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Click here to subscribeHeaven Can Wait (1943) - Dickie Moore as Henry van Cleve, production made two-piece suit comprising beige tweed blazer jacket and matching trousers. The jacket with Western Costume Co stamp, barcode (40515177) and ink inscriptions to inside. The trousers with inscribed Western Costumes Co label (No.03, Name: Dickie Moore, Waist 20), barcode (40491571) and ink inscriptions within.
Dracula: Dead and Loving It (1995) - Peter MacNicol as Thomas Renfield, production made two-piece suit comprising brown tweed blazer jacket and matching trousers. The jacket with Western Costume barcode (40496673) and ink inscriptions to inside. The trousers with Western Costume barcode (40965978) and ink inscriptions within.
Harry and Walter go to New York (1976) - Michael Caine as Adam Worth, production made three-piece suit comprising striped grey blazer jacket and matching waistcoat and trousers. The jacket with Western Costumes Co label (blank), barcode (40277840) and ink inscriptions to inside. The waistcoat with Western Costume Co label (stamped '1900') and barcode (40247150). The trousers with Western Costumes Co label (No. 2327-1, Name: Michael Caine, Waist 38, Inseam 34 1/2), barcode (40266456) and ink inscriptions within.
Lucky-Jim (1957) - Terry Thomas as Bertrand Welch, production made two-piece suit comprising a grey tweed blazer jacket and matching trousers. The jacket with Western Costume barcode (40241488) and ink inscriptions to inside. The trousers also with Western Costume Co barcode (40241587) and ink inscriptions within.
Men in Black 3 (2012) - Will Smith as James Darrell Edwards III (Agent J), production made suit comprising a black blazer jacket, pair of black trousers, black Calvin Klein tie and a white Anto Beverly Hills long-sleeve shirt. The trousers with label to inside; 'Mr Smith, 9193557, 9/14/10 CP, COF 00898418'.
Ender's Game (2012) Ender Wiggin’s (Asa Butterfield) Stunt Double Flash Suit comprising of jacket and trousers. Flash Suits were used during the film’s Battle Room training sequences. Features of the suit, such as the shoulder pads, were designed to be modular, allowing a suit’s color accents to be changed depending on what army was being portrayed. The jacket is marked 'Asa 21 Suit 2 Stunt Dink'. The Pants are marked 'Dink 21 M'.Provenance: With certificate of authenticity.
2nd-4th century AD. A schist figure of Kartikeya, the Hindu god of war, dressed in suit of armour, holding a rooster on his left arm and resting the hand on the hilt of his sword, the right hand once holding a long spear or staff; youthful face, elongated ears, wearing elaborate headdress and earrings, halo behind. 9.2 kg, 43cm (17"). From the private collection of Professor Z Butt, London, in the 1970s. Kartikeya, also known as Murugan, Skanda, Kumara and Subrahmanya, was the son of Parvati and Shiva, particularly popular and predominantly worshipped in South India, Singapore, Sri Lanka and Malaysia. He is sometimes depicted with six heads reflecting the legend surrounding his birth. Fine condition.
