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Lot 290

Various vintage dresses from 1940's and 1950's, to include grey wool with lime green stripe, three-quarter length sleeves, shirt waist, button fastening, a grey wool dress with green, orange and black embroidered pattern, a 1940's brown wool dress with deep pockets, matching belt and two button fastening to the front, a grey wool 1940's dress marked 'Dumarsel Model' with red and white checked skirt, collar and cuffs, a rayon red skirt suit, three-quarter length sleeves, rickrack details, labelled 'Mortimer, London', a green wool day dress, another and a grey wool dress labelled 'Nat Turoff Chicago' (9) 

Lot 292

1960's Liberty Origin wool printed paisley dress in autumn colours, button and loop fastening to the front, with label 'Liberty of London Prints Origin size 10', a red check silk dress, sleeveless, no label (stitching coming loose at the waist) and a 1960's skirt suit with a straight skirt, three button fastening, three-quarter length sleeves boxy jacket 

Lot 373

Mixed Lot: Two vintage suitcases and a suit bag

Lot 95

1966 England Signed World Cup Football Pictures: All pictured in club kit on mainly large magazine pictures except Banks in England kit and Wilson in suit. Includes Flowers Hunt Gerry Byrne and Jack Charlton. (6)

Lot 160

European Final Football Programmes: Modern programmes with duplication to suit dealer or ebayer. Excellent. (93)

Lot 29

1966 World Cup Copdale Track Suit Shop Counter Displays: Incredibly rare advertising counter displays one featuring World Cup Willie the other having World Cup logo. Both mint measuring over 5 inches high. (2)

Lot 64

An Arlen Ness one piece leather suit, size 44, a pair of boots, gloves and three paddock stands.

Lot 181A

Collection of approx. 20 football shirts, to include child size replica 1989 Arsenal shirts etc, together with shorts, goalkeepers jerseys, track suit bottoms etc, mixed condition

Lot 95

Harold Gilman (British 1876-1919) Romney Marsh, circa 1910 signed (lower right), oil on boardDimensions:25cm x 35.5cm (9 3/4in x 14in)Provenance:Provenance:Alex Reid & Lefevre Ltd., London;Frank Aldous Girling, Lawford, Essex;Robert Alexander and Natalie Bevan, Boxted House, Boxted, Essex. Exhibited:Tate Britain, London, Modern Painters: The Camden Town Group, 13 February - 4 May 2008, p. 154, no. 82 (illustrated).Note: Harold Gilman was born in Rode, Somerset. In 1890 he moved with his family to Romney Marsh, Kent, where he lived until 1908. He trained at the Slade School of Fine Art, London and, after meeting Walter Sickert in 1907, became a founder member of the Fitzroy Street, Camden Town and London Groups.Robert Upstone has explained about this work: 'Gilman made a sequence of studies of Romney Marsh between about 1909 and 1912...The landscape is expressed by strictly modulating the paint in a series of broken dabs of heightened colour that lend it visual interest and these touches of paint also suit perfectly the scrubby terrain's character. Painted on board, it is just possible that Gilman painted this before the subject, although his usual practice was to work from drawings. The picture was acquired by Gilman's fellow Camden Town painter Robert Bevan.' (Modern Painters: The Camden Town Group, op.cit, p.154)

Lot 368

A man's Paul Smith suit.

Lot 372

A man's Armando dress suit

Lot 373

A man's Skopes dress suit size 46R

Lot 218

A collection of card games including Just William, the cavalry game, De La Rue's Five Suit Bridge, Happy Families etc.

Lot 375

Circa 1980s 'Zandra Rhodes II' Labelled Clothing including a grey printed silk long sleeve shirt, with peter pan collar and button fastening (size 10); a grey and blue wool trouser suit, comprising a pair of tailored trousers with pleats to the front and contrast tops to the pockets and a matching jacket with contrasting blue sleeves, collar and pocket tops and purple metallic Zandra Rhodes logo lining; black wool two piece skirt suit with a high waisted straight skirt, a cropped jacket with slight batwings, shoulder pads, button fastening (size 10) (3)

Lot 3057

SAKS FIFTH AVENUE early 1960s original cream wool A-line skirt suit trimmed with chocolate brown Beaver Lamb fur. Size UK10Condition Report: Excellent Condition

Lot 3081

CHRISTIAN DIOR TRICOTSETS COODDONNÉS beautiful petrol blue 1970s skirt suit. Pure new wool. Lined in midnight blue silk. Skirt fastens with a button and zip at the front and has two hidden pockets. Jacket is single double-breasted with two hip pockets and buttoned cuffs. Size UK 12

Lot 784

A POND YACHT WITH RIGGING AND STAND, THE HULL PAINTED IN CHERRY RED TO SUIT THE BOATS NAME

Lot 1052

Retro 1970's Style Kitchen Table and black faux leather upholstered bench chairs which can be formed to suit your space, one with corner shape. Table has two refectory legs with stretcher. Table measures 4' long x 2' wide x 28'' high.

