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Lord Of The Rings - Andy Serkis - an autographed 8x10 colour photograph depicting Serkis in a motion-capture suit. Signed neatly in black ink to a light area. With certificate of authenticity from an RACC Trusted Seller. 

A Silver Cigarette Box with Engine Turned Decoration, Mounted with Oval Enamelled Anthropomorphic Study of Cat in Sailor Suit, 8.5cms High

Yves Saint Laurent. One jacket, one suit size 46

Seven ladies Valentino jackets, suit and other items size UK 10-12 Black and white Prince of Wales check suit size 12Dark grey wool jacket with velvet collar (no size label) size 12?Two black straight skirts size 10 and 12Cream linen jacket with gold buttons (no size label) size 12?Navy blue satin jacket with red flowers with green leaves and stems. (no size label) size 12?Long sleeve V neck turquoise top size 12?

A selection of Ladies Valentino clothes sizes UK 8-14 Black and white dogtooth jacket size 12Light grey wool coat (no size label) size 12-14?Brown double breasted jacket size 14Suit with light pink jacket and grey and cream checked skirt (no size label) size 12?Light brown short wool coat size 14Brown and cream patterned jacket size 14Navy linen skirt with gold buttons size 12Bright pink zip up jacket with black buttons size 12Black collarless jacket (no size label) size 12-14?

Fabian Perez (Argentinian, b.1967)'Man in Black Suit'hand-embellished giclée print in colours, signed 'F. Perez' l.l. and numbered 'A/P 4/10' verso183 x 122cmCondition ReportFramed size: 208 x 147cm.Overall in good condition.

BORUSSIA DORTMUND GERMANY KAPPA TRACK SUIT Ref. TM

 FC KOLN GERMANY TRACK SUIT (FC COLOGNE) Ref. TM

 ATALANTA ITALY TRACK SUIT Ref. TM

AUSTRALIAN RULES - GEELONG TRACK SUIT    Ref TM

STANDARD DE LIEGE BELGIUM TRACK SUIT   Ref TM

CLYDE FOOTBALL CLUB TRACK SUIT SIZE XL Ref. TM

VILLARREAL C.F. SPAIN TRACK SUIT Ref. TM

RACING CLUB DE LENS FRANCE ADIDAS TRACK SUIT   Ref TM

BOLOGNA ITALY TRACK SUIT   REF TM

SWINDON TOWN TRACK SUIT

A vintage PALITOY Action Man navy Frogman figure, plus a group of accessories including a spare frogman suit and a diving suit - F/G (unboxed) (26)

A Rols-Royce Spirit of Ecstasy mascot mounted on a radiator cap, to suit 20/25 models.

1973 MG B GT V8 Transmission: manualMileage:11409The MGB was first introduced in May 1962 as a direct replacement for the MGA. Performance was brisk with power supplied by a 1798cc four-cylinder iron block engine set within a monocoque lightweight bodyshell with crumple zones incorporated. October 1965 saw the introduction of the GT which was based on the already popular roadster. Designed by Pinninfarina, the new GT sported a hatchback giving useful access to the rear luggage space and a rear bench seat that enabled the car to be called a 2+2. Although acceleration was slightly slower than the roadster, top speed was better by 5mph due to the increased aerodynamic efficiency. Ken Costello saw the possibility of fitting the larger aluminium 3528cc Rover P5B engine into the MG B GT having been sure that the handling and braking could be made to match the much improved performance; not that it needed significant changes as the V8 weighed in at around 40 pounds lighter than the four-cylinder iron blocked engine it replaced. Space was not a problem as the car had originally been designed for fitment of a V4 that was never produced. It was not until two years after the first Costello car that MG decided to follow suit. It was 1973 and the fuel crisis loomed; with British Leyland not wanting competition for the V8 engined Triumph Stag, prices of the MGB GT V8 were set high. Production ceased in 1976 with 2,591 units having been produced. Presented in black coachwork with black trim this genuine factory built MGB GT V8 has been in the current ownership since 2016 and has spent the last six years in the dry climate of the south of France with its British owner. Recently driven back from its extended holiday this example has returned to UK plates and presents well. Originally supplied with optional overdrive by Wadhams Ltd in Wiltshire in September 1973, repainted in black in 1999 as part of a full body restoration. Accompanying the car is a large history file, much of which was accumulated by Mr Turnbull who owned the car between 1993 and 2016. Included are details of a full engine rebuild with a blueprinted Rovercraft engine by Brown and Gammon Ltd (heritage specialists), countless MoT certificates and invoices, a Heritage certificate, V8 handbooks and a catalogue of photos of the car through previous ownership. V8 prices have been on the rise and it's hard not to see why; big engine with a little British sports car, like Sunbeam Tigers these cars are a riot to drive and incredible value.Interested parties should note that this vehicle is not currently sold with a V5 registration document. However, one has been applied for by the vendor with the DVLA and should arrive in due course.