CARACCIOLA RUDOLF: (1901-1959) German Racing Driver. A multiple awarded racing driver who won over 30 major championships, including the first German Grand Prix. An excellent vintage oversized signed and inscribed glossy 9 x 12 photograph by Caracciola, the Adolf Lazi from Stuttgart image depicting the German champion wearing his racing suit and goggles in a half length pose. Signed Rudolf Caracciola and inscribed in fountain pen ink in German, also dated 1938 in his hand. Poor contrast to signature and inscription and small overall creasing and spot to the white borders, otherwise G £300-400
ZOLA EMILE: (1840-1902) French Novelist, Playwright & Journalist, a prominent figure in the Dreyfus Affair. A.L.S., Emile Zola, two pages (separate leaves), 8vo, Paris, 3rd April 1889, to a colleague ('Mon cher confrére'), in French. Zola apologises for not having replied to his correspondent earlier and adds that, instead of disturbing him, it may be simpler to come and see him, enquiring 'Don't you all gather at the seat of the Society of Men of Letters?' and adding 'If yes, please make me an appointment there, at 4pm, on the day that will suit you best, except Thursday and Saturday'. A few minor spots of foxing and some extremely light age wear, otherwise VG £300-400
Near East/Holy Land, Byzantine Empire, ca. 6th to 9th century CE. A beautiful, fascinating object from a wealthy Byzantine home or church - a round, spoke-like component of a candelabrum. A symmetrical, segmented, openwork motif of crosses gives the piece a clock-like appearance, at least to the modern eye - but in antiquity, this bronze disc would have been held by its three openwork bronze chains, which are still present here, and suspended from a stand by the heavy hook. Candles or lamps would have been set into the round areas of the surface. Size with chains fully suspended: Size: 14" W x 30" H (35.6 cm x 76.2 cm)Bronze furniture was a luxury item in the eastern part of the Roman Empire, and the Byzantine Empire that followed, reserved only for the richest households. Even there, they seem to have been heirlooms; some scholars believe that they were passed down through multiple generations, gaining additions like crosses, new lids, or new feet to suit changing decorative styles. Imagine how the light would have played off of this when it was new and polished to shine! Provenance: private East Coast, USA collection; ex-Janet Zakos collection, Switzerland, acquired in the 1980s Condition: Chain is in excellent condition with some slight bending to form. There are a few tiny notches in the edges of the base - possibly dents, possibly casting flaws - but otherwise this is in excellent condition with a beautiful mottled pale green patina. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #146231
Small Kammer & Reinhardt 101 bisque head character doll, German circa 1909, the pale bisque head with painted pale blue eyes, and single stroke eyebrows, closed mouth and original light brown wig, on a good fully jointed wood and composition body with swivel wrists and wearing original white cotton trouser suit, incised K&R 101, known as ‘Peter’ in the rare K&R character doll series, (condition: excellent) 9” (23cm) tall.
A Rare Albert Marque bisque head Art- Character doll, French circa 1916, the highly sculptured head with beautiful fixed blue glass paper-weight eyes, finely painted lashes and feathered eyes-brows, closed mouth with protruding upper lip, moulded pierced ears, plump rounded cheeks and elongated sloping nose with shaded nostrils, original light brown wig with card pate and on a uniquely modelled fully jointed composition body with elongated torso, wide hips and bisque lower arms with attached ball-joints at elbows and finely sculptured fingers, the shaped legs with elongated narrow feet, wearing Russian style black velvet trouser suit with gold silk lining, fine black bead trim to jacket and decorative mirrored metal buttons, with a cream silk blouse decorated with sequins and metallic beads, thick red sash, floppy black beret, underclothes, white socks and brown leather shoes with ‘Au Bon Marche Layettes’ label, incised A. Marque to back of head and with pencil mark to sole of right foot, reading ’32, P??miela’ , indecipherable, 22” (56cm) tall. (professional restoration to head and left hand). Albert Marque was a sculptor at the Ecole Francaise and from the end of the 19th century regularly exhibited at many prestigious Paris salons, in around 1915 there was a deliberate movement in Paris away from the traditional pretty Bebe dolls so famously made there. A group of well- known artists, including sculptors, porcelain manufacturers and fashion designers, became involved in creating a more realistic doll, reflecting a more expressive character. The artist doll by A. Marque was first presented at an exhibition by Margaine Lacroix, it is thought that no more than 100 of these dolls where made, most being inscribed by a number, this doll has number 32 in pencil to foot. A rare and important opportunity to acquire one of the world’s rarest dolls that seldom come up for sale at auction.
S.F.B.J 325 bisque head character boy, French circa 1910, with fixed brown glass eyes, painted lashes, feathered eyebrows and open/ closed mouth with two moulded upper teeth, moulded hair and on a fully jointed composition body with swivel wrists, wearing a blue velvet trouser suit, (lacks paint to hands, and one finger), 21” (53cm) tall.
Rare Gebruder Heubach 7759 bisque head character doll, German circa 1910, good quality head with blue intaglio eyes, painted brows and brown hair in strokes, closed mouth and on a fully jointed wood and composition toddler body, wearing later sailor-style trouser suit in blue and white, striped socks, wool beret, and leather shoes, (condition: tiny repair to one finger tip), 15” (38cm) tall.