Lot 315

Pre WWII RAF Flying Suit 1936, marked A.M (Air Ministry) with crown.

Lot 459

A St. Louis 'Thistle' pattern part suit of table crystal to include: 12 x White wine, 12 x Red wine, 11 x Sherry, 10 x Champagne flutes, 3 x 12 cm Tumblers, 3 x 9 cm Tumblers and 1 x Mallet decanter, no stopper, together with four St. Louis 'Thistle' pattern coloured tall Hock glasses and two other coloured Hocks by other factories.All checked, no chips or cracks as of 6/10/22Decanter has NO stopper

Lot 2918

VOGEL, Lorenz(1846 Göggingen - 1902 München) HerrenbildnisÖl/Hartfaser. Rechts unten signiert. Undeutlich datiert: (18)96 oder (18)86?. 42 x 32 cm. Gerahmt : 62 x 51 cm. Älterer Mann mit Bart und kurzem Haar, in dunklem Anzug mit weißem Hemd. Leichte Altersspuren. Deutscher Maler, Schüler von Ferdinand Keller an der Karlsruher Akademie. Literatur : Thieme/Becker. VOGEL, Lorenz(1846 Göggingen - 1902 Munich) General PortraitOil/hard fiber. Signed lower right. Indistinctly dated: (18)96 or (18)86?. 42 x 32 cm. Framed : 62 x 51 cm. Elderly man with beard and short hair, in dark suit with white shirt. Slight signs of age. German painter, student of Ferdinand Keller at the Karlsruhe Academy. Literature : Thieme/Becker. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Lot 2908

Zwei qualitätvolle BildnisseJe Öl/Leinwand. Je unsigniert, verso einmal als "Koebler-Schwabach" bezeichnet. Um 1900. Je 60 x 46 cm. Gerahmt : Je 68 x 53 cm. Porträt einer jungen Frau im grünen Kleid mit Perlenkette sowie eines Mannes im schwarzen Anzug mit verschränkten Armen. Restaurierungsbedürftig. Two quality portraitsEach oil / canvas. Each unsigned, verso once marked "Koebler-Schwabach". Circa 1900. Each 60 x 46 cm. Framed : Each 68 x 53 cm. Portrait of a young woman in a green dress with pearl necklace and a man in a black suit with folded arms. In need of restoration. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Lot 2893

Zwei Biedermeierporträts in dekorativen RahmenÖl/Leinwand/Holz. Unsigniert. Je 37 x 30 cm. Gerahmt : Je 49 x 42 cm. Bildnis eines Mannes und einer Frau in dunklem Anzug und Kleid vor neutralem Hintergrund. Restaurierungsbedürftig. Two Biedermeier portraits in decorative framesOil / canvas / wood. Unsigned. Each 37 x 30 cm. Framed : Each 49 x 42 cm. Picture of a man and a woman in dark suit and dress against a neutral background. In need of restoration. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Lot 499

Quantity of Mostly Modern Royal Air Force Insignia, including various rank slides, flight suit patch, trade / speciality badges, shoulder titles, etc. (Quantity)

Lot 959

WW2 German Luftwaffe Summer Pattern One Piece Flight Suit “Sommerfliegerkombie”, very good example with fully working zips. Being the pattern with the emergency ring pull for quick removal from wounded aircrew. Interior with Berlin manufacturers label of Karl Heisler and also a label for a Wurttemberg based manufacturer. To the arms of the suit is a cloth rank patch for Luftwaffe General, however we believe this to be a post war addition to the suit. Armpit to Armpit - 54cms, Armpit to cuff - 43cms, Inside leg - 70cms, length from shoulder - 145cms.

Lot 114

Assorted vintage clothing including a kilt, turtle neck jumper, a Burton suede jacket, a leather jacket, dinner suit, evening gown etc.

Lot 126

A Superdry jacket, a Prologic realtree jacket and trousers and a Kennets one piece fishing suit.

