulers (ospodar) in regions forming modern-day Romania, this collection of 15 vintage garments intricately weaves together aristocratic elegance and cultural evolution. Among these treasures are select pieces by the influential British couturier John Redfern, who left an indelible mark on women's wardrobe development. Notably, Redfern adorned crowned heads, with admirers including British Queens Victoria and Alexandra, and Russian empresses Maria Feodorovna and Alexandra Feodorovna. At the close of the nineteenth century, Redfern's groundbreaking Taylor suit marked a pivotal shift in women's fashion, characterized by a jacket-like top, matching skirt, blouse with a high-standing collar, and a woman's tie. This ensemble, worn by the future Queen Alexandra during her travels to Europe with the Prince of Wales, encapsulates the intersection of fashion and royalty. The craftsmanship and overall fabric quality of these garments are not only striking but also contribute to their high historical and collectible importance, making this antique clothing selection truly exceptional.

This cotton and satin sleeping gown is decorated withmother of pearl buttons. There are initials, embroidered onthe gown ‘MV’.Length: 131 cmWaist: 70 cmCondition: Some visible imperfections, such as heavy stains on the front and back of the gown, discoloration, a missing buttonProvenance: Mavrocordato familyOriginating from the esteemed Mavrocordato family, historical rulers (ospodar) in regions forming modern-day Romania, this collection of 15 vintage garments intricately weaves together aristocratic elegance and cultural evolution. Among these treasures are select pieces by the influential British couturier John Redfern, who left an indelible mark on women's wardrobe development. Notably, Redfern adorned crowned heads, with admirers including British Queens Victoria and Alexandra, and Russian empresses Maria Feodorovna and Alexandra Feodorovna. At the close of the nineteenth century, Redfern's groundbreaking Taylor suit marked a pivotal shift in women's fashion, characterized by a jacket-like top, matching skirt, blouse with a high-standing collar, and a woman's tie. This ensemble, worn by the future Queen Alexandra during her travels to Europe with the Prince of Wales, encapsulates the intersection of fashion and royalty. The craftsmanship and overall fabric quality of these garments are not only striking but also contribute to their high historical and collectible importance, making this antique clothing selection truly exceptional.

This is a beautiful, cream-coloured bolero with silk liningdecorated with geometric patterned embroideries at collar lapel and sleeve ventWoven silk label bearing royal appointments to H.I.M Empress of Russia & H.R.H Princess of Wales.Label 'A Redfern Paris'Length : 52 cmWaist: 85 cmCondition: Imperfections, such as missing stones and threads, discolorationProvenance: Mavrocordato familyOriginating from the esteemed Mavrocordato family, historical rulers (ospodar) in regions forming modern-day Romania, this collection of 15 vintage garments intricately weaves together aristocratic elegance and cultural evolution. Among these treasures are select pieces by the influential British couturier John Redfern, who left an indelible mark on women's wardrobe development. Notably, Redfern adorned crowned heads, with admirers including British Queens Victoria and Alexandra, and Russian empresses Maria Feodorovna and Alexandra Feodorovna. At the close of the nineteenth century, Redfern's groundbreaking Taylor suit marked a pivotal shift in women's fashion, characterized by a jacket-like top, matching skirt, blouse with a high-standing collar, and a woman's tie. This ensemble, worn by the future Queen Alexandra during her travels to Europe with the Prince of Wales, encapsulates the intersection of fashion and royalty. The craftsmanship and overall fabric quality of these garments are not only striking but also contribute to their high historical and collectible importance, making this antique clothing selection truly exceptional.

