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Graduation gown with mortarboard by Henry Wilson & Co. of Cambridge. 1940sA 1940s-50s khaki army shirt, approx. size largeA pair of khaki army trousers. Made in 1954 by John Hammond & Co. Size 13, height 5’ 11”, inside leg 33 1/2” leg, waist 33”. A pair of 1950s men’s Harris Tweed trousers with turn ups and a metal zip closure. Size 32” waist. A Utility Wear, KFMC, navy blazer with wide revers. Size large.A 1950s Saxon Hawke of Saville Row tweed men’s blazer. Size large- X-large. A 1950s navy pinstripe suit by Cheval and made in England. The trousers are size 32” waistA late 1950s dark navy-blue John Collier jacket. Size 44” chest. A c.1969 ladies caprice skirt, made in England. It has kick pleats at the bottom. Size 12. A late 1950s early 1960s worsted wool pinstripe jacket. Size 44” chest.All items very dusty and marked (will brush off) (Q)

Four vintage film posters comprising 'The World Ten Times Over', a reprint of 'The Man In The White Suit', 'Percy's Progress' and 'Bandit Queen'.

STEPHEN GRANT & SONS A 12-BORE W. BAKER 1906 PATENT ASSISTED-OPENING SIDELEVER SIDELOCK EJECTOR, serial no. 17242, circa 1935, 29in. nitro barrels, the tubes engraved 'STEPHEN GRANT & SONS. 7. BURY STREET. ST. JAMES'S. LONDON.', the rib gold-inlaid '1' at the breech end, 2 1/2in. chambers, bored approx. imp. cyl. and 1/2 choke, W. Baker patent assisted-opening action, patent no. 26,903 of 27th November 1906, with Baker patent ejectors, carved stylised leaf fences, automatic safety with gold-inlaid 'SAFE' detail, fine border and acanthus scroll engraving, retaining some original colour-hardening and finish, 16in. replacement stock (cast for a left hander, triggers swept to suit) including 1in. leather-covered recoil pad, weight 6lb. 10oz., in its makers brass-cornered oak and leather guncase. S2 - Sold as a Section 2 Firearm under the 1968 Firearms Act

A .451 WHITWORTH PERCUSSION THREE BAND MILITARY MATCH RIFLE, CIRCA 1861, no visible serial number, with 29 1/2in. barrel (shortened from 33in.) with Whitworth patent rifling, dovetail adjustable blade front-sight, match type windage adjustable rear-sight, border engraved detented lock stamped on the tail with the Whitworth trademark of a crowned wheatsheaf, bolt safety to centre and engraved 'WHITWORTH & COMPANY, iron mounted full walnut stock, with chequered wrist and fore-end, the butt fitted with a circular patchbox, complete with sling swivels, rod missing, the rifle appears to have had the barrel shortened at the breech and the fore-end to suit, rod and percussion nipple missing.

My Little Pony - 3 ponies and 4 outfits: "Blanc" tiny pony "Dangles" newborn pony, "Honeysuckle" flutter pony (no wings), together with Bunny baby suit, Dragon baby suit, Overalls baby suit, and baby sunsuit.

Palitoy, Action Man - An unboxed vintage Palitoy black painted hard head Action Man on Atomic Man body dressed in Ski Patrol / Mountain Troops attire. The gripping hand figure is marked 'Made in England by Palitoy Under License From Hasbro © 1964' to the rear of the torso with some light surface marks to body, a compass stab wound to back, a hairline stress crack on top of right thigh, plus some broken fingers on ledft hand due to perishing, otherwise appears Good. The figure wears green shirt (labelled Palitoy), green trousers, winter camouflage two-piece ski parka (draw-string top and trousers), short black boots, goggles (green with white rim), mittens, back pack, ice axe, rope, white Ski Patrol helmet (cracked and has glue repair), white SLR rifle, and one hand grenade - outfit and accessories appear Fair Plus - Good overall with age and display wear - snow suit is sully and would benefit from cleaning. (This does not constitute a guarantee)

Palitoy, Action Man - A Palitoy Action Man figure in Landing Signal Officer outfit. The red painted hard head figure with hard hands and flesh rivets, is marked 'Made in England by Palitoy Under License From Hasbro © 1964' to rear of torso - has some light surface wear to body, and paint loss to head, otherwise appears Good. The figure comes with Landing Signal suit (labelled Palitoy), cloth helmet with earphones, short black boots, green black rimmed goggles, GI Joe Life Vest with 'S' clip, plus binoculars, clipboard, pencil and paper, flare gun and two signal paddles - outfit and accessories show signs of display ranging Fair Plus - Good, suit would be enhanced with cleaning. (This does not constitute a guarantee)

Gi, Joe, Hasbro, Palitoy, Action Man - A GI Joe Deep Sea Diver. The figure is a dark brown painted head example - due to the delicate nature of the outfit and its fixings it is difficult to ascertain the body type, or whether or not it is a GI Joe or Action Man. Overall the figure appears Good. The figure comes with a latex like diving suit which has hardened over time, diving helmet which has 'GI Joe' embossed on chest plate, red screw valve, boots, boot weights, gloves, belt with weights, oxygen pump (built in compass), air hose, marker buoy with red & white flag, knife, scabbard, rope - outfit and accessories show signs of display ranging Fair Plus - Very Good. (This does not constitute a guarantee)