Lot 1557

A RETRO GENTS SUIT CARRIER

Lot 717

A CHECKED SUIT CARRIER MADE BY ANTLER

Lot 3133

Voller Feldharnisch mit offener Sturmhaube, deutsch, um 1570 Große Sturmhaube, die einteilig geschlagene schwere Kalotte mit hohem, geschnürltem Kamm. Gegrateter Augenschim mit fein gebördeltem und geschnürltem Rand, seitlich geschlagene Arsenalmarkierung (drei Punkte). Große scharniergelagerte Wangenklappen mit je acht Gehörlochungen und fein gebördeltem und geschnürltem Rand. Angenieteter Nackenschirm. Im Scharnier zu öffnender Kragen mit gegrateter Vorderplatte. Der beweglich geschobene Halsreif mit kräftigem geschnürlten Brechrand. Gegratete Brustplatte mit kräftigem Tapul und nach innen geschlagenen Brechrändern. Anhängend zwei beweglich geschobene Bauchreifen mit vierfach geschobenen Tassetten. Mittig Lochung für die fehlende Schamberge. Rückenplatte mit beweglich geschobenem Gesäßreif und gebördelten und geschnürlten Rändern. Großes Armzeug mit vollen, sechsfach geschobenen Schultern. Volle Oberarmröhren mit geschlossenen Meuseln, im Scharnier zu öffnende Unterarmröhren. Gegratete Panzerhandschuhe mit vierfach geschobenen Handrücken und kräftig geschnürlten Knöchelrippen. Anhängend intakte Daumen- und Fingerschuppen. Spitz zulaufende Stulpen mit gebördelten und geschnürlten Rändern. Volles Beinzeug, die gegrateten Oberdiechlinge mit fein gebördelten und geschnürlten Rändern. Kräftig gegratete, vierfach geschobene Kniebuckel mit seitlichen Flügeln. Im Scharnier zu öffnende gegratete Unterdiechlinge mit sechsfach geschobenen Kuhmaulschuhen. Das Innere vieler Teile alt mit Mennige ausgestrichen. Belederung teils erneuert, vereinzelt defekt. Höhe ca. 178 cm.Feldharnisch in guter, schwerer Qualität. Formschön aus alten Teilen mit voll homogenem Arm- und Beinzeug zusammengestellt. Durch Reinigung und Restaurierung gut zu verbessern. A full suit of German field armour with burgonet, circa 1570 Large burgonet, the heavy, one-piece hammered skull rising to a tall, roped comb. Ridged peak with finely turned and roped edge, arsenal mark (three dots) struck on the side. Large hinged cheek-pieces pierced with eight holes each and finely turned and roped edges. Riveted neckguard. Hinged gorget with ridged front plate. The movable lame with robust, roped flange. Ridged breastplate with medial ridge distinctly drawn-out at the front. Attached two movable faulds with tassets of four lames. In the centre a recess for the codpiece. Backplate with movable culet and turned and roped edges. Large arm defences with six-lame pauldrons. Full rerebraces with closed couters, hinged vambraces. Ridged gauntlets with metacarpi sliding on four lames and distinctly roped knuckles. Attached intact finger scales and thumb plates. Pointed cuffs with turned and roped edges. Complete leg harness, the ridged cuisses with finely turned and roped edges. Robustly ridged, four-lame poleyns with lateral fans. Hinged ridged greaves with six-lame bear-paw sabatons. The interior of several parts coated with old minium paint. Leather partially replaced, defective in some places. Height ca. 178 cm.A suit of field armour of good, heavy quality. Elegantly composed of old parts with fully homogeneous arm and leg defences. Can be improved through cleaning and restoration.

Lot 12

A Carved And Painted Ship's Figurehead of Abraham Lincoln, English or American, 19th century,the three-quarter length carved wood portrait depicting the 16th President of the United States, with right arm held across his chest, the figurehead with traces of white paint overall, the hair, cravat, pupils, eyebrows and suit with traces of black paint, the back with bowsprit mounting aperture to the back for attachment to the ship, 41in (104cm) high41in x 15in x 10 1/2in (104cm x 38cm x 27cm) overallFootnotes:Throughout the 19th century, a notable political figure on the ship's bow was viewed as a sign of good fortune for the merchant navy vessel it adorned. In some known examples, the ship itself bore the same name as its carved pine figurehead. In addition to Abraham Lincoln, other leading American political figures to have been represented as ship figureheads include Andrew Jackson and Thomas Jefferson.For a fully painted comparable example of an Abraham Lincoln ship's figurehead, see the Long John Silver collection of figureheads at Cutty Sark, Royal Museums Greenwich, London.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Lot 155