2005 Mercedes-Benz McLaren SLR Coupé Transmission: automaticMileage:3357The SLR McLaren, introduced in November 2003, was Mercedes-Benz's foray into the world of the supercar, alongside such cars as the Porsche Carrera GT and the Ferrari Enzo. It was developed in collaboration with the McLaren Technology Centre which, at the time, was partially owned by Mercedes-Benz. While Ferrari and Porsche pursued creating the best all-out supercars that the world had ever seen, Mercedes-Benz and McLaren attempted to create a car that coupled the best aspects of supercars with that of grand tourers. Engineers at Mercedes-Benz and McLaren took care to place the V8 as far back as possible in the chassis in order to improve the car's handling, giving the SLR near-perfect weight distribution. The SLR's engine produces 617bhp at 6,500rpm, thanks to a Lysholm-type twin-screw supercharger. A dash from 0-60mph took 3.8 seconds and the car leads to a quarter mile in just over 11 seconds with a top speed of 206mph. Its AMG Speedshift R transmission provides three manual modes to suit the owner's style of driving. Other remarkable technical features include the Sensotronic 'brake by wire' system, carbon-ceramic disc brakes and an automatic airbrake which can bring the SLR to a screeching halt from 120mph to a dead stop in less than 240 feet.This Mercedes-Benz SLR was manufactured in 2005 and presented in silver, typically synonymous with the Silver Arrows. This low mileage McLaren is in a condition commensurate with such few miles on the clock. The cockpit area of a SLR is a thing of beauty and to drive such a car is a memorable experience. The ultra-comfortable sports seats and luxurious interior are finished in black leather complementing the striking silver exterior. The SLR Coupé is a very versatile vehicle, comfortable to drive at 30mph, yet simply stunning to drive at high speed. The fabulous engine fires up at the press of a button on the gear lever which is reminiscent of a €˜jet fighter' and drives with no known faults. Built in the UK and then shipped to the U.A.E, this SLR was then imported back to the UK in 2012 to our private owner.With a recent MoT test certificate and a UK V5C registration document, this is truly a collectable example with circa 2,085 miles from new. Whether you are driving to your local restaurant or to the South of France, there can be few more exciting ways to travel than a Mercedes-Benz SLR McLaren.Successfully sold at our Bicester sale this lot is being offered again at Mercedes Benz World due to difficulties completing the purchase. No change of ownership has taken place and the lot is offered in identical terms to September when it sold for £277,340. Any questions please contact Mathew in the office on 01753 639170 or email mrp@historics.co.ukVicki Tom and Mathew driving this very SLR and Ferrari F12 in a supercar shootoutTom Exton on TGE reviewing this SLR in depth

2 laptop bags, a bag and suit holder, plus a bum bag

A large mixed lot including a collection of late 19thc and 20thc costume, to include a striped silk dress, velvet jackets, a cream lace cape, a green wool suit, two bowler hats and black mourning cape. Also with a black and gold sequin shoulder cape, three fans (with damage), a green velvet collar with bead detail, feathers, a bead evening bag, caps and a qty of misc costume, lace, etc. *CR: Not available. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.