NINE ITEMS OF MEN'S VINTAGE CLOTHING, comprising a green and black Mallory Park waterproof jacket, a 1980's style well-worn brown leather jacket, a brown sheepskin coat, a black M&S dinner suit with two dress shirts and a black velvet bow tie, a navy blue M&S suit, chest size 42 (mark on right sleeve), a grey and black tweed jacket, chest size 40 , a brown and tan checked M&S pure new wool jacket, chest size 42 (9)

ELEVEN ITEMS OF VINTAGE CLOTHING, comprising two ladies fancy dress outfits (Alice in Wonderland and an unused pink princess dress), a Men's John Lewis & Co leather 'Flying Jacket' with a sheepskin collar and quilted lining, a men's Hills & Woods outdoor jacket, size L, a Trespass waterproof/windproof jacket, size M, a 1970/1980's style ladies full length Coney fur coat, a men's dark grey wool overcoat with a black silk lining, a 'Selected Homme' tan coloured rain coat, a black blazer, a pale blue pin striped suit by Michael Kors, size 44R (new and unused, still has original tags) (11)

A late 1960s/70s two piece suit having frog fastening front to jacket and A line skirt with metal zipper.

A 1930s Austin Reed dinner suit.

A 1950s gents charcoal grey three piece suit and a similar green two piece suit, both having Burton labels. grey suit approx 42" chest, 37" waist, 18" shoulder to shoulder, 30" nape to hem,  grey waist coat, 40" chest, 36" waist,  trousers 32" waist 30.5" inside leg. green suit, 42" chest 36" waist, 18" shouder to shoulder, 30" nape to hem. trousers 32" waist

A vintage navy blue Weber and Heilbroner 'In the New York Manner' suit with silk collar and stripes to trousers and a selection of traditional Scottish dress. Navy suit measures approx: chest 42" waist 37", nape to hem 30" sleeve 23.5", shoulder to shoulder 19" Older Scottish suit has wear to sleeve linings, and measures approx 34" chest, 32" waist, 16" shoulder to shoulder, 24" nape to hem, sleeve ength 24". Jacket measures approx 40" chest, 38" waist, 26" nape to hem, shoulder to shoudler 18".

A 1940s Pandem model beige and cranberry wool herringbone ladies suit comprising of jacket and skirt, jacket having single row of buttons, two pocket and two faux breast pockets and skirt with side press stud fastening to skirt.

A fitted 1940s ladies suit in textured taupe wool.

A mixed lot of early gents dress trousers, predominantly with button fly, also included are two suit jackets.

A gents vintage Burberrys suit, consisting of jacket and trousers with button fly fastening.

An early 20th century leather bound suit case with initials PMB to side

A CHANEL TWEED SUIT JACKET With two hook fastenings to the front and pink interior lining, the sleeves flared and the pockets with glass studded buttons EU34 Condition: Condition Report In good condition, no obvious signs of wear This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

A EMANUEL UNAGRO PURPLE/BLUE BLOUSE AND A BODY SUIT The blouse with a high neck black buttoned design and buttoned sleeves; the body suit similarly with a high neck design and long sleeves, with stitch panelled front (few marks to the front of the bodysuit) Both items size 8 Condition: Condition Report Vintage, imperfections exist, viewing recommended This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

THE SEX PISTOLS - 'Never Mind the Bollocks Here's the Sex Pistols' - A red/yellow Bearbrick limited edition plastic bear together with a matching baby body suit (0-3 months) (2)

A large golden mohair Pedigree jointed bear dressed in Santa suit. Approx. 24" with signs of wear to the front of the bear.

An articulated arm guard from a suit of armour, probably 16th or 17th century

Circa 1950s and Later Assorted French Costume comprising cotton and silk sleeveless day dresses, blue silk printed dress suit, green floral Lanchetti silk full length dress with flared elbow length cuffsSophie Garas printed jersey dress and belt, black velvet long skirt, black tailored trousers, sleeveless and short sleeved tops, Paule Ka cotton and jersey sleeveless dress of ruched design in white, grey, black and red (size 40)camel coloured wool double breasted jacket with collar and fox fur mounts to the cuff and collar, matching belt(17)Property of a lady and contents of her Paris apartmentCamel coat - good condition 36" bust. Green floral silk dress - 36" bust, good condition. Majority of items are 34" to 38" bust, a couple of items have slight staining under the arms, also most of the items were made by the vendors mother.