A large collection of correspondence, postcards and other documents relating to Princess Bamba (1869-1957), the daughter of Maharajah Duleep Singh, including a proclamation laying claim to the lands of the Punjab Great Britain, Europe, and Kashmir, late 19th/early 20th Centuryvariously manuscript and typewritten the largest 294 x 200 mm.; the smallest 55 x 88 mm.(qty)Footnotes:ProvenanceFormerly in the collection of the great-grandson of Princess Bamba Duleep Singh's personal secretary, who with his wife was employed by the Princess for over thirty years.Princess Bamba was the daughter of Maharajah Duleep Singh with Maharani Bamba. In 1915, when she was 46, she married a doctor in the Indian Army, Lt. Col. David Waters Sutherland (hence the surname used in no. 2 below). At this stage (though subsequently saved by a lump sum payment of £10,000 from the British Government) she was not well-off due to mismanaging her allowance and in addition gambling debts (see nos. 4, 8 and 9 below for her apparently lifelong concern with finances).She travelled frequently, including to India, as witnessed by many of the items included in this lot. She died in Lahore at the age of 89, having declined drastically in health during her last years. For a survey of her life, including several photographs, see P. Bance, The Duleep Singhs: the Photograph Album of Queen Victoria's Maharajah, Stroud 2004, pp. 127-134; and by the same author, Sovereign, Squire and Rebel: Maharajah Duleep Singh, London 2009, pp. 152-161. 1. A typewritten proclamation, addressed To: INDIA, from 'Bamba Shahzadi of the Punjab and Kashmir, Rightful Queen of the Punjab, Kashmir and much territory beyond', dated 21st June 1948, from La Turbie, Alpes Maritimes, France, claiming her 'inheritance to the vast lands of my Father, Maharajah Dulip Singh which have been misappropriated'. She castigates the British (and in particular Lord Dalhousie, his guardian) for taking away his birthright. The Sikhs have been sadly forgotten, despite their role in repelling foreign invaders of India (notably Nadir Shah and Ahmad Shah Durrani. 'I claim also the value of the richest portion of our private property. The territory between the Indus and the Jelam from the lower hills to south of the Salt Range'. Maharajah Ranjit Singh began the rise of the Sikhs to power, continued by his sons and successors - but 'There is no doubt that they were all disposed of by the machinations of the British'. Her last paragraph deals with the alleged treachery of Gulab Singh, in league with the British, who began the Anglo-Sikh Wars 'without any provocation'. 'Little Dalip Singh was only 8 years old when robbed by his guardians the British of Kasmir [sic] which they sold to Gulab Singh for £75,000. This money had been placed in Firozpur by his brother Raja Sujet Singh who was killed in battle. At his death this money legally reverted to the Lahore Treasury, but the British accepted it from Gulab Singh in payment of Kashmir. Kashmir was bought with my father's money. Kashmir therefore twice over [also underlined in red] belongs to me'. 294 x 200 mm.On her return to England after the war, perhaps provoked by the partition of the Punjab between India and Pakistan, but also ill-health, Princess Bamba began to refer to herself as 'Queen of the Punjab', and often caused a nuisance in the street in places such as Norwich, asking policemen and others if she knew who she was, Queen of the Punjab.2. A letter from the Governor of the Punjab, addressed to Princess Bamba Sutherland, apparently in rather exasperated response to a perceived slight, dated Government House, Lahore, 30th December 1941: Thank you for your letter of December 23rd, and I apologize for the delay in replying. I have now looked up the records and I find that the procedure indicated in the ADC's letter to which you refer has received the approval of very high authority, and I regret that I am unable to alter it. Let me assure you, however, that the last thing that my wife and I would wish to do is hurt your feelings in any way. With our kindest regards and all good wishes for the New Year., addressed to the Princess at 'Gulzar', Jail Road, Lahore, Governor's official stamp at upper left, 227 x 176 mm.Princess Bamba became stranded in Lahore from January 1941 for the duration of the war, purchasing a house there, and was often unwell as well as distraught through loneliness and being unable to see her sister Catherine before she died in 1942. She became convinced that she had been poisoned by British agents (though she does in reality seem to have been watched by the authorities).3. A typewritten letter, sent soon after the outbreak of the Second World War, from a doubtless harrassed British Consul-General at Marseille, informing the Princess that he cannot assist her with either a visa to enter Spain or a visa to leave France, dated 21st September 1939, addressed to the Poste Restante at Font Romeu, signed by the Consul and with embossed stamp at top, 240 x 190 mm.4. A group of fifteen typewritten sheets from a total of twelve separate letters (incomplete) addressed to Princess Bamba from her solicitors, regarding the estate of her late sister Princess Irene and her litigation with her stepsister Princess Pauline Torry, letters dated between 13th July 1927 and 20th December 1930, two addressed to the Princess at the Poste Restantes in Nice and Monte Carlo, 260 x 205 mm.5. A group of fifteen medical prescriptions made out for the Princess, dating between 1953 and 1956, from the United Christian Hospital, Lahore, a Dr H. M. Selzer, and a Dr G. Lorbeer, both in Lahore, and a Dr Qureshi in Abbottabad, handwritten on printed chits, 190 x 125 mm. and slightly smaller.6. A small quantity of share dividend receipts for Princess Bamba's holding in Woolworth's and Shell, 1951 and 1952, printed forms, 160 x 360 mm.7. A group of seven hotel bills for the Princess during her travels in the Punjab, printed and handwritten chits for hotels in Karachi, Patiala, Multan, one dated 1955, 335 x 265 mm. and smaller.8. A group of nine letters and receipts relating to the Princess' tax affairs, Lahore, 1943, discussing refunds of income tax and her resident status ('Not Ordinary Resident', having arrived in India in February 1941), 230 x 140 mm. and smaller.9. A group of eight letters addressed to Princess Bamba: two letters to the Princess from the Assistant Resident at Lahore (on embossed headed paper), dated Srinagar, 5th and 6th November 1914, gently reminding her that she owes a certain Miss Langley the 'trifling sum' of fifty rupees, and asking her to remit the sum to avoid the possibility of Miss Langley bringing a civil suit against the Princess and 'in the hope of saving you possible annoyance hereafter', and 'with every apology for troubling you'; the second letter, a day later, thanks the Princess for the sum and wishes her a 'good journey down'; a letter from a letting agency in Srinagar, dated 5th November 1914, regarding a house and the aforementioned Miss Langley; four separate notes, apparently from Miss Langley herself, requesting the money, dated October [?] 1914, 210 x 140 mm. and smaller.10. A small clipping from The Illustrated London News, 30th June 1849, relating to Maharani Jindan Kaur's escape from British prison, 160 x 87 mm.11. A small albumen photograph of Maharajah Duleep Singh, circa 1860, 88 x 58 mm.12. A small engraved illustration of Maharajah Ranjit Singh, clipped from a newspaper, late 19th Century, 100 x 82 mm.13. A signed letter in Italian from the Princess to an Italian shipper or travel agent, regarding the collection of packages from San Remo to go to India, dated Hilden Hall, Penn, Buckinghamshire, 29th September 1949, 265 x 205 mm.14. A letter in the hand of Princess Bamba writing... For further information on this lot please visit Bonhams.com