A Giorgio Armani mens suit Jacket size 54 trousers 38

A Versace classic suit

A Balmain mens suit

Nikos Engonopoulos (Greek, 1907-1985)Irô et Leandros signé en grec et daté '53' (en bas à gauche)huile sur toile65 x 55.5cm (25 9/16 x 21 7/8in).Peint en 1953. signed in Greek and dated (lower left)oil on canvasFootnotes:ProvenanceGift of the artist in 1954 to Demetrios and Niki Andrikopoulos and hence by descent to the present owner.LittératureK. Perpinioti-Agazir, Nikos Engonopoulos, Son Univers Pictural, exhibition catalogue and catalogue raisonée, Benaki Museum, Athens 2007, no. 474, p. 156 (illustrated), p. 282 (illustrated), p. 444 (catalogued and illustrated).A magician whose creative imagination followed the footsteps of gods and heroes, Engonopoulos couldn't but be fascinated by the love story of Iro and Leandros.According to the Hellenistic myth, Iro, a beautiful young girl from Sestos dedicated by her parents to Aphrodite's service, lived in an isolated tower by the shores of the Hellespont. The maiden's beauty increased with the years and the fame of her loveliness passed over the straits and reached Abydos, hometown of the brave and handsome Leandros. Eventually the two youths met at a solemn festival in honour of the goddess, fell in love, and Leandros vowed to swim to Iro's sea-girt tower when the shades of night had fallen. To guide him safely across the straits she would light a lamp and hold it aloft. And so, the secret lovers maintained their passion through many summer nights. But when winter came and the sea grew stormy, they should have refrained from lighting the lamp. Yet, love and destiny compelled them, and the fatal night arrived. Leandros struggled with the waves but his strength failed him—and Iro's lamp was blown out by the wind. When the grey morning dawned over the tossing sea, Iro saw him lying dead at the foot of the tower. Devastated, she threw herself into the waves and perished by her lover's side.1The story of Iro and Leandros is found in folk tales and love lyrics across Europe and beyond. It is also depicted on Pompeiian frescoes, on a mosaic and a relief found in Tunisia, and on coins of Abydos and Sestos, the towns at the beginning and end of Leandros's legendary journey. Centuries later, in 1810, Lord Byron, inspired by the story, achieved the hero's feat of swimming across the Hellespont. Three years later, he wrote the following lines from his The Bride of Abydos:'The winds are high on Helle's wave,As on that night of stormy waterWhen Love, who sent, forgot to saveThe young, the beautiful, the braveThe lonely hope of Sestos' daughter.'2Engonopoulos portrays the couple's encounter at Iro's stonewall tower by the sea.3 Leandros, waded knee deep into the wavy waters of Hellespont in a full body bathing suit, reaches towards his naked lover—in a manner highly reminiscent of Theofilos's representations of Erotocritos reaching the balcony of his beloved Aretousa—while the lamp,4 which is the confidant of their secret loving, presides over the scene. Drawn from the treasury of Greek mythology, this artistic vision faithfully reflects Engonopoulos's attitude towards painting as an ideal vehicle to probe into the world of Greekness. As noted by theatre director and playwright Alexis Solomos, 'Engonopoulos can merge symbols of different origin and character, yet what is more astonishing with him is the all-prevailing spirit of Greece in his work. Every point of the universe, every moment in history is detached, through a magic power, from its geographical or historical setting and made to contribute to the predominant idea of the artist's own land.'5 As noted by the late Athens National Gallery Director M. Lambraki-Plaka, 'Engonopoulos's figures may draw their origin from Giorgio de Chirico but they are unmistakably Greek, reminiscent of the Minoans immortalised on the Knossos frescoes and the early kouroi, while alluding to the tall and slender formula of the Byzantine saints also evident in El Greco's work.'6 1 See M. Grant, Myths of the Greeks and the Romans, Mentor editions, New York, 1962, pp. 373-378; H.A. Guerber, The Myths of Greece and Rome, London, 1921, pp. 89-94. See also K. Perpinioti-Agazir, Nikos Engonopoulos, Mythology, Ypsilon editions, Athens 2006, p. 98. 2 Lord Byron, The Bride of Abydos, Canto the Second, I, 483-487.3 Compare Iro and Leandros, 1980.4 The lamp is a distinct and recurring theme in Engonopoulos's work with symbolic overtones (compare Hora ruit, 1939, Iro,1957, and Scholiasts of a future text, 1958 (sold by Bonhams, Greek Sale 24.11.21, lot 41).5 J. Lehman ed., New Writing and Daylight, New Direction editions, England 1946, p. 126.6 M. Lambraki-Plaka 'The Timeless Pantheon of Nikos Engonopoulos' [in Greek], Filologiki quarterly, no. 101, October-November-December 2007, p. 9.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