Modern Wedding Dresses and Accessories, comprising a Romantica of Devon cream silk taffeta short sleeve full length dress, with silver brocaded panel appliqued with faux pearls to the front and reverse (size 12)cream full length dress with full tiered skirt edged with maching lace trims, large bow to the bodiceChiChi London full length dress with net and silvered lace short sleeve bodice and chiffon style skirt (size 6)Montage Collection by Mon Chini ivory two piece suit with satin inserts and bead appliques (size 10)machine lace girls bridesmaid dressAccessories including a quantity of hooped and net underskirts, modern net veils, head pieces, pair of cream shoes with faux pearl mounts and embroidered to the toes, pair of cream silk type heeled lace up boots (size 6), wedding dress patterns etc(part rail and two boxes)Private Collection of a Shropshire Lady

Circa 1960s and Later Ladies Day and Evening Costume, comprising an Regamus full length pink floral chiffon mounted dress with beaded waist band (size 8)Indian blue silk long sleeve dress mounted overall with white beads, blue and silver sequins with v-neckline (size M)Linda Jaworska black and silver knitted full length dress with silvered open knit skirt and long sleeves with flared cuffssimilar style dress in red, white and blue printed with flower heads, elbow length sleeves and fabric belt (size 34)white sleeveless long dress flocked overall with tiny red flower heads, gathered frill to the bodice and matching beltDickins & Jones white cotton long skirt (size 16)Droopy & Browns yellow, green and orange checked wool long sleeve jacket, double breasted with front pockets (size 16)Peter James wool and cashmere navy wool cape with purple wool liningcirca 1980s white and black spot cocktail dress with faux puff ball skirt and black hem, large gathered elbow length sleevesFrank Usher green and black velvet full length dress with strap to one shoulder and faux train to the reverse (size 40)green three piece evening suit comprising a strapless bodice, a-line ruched skirted with pink net to the hem and a cropped jacket with shawl collar and embroidered with pink rosesFink Model floral short sleeve dress with green belt (size 12)Tiffany Bling pink chiffon full length evening dress with corset lacing to the front and back, spaghetti straps and bead decorationLillie Rubin drop waist halter neck dress with sequin bodice and black gathered chiffon short skirt (size M)(14)Private Collection of a Shropshire LadyRegamus full length pink floral chiffon mounted dress - bust - 17" repair to right shoulderIndian blue silk long sleeve dress - bust 17"Linda Jaworska black and silver knitted full length dress - bust 17"similar style dress in red, white and blue - bust 16"white sleeveless long dress flocked overall with tiny red flower heads - bust 17"Droopy & Browns yellow, green and orange checked wool long sleeve jacket - bust 19"circa 1980s white and black spot cocktail dress - bust 17"Frank Usher green and black velvet full length dress - bust 18"green three piece evening suit comprising a strapless bodice - bust 17" cropped jacket - bust 19"Fink Model floral short sleeve dress - eyelet miissing from belt, bust 21" Tiffany Bling pink chiffon full length evening dress - bust 17"Lillie Rubin drop waist halter neck dress - bust 17"

Assorted Circa 1900-1960s Ladies and Gents Costume, comprisng a cream silk gents fitted waistcoatcirca 1940s red and white floral 'silk' type day dress with short sleeves, pleated skirt and buttons to the back, another similar in cotton on a blue ground with flower heads overallGoddett & Gross grey wool crepe suit including a straight skirt and tailored long sleeve jacket with bead decoration to the lapels and around the hem Frank Usher blue full length sleeveless evening dress with gathered shoulder straps, and multi woven detail to the bodice, full skirt (size 38)blue wool crepe dress with capped sleeves, wide shawl neck collar and attached satin corsage to the waistsimilar style jacket in a navy paisley wool with three quarter length sleeves and bow detail to the waistlongline black velvet waistcoat with black floral trimEde and Ravenscroft black academic robe and mortar boardcirca 1960s turquoise and gold striped sleeveless dress with woven gilt metal beltpink sleeveless dress woven with flower heads, button and bow detail to the bodice, full gathered skirt (11)Private Collection of a Shropshire Lady

Circa 1940-50s Dresses and Suits, comprising a Ramar brown short sleeved dress with collarPeggy Page London apricot and velvet flocked silk dress with faux bow to the bodice (size 38), similar dress in pink with tiny flocked flower heads (size 50)sheer brown dress with capped sleeves, v-neckline, flocked with rows of scalloped flower heads, and beltnavy sheer dress with white flocked flower heads, sleeveless and white shawl neck collarred and black 'shot' sleeveless dress with cross over bodice and pleated skirtblack and gold striped sleeveless dress with cowl neck and full skirt (size 38)green pink and blue floral dress with green trimmed bodice and spaghetti strapsMacpahil Model London black and red 'shot' silk suit woven with bows including a straight skirt and jacket with button fastening (size 40)green silk checked suit comprising a straight skirt and long sleeve jacket with collar, three small button fastening to the waist (10)Ramar dress - belt missing, rubbing and wear, 36" bust. Peggy Page dress - some rubbing and wear, 36" bust, belt missing. Pink flocked dress - 48" bust, slight rubbing and wear. Brown flocked dress - 30" bust, no belt, couple of tiny brown marks and rubbing to flocking. Red/black shot floral dress - 40" bust, stitched repair under both arms, couple of loose threads. Black and gold striped dress - 36" bust, slight wear and no belt. Green floral dress - 32" bust, stitched repairs to the bodice seams front and back, later trims and straps, slight wear. Navy and floral flocked dress - 34" bust, stitched repair under one arm, slight fading under both and some discolouration to the collar, belt missing. Black and red suit with bows - 36" bust, couple of rubs to the fabric, slight wear. Green checked suit - 32" waist, 40" bust, majority of buttons missing, some small splits under the arms, slight fading to the collar and shoulders.