The jacket is embroidered with an eccentric motif of sea clam shells. The skirt is heavily embellished with floral patterned lace. The collar of the jacket is decorated with lace.Fabric composition: silk, organza, cotton, lace, woolLength of the jacket : 68 cmWaist of the jacket : 66 cmLength of the skirt : 103 cmProvenance: Mavrocordato familyOriginating from the esteemed Mavrocordato family, historical rulers (ospodar) in regions forming modern-day Romania, this collection of 15 vintage garments intricately weaves together aristocratic elegance and cultural evolution. Among these treasures are select pieces by the influential British couturier John Redfern, who left an indelible mark on women's wardrobe development. Notably, Redfern adorned crowned heads, with admirers including British Queens Victoria and Alexandra, and Russian empresses Maria Feodorovna and Alexandra Feodorovna. At the close of the nineteenth century, Redfern's groundbreaking Taylor suit marked a pivotal shift in women's fashion, characterized by a jacket-like top, matching skirt, blouse with a high-standing collar, and a woman's tie. This ensemble, worn by the future Queen Alexandra during her travels to Europe with the Prince of Wales, encapsulates the intersection of fashion and royalty. The craftsmanship and overall fabric quality of these garments are not only striking but also contribute to their high historical and collectible importance, making this antique clothing selection truly exceptional.

Marquez (Gabriel Garcia) One Hundred Years of Solitude, first American edition, translated by Gregory Rabassa, water-staining, mostly to fore-edges, cockling, original cloth, water-staining and cockling to boards, dust-jacket, water-staining and cockling, heavier to verso, chipping and small loss to edges, New York, 1970 § Lewis (Wyndham) Filibusters in Barbary: Record of a Visit to the Sous, first edition, bookplate, original pictorial cloth, light bumping to corners and spine extremities, dust-jacket, small tears and chipping to top edge, 1932; 8vo (2)⁂ The second mentioned was withdrawn shortly after publication due to a libel suit.

A box of riding hat, wet suit and snorkel

Charles Hodges Geographical Playing Cards, London, Stopforth & Sons, circa 1827, 52 hand-coloured engraved cards with duty card, the aces with maps of the four continents with the pip cards showing land masses or political divisions to each continent suit, King George IV pictured on the ace of hearts (Europe), George Washington pictured on the ace of spades (Americas), a Chinese Emperor on the ace of diamonds (Asia) and an Egyptian King on the ace of clubs (Africa), contained in green leather caseThe playing cards are generally in good condition, with a few issues. All cards bear varying degrees of foxing and staining, especially around the edges and to some extent to the reverse. Some marking and scuffing in places. A minority of the cards bear creasing to the corners. The case bears clear wear and scuffing, but is generally in tact.

Herpa Wings, Orbis, Schabak and similar, a boxed 1:500/1:600 and similar scale Aircraft group - to include Orbis 500128 McDonnell Douglas DC-10-10ER "Flying Eye Hospital", Schabak 1:600 scale Airbus A340 Star Alliance "Air Canada" along with others. Heavy duplication. Also to include 4x JMC radio controlled "Fun Plane" and Caledonian Airways battery operated with sound and lights. see photos. Although not checked for completeness and nothing tested, Conditions are generally Near Mint to Mint in Good boxes with some having price stickers. Please note as this lot has heavy duplication, this would suit reseller. (39)

Herpa Wings, a boxed 1:500 scale Aircraft group - to include 501736 Airbus A320 "Air JMC", 510004 DASH8-300 "Hamburg Airlines" along with others. Heavy duplication. See photos. Although not checked for completeness, Conditions are generally Near Mint to Mint in Good boxes with some having price stickers. Please note as this lot has heavy duplication, this would suit reseller. (40)

Herpa Wings, a boxed 1:500 scale Aircraft group - to include 501736 Airbus A320 "Air JMC", 513364 Airbus A320 "Qatar Airways along with others. Heavy duplication. See photos. Although not checked for completeness, Conditions are generally Near Mint to Mint in Good boxes with some having price stickers. Please note as this lot has heavy duplication, this would suit reseller. (40)

