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Two boxes of assorted pedals to suit Alvis etc.

A box of assorted steering parts to suit Alvis etc.

An Alvis radiator cowl to suit Speed 25 models.

A Scintilla magneto to suit six cylinder models.

A selection of Alvis spinners, plus two pistons to suit Triumph, +60.

A rare Rover P6 Sundym laminated windscreen, two interior rear door cards, and a rear bumper to suit Jaguar.

A Lucas headlamp to suit Ford or similar.

A Borg Warner 3-speed automatic gearbox and a starter motor to suit Jaguar Mk. II. motor.

A car accessory mascot in the form of a winged bird of prey, possibly an eagle, to suit Alvis Silver Eagle or similar.

A Rolls-Royce 'Spirit of Ecstasy' car mascot to suit Rolls-Royce 20hp.

Trade issue, Liebig, 'Viandox' red & black carpet square with playing card suit illustrations, approx. 70cm x 50cm (gd) (1)

ERNEST THESIGER C.B.E. (1879-1961) A PAIR OF WATERCOLOURS OF MONTACUTE HOUSE One titled, signed and dated l.l.: MONTACUTE, Ernest Thesinger, 1905 watercolour on canvas 47.0 x 32.0cm / 18.5 x 12.5in Thesiger is best remembered for his work as an actor, in the film The Bridge of Frankenstein. He had a long and varied stage career, appearing alongside Katherine Hepburn in As You Like It, The Man in the White Suit with Sir Alec Guiness and other notable works with Vivien Leigh, John Gielgud and Warren Beatty. Before his acting career, he had studied at the Slade under Henry Tonks, and he painted primarily in watercolours for the rest of his life. Montacute House is an Elizabeth manor house which today is owned by the National Trust. It is the South-West regional partner of the National Portrait Gallery, and has been the location in several films, most notably in The Libertine (2004) and Hillary Mantel's Wolf Hall (2014). (2)

A quantity of girls dresses circa 1960's - 1970's many different, and a boys green corduroy suit

A circa 1970's mans two piece suit, brown pinstripe together with another suit, trousers, sports jackets and faux fur waistcoat

A box of OS maps and a ski suit

KEITH DALE (Contemporary) MIXED MEDIA 'Industry by Night' Signed and dated (19) 94 lower right titled on artist's label verso 8 3/4" x 10 1/2" (25cm x 26.5cm) also IAN SCOTT MASSIE (Contemporary) A FRAMED SUIT OF THREE WATERCOLOUR 'The Peaks' Signed, artist's printed label verso varying sizes

A 15TH/16TH CENTURY GOTHIC STEEL SUIT OF ARMOUR, complete with helmet etc., the reverse backplate stamped with armourer’s mark. 175cm tall

VICTORIAN SCHOOLPortrait of a Young Gentleman in a Black Suit, in an InteriorOil on canvas, 127 x 90cm

A pearlware figure of Harlequin early 19th century, modelled after Derby, wearing a typical chequered suit and a black mask beneath a yellow feathered hat, holding his slapstick in his left hand, 13.3cm. Cf. Meredith Chilton, Harlequin Unmasked, p.279 for examples of the original Derby figure.

A Frankenthal sweetmeat figure of Winter c.1760, modelled by Johann Friedrich Lück as a dandified gentleman in yellow waistcoat and a fur-lined suit, seated beside a deep scrolled basket and holding an ice skate in his extended right hand, blue crowned CT monogram mark, a tiny amount of restoration, 14cm. Cf. The Victoria and Albert Museum, Museum No. C.44-1989, for a similar figure. These seasonal sweetmeats were from a table centrepiece, only three of which are recorded today.

A red stage suit worn (tailored by Keith Wilson of Leeds) by Ray Lewis of 'The Drifters' and signed by the man himself on one of the lapels.

A small collection of gent's vintage wear including a three piece dinner suit and two pinstripe blazers

Lladro bisque figure, a Nao porcelain figure of a child in a rabbit suit and another figure, (3)

A large collection of 1980's and later ladies Jaeger Suit & Outer jackets (approx 25 items)

Italian Burgundy leather 3 piece suit

A collection of various vintage fashions and handbagsComprising a ladies white mink collared skirt suit, three embroidered handbags, two vintage leather handbags together with a quantity of various hats (qty)

Fraser Crawford (b.1976). Jack of Hearts. Mixed media. Signed and titled. 38.7 x 29. Framed. Fraser Crawford is a figurative artist who has exhibited widely,including at two Royal Academy Summer shows. His work is held in privatecollections in the UK, Europe and the United States.My late mother had renal failure. I was very pleased to be involved in a project which could help others in this situation and as I am more than aware of how difficult this can be. I am pleased that my card is part of the Hearts suit, as this is a cause that is close to my own heart.Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.

