We found 19294 price guide item(s) matching your search

Walter White's (Bryan Cranston) hero hazmat costume from Seasons 1 of the addictive crime drama series Breaking Bad. White and Jesse Pinkman (Aaron Paul) wore their iconic yellow hazmat suits while cooking meth throughout the season before switching to more protective gear in later seasons. In 2015, White's hazmat costume was added to the Smithsonian Institute's permanent collection.This costume comprises a yellow hooded rubber and synthetic fabric hazmat suit labeled "Walt" on the collar, a rubber and glass NIOSH-approved 3M respirator mask, and a pair of blue rubber gloves. The costume exhibits make-up stains, some scuffs to the glass, and wear to the rubber, but it remains in good overall condition.Estimate: $4,000 - 6,000

A high-quality replica of Arthur Dallas' (Tom Skerritt) spacesuit from Ridley Scott's sci-fi horror film Alien. Dallas, captain of the USCSS Nostromo, wore his spacesuit to explore LV-426 in response to a mysterious signal emanating from it.This replica spacesuit was based on reference to film-used spacesuits and has a pink color scheme and is constructed with various layers of fabric, padding, and lacing with bronzetone molded resin for the armored shoulder pads, chest, back, and wrist devices, and other faux metal components. A small nameplate on the chest reads "Dallas". The bronzetone fiberglass helmet has a transparent dome front, and padded gloves and boots complete the lot. Battery powered lights are wired throughout the suit. The replica spacesuit is in excellent overall condition with minimal wear beyond a bit of intentional weathering to simulate use and age.Contains electronics; see electronics notice in the Buyer's GuideEstimate: $5,000 - 7,000

An animatronic Amy (Lorene Noh) screaming head from the production of Frank Marshall's sci-fi action-adventure Congo. Primatologist Peter Elliott (Dylan Walsh) took Amy, a mountain gorilla using a specialized backpack and glove to translate her sign language into an audible voice, back to Africa with the funding of a mysterious philanthropist named Herkermer Homolka (Tim Curry) who had ulterior motives for the expedition. Created by Stan Winston Studios, this animatronic head was specifically built for shots of Amy screaming, because the extreme level of expression was more than the standard animatronic head could produce.This head consists of a silicone skin    layer with hand-punched yak hair over a carbon fiber skull labeled "SCREAM AMY" and lined with wires, small motors, and mechanisms used to create facial movements by radio control. The eyes, gums, and teeth are made of resin. A 3.5 mm stereo plug on a long cord runs out the back of the head where a piece of black felt is pinned. The head is displayed on a yellow, hard rubber head made from a lifecast of Amy suit performer Lorene Noh, on a wooden stand labeled "LORENE." The head is in excellent overall condition with minimal signs of wear. The functionality of the animatronics is unknown.Dimensions (on display): 14" x 11" x 17" (36 cm x 28 cm x 43.5 cm)Contains electronics; see electronics notice in the Buyer's GuideContains mechanical components; see notice in the Buyer's GuideEstimate: $1,000 - 1,500

A male Fremen stillsuit from David Lynch's Sci-Fi epic Dune. On the desert planet of Arrakis, native tribes of indegnous people known as the Fremen used their specially-designed stillsuits to help them conserve water, which allowed them to survive in the harsh environment. This stillsuit was custom-made under the supervision of Academy Award-nominated costume designer Bob Ringwood. It consists of a unitard which has hand-affixed foam rubber accents and rubber tubular pieces before being hand-painted with several layers of Latex paint and fired in an oven to add a weathered desert effect. This suit features a zipper in the front chest area and is presented on a full-body and display base. This suit is in fair overall condition with significant wear throughout, including discoloration, several rips on the chest, arms and legs and ageing on the foam sections.Special shipping required; see notice in the Buyer's GuideEstimate: $5,000 - 7,000

