A Caroline Charles, moss green woollen coat, with button through detail, puff sleeves and full skirt; together with a Louis Feraud' ladies suit, the fitted red self-patterned jacket, with double button fastening and matching knee length skirt, a Janice Wainwright grey and blue crepe suit, a Benny Org yellow and white polka dot, silk strapless dress with full over-skirt, a beaded full length evening dress, another evening dress, an evening top and a rain mac, items dating from the late 1970's and 1980's. Sizes ranging from 10-medium (8).
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A Christian Dior double breasted checked tweed jacket in moss green, teal blue and rust, a tweed jacket and matching waistcoat in dark moss green with ruby red satin lining, together with a collection of gentleman's clothing, dating from the 1960's onwards, to include a black suit labelled Ede & Ravenscroft, etc.
A Jean Paul Gaultier ladies denim trouser suit with inset fringing in blue to the jacket and jean legs, a pair of Voyage jeans with diamante detail to the pockets; together with further denim items, various styles, labels to include Dolce & Gabbana, '7' jeans amongst others, a John Galliano denim jacket, suede skirts, casual jackets and a cashmere coat.
A 1950s/60s green satin sleeveless evening gown overlaid with black machine lace, a 1960s gold jacquard pencil skirt, a purple silk grosgrain strapless cocktail dress with matching stole and black crepe bolero jacket, a 1960s white linen sleeveless day dress by Miss Pony, size 14, a 1970s printed nylon tunic and trouser suit by Susan Small, size 14, a 1960s nylon jacquard pink jacket and trouser suit, and other garments
A very good quality modern Irvin flying suit, comprising brown sheepskin jacket, pair trousers, side air gunner’s helmet, pair gauntlet gloves, pair boots and pair goggles; tailor’s label reads "Irvin RAF sheepskin flying jacket, made under exclusive licence from Irvin (GB) Ltd...by Aviation Leathercraft (Moto-Lita Ltd)". VGC and evidently seldom worn
A collection of designer costume, circa 1980s, including: a Georgio Armani swing coat; a similar dress; an Yves Saint Laurent 'variation' red wool skirt suit; an Yves Saint Laurent red silk blouse; an Emanuel Ungaro 'Parallele' jacket; a Courreges black velvet skirt suit; and a Carolina Herrera printed chiffon dress (qty)
Man Ray, PERPETUAL MOTIF, inscribed Man Ray and numbered 36/40, readymade wooden metronome with photo-optic eye, height: 22.2cm. 8.75in. Executed in 1970-71 in an edition of 40 (Galleria Il Fauno, Turin) after the original object of 1923 (destroyed). Provenance, Galleria Il Fauno, Turin, Obelisco Gallery, Rome, Private collection, Rome, Literature, Roland Penrose, Man Ray, London, 1975, p. 110, no. 64, illustration of a 1958 replica, Arturo Schwarz, Man Ray, The Rigour of Imagination, London, 1977, p. 218, no. 331, illustration of the 1932 drawing; p. 218, nos. 329 & 332, illustrations of examples from the 1963 and the present edition , Jean-Hubert Martin, Rosalind Krauss & Brigitte Hermann, Objets de mon affection, Sculptures et objets, Catalogue raisonne, Paris, 1983, p. 46, illustration of an earlier replica; pp. 142 & 143, no. 31, edition catalogued, Man Ray, Self Portrait, Boston and London, 1988, p. 97, illustration of the 1958 replica, Man Ray's celebrated object of a metronome with a photograph of an eye affixed to it's swinging arm was first created in 1923 and titled Object , to be Destroyed. In 1932, the artist made an ink drawing of the object with the following inscription on the reverse: "Cut out the eye from the photograph of one who has been loved but is seen no more. Attach the eye to the pendulum of a metronome and regulate the weight to suit the tempo desired. Keep going to the limit of endurance. With a hammer well aimed, try to destroy the whole at a single blow". In the same year, Man Ray exchanged the eye on the metronome for a photograph of Lee Miller's eye. The bitter instructions on the drawing were motivated by the recent ending of Man Ray's relationship with Lee Miller.