Robert Fitzmaurice (b.1960). 3 of Spades. Mixed media on card. 28 x 20cm. Framed. Robert Fitzmaurice: I am a visual artist whose output involves painting, mixed media and collage. My figurative style is fragmentary and references both the art of the past and contemporary culture. I usually work in series with each work involving an interplay between one or more figures and ambiguous forms in order to invoke a particular mood, e.g. contemplative, melancholy, or dramatic. The figures operate in a shallow, theatrical space and tend to possess the frontality and expressive shorthand common to votive art of all cultures. These elements combine to suggest an absurd universe where meaning is fluid and open to interpretation. Often I will start a series of works with an idea inspired by something recently seen or read. Other times I may work more instinctively from images found in books, postcards, the cinema or online. I may also start a new work by tracing an old drawing, or the overpainting and collaging of earlier works, especially proof prints and print matrices. The composition is then subjected to a number of revisions and embellishments. The paint layers involve open brushwork, impasto and glazes, and are often further modified by the introduction of sand, sawdust or collage elements. Colour decisions are driven by the emotional tone and to balance the composition. I am very interested in how the mind assigns value to imagination and experience and how these meet to produce a work or art. My tendency to simplify, filter and truncate is in response to the fragmented and bewildering surfeit of images available to contemporary audiences. Artists of different periods and cultures have used the human figure in order to convey a narrative or personify a concept. By referencing the formal potency of these otherwise outmoded and compromised systems I wish to draw attention to a common ground, or sometimes a point of departure, in order to highlight the absurdities that continue to divide us. The power dynamics of childhood, family and rites of passage feature strongly as I consider they have a universal significance that transcends religion, myth or dogma. Originally from Coventry I studied Fine Art in Sunderland before moving to Reading in 1984 for my MFA. After years of making art around a day-job I became a full-time artist in 2015. I hold a studio in the town at OpenHand OpenSpace and participate regularly in exhibitions nationally and internationally. www.fitzmaurice.works. Interview with the artist: Why did you want to take part in this fundraising initiative I was invited to participate in the 2016 TLC Art Auction and really enjoyed being part of that. I therefore didn't hesitate to get on board with this project.Can you tell us about your artwork What inspiration did you draw on to create your designMy design includes a small central sprite realised through the union of the three spades. In my work I am interested in invoking the figure through a mixture of figuration and abstraction. The spades suit suggested to me a rather austere and weathered character which I have sought to reflect in my choice of materials and surface effects. What is it about the charity Transplant Links that made you want to support them I am very impressed by the important work TLC does in developing countries. Their work makes life-saving operations a reality for those in need. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.

Joanna Lumley OBE FRGS (b.1946). 9 of Clubs, 'Keep Counting'. Black pen on paper. Signed under mount: 'Nine of clubs by Joanna Lumley'. 20.8 x 14.6cm. Joanna Lumley OBE FRGS was born in Kashmir and brought up in Hong Kong and Malasia until she moved to the UK. After school, she was a model in the Swinging Sixties but only achieved her aim to become an actress when she was 21. Untrained, she somehow managed to slither into the profession and has appeared in countless films, television shows and plays, including Pink Panther and Coronation Street, James Bond and Chekhov, New Avengers and Oscar Wilde and Absolutely Fabulous. She has made fifteen travel documentaries, the most recent being made in India. She is married and has one son and two granddaughters and lives in London. Joanna Lumley: It is always exciting to be asked to do something you have never done before for a charity that you feel deserves all the help it can get. When TLC ( fabulous name, by the way: exactly what it says on the tin, tender loving care supporting Transplant Links Community) asked me to design a playing card I felt as though I had won a prize. The chance to sit and think and plan and draw, and all for something as fine as TLC, was all I needed to put the 'Gone Fishing' sign on the door.Before I started my artwork I chose the nine of clubs, for no other reason than nine is a lucky number for cats and the symbol for clubs looks a bit like an oak leaf. Then I examined a traditional nine of clubs playing card and guess what: it is perfect, and cannot be improved.Oh.So then I thought of chaps sitting by candlelight in a cave who must recognise the suit at once ( hence big symbols) and who could read the number nine even if they were Roman centurians. Then I got a bit arty and tried to make it look like a fabric pattern. Then I stopped and left it looking a bit scruffy and unpolished, confident that it won’t be reproduced, and will never muck up a game of poker when the stakes are high.Everything about TLC is music to my ears. What they achieve through their training and skills and application and sheer doggedness is exactly what life is about: never stopping trying to make the world a better place for someone else. I bow my head to everyone on the team. Kidney transplants are a win-win solution to so much suffering and sorrow, and I send TLC all the loving support and admiration in the world.Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.