HRH Diana, Princess of Wales (1961-1997). An autograph Christmas & New Year card, [1981], inscribed by Diana for "Bill" [Pashley], and signed, "With love, Diana." On heavy white card bearing gilt crests and mounted colour photograph of Charles & Diana on their wedding day Provenance: Consigned by the family of Bill Pashley (d. 2014), fashion designer who famously created the tweed sports suit for Princess Diana to wear during her Balmoral honeymoon in 1981. Pashley's other clients included Sarah Ferguson, Duchess of York, Dame Margaret Price, and Dame Gwyneth Jones

HRH Diana, Princess of Wales (1961-1997). An autograph Christmas & New Year card, [1991], inscribed by Diana for "Bill" [Pashley], signed "From the four of us, Diana." On heavy white card bearing gilt crests and mounted colour photograph of Charles & Diana with young Princes William & Harry Provenance: Consigned by the family of Bill Pashley (d. 2014), fashion designer who famously created the tweed sports suit for Princess Diana to wear during her Balmoral honeymoon in 1981. Pashley's other clients included Sarah Ferguson, Duchess of York, Dame Margaret Price, and Dame Gwyneth Jones

HRH Diana, Princess of Wales (1961-1997). An autograph Christmas & New Year card, [1993], inscribed by Diana for "Bill" [Pashley], signed "Love from, Diana." On heavy white card bearing gilt crests and mounted colour photograph of Diana with young Princes William & Harry Provenance: Consigned by the family of Bill Pashley (d. 2014), fashion designer who famously created the tweed sports suit for Princess Diana to wear during her Balmoral honeymoon in 1981. Pashley's other clients included Sarah Ferguson, Duchess of York, Dame Margaret Price, and Dame Gwyneth Jones

HRH Diana, Princess of Wales (1961-1997). An autograph Christmas & New Year card, [1994], inscribed by Diana for "Bill" [Pashley], signed "From, Diana." On heavy white card bearing gilt crests and mounted sepia photograph of Diana with Princes William & Harry Provenance: Consigned by the family of Bill Pashley (d. 2014), fashion designer who famously created the tweed sports suit for Princess Diana to wear during her Balmoral honeymoon in 1981. Pashley's other clients included Sarah Ferguson, Duchess of York, Dame Margaret Price, and Dame Gwyneth Jones

HRH Diana, Princess of Wales (1961-1997). An autograph letter signed by Diana in bold blue ink on two sides of one sheet, 17 Chesham Mews letterhead, 6 October 1980, "Dear Bill [Pashley], You must think me the most useless person in the world! I've just been digging through a very untidy drawer and found these photographs which I could have sworn I had already given to you. Anyway hugest apologies and very many thanks again for doing such a wonderful job. Hope to see you soon. Love, Diana." Provenance: Consigned by the family of Bill Pashley (d. 2014), fashion designer who famously created the tweed sports suit for Princess Diana to wear during her Balmoral honeymoon in 1981. Pashley's other clients included Sarah Ferguson, Duchess of York, Dame Margaret Price, and Dame Gwyneth Jones

HRH Diana, Princess of Wales (1961-1997). An autograph letter signed by Diana in bold blue ink on two sides of one sheet, Balmoral Castle letterhead, 17 August 1981 [during Charles & Diana's honeymoon], "Dear Bill [Pashley], When I arrived back here, it was difficult to set into my room, due to two huge boxes blocking all form of entrance! A million thanks for doing all the skirts & generally everything so quickly. They'll keep me going for a while! Ever since our return, I have remained a light blue from the cold as the places where we went were boiling & for once I've gone a decent colour!! I do hope that you had a good view at St. Paul's [of the wedding], funnily enough I remember most of what went on! Dearest Bill, you are just the kindest of people to have done all my Scottish wear & it's enormously appreciated. Take care & much love to Gilbert [Pashley's partner] & yourself, Diana." Together with two colour photographs of Charles & Diana during their honeymoon at Balmoral (Diana wearing the iconic tweed hunting suit designed for her by Bill Pashley), stamped to verso by Press Association, 25 x 20cm (3) Provenance: Consigned by the family of Bill Pashley (d. 2014), fashion designer who famously created the tweed sports suit for Princess Diana to wear during her Balmoral honeymoon in 1981. Pashley's other clients included Sarah Ferguson, Duchess of York, Dame Margaret Price, and Dame Gwyneth Jones