* Moonwalkers. A NASA Apollo Missions Moonwalkers' autographs boardroom display piece, featuring autographs of all 12 Apollo moonwalker astronauts, comprising: Apollo 11: Neil Armstrong, (1930-2012), black ballpoint pen on plain paper; Apollo 11: Edwin "Buzz" Aldrin, (1930- ), silver pen on black paper; Apollo 12: Charles "Pete" Conrad, (1930-1999), blue ballpoint pen on plain paper; Apollo 12: Alan Bean, (1932-2018), First Day Cover, also signed by Jack Lousma & Owen Garriott; Apollo 14: Alan B. Shepard Jr, (1923-1998), gold pen on black paper; Apollo 14: Edgar D. Mitchell (1930-2016), signed FDC; Apollo 15: David Scott (1932- ), signed FDC, also signed by Alfred M. Worden; Apollo 15: James B. Irwin (1930-1991), black felt tip on plain paper with 'Apollo 18' and thumbnail crescent moon added; Apollo 16: John W. Young (1930-2018), silver pen on black paper with 'Apollo 16 CDR'; Apollo 16: Charles M. Duke (1935- ), cut photograph portion signed twice, including once for 'Roy'; Apollo 17: Eugene Cernan (1934-2017), signed FDC, also signed by Roy Evans; Apollo 17: Harrison H. Schmitt (1935- ), signed FDC; presented in pairs, each with a 9 x 9 cm photographic portrait in space suit mounted above, plus badges of Apollo 11, 12, 14, 15, 16 & 17, all arranged neatly and symmetrically in two columns around a central large colour photograph (83 x 54 cm) showing Buzz Aldrin on the Moon as photographed by Neil Armstrong (with Armstrong seen in the visor reflection along with Earth), black frame with Perspex glazing, overall 115 x 167 cm (45 x 66 ins)QTY: (1)NOTE:An impressive and large centrepiece display celebrating the Apollo lunar missions with the autographs of all the Apollo astronauts who walked on the Moon. Of the twelve only Buzz Aldrin, David Scott, Charles Duke and Harrison Schmitt are still alive.Fifty-three years ago, on 21 July 1969, at 02:56 UTC Neil Armstrong became the first person to step onto the lunar surface. Buzz Aldrin joined him 19 minutes later. They spent over two hours together outside the spacecraft collecting lunar material to bring back to Earth. Command module pilot Michael Collins flew the command module Columbia alone in lunar orbit while they were on the Moon's surface. In total Armstrong and Aldrin spent 21 hours 31 minutes on the lunar surface at a site they named Tranquility Base before lifting off to rejoin Columbia in lunar orbit.A certificate of authenticity supplied by Charles Phillips & Sons is included with the lot.

Action Man and GI Joe interest, an action figure by Palitoy Hasbro dated 1964 to the reverse in Nazi German dress, an action figure by Palitoy Hasbro dated 1964 to the reverse in jump suit, a wealth of additional accessories including weapons, life raft, clothing, boots etc. and a G I Joe action figure by Hasbro dated 1964 to the reverse.  

Luggage - a large brown leather Gladstone type holdall, suit case etc (3)

LUIGI SAULINI, A MID 19TH CENTURY SHELL CAMEO PENDANT OF A GENTLEMAN CIRCA 1860The oval shell cameo carved with the profile of a bearded gentleman wearing a suit and neck tie, signed L. Saulini F. within a polished gold surround, with triangular baleSize/dimensions: 7.8cm long including baleGross weight: 35.9 gramsLuigi Saulini (1819-1883) was the son of celebrated Italian cameo carver Tommaso Saulini (1793-1864), who had studied under Thorvaldsen. Based in Rome, the Saulini workshop produced cameos based on classical designs and works, but they also produced carved shell cameos of the aristocracy as souvenirs of their Grand Tours. Luigi was at his most productive during the 1860s and 1870s. The costing of a shell cameo was approximately a tenth of the cost of a hardstone cameoCondition Report: There sis a hairline fracture to the top right of the cameo that goes through both sides as well as some surface hairline fractures. The signature is clear. There is some wear to the setting commensurate with ageCondition Report Disclaimer

* Flying Suit. A WWII RAF Type H electrically heated liner, brown cloth with tailor's label stamped 'Type H, Ref. No 22C/1013, Con. No. 16944, Serial No 1768', additionally inscribed with the name 'F/O Eggleston 527Sqn', together with a Windak Type D electrically heated waistcoat numbered 1821 plus a WWI period green cloth shirt by Anderson & Sons and other itemsQTY: (5)