MINIATURE SUIT OF ARMOUR BY KRETLY OF PARIS, pierced hinged visor, articulated joints, fabric backing, with sword and lance, fixed on a square wooden base, mounted with maker's plaque for 'Kretly, Palais Royal, 46', 52cm high overall

EARLY 20TH CENTURY SILVER PLATED FIGURE OF A KNIGHT, modelled in a suit of armour, with moveable visor over an ivorine face, with sword, halberd and shield, on squared gem set base, 25.5cm high

A May-Fair deluxe model picnic gramophone, standard lamp & suit stand

Early 20th century C & Co suit fabric sample book for "E.E. Middleton - Exclusive Men's Wear".

An early 20th Century lady's doll purse, painted kid leather face, frilled silk gown; a lady's purse as a sailor boy's suit, royal blue and white velvet; a tambour work lady's purse (3)

Carved wooden picture frame to suit a 6 x 4 inch, overall size 30 x 24cm. Consigned by Peter van der Waals' granddaughter and believed to have been modified by him

Viewmaster viewer and a large quantity of slides to suit including nature, tourism etc, collectable playing cards and model cars

LATE 19TH CENTURY ENGLISH SCHOOLHEAD AND SHOULDER PORTRAIT OF GEORGE LUCAS RUXTON IN A SAILOR SUITOil on canvas41cm x 31cm (16in x 12in) and a companion, a pair, his sister Emily Alice Ruxton (2)

An RAF Officer's suit for Flight Lieutenant with cap, by Burton Tailoring

Edward Sylvester Hynes (1897-1982). Pen & ink, depicting a gentleman in a suit speaking to a smartly dressed lady who is holding a telephone dripping with water, signed by artist to lower right, titled in pencil to lower margin 'A Transatlantic call Mr. Friaith', 43cm x 35.5cm approx.

Two hats boxes of five formal lady's hats and a suit bag containing dresses and skirts

Wicker conservatory suit comprising 2 seater settee, 2 arm chairs, day bed, foot stool and side table

A Giant Porsche Motor Sport Advertising Teddy Bear, wearing a race suit, 100cm high approx

A KPM PORCELAIN GROUP FIGURINE DEPICTING THE ROYAL FAMILY OF FRANCE, BERLIN, CIRCA 1880Sdepicting the King of France Louis XV in a golden suit of armor next to an angel with the Queen, a seated handmaiden behind them, KPM manufactory mark, numbered 140/194, incised with the number 1211, and monogrammed HA and HK, all underneath, inscribed Europae Pacem on base; height: 32 cm (12 5/8 in.), diameter: 22 cm (8 2/3 in.)

A 9ct gold charm bracelet set with charms including a Fox's mask, an acorn, a pig in dungarees, a dachshund, a duck in t-shirt and baseball cap, and a wolf wearing a suit and holding a bunch of flowers behind his back, two loose charms, one of a key and another of a cracked egg with chick inside, most hall marked 9 375, 41.1g total. (3)

Walker & Hawkes tweed shooting suit, breeks, waistcoat and jacket (XL).

An Air Ministry Contactor Master Type 2 Spitfire Transmitter Timing Device, no.10A/10994, in kid leather lined brown bakelite type box, the clips marked 10H/337 and with Air MInistry crown; an Air Speed Indicator from MK.4 Spitfire, ; a Directional Giro Mark IA, possibly from a Short Stirling Bomber; a Heinkel Generator Indicator, the dial with readings from 0-10, marked Sch.A 5a/Fl.26751-1/1163750 a Messerschmidt; an UNDERCARRIAGE WARNING Label, from a Spitfire; also, a heated flying suit connector, a Dodge Aircraft Engine plate, a Type Double Merlin brass plate, and a boxed set of glass slides relating to a Zeppelin with associated booklet

A Comprehensive and Composite Uniform to a Staff Sergeant, Royal Corps of Signals, including No.1 Blues jacket and trousers, Mess Dress jacket, waistcoat and trousers, No.6 jacket and trousers, a track suit, various jumpers and shirts, socks, two pairs of leather boots and a pair of shoes (size 8) etc., in two suitcases