Circa 1940-50s Ladies Dress and Two Pieces, comprising a red crepe dress with deep v neck, three quarter length sleeves, inverted pleat to the skirtraspberry pink faux wrap crepe dress with long sleevesgreen crepe dress with gold applique trim to the neckline, fixed waistband, long sleevesbrown long sleeve crepe dress with buttons to the bodice, bead appliques and beltB de L Model blue wool long sleeved dress with floral embroidered faux modesty insertion, zips to cuffs with beltblue crepe dress with long sleeves, multi pleated detailing to the frontBlanche Glasgow dress coat with button and press stud fastenings, velvet mounted peter pan collar and to the pocketsbrown crepe dress with three quarter length sleeves, peter pan collar edged with beads and to the cuffs, bow detail to the reversemauve crepe dress with v-neckline and bead wrigglework decoration to the frontbrown patterned two piece comprising a shirt with three quarter length sleeves, button fastening to the reversefabric belt and collar and straight skirtgrey cotton suit with fitted short sleeve jacket, red checked mount to the collar and buttons, straight skirt with matching pocket trimsbrown lace mounted short sleeve shift dress with round neck and chiffon detail to the waist (12)Red crepe dress - 34" bust, belt missing, slight discolouration under one arm and slight wear. Raspberry pink dress - 32" bust, small stitched repair to the waist, tiny hole to the back of the neck and slight discolouration. Green dress - 36" bust, couple of areas of discolouration, wear to the shoulder. Brown crepe dress with beads - 42" bust, wear to belt, small open seam to the bust, slight wear overall. B de L dress - 40" bust, slight wear. Blue crepe dress with pleats - no belt, 38" chest, some areas of discolouration. Blanche coat dress - 38" bust, holes to the back of one lower sleeve, fading overall and wear, couple of small holes to the bodice and another to the back. brown crepe dress - some bead losses, 34" bust and some discolouration, small 'cut' to the waist. Mauve dress - 34" bust, fading and discolouration, repair to the v, some bead loss and thread pulls. Brown patterned two piece - 34" bust, slight wear overall. Grey suit - 36" bust, slight fading and wear. Lace mounted dress - 32" bust, couple of loose threads and slight wear.

Circa 1950-60s Assorted Ladies Day and Evening Dresses and Separates comprising a Bernella in Moygashel Linen pale blue sleeveless dress with shawl collar and cut work detailing, zip to frontWeatherall Bond Street silk patterned shirt dress with collar, three quarter length sleeves, buttons to the front, belt and patch pocketsSkirtex terylene cream pleated skirt, floral printed linen skirt and a floral satin type skirtMorphita cream lace top with capped sleeves (size 36)green, white and blue paisley and floral two piece suit comprising a sleeveless dress, square neckline and buttons to the reverse, matching jacket with collar and three quarter length sleevesblack net evening short sleeved evening jacket with sequin decorationPeggy Page London black cocktail dress with capped sleeves, v-neckline and multi pleated necklinepink sleeveless brocade dress with grecian style chiffon drape to the reverseVictor Josselyn purple sleeveless cocktail dress with v-neck and bow to the waist (size 38)Susan Small Model red lace mounted sleeveless dress with buttons and zip fastening to the frontbronzed floral two piece comprising a strapless bodice with ruffled trim and pleated skirt(13)Bernella dress - 38" bust, slight fading and wear, slight discolouration and belt missing. Weatherall shirt dress - 38" bust, slight wear. Skirtex skirt - 24" waist, slight wear. Linen and satin type skirt - slight wear. Morphita top - as new. Green and blue suit - 40" bust, slight wear under the arms, other wise ok. Sequin jacket - some sequin losses. Peggy Page dress - 38" bust and slight wear. Pink brocade dress - slight wear, 32" bust. Victor Josselyn purple dress - slight wear and fading. Susan Small dress - some fading and slight discolouration. Bronzed two piece - 30" bust, good condition.