Lot 501

An Ercol Three Piece Cottage Suit

Lot 516

Of Space Interest:a NASA space station suit of Edward Lu,and a collection of cloth badges and a NASA flight medallionEdward Tsang 'Ed' Lu is an American physicist and former NASA astronaut. He flew on two Space Shuttle flights and made an extended stay aboard the International Space Station. In 2007, Lu retired from NASA to become the program manager of Google's Advanced Projects Team. Modelled by Bert Henry, Sworders Fine Art Auctioneers' porter.

Lot 151

GRANDE COMMODE À RESSAUT D'ÉPOQUE LOUIS XVI EN ACAJOU ET ACAJOU MOUCHETÉ, ORNEMENTATION DE BRONZE CISELÉ ET DORÉ, ESTAMPILLE DE GUILLAUME BENEMANVers 1790 A LOUIS XVI ORMOLU-MOUNTED MAHOGANY AND PLUM-PUDDING MAHOGANY LARGE COMMODE, GUILLAUME BENEMANCirca 1790 Of rectangular break-front form, the grey-veined white marble top above three frieze drawers with encadrement mounts and foliate escutcheons, on two long drawers sans traverse but with three encadrement mounts, with foliate swagged handles and ribbon-tie cornucopia escutcheons, the brass-mounted channelled rounded angles surmounted by brettés panels and terminating in turned tapering toupie feet, stamped four times 'G.BENEMAN'. 99cm (39in) high x 175cm (69in) wide x 66cm (26in) deep.Footnotes:Provenance:Probably from the collection of the late Sir Fairfax Cartwright, G.C.M.G., G.C.V.O., Christie's London, 27 June 1968, lot 84Christie's Monte-Carlo, 7 December 1985, lot 120Related literature:A.Pradère, Les Ebénistes de Louis XIV à la Révolution, Paris, 1989, pp.405-411Guillaume Beneman, maître ébéniste in 1785.In 1785, Guillaume Beneman (circa 1750-1811), of German origin, then almost unknown, was chosen after having participated in a call for tenders launched by the Royal Garde-Meuble, to become the main supplier of the Garde-Meuble de la Couronne to replace Jean-Henri Riesener, which had become slightly out of fashion and too expensive, following the decision to cut costs. Beneman who until then had been working freely in the Faubourg Saint-Antoine, was quickly received as a master cabinetmaker in 1785. Exempted from the rights and conditions of access to the profession, he was mainly chosen for his talent and for the similarity of his production to Riesener's one. Beneman was initially responsible for restoring, modifying, updating and copying existing important pieces of furniture from the royal collection, under the supervision of the talented and influent wood sculptor Jean Hauré. In just a few years (1786-1792) and with the help of fifteen to twenty craftsmen at his command, he delivered no less than 235 pieces of furniture for a total of 59.555 livres. At the same time, Beneman kept up to date and was inspired by the latest trends propagated by the important marchand-mercier Dominique Daguerre, whose ideas were often executed by the not less talented cabinetmaker Adam Weisweiler. C'est en 1785 que Guillaume Beneman (vers 1750-1811), d'origine allemande, alors quasiment inconnu, est choisi après avoir participé à l'appel d'offre lancé par le Garde-Meuble de la Couronne, comme principal fournisseur du Garde-Meuble royal en remplacement de Jean-Henri Riesener devenu trop cher, suite à la décision de réduire les