C.M. Kruger's (Sharlto Copley) camouflage costume and H.U.L.C. suit from Neill Blomkamp's sci-fi adventure Elysium. Agent Kruger and Max (Matt Damon) fought in their H.U.L.C. suits, with Max ultimately victorious.This costume consists of a foam-padded, olive green tactical vest with a black cotton undershirt, a pair of flexible urethane-armored fingerless gloves, camouflage-pattern cotton pants, a urethane ankle sheath, a charcoal-color rubber knife, a pair of black leather lace-up boots, and a flexible urethane H.U.L.C. exoskeleton painted silvertone and black to appear electronic and affixed with two metal carabiners, Velcro straps, and metal bolts for securing to the costume components.The costume and suit exhibit intentional distressing from production with some of the bolts and urethane hardware missing or loose, but the lot remains in good overall condition.Estimate: $6,000 - 8,000

A set of four hand-drawn John Mollo concept sketches from the production of thesci-fi horror film Event Horizon. The crew of the Lewis and Clark were sent on a rescue mission to the eponymous starship, where the crew was missing. This set is comprised of three sheets of sketches featuring early design concept illustrations for the Lewis and Clark crew's spacesuits and one sheet featuring front and back designs for Captain Miller's suit. The sketches are rendered in mixed media on illustration paper by Academy Award-winning costume designer John Mollo.This set is in good overall condition with some wear throughout and creasing throughout from storage.Dimensions (largest): 16 3/4" x 23" (24.5 cm x 58.5 cm);(smallest): 11 3/4" x 16 1/2" (30 cm x 42 cm)Sold without copyright; see notice in the Buyer's GuideEstimate: $600 - 800 Δ

Justin's (Jack Noseworthy) light-up spacesuit from Paul W.S. Anderson's sci-fi horror film Event Horizon. Justin wore his United States Aerospace Command spacesuit when he was sucked into a dimensional portal in the Event Horizon's core.This ornately detailed silvertone and green multi-fabric space costume was custom-made for the actor. It consists of a hand-painted and foam-padded thermoplastic helmet, an Atmostec backpack with a built-in cooling fan and a "Teddy Beer" bear sticker, a chest plate detailed with Justin's name and suit number 5, a thick padded gray camouflage jacket embroidered with multiple U.S.A.C. patches, matching trousers, a green and brown zip-up cotton bodysuit marked "J Noseworthy", a brown cotton undershirt marked for "Justin F.M.", a pair of leather gloves marked "Justin", a leather belt, a pair of heavy-duty leather boots with metallic details, and leg and arm webbing pieces. The helmet features several illuminating gauges, headlights on each side, and pulsing respiratory lights. A hidden switch illuminates the respiratory lights red for "urgent". The boots are also fitted with lights on their soles designed to illuminate green when the wearer touches the ground and red when lifted. This costume exhibits signs of use throughout, including stains, frayed fabric, and wear to the electronics, but it remains in good overall condition.Contains electronics; see electronics notice in the Buyer's GuideEstimate: $10,000 - 15,000

A Mark 1 armor piece from Jon Favreau's superhero adventure Iron Man. Brilliant inventor Tony Stark (Robert Downey Jr.) created an iron battle suit to escape from being held as the hostage of terrorist organization The Ten Rings.This custom-molded piece of hard resin is one of several which would combine to form the full costume. This particular piece would be affixed to the bottom section of the chest directly underneath the mini-arc reactor power source. It features irontone paint with deliberate rust and wear details. This armor piece is in excellent overall condition with minor signs of wear from production and some scuffing and discoloration on the interior. Dimensions: 14" x 9 1/4" x 4" (35.5 cm x 23.5 cm x 10.25 cm)Estimate: $400 - 600

John Wick's bloodied suit from Lionsgate's blockbuster hit John Wick: Chapter 3 - Parabellum. Wick wore his costume, bloodied by assassins trying to collect the High Table's bounty on his life, when he arrived in Casablanca seeking Sofia's help.This costume consists of a checkered, charcoal-color wool suit jacket marked "Hero" and matching pants, a blood-stained eggshell-color cotton blend button-down shirt, a checkered black silk tie, a black leather belt (size 36) with a steel buckle, and a pair of black leather shoes (men's size 10.5) with blue gel insoles. The costume is in good overall condition with significant intentional distressing, including a tear on the jacket's right sleeve, from production.Estimate: $8,000 - 10,000