Circa 1950-1960s Ladies Evening Wear comprising a Frank Usher strapless evening dress printed with pale pink flowers on a white grosgrain ground, a stitched detail to the bodice, button fastening to the reverse (size 36)Frank Usher white cotton evening dress with a self-woven zigzag design, spaghetti straps, white trims and sequin appliqués to the bodice and straps (size 36)Susan Small royal blue silk dress with spaghetti straps, faux wrap bodice and gathered skirtFrank Usher charcoal grey textured shift dress with capped sleeves and scooped neckline (size 36)Diana Warren Model Blackpool yellow wild silk sleeveless mini dress with a 'jewelled' notch neck neckline and pockets to the sideFrank Usher strapless dress on a gold floral textured ground and peplum detail to the hips (size 36)Claire Mont of Baildon sequin two-piece comprising a straight skirt and matching longline jacket with green leaf appliqués and press stud fasteningLondon Town Mayfair pale mauve cocktail dress with spaghetti straps embroidered with wisteria and multi pleated waistband, together with a matching evening coatSpectator Mayfair two-piece suit, retailed by M. Fitzjohn, Lancaster comprising a red and purple floral sleeveless shift dress and matching coat with elbow length sleeves and tie London Town Mayfair chinese silk brocade style evening coat, woven with large red flowerheads on a black ground, elbow length sleeves, red silk lining and small bow to the reverseSignora Maria Lancaster two-piece comprising a full-length sleeveless dress with a pink rose printed bodice and a matching jacket with three-quarter length sleevesM. Fitzjohn of Lancaster bronzed wild silk shift dress with capped sleeves, dropped waist detail and matching evening coat with large button detail.(12)Frank Usher floral dress - general discolouration overall. The upper part of the bodice is loose in places. General wear overall. 30" bust.Frank Usher white dress - belt missing, some light discolouration, some sequin loss, straps have been repaired. 30" bust.Royal blue dress - some dicolouration overall, a couple of small holes to the front of the skirt and one to the centre of the bodice, straps repaired. 32" bust.Grey dress - several tiny (pinhead-sized) holes overall, slight discolouration under the arms, both seams to the back of the sleeves have been repaired, slight wear overall. 36" bust.Yellow dress - a couple of areas of light brown staining and a couple of small holes to the reverse. 34" bust.Gold dress - slight rubbing and wear, some loose threads to the edges of the peplum. 32" bust.Sequin two-piece - some sequin losses overall. Slight discolouration to both. Press studs have been restitched. 42" bust.Cocktail dress - Slight discolouration to the dress and a couple of areas of darker stains, especially to the underarms and to the bodice, Several small holes and rubbing. Straps repaired. Jacket is very discoloured and thread-pulls and rubbing overall. 30" bust.Two-piece suit - slight wear overall to both. 34" bust.Silk evening coat - slight wear with a couple of thread-pulls overall. 44" bust.Signora Maria two-piece - numerous holes to the skirt within the last 35cm of the hem, otherwise slight discolouration to the dress and jacket. Slight wear overall. 34" bust.Bronzed dress and jacket - Slight staining under both arms and seam open to one. Fading in areas to both items. A couple of small holes to the dress. Slight wear overall. 32" bust.

Circa 1950s Ladies Suits and Coats, comprising David Gibson Younger Look brown suit including a short sleeve shift dress and matching jacket with three quarter length sleeves and bow appliquesDavid Gibson Regent Street London brown textured short sleeved shift dress and matching long coat with collarpewter gray floral sleeveless shift dress and matching jacket with shawl neck collar, bow to the waist and three quarter length sleevesgrey and silvered double breasted coat woven with boteh motifs, wide shawl neck collar, tailored to the waist with side pocketsHockley London W1 green velvet coat with detachable 'quilted' round collar and cuffs, side pockets(5)Hockley velvet coat - 46" bust, press studs near the collar restitched. Some rubbing and wear to the velvet, slight fading.Brocade coat - 35" bust, small opening to sleeve hole seam, slight discolouration and fading, buttons restitched. David Gibson brown suit - 44" bust, couple of areas to side seam where fabric 'loose', slight wear overall.Floral two piece - 36" bust, some stitched repairs to the straps and bodice, buttons missing to the back, fading in areas. Some water marks to the jacket, fading to the back of collar.Gibson younger brown suit - some slight wear.

Collection of Emporio Armani and Armani Collezioni, comprising a navy wool trouser suit, with single button fastening to the jacket (size 44)silver and black pin stripe trouser suit, in wool and silk mix (size 10)grey and black wool pin stripe trouser suit, and a matching pair of trousers (size 46), (other items size 10)brown wool jumper and wool trousers (both size 10)eau de nil textured jacket and linen trousers (size 10 & 8)Mulberry Navy Jacket of textured striped design with fold back cuffs and pair of Roger Saul striped wool trousers (both size 12)(9)

Maxmara Camel Wool and Cashmere Double Breasted Coat, with collar, wool belt (size 16) and Giorgio Amarni Black Silk Two Piece Suit, loose fitting style with a single buttoned jacket, (both size 46)(2)

Three designer outfits, to include a black wool skirt suit by Cacharel, a red, white and blue tartan skirt suit by Escada Sport and a blue skirt suit with white trim by Nina Ricci, all with maker's labels, sizes 38 to 42Condition- Overall good condition - No obvious marks or wear- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com

Two piece taupe dress or day suit with a silk skirt and jacket with a bustle, ca. 1880. With fringed decoration along the skirt hem and embroidered buttons.(Approximate) Jacket; Shoulder-to-shoulder: 15 in x sleeve: 18 in x bust: 30 in x waist: 24 in x hip: 34 in. Skirt; Waist: 24 in x length: 55 in.

Late Victorian/Edwardian black wool crepe double breasted suit. Fitted jacket with embroidered flowers, lace and pintuck detailing. Press stud fastening. A-line skirt with grosgrain waistband, embroidered flowers, stitched pleat detailing to waist and hem. In good condition, some tiny moth holes on skirt. Matching belt to jacket. Made by a dressmaker with hand and machine stitch.