coûts. Beneman exerçant jusque-là librement au Faubourg Saint Antoine, est donc rapidement reçu maître-ébéniste en 1785. Dispensé de droits et conditions d'accès à la profession, il est principalement choisi pour sa maîtrise de son travail et pour la précision de son exécution proche de Riesener. Il devient donc le dernier ébéniste fournisseur du Garde-Meuble de la Couronne. Il est d'abord chargé de restaurer, modifier, mettre à jour et copier certains meubles importants de la collection royale, sous la supervision du talentueux sculpteur sur bois Jean Hauré. En quelques années (1786-1792) et avec l'aide d'une quinzaine de collaborateurs à ses ordres, il livre non moins de 235 meubles pour un total de 59.555 livres! Parallèlement, Beneman suit et s'inspire des dernières tendances propagées par l'influent marchand-mercier Dominique Daguerre, créations souvent exécutées par Adam Weisweiler. Ce type de grande commode à ressaut aurait été développé initialement par Adam Weisweiler vers les années 1745, soit en acajou ou en laque du Japon. Mais c'est vers la fin du règne de Louis XVI que ce type de commode est à son apogée. La sobriété des lignes et la pureté du dessin sont caractéristiques de la meilleure production de la fin du XVIIIème siècle. 約1790年 Guillaume Beneman製路易十六風格桃花芯木鑲鎏金銅飾大邊櫃來源:或為費爾法克斯·卡特賴特爵士G.C.M.G.,G.C.V.O.舊藏,倫敦佳士得,1968年6月27日,編號84蒙特卡洛佳士得,1985年12月7日,編號120相關出版:A.Pradère,《Les Ebénistes de Louis XIV à la Révolution》,巴黎,1989年,頁405-4111785年,為了減少開支,法國皇家傢俱貯藏庫(Garde-Meuble de la Couronne)公開招標時,選擇了當年默默無聞的德國籍細木傢俱製造商Guillaume Beneman(1750-1811 年)作為皇家傢俱保管府(Garde-Meuble Royal)的首要供應商。 Guillaume Beneman由此取代了當時價格過高的供應商Jean-Henri Riesener。 Beneman此前一直是巴黎聖安托萬市郊路的自由傢俱製造商。 這一年,他也很快獲得「高級細木傢俱製造大師」的殊榮。 被免除了例行的行業費用和規定,Beneman入選首要供應商的成功因素是他無可挑剔之專業水準和與Riesener不相上下的精雕細琢之工藝。 他也因此成為法國皇家傢俱貯藏庫的最後一位傢俱供應商。 在異稟天賦的木製雕刻家Jean Hauré的督察下,他最初負責法國皇家傢俱貯藏庫里一些重要傢俱的修復、改造、更新和複製。 之後短短幾年裡,他和他十幾位工匠師製作了不下235件總值達59 555法國里弗爾的傢俱。 同時,Beneman跟隨引領潮流的「奢侈品轉銷商」Dominique Daguerre宣導的最新時尚... For further information on this lot please visit Bonhams.com

Lot 363

ETRIER DE POULIE DE MÉTIER À TISSER GUROCôte d'IvoireBois. 15cm (5 7/8in) high.Footnotes:Provenance:Robert Rousset, Paris (1901-1981)Jean-Pierre Rousset, Paris (1936-2021) La tête ornant la partie supérieure de cet étrier de poulie suit les canons classiques de la beauté féminine en pays Guro. Le style très particulier du visage allongé, front bombé et nez recourbé est caractéristique des productions de l'atelier du maître dit « de Bouaflé » essentiellement connu pour ses masques et ses étriers de poulies. Cf: E.Fischer, L.Homberger & alii 'Les maîtres de la sculpture en Côte d'Ivoire » Musée du Quai Branly, Paris, 2015, pp.32 à 37.GURO HEDDLE PULLEYIvory Coast Wood.The head adorning the upper part of this heddle pulley follows the classical canons of female beauty in the Guro country. The very particular style of the elongated face, rounded forehead and curved nose is characteristic of the productions of the workshop of the master known as 'de Bouaflé', essentially known for his masks and pulley stirrups. See E.Fischer, L.Homberger & alii, Les maîtres de la sculpture en Côte d'Ivoire, Paris, 2015, pp.32-37.For further information on this lot please visit Bonhams.com