* RAF Clothing. A pair of WWII RAF electro-thermal slippers by Windak, green cloth with lambswool lining, Air Ministry tailor's labels stamped in black ink, together with a mixed collection of RAF items including a pair of quilted boots, a fur collar from a flying suit, a brown leather face mask, another soft green cloth face mask, a cloth hood, an Air Ministry gun holster dated 1941 with belt inscribed with service number 1168879 and dated 1940, silk parachute and other itemsQTY: (a carton )

* Oxygen Masks. A collection of seven post WWII rubber oxygen masks, including P.6B type, two summer weight flying helmets, box of cape leather sweat resistant gloves 22C/0005749, cold war period flying suit Mk4 and other itemsQTY: (a carton )

A canvas flying suit, the zip marked with AM and Crown and FE.Ltd. Size 3 with central zip, multiple pockets, buttons and internal press-studs. The liner size 2 with similar Air Ministry zip pulls. *CR: Used condition with wear and some buttons and other details missing. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.

AN AKITO MOTORBIKERS SUIT AND A NITRO HELMET

A MILITARY COAT WITH PEGASUS PARA BADGE, PARACHUTE SHOULDER TAB AND AN ALL IN ONE SUIT (2)

A MILITARY/FISHING/SHOOTING ALL IN ONE INSULATED SUIT

A black Chanel Boutique trouser suit with thin shoulder straps. The pantsuit has black with gold-coloured CC logo buttons and two external pockets.Fabric:100% wool / 100% silkDimensions:Total length: 149 cm.Armpit to armpit: 46 cm. 44FR

A black Hermès two-piece suit with light pinstripe. Including original garment bag. The blazer is made with a reverse neckline and two exterior pockets.Fabric:72% wool, 27% viscose, 1% polyesterSize: 44 FR (Check dimensions)Dimensions blazer:Total length: 75 cmShoulder width: 43 cm.Armpit to armpit: 52 cm.Sleeve length: 55 cm.Dimensions Trousers:Total length: 107 cm.Waist: 40 cm. 44FR

A black Chanel Boutique suit with blazer and trousers. The blazer has two internal pockets and a round neckline. The trousers have wide legs and a black with gold-colored CC logo button at the top.Fabric:100% wool / 100% silkSize: 40 FR (Check dimensions)Blazer dimensions:Total length: 77 cm.Shoulder width: 36 cm.Armpit to armpit: 45 cm.Sleeve length: 58 cm.trousers dimensions:Total length: 103 cm.Waist: 36 cm 40FR

A black Chanel Boutique suit consisting of a vest and trousers. The vest has two internal pockets and a black zipper with the CC logo attached to it. The trousers have straight legs and two rows of black CC logo buttons at the top.Fabric:100% wool / 95% silk, 5% lycraSize: 44 FR (Check dimensions)Dimensions vest:Total length: 77 cm.Shoulder width: 44 cm.Armpit to armpit: 51 cm.Sleeve length: 56 cm.trouser dimensions:Total length: 105 cm.Waist: 38cm. 44FR

CINEMA, signed album pages, Mickey Rooney (half-length in plaid shirt) Robert Taylor (half-length in suit), each overmounted beneath photo, framed & glazed, 14 x 22.75 overall & slightly smaller, VG to EX, 2

Dolce & Gabbana. A lady's wool two piece black double breasted chalk stipe suit, size 42, the jacket with double vent.

Vintage negative of Marilyn Monroe in 1954 visiting the US troops in Korea, with other prints from the day and a photo with Betty Gable and a photographer Joseph Jasgur image of Marilyn in swim suit.

A Country man’s tweed jacket by Austin Reed in a Dog Tooth check in a colour way of sage green beige and grey size 44 chest and three pairs of grey flannel trousers together with a grey wool and silk blend coat, 1970’s/80’s Size 44’ chest together with a Marks and Spencer’s charcoal grey suit with hand stitched lapels, 42 chest1980’/90’s;  a 1960’s country tweed jacket by R.J Hambling of Newark the colours of the jacket are Brown and Sage Green check 42 Chest together with a pr of Cavalry Twill sage green trousers4 items