A LOUIS XV WALNUT SERPENTINE FRONTED COMMODEPROBABLY PROVENCE, MID 18TH CENTURY 93cm high 116cm wide, 56cm deep Provenance: Christie's, The Art of Design, 4th June 2014, Lot 82. Condition Report: Commode with the marks, knocks, scratches and abrasions commensurate with age and use. Old splits, chips and some losses. Various old worm holes in places. Handles and escutcheons are later replacements but suit the piece well. A key is present but only operates the lock to the top drawer. The other locks are fixed in the open position. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

A Russian 'MIG' pilot's helmet and flying suit. Est. £50 - £80.

An official England Football Association Italia '90 two-piece grey suit, with embroidered three lion crest badge, size 41L, with maroon and blue official tie and four white dress shirts each with three lion's crests  Provenance: The above lot is the property of David Bloomfield, the England Football Association press officer for the Italia '90 World Cup campaign. 

An England Football Association Italia '90 official suit carrier, with two accessories pockets and carry handle, in well used condition, an Italia '90 press pass, etc. Provenance: The above lot is the property of David Bloomfield, the England Football Association press officer for the Italia '90 World Cup campaign. 

A Ventriloquial figure, attributed to  H Brighton, early 20th c,   in the form of a sailor with papier mache torso and head with glass eyes, carved wood hands, black painted boots and contemporary sailor suit, 95cm h and a bentwood chair (2) The figure in good original condition but somewhat grubby, moth holes in sleeves, unrestored

Motorcycle Leathers - a pair of gentleman's leather Skintan trousers, size 34; a pair of RST leather trousers, built in knee pads, size 34; an RST waistcoat; a B-Square extra large waterproof over suit; a pair of Belstaff over trousers; a pair of RST gloves, extra large; an RST leather jacket, built in padding, size UK46; a Knox rucksack; a pair of Sidi leather boots, Uk size 11; a bike helmet cover bag

France - A full album with wide range mostly modern, many BUNC, some earlier and Colonies (100's) 2.10kg approx. Kilos suit specialist