John Wick's glass house fight suit from Lionsgate's blockbuster hit John Wick: Chapter 3 - Parabellum. Wick wore his iconic, all-black suit when he fought Zero and Zero's Shinobi warriors in The Continental's Glass House.This costume consists of a black checkered wool suit jacket marked for the principal actor and a stunt performer, a black striped cotton blend button-down shirt, a black silk tie, a pair of black wool zip-up dress pants marked for a stunt performer, and a pair of black leather shoes with rubber soles. The costume is in good overall condition with minor signs of wear from production throughout.Estimate: $6,000 - 8,000

John Wick's dirtied costume from Lionsgate's blockbuster hit John Wick: Chapter 2. Wick dirtied his suit when he escaped from Gianna D'Antonio's estate.This costume consists of a brown and black wool suit jacket (size 40R x 33R), a matching silk-backed wool vest (size 40R x 33R), a matching pair of wool slacks (size 40W x 33R), a brown cotton blend button-down shirt, a black silk tie, a pair of black leather shoes (men's size 10), and a pair of chrometone metal cufflinks. The costume is in fair overall condition with grime, stains, and some tearing applied throughout by production to look distressed.Estimate: $3,000 - 5,000

Clark Kent's (Dean Cain) Superman costume from the superhero television comedy Lois & Clark: The New Adventures of Superman. An alien from the planet Krypton who lived under a secret identity, Kent explored his romantic relationship with fellow reporter Lois Lane (Teri Hatcher), both as himself and as his costumed alter ego, Superman. This costume consists of a crimson nylon blend cape with a large embroidered yellow "S" symbol on the back, a royal blue Spandex unitard with an embroidered red and yellow "S" symbol affixed to the chest, a pair of crimson Spandex padded briefs, a yellow Spandex and elastic belt with Velcro buckle and a pair of crimson leather boots with zippers and Velcro in the back. The cape is affixed by the neck and shoulders with Velcro, shoulder pads and a pair of snaps and is marked "94-95," indicating years, while the briefs are marked as "95-96" and the suit and boots are marked in the interior as "96-97."This costume is in excellent overall condition with some minor signs of wear from production including some fraying of the fabric on the cape and unitard, and some tape remnants on the interior of the belt buckle.Estimate: $10,000 - 15,000

A full-size Edgar Bug animatronic alien from the production of Barry Sonnenfeld's sci-fi comedy Men in Black. After crashing to Earth in search of a lost galaxy, Edgar spent most of the film cloaked in a human's (Vincent D'Onofrio) form, until he finally shed his "Edgar suit" to fight Agents J (Will Smith) and K (Tommy Lee Jones). As originally scripted, the Edgar Bug spoke at length with the Agents before their confrontation, for which special makeup effects artist Rick Baker was charged with developing this full-size alien puppet. Production ultimately decided to forego the puppet in favor of an all-CG character that was more bug-like.This massive, ornately detailed creation was fabricated at great effort and expense, and stationed on set in preparation for filming. It stands 12-feet-tall, with plastic pipe spines, mouth pincers, brown acrylic eyes, and a steel and fiberglass-fabricated body containing extensive mechanisms that operate the head and arms. The puppet's skin is made from a range of materials, including latex, foam latex, and rigid urethane, and is hand-painted by Baker's team.The skin is cut under the base of the tail and up the back to allow access to the electronic wiring that animates the puppet's mouth and body. Metal armature poles are also exposed on the back of the feet for puppeteering. Mounted with a metal support structure to a wooden base, this animatronic creature was on display for many years in the Cinovation Studios display room. As a result of exposure and handling, the foam latex exhibits some stiffening, and the paint is lightly discolored throughout, but the puppet remains in good overall condition.Dimensions: 120" x 60" x 120" (305 cm x 152 cm x 305 cm)Contains electronics; see electronics notice in the Buyer's GuideContains mechanical components; see notice in the Buyer's GuideSpecial shipping required; see notice in the Buyer's GuideEstimate: $15,000 - 20,000