A Mustad Viking flotation suit

*Tyndall (John, 1820-1893). Autograph letter signed, 'John Tyndall', 2 April 1880, to R.H. Blades, noting that his 'approaching lectures on light are not intended for publication. My American lectures on light or my Notes on Light - published by Messrs Longman, might perhaps suit your purposes', Royal Institution of Great Britain embossed crest at head, 2 pp., 8vo, together with Hooker (William Jackson, 1785-1865), autograph letter signed, 'W.J. Hooker', Royal [Botanic] Gardens, Kew, 4 April 1850, to (?)Henry Curtis, 'Lady Hooker desires me to send you her best thanks for the richly got up Nobility Edition of your Rose Book. We have been too busy with other matters in carrying out improvements and alterations in the Royal Gardens to form the indigenous Rose Garden. That must be accomplished another year. Neither have we received the Scarlet Rose from my son, Dr [Joseph Dalton] Hooker. His researches were much interrupted by his being made prisoner by the Rajah of Sikkim and it is only recently that he has been set at liberty', 2 pp. on black-edged mourning paper, 8vo, plus Murchison (Roderick Impey, 1792-1871), autograph letter signed, 5 May 1859, to Alexander Clark, 'Recollecting gratefully the hospitable reception given to myself and Professor Sedgwick 32 years ago by your excellent father I am induced to ask if it is possible for you to give my [?] Professor Ramsay and myself beds for a night or two on or about the 12 or 13th' in order to study the rocks of the North Highlands and around his house at Eriboll and Loch Hope, giving further details of his plans, Geological Survey Office embossed crest and address at head, 3 pages, a little spotting and browning, tipped on to an old album leaf with loss of additional note to page 4, 8vo, plus five further autograph letters signed from scientists including Richard Owen (1804-1892), John Hutton Balfour (1808-1884), William George Armstrong (1810-1900), John William Dawson (1820-1899) and Frederick Augustus Abel (1827-1902), mostly one or two pages, 8vo (8)

Paul Weller - ’Stanley Road’ 1995 demos promo CD 'DAYS 1’ 2005 reissue post card, ‘Peacock Suit’ 7 track promo CD, ‘Modern Classics’ promo CD 5 track sampler, ‘Heliocentric’ album promo CDR, ‘Brushed’ remixes promo CDR dated July 27th 1997, 2 different ‘Later With Jools Holland' TV Special passes, 3 different tour passes, an unused Royal Albert Hall gig guest pass. ‘Help’ CD album from 1995, Go Discs! sales conference from 1996 featuring 3 songs from PW plus other artists, a VHS of ‘Live Wood’. ‘Wild Wood’ album on cassette stickered as a promo copy

A Fieldsheer motorcycle riding suit, signed by motorcycle racer John Reynolds, who won the British Superbike Championship in 1992, 2001 and 2004.

A mid century retro floorstanding cast and silvered metal standard lamp in the form of a knight in suit of armour. Plinth base with lamp atop. Measures: 100cm tall.

A set of mid 20th century flamenco dancer felt dolls to include a women in a red dress , high heels , hand instrument , shoal and hair pin , the man in a suit with hand instrument and wide rimmed hat. 

A retro 20th Century leather leather gentleman's suit carrier with shoulder strap, applied Dunhill label. When closed measures 43cm-high 59cm-wide. 

Stardust Glass 'Seashell' and Crystal Statement Necklace, comprising five graduated, jewellery grade glass seashells with pastel coloured stardust effects and white crystal highlights; the largest, to the centre, a silver grey, 2 inches high x 1.5 wide, with medium sized blush coloured to either side and the small being silver to one side and light champagne to the other, all being linked and articulated, held on a chain with a lobster claw clasp; 20 inches long with 3 inch extender chain; would add a unique touch of subtle colour to a wedding dress or suit a 'mother of the bride' ensemble

James Higgs - a profile portrait of a young gentleman wearing a Naval cap and a suit, signed lower right corner and dated 1936, 15" x 10 3/4" unframed

A vintage Anderson gents evening suit, a pair of gents patent evening shoes and two early 20th century spectacles

A Gucci grey gentlemen's two-piece suit,single-breasted jacket and trousers,size 48R,with a Gucci single breasted men's black jacket, and a Prada gentlemen's grey button-up shirt,15in collar, size 38 (4)

*Saxton (Christopher, Hole, William & Kip). Somersettensis comitatus vulgo Somersett Shyre qui olim pars suit Belgarum, Essexia comitatus quem olim Trinobantes..., Northamptoniae comitatus descriptio in quo cortani olim insederunt [and] Buckingha. comitatus in quo olim insederunt cattieuchlani, [1607 - 1637], together four hand coloured engraved maps, each approximately 275 x 380 mm, mounted, framed and glazed (4)

Bronze figure of a monkey in a Sailors suit holding a mother of pearl shell