William Kentridge (born 1955)Soho in Bed with Rhinoceros' (Drawing for Mine) signed 'Kentridge' and dated '91' (lower right)charcoal and red chalk120 x 141cm (47 1/4 x 55 1/2in).Footnotes:ProvenanceAcquired by the current owner at the Goodman Gallery, 'Drawings for Projection' in 1992;A private collection.ExhibitedJohannesburg, Goodman Gallery, 'Drawings for Projection', February, 1992.Brussels, Palais des Beaux-Arts/Paleis voor Schone Kunsten; Munich, Kunstverein München; Austria, Neue Galerie Graz am Landesmuseum Joanneum, William Kentridge, May, 1998 to January, 1999.LiteratureDan Cameron, William Kentridge, (London, 1999) p.115 (illustrated)Mark Rosenthal, William Kentridge, Five Themes, (New Haven and London: Yale University Press, 2009), p. 79 (illustrated)Carolyn Christov-Bakargiev, William Kentridge, (Brussels: Societe des Expositions du Palais des Beaux-Arts de Bruxelles/Vereniging voor Tentoonstellingen van het Paleis voor Schone Kunsten Brussel, 1998), p. 69 (illustrated)Lilian Tone, William Kentridge Fortuna, (London: Thames & Hudson, 2013), p. 151 (illustrated)Matthew Kentridge, The Soho Chronicles, 10 Films by William Kentridge, (London, New York & Calcutta: Seagull Books, 2015), p. 187 (illustrated) Margaret K. Koerner, Smoke, Ashes, Fable, William Kentridge In Bruges, (New Haven and London: Yale University Press, 2017), p. 125 (illustrated) This drawing, which dates from 1991 is from Mine, the second of Kentridge's animated films. It was used as the final sequence in this film from 5:25 min to 5:32 min., when the Rhinoceros tenderly nuzzles at Soho's out-stretched hand.The work is the most significant of the 'Drawings for Projection' to come to the market in recent times and has not been seen publicly since its inclusion in the 1998/99 exhibition.'In these films Kentridge established the story line that would prevail throughout the series: the evolution of the dark-suited industrialist Soho Eckstein, whose complex combination of economic power, personal ruthlessness, and guilt-laden memory characterize one aspect of contemporary South Africa, and his alter ego Felix Teitlebaum, who is portrayed as nude and thoughtful, an artist who wins Soho's wife at least temporarily. In these early films Soho builds his empire and becomes a civic benefactor... ...The early films focus extensively on the struggle of Soho and Felix for Mrs. Eckstein...Soho's appearance derives from a linocut Kentridge had made in his youth of 'my grandfather in his three-piece pin-stripe suit sitting on Muizenberg beach from an old family photograph'...In these early films, Soho is most often seen in his bed surrounded by a clutter of half-eaten food and office machines. The utter jumble of these objects on his bed, and the conjunction of Soho's public and private life, recall the late self-portraits of Philip Guston, in which the artist lies haunted by nightmare and doubt' (Neal Benezra, William Kentridge: Drawings for Projection, exhib. cat. for New York, pgs. 19-20).Playing a consistent caricature throughout Kentridge's work, references of the rhinoceros can be seen in early drawings from the 1980's, to a symbol of the repressed by the hands of the German colonial force in Black Box created in 2005. Here we see the rhinoceros not as a wild animal, but a domestic pet tamely interacting with Soho who dominates the scene. While this may be a display of Kentridge's affection for the animal, given his favourable use of the subject, the rhinoceros also symbolises the bourgeois exploitation of the South African ecosystem. Following the consequences that the mining industry had on the South African environment, Kentridge critiques conservation motivations whilst simultaneously examining the irony of controlling wild animals through eco-tourism. Eco-tourism, Kentridge analyses, has obscured and consequentially manipulated the nature in South Africa, throwing into question the definition of 'wild' given the nature and game reserve's domesticized state.'The technique I use is to have a sheet of paper stuck up on the studio wall and, half-way across the room, my camera, usually an old Bolex. A drawing is tarted on the paper, I walk across to the camera, shoot one or two frames, walk back to the paper, change the drawing (marginally), walk back to the camera, walk back to the paper, to the camera, and so on. So that each sequence as opposed to each frame of the film is a single drawing. In all there may be twenty drawings to a film rather than the thousands one expects. It is more like making a drawing than making a film (albeit a gray, battered and rubbed about drawing). Once the film, editing, adding sound, music and so on proceeds like any other. '...I started filming drawings as a way of recording their histories. Often I found – I find – that a drawing that starts well, or with some interest in its first impulse, becomes too cautious, too overworked, too tame, as the work progresses. (The ways in which a drawing can die on you are depressingly numerous.) A film of the drawing holds each moment. And of course, often, as a drawing proceeds, interest shifts from what was originally central, to something that initially appeared incidental. Filming enables me to follow this process of vision and revision as it happens. This erasing of charcoal, and imperfect activity, always leaves a gray smudge on the paper. So filming not only records the changes in the drawing but reveals too the history of those changes, as each erasure leaves a snail-trail of what has been.' (Lecture, 1993, published in Cycnos: Image et Langage, Problemes, Approches, Méthodes, Nice, vol. 11 no.1, 1994, pp. 163-168. Republished in C. Christov-Bakargiev, William Kentridge, William Kentridge, Societe des Expositions du Palais de Beaux-Arts, Bruxelles 1998, pgs.61-64)BibliographyMatthew Kentridge, The Soho Chronicles, 10 Films by William Kentridge, (London, New York & Calcutta: Seagull Books, 2015)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Cecilia Granara Four of Cups (Infinite Flow), 2022 Inks and Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Cecilia Granara was born in Jeddah, Saudi Arabia, in 1991. Of Italian nationality, she grew up in Mexico City, Rome, Chicago. She is a painter and a writer, drawing on self-fiction, poetry, and symbolic iconography. She is interested in cultural attitudes to sexuality, bodies and the use of color as a vehicle for emotions. Education   Central St Martin's, Beaux Arts de Paris   Solo Shows 2022 Brittle Stars" at Sapling 2021 "0 ∞ 21", Exo Exo, Paris 2020 Lasciare Entrare, Lasciare Andare, Studiolo Project, Milan. Curated by Maria Chiara Valacchi This Metamorphosis, Not Cancelled, Online Platform 2019 Quatre Coeurs, EXO EXO The Whole World Weeping, MFA Hunter College, New York City 2017 Going Inside Or How to Get Over Yourself, Fieldworks Gallery, London Group Shows   2022 "Entre Tes Yeux et Les Images que j'y Vois" at Fondation Pernod Ricard "Fleur de Peau" at CAC Passerelle, France 2021 "A Fleur De Boue", Duo Show with Pierre Unal-Brunet, Curated by Thomas Havet. Double Séjour, POUSH Manifesto, Paris. "Worst Case Scenario", curated by Chloe Bonnie More, Paris. "SO Close 2", Galerie Guido Romero Pierini, Paris "Canons", Galerie Derouillon, commissaires Bettina Maillard & Marion Coindeau, Paris 2020 "Green Go Home", Hua International, Berlin, Curated by Tomas Vu and Rirkrit Tiravanija "Preparation", Brigade Gallery, Copenhagen, Curated by Important Magazine "Je suis avant, Je suis presque, Je suis Jamais", Centre D'art du Parc Saint Léger, curated by Ekaterina Shcherbakova, Pougues Les Eaux "Masculinités", Rue Elzevir, Paris, curated by Thomas Havet , Paris "Your Friends and Neighbours", High Art, Paris "SO CLOSE", Galerie Joseph, curated by Guido Romero Pierini, Paris "This is Fair", NADA Online "(Un)Real Life", Galeria Nueva, Madrid, curated by Nicolas Dewavrin "The Independent Summit: Friendship, Solidarity, Alliances". Collaboration with Bea Bonafini. MAXXI, Curated by Giulia Ferracci, Elena Motisi and Valerio Del Baglivo, Rome. 2019 "Flesh and Bone", PS120 Gallery, Berlin, curated by Loic Le Gall and Justin Polera "Exposition Automatique, Pas de Raison" curated by Lou Ros and Camille Brechignac. "Nous qui Desirons Sans Fin", Jeune Création Gallery, curated by Marion Bataillard 2018 Mais Pas Du Tout! C'est Platement Figuratif, toi tu est Spirituelle Mon Amour! , Jousse Entreprise NGORO NGORO II, Artists Weekend Berlin, curated by Christian Achenbach, Jonas Burgert , Zhivago Duncan, Andrej Golder, John Isaacs, Andreas Mühe, David Nicholson 2016 Fragile, Galerie Mansart, Curated by Jean-Luc Blanc & Azad Asifovich 2015 Full House, Le Cabinet Dentaire, Paris Elegia Guest Projects, collaboration with Bea Bonafini, London, Curated by Leo Cohen   Gallery Representation   Exo Exo, Paris   Statement about AOAP Submitted Artwork   This piece is the original drawing for my tarot card deck, four of cups. Cups are the suit of emotions and I wanted to represent the movement and flow of liquid transferring from one cup to another , almost like a fountain. The idea is to look at it and imagine that our emotions are not stuck, that they flow infinitely. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Marvel Comics, Marvel Team Up No 141 Spiderman ad Daredevil (second time black suit shows up)