Lot 439

A RAIL OF NINETEEN ITEMS AND THREE BOXES OF ASSORTED CLOTHING, to include a ladies grey and black special occasion hat, a man's Next grey suit, a bespoke woollen grey pin stripe suit, a Jasper Conran suit with tags and labels, a Coppernob ladies faux fur, a Ronald Joyce wedding dress, a ladies taupe leather jacket, a large folding suit carry case, a box of table linen and lace, ties, scarves, two hand bags, Levi jeans, Wrangler jeans, a pair of Dr Martens classic black boots size 8, white satin wedding shoes, men's Ben Sherman shoes, etc (19 items on rail + 3 boxes)

Lot 1137

Zwei Ölgemälde. ONITSHA/NIGERIA und WESTAFRIKA: 1.) Portrait (Schulterstück) eines Mannes im Anzug mit Einstecktuch und goldenem Amulett um den Hals. Am unteren Bildrand die Inschrift: " The Manager Middle Art 35 New Mkt. Rd Onitsha Anambra State Nig.", Öl auf Karton, 51x43 cm, gerahmt, besch. 2.) Friseurschild für einen Herrensalon. Dargestellt ist der elegante Friseur bei der Arbeit an einem Kunden. Umrahmt ist die Szene von neun verschiedenen Frisurmodellen. Öl auf Sperrholzplatte, 91x47 cm, besch. | Two oil paintings. ONITSHA/NIGERIA and WESTAFRIKA: 1.) Portrait of a man in a suit with pocket square and golden amulet around his neck. At the bottom of the image the inscription: " The Manager Middle Art 35 New Mkt. Rd Onitsha Anambra State Nig.", oil on cardboard, 51x43 cm, framed, dam. 2) Barber sign for a men's salon. Depicted is the elegant barber working on a customer. The scene is framed by nine different hairstyle models. Oil on plywood, 91x47 cm, dam.

Lot 11

Konvolut aus 11 Puppenstubenpuppen und Zubehör, 19./20. Jh. 11 Püppchen mit Porzellankurbelkopf und festsitzenden Glasaugen (1x Schlafaugen und im Nacken gemarkt "Made in Germany"), je mit Perücke und Kleidung, Körper aus Masse oder Biskuitporzellan, tlw. besch., darunter zwei farbige Mädchenpuppen mit Strickkleidchen, H je 14 cm, 3 x Köpfe nicht fest sitzend, Kleidung tlw. verschmutzt und zerschlissen, Perücken tlw. verfilzt, H 9-14 cm. Dazu ein Porzellanservice mit Silberrand für 2 Personen mit Tablett, 3 kl. Würfel in Holzetui, 32 Miniatur Karten mit "Deutschem Blatt", 3 Dosen, Puppen-Tintenzeug, 3 Gefäße mit Beschriftung "Muskat", "Zimmt" und "Essig" sowie ein Porzellan Kaffeekern, tlw. berieben, min. besch., Altersspuren.| Set of 11 dollhouse dolls with accessories, 19th/20th century, 11 dolls with porcelain crank heads and fixed glass eyes (1x sleeping eyes and marked "Made in Germany" on the neck), each with wig and clothes, body made of mass or bisque porcelain, partly damaged, including two colored girl dolls with knitted dresses, height each 14 cm, 3 x heads not firmly seated, clothing partly dirty and torn, wigs partly matted, height 9-14 cm. In addition a porcelain service with silver rim for 2 people with tray, 3 small dices in a wooden case, 32 miniature cards with "German card suit", 3 cans, doll's ink stuff, 3 vessels labeled "Muskat", "Zimmt" and "Essig" as well as a porcelain coffee core, partially rubbed, slightly damaged, signs of age .

Lot 1336

An officer's dress Suit with RAF cloth badge, medal ribbons, cap and beret, light infantry pin badge, etc.

Lot 424

Astronaut Edward G Gibson Signed 10x8 inch Colour Space Suit Photo. Signed in black ink, Dedicated. Good Condition. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Lot 229

Pierre Balmain 1970's blue trouser suit, rayon chest 84 cm waist 77, t/w Ralph Lauren velvet trousers

Lot 230

Box of children's clothes incl capes, sashes, bridesmaids dresses, bonnet, sailor suit and brownie uniform

Lot 324

1950's blue ruched cotton bathing suit, small size, good worn condition

Lot 48

1960s 'Mary Quant's Ginger group' wool trouser suit in good condition, chest 86cm approx.

Lot 50

3 1960s two piece suits. Lime and brown skirt and jacket in good condition, chest 76cm. Sailor style suit two piece buy 'Shelana' in good condition, chest 85cm. Striped heavy cotton two piece suit with skirt and jacket by 'Mandy Pothercary' in good condition, chest 80cm approx.

Lot 51

Black velvet 'Christian Dior' skirt suit in immaculate condition, with bead work trim, chest 86cm.