HRH Diana, Princess of Wales (1961-1997). Three original photographs of a 16-year-old Diana as bridesmaid at her sister Jane's wedding on 20 April 1978 [Jane Fellowes, Lady Fellowes], two in colour measuring 16 x 20cm, one in b&w measuring 18 x 24cm, the latter bearing a Press Association caption verso. Together with two b&w photographs of Diana watching Charles play polo at Tidworth on 25 July 1981, PA captions verso recording her distress at the press attention, 18 x 24cm; three b&w photographs of Charles & Diana during their wedding rehearsal, 27 July 1981, two bearing PA captions verso; one b&w photograph of Diana & The Queen Mother, and one b&w photograph of Prince Charles with a lady companion at Ascot, 14 June 1977 (10) Provenance: Consigned by the family of Bill Pashley (d. 2014), fashion designer who famously created the tweed sports suit for Princess Diana to wear during her Balmoral honeymoon in 1981. Pashley's other clients included Sarah Ferguson, Duchess of York, Dame Margaret Price, and Dame Gwyneth Jones

HM King Charles I [as Prince of Wales] & HRH Diana, Princess of Wales (1961-1997). Royal Wedding, 1981. An original invitation card for William "Bill" Pashley to the Marriage of HRH The Prince of Wales with The Lady Diana Spencer, St. Paul's Cathedral, 29 July 1981; an entrance ticket for the same, on blue card, No. 084; a letter for the same on Lord Chamberlain's Office stationery, providing instructions for the day. Together with Pashley's Order of Service for the funeral of Princess Diana, Westminster Abbey, 6 September 1997 (4) Provenance: Consigned by the family of Bill Pashley (d. 2014), fashion designer who famously created the tweed sports suit for Princess Diana to wear during her Balmoral honeymoon in 1981. Pashley's other clients included Sarah Ferguson, Duchess of York, Dame Margaret Price, and Dame Gwyneth Jones

HRH Diana, Princess of Wales (1961-1997). An autograph Christmas & New Year card, [1982], inscribed by Diana for "Bill" [Pashley], and signed, "Love from, Diana." On heavy white card bearing gilt crests and mounted colour photograph of Charles & Diana with an infant Prince William Provenance: Consigned by the family of Bill Pashley (d. 2014), fashion designer who famously created the tweed sports suit for Princess Diana to wear during her Balmoral honeymoon in 1981. Pashley's other clients included Sarah Ferguson, Duchess of York, Dame Margaret Price, and Dame Gwyneth Jones

HRH Diana, Princess of Wales (1961-1997). An autograph Christmas & New Year card, [1983], inscribed by Diana for "Bill" [Pashley], and signed, "With love from, Diana." On heavy white card bearing gilt crests and mounted colour photograph of Charles & Diana with an infant Prince William Provenance: Consigned by the family of Bill Pashley (d. 2014), fashion designer who famously created the tweed sports suit for Princess Diana to wear during her Balmoral honeymoon in 1981. Pashley's other clients included Sarah Ferguson, Duchess of York, Dame Margaret Price, and Dame Gwyneth Jones

HM King Charles III [as Prince of Wales] & HRH Diana, Princess of Wales (1961-1997). An autograph Christmas & New Year card, [1984], inscribed by Diana for "Bill" [Pashley], and signed individually "From Diana" & "Charles". On heavy white card bearing gilt crests and mounted colour photograph of Charles & Diana with a young Prince William and infant Prince Harry Provenance: Consigned by the family of Bill Pashley (d. 2014), fashion designer who famously created the tweed sports suit for Princess Diana to wear during her Balmoral honeymoon in 1981. Pashley's other clients included Sarah Ferguson, Duchess of York, Dame Margaret Price, and Dame Gwyneth Jones