Large Heubach Koppelsdorf 320 bisque head baby, German circa 1910, with weighted blue glass eyes, pierced nostrils, open mouth, two upper teeth and blonde wig, on a composition baby body, wearing a blue dress, (condition: good), together with a similar A.M 990 baby wearing a blue velvet trouser suit and beret, (2 items).
A 1960s Gerald Fisher, London W1 pink linen dress and coat, size 12, a 1970s aubergine wool, lined shift dress, 46 cm across chest and a grey wool jersey skirt suit, made in Belgium (Cont. size 44 (16) (3)Pink dress and coat - one button missing and have been shortenedOthers good worn condition
A 1960s Bernard Freres, London/Paris grey silk lady's suit printed with pink floral sprays (with photocopy photo of wearer) and a foliate pale pink/mauve hat, Made in France (worn with suit), a 1950s inspired black satin dress printed with red flowers, a 1970s Cara gilt printed black cotton dress with tiered skirt and a 1950s velvet, feather and net hat
An album of ink and watercolour scraps - British and Foreign medals and orders, to/w various collectables, including a turned wood bowl, painted with the arms of Cambridge University colleges, a segmented finger-shield from a suit of armour, a George V silk souvenir of Egypt and various cigarette silks, a Japanned tin 'penny whistle', a china and chrome tray decorated with Nile scene, etc. (box)
A LARGE RUSSIAN PORCELAIN FIGURE OF A YOUNG BOY PEELING AN ORANGE, GARDNER PORCELAIN FACTORY, MOSCOW, 1870S-1880S realistically modelled, depicted standing in front of a birch tree stump, wearing a sailor's suit and peeling a piece of fruit, on tapering cylindrical base, red overglazed Gardner factory mark, impressed factory marks and impressed numeral 140 under base; overall height: 37 cm (14 5/8 in.)
Pair of Early 19th Century Grodnertal Style Carved Wooden Dolls, with black painted hair, curls to the face, carved noses, painted eyes and mouth, standing on matching brown leaf printed paper mounted bases, of two sizes comprising; a lady in a cream silk dress with stomacher, black printed triangles to the hem, carrying a blue card guitar with strings, 11.5cm; a matching gentleman with moustache in cream and blue silk outfit comprising a blue doublet with trim, cream silk short breeches, stockings, blue garters and leather shoes, handwritten label to back of the base 'Andalusian' 15cm high (2). Lady - top of her head is missing. horizontal cracks to the face and back of the neck, dress shows a lot of wear to front back and sleeves. Scuffing to the base and guitar. Gent - nose scuffed and paint missing. Crazing and paint flakes to the face and hair. Wear to one elbow of his suit, otherwise mainly discolouration. Small holes and scuffing to the base.
Circa 1930s and Later Ladies and Gentlemen's Evening Costume, comprising a full length checked silk taffeta dress, with short sleeves, collar and zip to the front; Rolande Original green silk full length evening dress, short sleeves, bead and sequin floral decoration to the V-neck (size 38); Brown Muffs of Bradford lime green sleeveless cocktail dress, with appliqué trim and beaded decoration; floral full length long sleeve dress, with round collar, flared skirt, printed flowers on a blue ground; royal blue velvet coat with long sleeves and collar; blue and gold floral brocade sleeveless shift dress, and matching evening bag with gilt metal clasp; Byroter London turquoise silk sleeveless cocktail dress, pleated bodice, sequin and bead decoration, (size 38); turquoise silk dress suit comprising a sleeveless shift dress and matching coat, appliqué trim to the bodice and cuffs on the jacket; similar three piece by Matita comprising a pale blue silk linen sleeveless top with decoration, straight skirt, matching long sleeve coat and Rayne pale blue leather handbag; gentlemen's morning suit, black evening tail coat, trousers, two black waistcoats and a white evening waistcoat (14 & 2 bags). Checked dress - belt missing and slight wear. Rolande Original - belt missing, bead losses, staining around the arms, slight wear. Brown Muffs dress - barely worn. Floral long dress - slight wear. Blue velvet coat - slight wear and some fading to the lining. Blue and gold dress - slight wear, couple of loose threads. Byroter dress - some brown spotting to the bodice. Turquoise suit - slight wear under the arms. Matita suit - slight wear. Gents costume - slight wear and white waistcoat is slightly discoloured.