A grey flannel double breasted suit  44 chest  and 38 waist, with turned up trousers; A Marks and Spencer’s knitted beige cardigan with a suede Yoke and down the front of the garment size 44/46 chest 1990’s; a beige Lord Anthony Gillet 1980/1990 extra large, slit style zips on front of garment and two large poachers Pockets, and a pr of cream bell bottom trousers 1970’s.4 items

A dark grey pin striped men's suit 44 chest pure new wool by Maenson pure new wool. 1980’s; Together with braces; a Men's Dark brown full length raincoat by John Temple with a brown plaid lining 1970’s/80’s; with two Ply twist tweed suit in shades of grey and green for the Country Gent, Chest 44; Included also is a Harris tweed men's check jacket in a colour way of green and brown on an oatmeal background, 46 chest with a pair of grey flannel casual trousers.4 Items

A men’s velvet smokers’ jacket with wide lapels in a complimentary sateen fabric. It is fully lined. Size 42-44” chest.A Christian Dior man’s suit in fine pinstriped wool. Late 1960s. Size 44” chest. The trousers are 34” waist and 44” inside leg. A ladies slub taffeta cream under slip. Size 10 and full length. A 1950s man’s dark grey wool overcoat. Two high breast pockets and two flap pockets. Three large buttons on the front.Summer weight mixed linen men’s jacket with a green lining. It has a breast pocket and two patch pockets, which are stained. Size 44” chest. A pair of man’s royal blue trousers. Late 60s-early 70s. The fabric is part-polyester and viscose, and the garment is made in England. Size 34” inside leg.A 1960s- 70s Wemco shirt in dark blue. 14 ½” collar. Pointed revers and two patch pockets. A 1960s man’s summer weight jacket in gabardine fabric, by Pegasus. Two breast pockets and two concealed pockets. A silk paisley necktie. All items very dusty and marked (will brush off) (9)

A late 30s-early 40s evening jacket with a tailcoat. The lining is partly quilted. Size 38” chest. Matching trousers with braces and a metal zip. A 1940s dove grey waistcoat by Austin Reed of Regent Street. Size 38” chestA 1930-40s evening waistcoat with brass buttons. A low scooped design. Size 38” chest.A late Edwardian, early 1920s pinstripe suit, made from worsted wool fabric with a button closure. Size 34” waist.A late Edwardian, early 20s black waistcoat in wool with silk pinstriped lining. It is double breasted and has two pockets. Size 38” chest.A late Edwardian tailcoat, made by Stansfield and Davis in Manchester. Size 42” chest.All items very dusty and marked (will brush off) (6)

A vintage crocodile suit case, the locks stamped: DREW & SONS, Picadilly Circus London W1., handle missing (1) 

A boys suit of armour; made in Walsall by an armourer, in 2006; it has every detail of an original one, from the helmet to the breast plate, articulated arms and legs, there is included an armour jacket in red velvet, the feet are known as sabatons!! there is a leather belt which have been worn under the breast (to attach the legs to) (rusty) but will clean (fits up to an 8 year old)

Graduation gown with mortarboard by Henry Wilson & Co. of Cambridge. 1940sA 1940s-50s khaki army shirt, approx. size largeA pair of khaki army trousers. Made in 1954 by John Hammond & Co. Size 13, height 5’ 11”, inside leg 33 1/2” leg, waist 33”. A pair of 1950s men’s Harris Tweed trousers with turn ups and a metal zip closure. Size 32” waist. A Utility Wear, KFMC, navy blazer with wide revers. Size large.A 1950s Saxon Hawke of Saville Row tweed men’s blazer. Size large- X-large. A 1950s navy pinstripe suit by Cheval and made in England. The trousers are size 32” waistA late 1950s dark navy-blue John Collier jacket. Size 44” chest. A c.1969 ladies caprice skirt, made in England. It has kick pleats at the bottom. Size 12. A late 1950s early 1960s worsted wool pinstripe jacket. Size 44” chest.All items very dusty and marked (will brush off) (Q)

Four vintage film posters comprising 'The World Ten Times Over', a reprint of 'The Man In The White Suit', 'Percy's Progress' and 'Bandit Queen'.