HM King Charles III [as Prince of Wales] & HRH Diana, Princess of Wales (1961-1997). An autograph Christmas & New Year card, [1985], inscribed by Diana for "Bill" [Pashley], "From the four of us", signed individually "Diana" & "Charles". On heavy white card bearing gilt crests and mounted colour photograph of Charles & Diana with young Princes William & Harry Provenance: Consigned by the family of Bill Pashley (d. 2014), fashion designer who famously created the tweed sports suit for Princess Diana to wear during her Balmoral honeymoon in 1981. Pashley's other clients included Sarah Ferguson, Duchess of York, Dame Margaret Price, and Dame Gwyneth Jones

HM King Charles III [as Prince of Wales] & HRH Diana, Princess of Wales (1961-1997). An autograph Christmas & New Year card, [1986], inscribed by Diana for "Bill" [Pashley], "From the four of us", signed individually "Diana" & "Charles". On heavy white card bearing gilt crests and mounted colour photograph of Charles & Diana with young Princes William & Harry Provenance: Consigned by the family of Bill Pashley (d. 2014), fashion designer who famously created the tweed sports suit for Princess Diana to wear during her Balmoral honeymoon in 1981. Pashley's other clients included Sarah Ferguson, Duchess of York, Dame Margaret Price, and Dame Gwyneth Jones

HM King Charles III [as Prince of Wales] & HRH Diana, Princess of Wales (1961-1997). An autograph Christmas & New Year card, [1987], inscribed by Diana for "Bill" [Pashley], signed individually "Diana" & "Charles". On heavy white card bearing gilt crests and mounted colour photograph of Charles & Diana with young Princes William & Harry Provenance: Consigned by the family of Bill Pashley (d. 2014), fashion designer who famously created the tweed sports suit for Princess Diana to wear during her Balmoral honeymoon in 1981. Pashley's other clients included Sarah Ferguson, Duchess of York, Dame Margaret Price, and Dame Gwyneth Jones

HM King Charles III [as Prince of Wales] & HRH Diana, Princess of Wales (1961-1997). An autograph Christmas & New Year card, [1988], inscribed by Diana for "Bill" [Pashley], signed individually "Diana" & "Charles". On heavy white card bearing gilt crests and mounted colour photograph of Charles & Diana with young Princes William & Harry Provenance: Consigned by the family of Bill Pashley (d. 2014), fashion designer who famously created the tweed sports suit for Princess Diana to wear during her Balmoral honeymoon in 1981. Pashley's other clients included Sarah Ferguson, Duchess of York, Dame Margaret Price, and Dame Gwyneth Jones

HRH Diana, Princess of Wales (1961-1997). An autograph Christmas & New Year card, [1989], inscribed by Diana for "Bill" [Pashley], and signed "from us all, Diana." On heavy white card bearing gilt crests and mounted colour photograph of Charles & Diana with young Princes William & Harry Provenance: Consigned by the family of Bill Pashley (d. 2014), fashion designer who famously created the tweed sports suit for Princess Diana to wear during her Balmoral honeymoon in 1981. Pashley's other clients included Sarah Ferguson, Duchess of York, Dame Margaret Price, and Dame Gwyneth Jones

Palitoy Action Man Vintage 34701 Astronaught, comprising Space Suit & Helmet, Tether Cord, Space Boots & Gloves, Camera, Oxygen Chest Pack, Propellant Gun. Backing Card & Cellophane box - Excellent to Near Mint in Good packaging - Replacement Backing Card & has been re-sealed.

Palitoy Action Man Vintage 34506 Deep Sea Diver, comprising Fabric Suit Suit, Diving Helmet, Weighted Boots & Belt, Gloves, Sledge Hammer, Buoy, Compas, Knife & Scabbard, Rope, Oxygen Pump & Hose. Backing Card & Cellophane box Issue - Good to Excellent - some discolour to white fabric, unsealed at one corner, card is Good to Good Plus with some creasing & scuffs.