A Dean's Rag Book Lupino Lane doll, with printed face and stuffed body wearing a blue shirt and check suit, height 31cm, printed label across waist with inscription Specially made by Dean's Rag Book Co. Ltd, London. Lupino Lane in The Lambeth Walk. Made in England, Reg. Des. 830106 Lupino Lane played the Cockney barrow boy Bill Snibson in the musical Me and My Girl which was specially written for him and opened in 1937 at the Victoria Palace in London. It ran for 1,646 performances and featured several popular songs, including the famous song and dnace routine Doing the Lambeth Walk. The registered design number dates from 1938 and these dolls were reputedly given away at performances
An Ernst Heubach bisque baby doll, impressed 399, with composition curved limb body,18cm high; together with an Armand Marseille 'My Dream Baby' doll, impressed 341, 18cm high; another similar baby doll; a bisque china boy doll in velvet suit, 18cm high; and a china shoulderhead lady doll with cloth body, 27cm high (5)
A Meissen group of Minerva, the goddess modelled seated before a tree, Caesar's War Commentaries in her lap, a putto in attendance and a suit of armour at her side, painted in colours and gilt, 23cm high, blue crossed swords marks, incised E16, late 19th century (some chips, notably to the tree)
Christie (Agatha), Hickory Dickory Dock, 1955] In dw. With (same author): The Hollow (1946, in dw torn with loss); Hercule Poirot's Christmas (nd, in dw); The ABC Murders (lacks tp, in dw); and 11 others without dw's including Death on the Nile 1937, The Man in the Brown Suit 1928, The Clocks 1963, The Sittaford Mystery 1932, The Labours of Hercules 1947 (15)
19th Century printed poster advertising Captain Boyton's visit to Clevedon Pier on Thursday August 12, 1875, 90cm x 57cm together with a related printed flysheet illustrating Captain Boyton, 38cm x 27cm - on front of catalogue cover. The visit to Clevedon Pier in 1875 by Captain Boyton of 'The New Jersey Life Saving Service' was arranged to demonstrate the inflatable India rubber life rpeserving suit designed by Clark S Merriman that Boyton had worn to successfully complete a crossing of the English Channel in the Spring of 1875. To aid the crossing a 2 feet square canvas was attached to his left boot as a sail. Boyton was sustained on his trip by a special diet of beaten eggs, cherry brandy and a cigar
A Gianni Versace full length skirt of red and cream striped bias cut wool skirt, 1990s, Atelier labelled, skilfully cut with four flaring gores at the knee, approx. size waist 68cm, 263/4 in, hips 82cm, together with a two piece sailor style shorts suit of striped wool jersey, Atelier labelled, of green, red, navy and white stripes, the shorts trimmed with large gilt enamel and paste buttons, approx. size 76cm, 30in, hips 98cm, 381/2in, (3)
A Gianni Versace navy blue two piece trouser suit, early 1990s, Couture labelled, double breasted jacket cut in late 18th century style with wide lapels and gold enamelled buttons, cuffs edged with purple, burgundy and green, and flared trousers, approx size bust 92cm, 36in, waist 64cm, 25in, (2) £ 40 ref 118.
A group of eleven Cynthia Tingey costume designs for 'Royalties Follies', 1973-74, signed and dated, including: one with costumes bearing the name 'James Bond' or 'JB', another annotated 'Debbie Raymond' wearing thigh length boots and tight hotpants body suit in pink, another with an all revealing costume with huge feathers head dress, and others, mainly gouache on grey ground, 271/2 x 371/2cm, 11 x 143/4 in, (11)
A gentleman's silk brocaded summer suit, circa 1760, the cream ground sprigged overall with rosebuds, comprising tailcoat and breeches; together with a woven velvet coat, late 1760s, woven in cream, pink and green with small repeats; and a velvet coat and waistcoat, c.1770, woven with faint pink stripes, (5)
An Ossie Clark embroidered cream flannel trouser suit, early 1970s, labelled size 8, the fitted jacket with sharp lapels, the broad flares with turn-ups, approx. size bust 81cm, 32in, together with a black moss crepe Biba sheath, unlabelled, plunging neckline with black and silver pannz velvet chiffon jacket, approx. size bust 86cm, 34in, (4)
A large group of Quorum clothing, mid 1970s, mainly labelled for Sheridan Barnett but also including some Sheilagh Brown, approx. 40 pieces, including rust brown wool Sheilagh Brown suit with accentuated shoulders, Sheridan Barnett full length chiffon gown printed in bold blocks of colour, grey flanel coat with knot details to shoulders, and assorted skirts and trousers labelled Quorum, various sizes, (qty)
A group of Ossie Clark tailored suits, jackets, and blouses, early 1970s, the majority labelled either Ossie Clark or Quorum, approx. ten pieces, including: pale green wool trouser suit, tailored two black jacket, long cream coat, assorted blouses; together with four pairs of assorted early 1970s trousers by various makers, various sizes, (qty)
An Ossie Clark/Celia Birtwell Edwardian inspired maxi suit, English, early 1970s, labelled Ossie Clark print by Celia Birtwell, size 8, comprising: cream wool waist length jacket with Birtwell printed black lining and maxi skirt and matching Celia Birtwell print black chiffon blouse, approx. bust 90cm, 351/4, waist 62cm, 241/2in, hips 88cm, 341/2in, together with matching Marie France trousers, labelled, Marie France at Quorum size 10, approx. waist 66cm, 26in, hips 96cm, 373/4in, (4)
A group of Biba day/summer wear, late 1960s-early 1970s, nine ensembles including mango-red crepe blouse and gored polka dot skirt; pink crepe trouser suit; violet calico flared turn-up trousers, old rose pink broderie anglaise full length gown, three moss crepe gowns and others, various sizes, (qty)
A Chanel Boutique brown herring-bone tweed single breasted suit, circa 1990, labelled size 44, with corset-like hook and eye closure, knee-length skirt, CC-buttons, together with a burgundy wool herring-bone weave three-quarter length jacket, size 38, with steel coloured engraved CC-buttons and chain weighting to hem, bust 86-92cm, 34-36in (3)
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19303 item(s)/page