STEPHEN GRANT & SONS A 12-BORE W. BAKER 1906 PATENT ASSISTED-OPENING SIDELEVER SIDELOCK EJECTOR, serial no. 17242, circa 1935, 29in. nitro barrels, the tubes engraved 'STEPHEN GRANT & SONS. 7. BURY STREET. ST. JAMES'S. LONDON.', the rib gold-inlaid '1' at the breech end, 2 1/2in. chambers, bored approx. imp. cyl. and 1/2 choke, W. Baker patent assisted-opening action, patent no. 26,903 of 27th November 1906, with Baker patent ejectors, carved stylised leaf fences, automatic safety with gold-inlaid 'SAFE' detail, fine border and acanthus scroll engraving, retaining some original colour-hardening and finish, 16in. replacement stock (cast for a left hander, triggers swept to suit) including 1in. leather-covered recoil pad, weight 6lb. 10oz., in its makers brass-cornered oak and leather guncase. S2 - Sold as a Section 2 Firearm under the 1968 Firearms Act

A .451 WHITWORTH PERCUSSION THREE BAND MILITARY MATCH RIFLE, CIRCA 1861, no visible serial number, with 29 1/2in. barrel (shortened from 33in.) with Whitworth patent rifling, dovetail adjustable blade front-sight, match type windage adjustable rear-sight, border engraved detented lock stamped on the tail with the Whitworth trademark of a crowned wheatsheaf, bolt safety to centre and engraved 'WHITWORTH & COMPANY, iron mounted full walnut stock, with chequered wrist and fore-end, the butt fitted with a circular patchbox, complete with sling swivels, rod missing, the rifle appears to have had the barrel shortened at the breech and the fore-end to suit, rod and percussion nipple missing.

My Little Pony - 3 ponies and 4 outfits: "Blanc" tiny pony "Dangles" newborn pony, "Honeysuckle" flutter pony (no wings), together with Bunny baby suit, Dragon baby suit, Overalls baby suit, and baby sunsuit.

Palitoy, Action Man - An unboxed vintage Palitoy black painted hard head Action Man on Atomic Man body dressed in Ski Patrol / Mountain Troops attire. The gripping hand figure is marked 'Made in England by Palitoy Under License From Hasbro © 1964' to the rear of the torso with some light surface marks to body, a compass stab wound to back, a hairline stress crack on top of right thigh, plus some broken fingers on ledft hand due to perishing, otherwise appears Good. The figure wears green shirt (labelled Palitoy), green trousers, winter camouflage two-piece ski parka (draw-string top and trousers), short black boots, goggles (green with white rim), mittens, back pack, ice axe, rope, white Ski Patrol helmet (cracked and has glue repair), white SLR rifle, and one hand grenade - outfit and accessories appear Fair Plus - Good overall with age and display wear - snow suit is sully and would benefit from cleaning. (This does not constitute a guarantee)

Palitoy, Action Man - A Palitoy Action Man figure in Landing Signal Officer outfit. The red painted hard head figure with hard hands and flesh rivets, is marked 'Made in England by Palitoy Under License From Hasbro © 1964' to rear of torso - has some light surface wear to body, and paint loss to head, otherwise appears Good. The figure comes with Landing Signal suit (labelled Palitoy), cloth helmet with earphones, short black boots, green black rimmed goggles, GI Joe Life Vest with 'S' clip, plus binoculars, clipboard, pencil and paper, flare gun and two signal paddles - outfit and accessories show signs of display ranging Fair Plus - Good, suit would be enhanced with cleaning. (This does not constitute a guarantee)

Gi, Joe, Hasbro, Palitoy, Action Man - A GI Joe Deep Sea Diver. The figure is a dark brown painted head example - due to the delicate nature of the outfit and its fixings it is difficult to ascertain the body type, or whether or not it is a GI Joe or Action Man. Overall the figure appears Good. The figure comes with a latex like diving suit which has hardened over time, diving helmet which has 'GI Joe' embossed on chest plate, red screw valve, boots, boot weights, gloves, belt with weights, oxygen pump (built in compass), air hose, marker buoy with red & white flag, knife, scabbard, rope - outfit and accessories show signs of display ranging Fair Plus - Very Good. (This does not constitute a guarantee)

NINE ITEMS OF MEN'S VINTAGE CLOTHING, comprising a green and black Mallory Park waterproof jacket, a 1980's style well-worn brown leather jacket, a brown sheepskin coat, a black M&S dinner suit with two dress shirts and a black velvet bow tie, a navy blue M&S suit, chest size 42 (mark on right sleeve), a grey and black tweed jacket, chest size 40 , a brown and tan checked M&S pure new wool jacket, chest size 42 (9)