Set of Replica Dark Age Warrior's Armour comprising of a Suit of Chain Mail Haubergeon Body Armour, Steel Nasal Helmet which is a replica of an original conical nasal helmet worn by St Wenceslaus, Leather chest and back armour, leather and steel leg armour, tunic and cloak with fur collar. Along with a replica Seax of Beagnoth. The seax is a replica of a 9th century piece found back in the Thames near London in 1857. Single edged fullered blade 559mm in length with etched Futhark Runic alphabet inscription to both sides of the blade, wooden handle with brass binding, overall length 736mm. Complete with brown leather scabbard. Comes complete with the torso mannequin.

Replica 12th/13th Century Haubergeon Chain Mail Suit of Armour along with Great Helmet in steel with brass detail, Red Tabard with Three English Lions embroidered to the front, Elbow and Knee Plates, Chain Mail Gloves, Spurs and complete with a brown leather Sword Belt. Comes complete with the torso mannequin.

FOUR BOXES OF CERAMICS, BOOKS AND VINTAGE TELEPHONES, to include two H.P Co. 'Jackie' figurines, a green cut glass salt, blue and white dinnerware, a boxed Krinko Ware 'Tala' crumb tray and brush set, royal commemorative mugs, a Portmeirion 'Totem' design vinegar decanter, a Sparklets -Globe Master soda syphon, a collection of beer steins, a vintage cream BT dial phone, BT push button phone, marble Matel clock, a 1920s style ladies woollen bathing suit, books include an unused late 19th century ledger, a 1953 Buffalo Bill Wild West Annual, an 18th century- 1780 leather bound Buffon's Natural History Abridged, Sylvia's book of Family Management, three volumes of South Africa and the Trans Vaal war, a 1905 leather bound Men Of The Period of Commerce and Industry, etc. (s.d) (4 boxes)

TWO BOXES AND A GROUP OF GENTLEMEN'S CLOTHING AND ACCESSORIES, to include a navy blue 'Hugo Boss' single breasted suit, together with ten overcoats and jackets, maker's names include Copperstone, Kangol, Ciro Citterio, M&S, etc. UK sizes L and XL, an unused Fabio Inghirami grey long sleeved shirt, size 16, and a quantity of leather shoes, size 43, tweed hats and caps, sweaters, shirts and tops, etc. (s.d) (2 boxes + 12 items on rail) (PLEASE NOTE CLOTHES RAIL NOT INCLUDED DISPLAY PURPOSE ONLY)

A BOXED ENESCO DISNEY SHOWCASE COLLECTION 'SANTA MICKEY' FIGURE, model no 6009029, depicting Mickey wearing a Santa suit, holding a bauble, height 38cm (1 + 1 box) (Condition Report: appears in good condition, no obvious damage, box has a few small tears)

A Karl Lagerfeld lady's multi colour silk suit and a pair of velvet trousers, both size 38***CONDITION REPORT***Very good lightly worn condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Prada black A line wool skirt with silver embellishment on the pockets, a blue cotton canvas short swing raincoat and a black pair of wool suit trousers, all size 42***CONDITION REPORT***All looks in good lightly used condition, the coat appears to be unworn.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Yves Saint Laurent, a Gucci and a Boss men's suits and Ralph Lauren and Emporio Armani jacket, Yves Saint Laurent pour homme navy textured wool double breasted suit, (approx size 42")Gucci navy blue single breasted wool suit, size 50R (UK size 40")Boss, Hugo Boss Angelico/Parma black single breasted wool suitRalph Lauren jacket, navy and grey riga 100% wool, size 42REmporio Armani jacket, grey size TG54 Viscose mix, (approx UK size 44")***CONDITION REPORT***All lightly worn in fair- very good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.