Assorted Circa 1950-1970's Day Wear, comprising a Dorene Model two piece skirt suit in orange and cream textured check (size 16); Strohbach London two piece skirt suit in teal green, comprising straight skirt and fitted jacket with three quarter length sleeves, silk shawl type collar, one button fastening; Berkertex London designed by Hartnell black cotton dress with three quarter length sleeves, fold back cuffs, buttons to the waist, collar and fabric belt; Maxlim black sleeveless mini dress with chiffon mount, floral appliquéd hem in chiffon (size 36); Bellino sheer black long sleeve shirt with buttons, white collar and cuffs (size 36); Jean Varon brown and cream striped short kaftan style dress, zip to the front, long flared sleeves (size 14); two similar dresses including a Vuokko black and white striped cotton dress (size 40); and Lena Rewell Finland dress decorated with large black outlined circles on orange ground, with matching sun hat; short sleeve woven jacket on a green ground, decorated in orange with Isnik style birds; wool and silk floral embroidered waistcoat with green trim; Fenno Sport cream and black sleeveless cotton wrap dress; Gail Hoppen spotty dress (size 12) (12). Dorene suit - slight wear. Strohbach suit - slight wear. Berkertex by Hartnell dress - slight wear. Maxlim dress - slight wear. Bellino shirt - slight wear. Jean Varon - some light blue spotting marks to the front and slight wear overall. Vuokko dress - slight wear. L Rewell dress - stitched repair to the bottom of the opening on the back. Bird jacket - rubbing, stitched repair to the neck and some bobbling. Floral waistcoat - several areas of wear, loose threads etc. Fenno sport dress - couple of tiny marks to the skirt. Gail Hoppen dress - slight wear and lining hanging down.
Assorted Circa 1960s and Later Costume, comprising a Pierre Cardin Paris light brown linen sleeveless dress, with button detail, faux wrap skirt and belt (size 38); Beged-Or navy blue suede long sleeve double breasted dress, matching belt and tan leather trim; Chinese style short sleeved dress embroidered overall with small flower heads in pink, greens and red; Lester Bowden long navy cardigan with red trim and belt; Dior 2 linen mix skirt suit, comprising a jacket with round neck, long sleeves and double frilled peplum to the waist (size 8); Jean Muir linen patterned jacket with asymmetric fastening (size 8); similar style Armani Collezione jacket in grey 2 tone diagonal stripes (size 42); Caroline Charles black velvet evening jacket, embroidered overall with coloured flowers, bead and crochet hem; Skirts including Gerard Darel black and white striped silk skirt with gathered frill (size 38), Louis Féraud pink straight skirt, diagonal over stitching, Jean Muir white straight skirt woven with gold and pale blue large rose heads (size 8), similar skirt by Caroline Charles Studio in silver spots; Tops including a black silk Muriel Cealac long sleeve shirt, button reverse, drama masks appliquéd to the front (size 38), Bagutti Collection black V-neck jumper with long sleeves, white and black bead floral appliqué to the neckline and waist as faux belt, Matisse of Bond Street long sleeved silk shirt in blue and red geometric pattern by Liberty with neck ties (15). Lester Bowden navy cardigan - couple of thread pulls. Chinese dress - couple of thread pulls. Dior 2 - slight wear. Jean Muir skirt - shows some wear. Caroline Charles skirt - shows some wear. Matisse shirt - slight marks under the arms. Others all slight wear. Mainly sizes 8-10 unless mentioned.
Circa 1970s Christian Dior London Costume, comprising a dark teal coloured chiffon suit with long sleeved bodice, round collar to the neck, woven with silver diamond/trellis design, plain teal pleated skirt, similar coloured velvet coat quilted with matching woven silver diamonds/trellis, single breasted with large patch pocket and matching turban hat, labelled Christian Dior Licence Chapeaux; a cream silk short sleeved long dress, with pleated hem, drawn thread work style detailing the bodice, matching short sleeve jacket woven with geometric shapes; a white long sleeved wedding dress, round collar to neck, trim to bust, train and trimmed hem, cummerbund and a Christian Dior Licence Chapeaux white silk head band appliquéd with floral paste stones, pearls, embroidered and net veil (3)
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