Aurora Lane's (Jennifer Lawrence) bathing suit from Morten Tyldum's sci-fi drama Passengers. When the gravity drive on the spaceship she was traveling on temporarily failed, Lane almost drowned when the water from the swimming pool she swam in became impossible to escape.This white mesh nylon-and-Lycra blend one-piece bathing suit features a zip-up front and a beige detail sewn into the midsection of the interior. It is in excellent overall condition with some minor signs of wear from production and a few small stains on the interior.Estimate: $2,000 - 3,000

Billy Cranston's (David Yost) promotional Blue Ranger suit from Bryan Spicer's big screen adaptation of the hit children's television series Mighty Morphin' Power Rangers: The Movie. This costume was specifically made for promotional events in support of the film and differs from the film-used costumes.The blue suit features foam rubber armor for the chest, back, thighs, and shoulders, as well as a Spandex undersuit, a goldtone resin chest emblem depicting Cranston's wolf spirit, and a replica belt apparatus produced by the maker of the promotional touring suits. The suit is held together with a combination of glue and Velcro, and its original color and sheen have faded from age and wear. It comes with matching pairs of boots and gloves, the latter pair of which are also replicas. The helmet, a replica molded off of an original production helmet, features a padded interior, dark tinted visor, and vents under the nose and on the back. It opens at the center to allow the wearer to fit it onto their head. This lot is in fair overall condition with wear from aging, including a large amount of deterioration to the foam rubber, glued sections loosening, and paint flaking throughout (most notably on the neck). The helmet has a few cracks to the finish, most notably on the right horn, and glue residue on the inside.Estimate: $3,000 - 5,000 Δ

A pair of Rita Repulsa's corrupted green power boots from Lionsgate's sci-fi action film Power Rangers (2017). Rita Repulsa wore her corrupted green power suit and boots after she fully regained her power to continue terrorizing Angel Grove.These metallic green, scaly rubber boots with leather soles, semi-translucent elastic lining, and Velcro closures were designed and made by Weta Workshop specifically for the film. The two boots included are of different styles--one is a flat-heeled boot labeled "Flat" for a stunt performer, and the other a wedge-heeled boot labeled "Wedge" on the interior for a stunt double. The rubber on both boots is flaking and discoloring in places, but the pair remains in good overall condition.Estimate: $500 - 700

Trini Kwan's yellow Ranger costume from Lionsgate's sci-fi action film Power Rangers (2017). After learning the strength in unity and teamwork, Trini and the other Rangers morphed into their signature costumes to fight Rita Repulsa and her Putties. This costume was designed and made by Weta Workshop specifically for the film. It consists of a foam-padded resin and Spandex helmet marked "Stunt Beauty" with electrical wiring secured to the inside and a tinted acrylic visor, a matching spare helmet with a loose visor, a hooded Spandex zip-up morph suit marked for a stunt double, a Spandex zip-up body armor suit with resin emblems and non-functional wiring, a foam-padded resin chest armor piece inset with a swirling galaxy illustration and non-functional LED lights, a pair of greaves marked "Beauty", a pair of bracers marked "1", a pair of Spandex and rubber gloves marked "Yellow Hero", and two pairs (one flat and one high-heeled) of rubber-detailed resin boots with Velcro closures, all in Trini's signature yellow with gray and clear detailing. The costume and coin exhibit clear signs of use by production, including scuffing, some grime, stains to the fabric, and loose pieces of resin, but the lot remains in good overall condition.Contains electronics; see electronics notice in the Buyer's GuideEstimate: $10,000 - 15,000