A Franz Schmidt & Co 1295 character baby, with brown sleeping eyes, pierced nostrils, brown mohair plush wig, bent-limbed composition body, blue cotton sailor's suit and brown kid shoes --22in. (56cm.) high (some wear to body and balding to wig)

A large 1914 Jutta character toddler, with blue sleeping eyes, brown mohair wig, jointed composition toddler's body, blue cotton sailor's suit, matching hat, underclothes and white boots --26 1/2in. (67cm.) high (hairline crack down back of head, missing half of one finger and the tip of another)

A large Kley & Hahn 169 character baby, with blue sleeping eyes, recent brown wig, bent-limbed composition body, blue corduroy suit, matching hat and lace trimmed shirt --25in. (63.5cm.) high (hands washed)

A large Konig and Warnecke 99/15 character baby, with brown sleeping eyes, double chin, recent blonde wig, bent-limbed composition body, grey tweed suit and matching hat --26in. (66cm.) high

A German bisque headed character baby impressed 22-12, with blue sleeping eyes, doubled chin, open mouth with two moulded top teeth, blonde mohair wig, bent-limbed composition body, cream wool sailor's suit and matching hat --20 1/2in. (52cm.) high

Two German bisque headed character babies, a Kämmer & Reinhardt 116 with brown sleeping eyes, recent brown wig, bent-limbed composition body and blue velvet suit --17 3/4in. (45cm.) high (large chip to lower right eyelid); and a large AM 975 dressed in white

A good group of doll's clothes, mainly medium size dolls including a cream corduroy coat with white mohair trim, smaller size girl's sailor suit, a cream printed dress with slight bustle, a red wool coat and underclothes

A rare Pierotti poured wax King Edward VII, with blue glass eyes, inserted blonde/grey hair beard and hair, the shoulders attached by brass eyelets, stuffed body with wax limbs, brown corduroy suit, grey flannel shirt, red neckerchief and black oil-cloth shoes, one with a Charles Morrell, Burlington Arcade, London paper label on sole -14in. (35.5cm.) high (slightly flatten tip of nose) - usually this doll is seen in his British military uniform and probably sold at the time of the King’s Coronation in 1902, the broad corduroy suit became very fashionable in the early 20th century and it is believed that the King wore one and help make it popular, this doll’s suit is old, so perhaps redressed by a child at the time to make him more playable or could it have been retailed like this after the King’s death?

A small Kämmer & Reinhardt 114 character boy, with blue painted eyes, closed pouty mouth, blonde mohair wig, jointed composition body, original purple cotton suit, brown leather shoes and brown socks -11in. (28cm.) high (a few slight wig pulls to top edge); and an additional cream knitted jumper and hat - the childhood toys of Christabel Browning (b.1897) and her sister Eileen Browning (b.1896)

A Kämmer & Reinhardt 192 boy doll, with brown sleeping eyes, pierced ears, blonde mohair wig, jointed composition body and pale brown two part suit with lace collar and matching hat -15in. (38cm.) high (cracked across forehead, slight holes to clothes) - the childhood toys of Christabel Browning (b.1897) and her sister Eileen Browning (b.1896)

Three all-bisque dolls’ house dolls, one a girl with blonde painted and moulded hair, blue painted eyes, socket neck, jointed at shoulders and hips and blue sailor’s suit -3 1/4in. (8cm.) high; and two others with fixed necks

A French composition boy doll circa 1900, possibly SFBJ with large fixed brown glass eyes, brown painted feathered eyebrows, brown mohair wig, composition body jointed at shoulders and hips, teal corduroy suit and white kid shoes --27in. (68.5cm.) high (rubbed nose and slight wear)