Lot 60

3 1950s two pieces. Blue skirt suit embroidered two pieces, in good condition, chest 72cm. Blue blouse and skirt two piece by 'Jean Allen' in good condition, chest 74cm. Brown and white patterned dress and jacket two piece in good condition, chest 86cm.

Lot 62

3 items of clothing- Green chinese satin trouser suit in good condition, chest 84cm. Black crepe long dress by 'Janice Wainwright' in good condition, chest 74cm. Black satin, quilted skirt embroidered and beading by 'Debenham and Freebody' in good condition, waist 72cm.

Lot 70

3 items of clothing vintage. Mustard jacket with large buttons in good condition, chest 76cm. Men's striped blazer in good condition, chest 84cm. Tweed skirt suit with satin lining in good condition, chest 84cm waist 86cm.

Lot 76

2 1980s knitwear. Three-piece suit by 'Mary Farrin' jacket, top and skirt in good condition, size small approx. orange cardigan gillet in good condition, size medium approx.

Lot 87

1950s clothing. Black velvet long sleeved dress in good condition, chest 89cm. Blue wool dress and jacket in good condition, chest 89cm. Black wool three piece suit includes top, jacket and skirt with few small moth holes, chest 98cm.

Lot 90

4 clothing items. Blue moygashel skirt suit in good condition, chest 92cm. Mustard skirt suit by 'Cache D'Or' in good condition, chest 94cm. 50s Black suit boucle two piece in good condition, chest 84cm. Grey dress with embroidered front with 3/4 sleeves in good condition, chest 98cm.

Lot 780

Two beach rods, a Daiwa Sensor uptide rod, two boat rods in a rod holdall plus a tackle box and Sundridge flotation suit

Lot 940

A vintage mans black evening dress suit comprising of a jacket, trousers and waistcoat, small size, possibly for a teenage boy plus a navy blue jacket and trousers, 38" chest

Lot 58

Shingai Shoniwa / Thierry MuglerA Canary Yellow Two-Piece Skirt Suit, 1990sbright wool/nylon mix with scalloped trim, the jacket with popper fastenings, as worn by Shingai at V Festival, 2011 Labelled size IT 42 (2)Footnotes:ProvenanceOffered by singer, songwriter and musician, Shingai Shoniwa.About the suit Shingai says: 'This was found by my stylist at one of my favourite vintage designer shops - Rellik on Golborne Road. I love this shop as it always has rare & archive pieces and I tend to like the more weird and wonderful stuff when it comes to vintage fashion. Thierry Mugler has always been one of my favourite designers. I love his famously known scalloping around the neckline and shoulder pads that give the outfit an edgy & empowering look.'For further information on this lot please visit Bonhams.com

Lot 59

Shingai Shoniwa / ChanelA Pair of Black and White Thigh High Boots, 1990swhite kid leather and black patent leather, twenty-one black popper fastenings, CC design to heel, stamped 'sample', featured in a photoshoot for Harper's Bazaar Size 40Footnotes:ProvenanceOffered by singer, songwriter and musician, Shingai Shoniwa.About the boots Shingai says: 'When the opportunity arose to be featured in Harper's Bazaar there was an awesome buzz at the Team Shingai glam team. The editorial would highlight outstanding UK female performers and iconic festival performances. They likened my energy on stage to that of the legendary Jimi Hendrix, one of my all-time favourite artists. We wanted to capture the spirit of my Rock & Roll free-spiritedness with a proud African princess vibe. I chose a suede two-piece shorts suit & had my natural hair sculpted into a cocoon shape, but the Chanel thigh-high boots were the star of the show! I spotted them in the window of Rellik just off of Portobello Road, a week before the shoot. The energy that these monochrome beauties gave us, with the backdrop of Jimmy Hendrix contrasting my eccentric poses, was electric. Here is an ode to the London swinging sixties that I hope Jimi would have been proud of. Light calf stretches would be advised before dancing or walking in these boots & they will be missed.'For further information on this lot please visit Bonhams.com

Lot 61

Curr (John) The Coal Viewer, and Engine Builder's Practical Companion, only edition, 5 folding engraved plates, tables, slight foxing to plates, a few minor marginal repairs at edges, a crisp copy in modern calf, red morocco label, spine very slightly faded, [Kress B3373; Ottley 172], 4to, Sheffield, for the Author, by John Northall, 1797.⁂ Possibly the first printed account of an iron railway. John Curr, a mining engineer, made great contributions to the development of underground haulage in South Yorkshire collieries during the Industrial Revolution. He introduced underground cast-iron plate rails in the collieries superintended by him and designed more advanced rails with flanges to suit the tramways and the flanged wheel as used on modern railways. In the Preface he notes that he introduced railroads to Sheffield Colliery in the 1770s, being "much easier and less expensive, and...that they have been generally imitated and made use of in most collieries for the last three years, especially in the southern parts of the kingdom".

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