Zordon's light-up battle damaged red power suit from Lionsgate's sci-fi action film Power Rangers (2017). Zordon wore his signature red power suit as he struggled to hide the power coins from his betrayer, Rita Repulsa.This costume was designed and made by Weta Workshop specifically for the film. The dark red and gray armor consists of a foam-padded resin, plastic, and Spandex helmet with a tinted acrylic visor, a hooded Spandex zip-up morph suit, a Spandex zip-up body armor suit with attached resin armor and emblems, a pair of resin and dense urethane bracers, a pair of Spandex, urethane, and foam gloves marked "Red Prologue", a pair of resin, urethane, plastic, and rubber stunt greaves, and a pair of resin and urethane boots, all with Velcro fasteners. The body armor suit is wired with LED lights powered by a battery pack behind a chestplate with motion tracker decals that were used to add a swirling galaxy effect in post-production. The suit is in good overall condition with some wear from production, including some distressing to the morph suit and tearing to the armor flaps on both boots. The entire costume has been intentionally weathered with battle damage by production.Contains electronics; see electronics notice in the Buyer's GuideEstimate: $7,000 - 9,000

Charlie Babbitt's (Tom Cruise) jacket and shirt from Barry Levinson's Academy Award-winning drama Rain Man. Babbitt wore his new suit as he and his autistic brother, Raymond (Dustin Hoffman), went to a Las Vegas casino to play blackjack.This lot consists of a gray wool and rayon jacket with checkered patterns throughout, and a white dress shirt with ruffle details on the collar. It is in good overall condition with some wear from production, some small visible damage on the top right shoulder corner and collar interior of the jacket, and staining on the shirt.Estimate: $1,500 - 2,500

Wes Mantooth's (Vince Vaughn) suit from Adam McKay's comedy Anchorman: The Legend of Ron Burgundy. Ron Burgundy's (Will Ferrell) Channel 4 news team was in fierce competition with Mantooth's Channel 9 Evening News team. Mantooth wore his light blue suit when he saved Burgundy's life at the zoo. This costume consists of a light blue polyester jacket with a white satin lining and matching pants with two flat front pockets. Both pieces are in good overall condition with some signs of wear, including a minor stain on the back of the pants.Estimate: $800 - 1,200

Veronica Corningstone's (Christina Applegate) pink suit from Adam McKay's news satire Anchorman: The Legend of Ron Burgundy. Corningstone wore her pink suit when she was first announced as the new co-anchor of the Channel 4 news team, turning Ron Burgundy's (Will Ferrell) life upside down.This costume consists of a woven pink floral polyester and wool blend jacket with a pink and yellow paisley inner lining, a matching vest with four pink square buttons and two spare buttons presented loose, a matching pink pencil skirt, and a pink silk button-down suit shirt. The suit and its components are in good overall condition with minor signs of wear from production and age, including reparative stitching on several of the items.Estimate: $800 - 1,200

Ron Burgundy's (Will Ferrell) blue suit from Adam McKay's news satire Anchorman: The Legend of Ron Burgundy. Burgundy wore his signature blue two-piece suit throughout the film, including during the quickly escalating alley fight between the Channel 4 news team and their rivals.This ensemble consists of a wide-collared High Society jacket with a periwinkle polyester exterior and a paisley silk lining; a matching pair of trousers; an eggshell button-up white shirt with pearlescent buttons; and a wide blue-and-white polyester tie with copper and gold diagonal stripes. All pieces are in excellent overall condition with minor signs of wear, including a few loose threads at some of the hems.Estimate: $3,000 - 5,000

Merlin (Tim Robbins), Jester (Michael Ironside), Slider (Rick Rossovich) and Sundown's (Clarence Gilyard Jr.) flight suit patches from Tony Scott's action drama Top Gun. Radio intercept officers Sam "Merlin" Willis, Ron "Slider" Kerner and Evan "Sundown" Gough wore their flight suits with ID patches while training at the Naval Air Station Miramar's elite "Top Gun" fighter program under the instruction of their commanding officer, Dick "Jester" Hetherly. These three flight suit patches feature various shades of cloth stitched with thread embroidery used to create graphic Naval symbols along with the names and call signs of each character. They each feature an embroidered border and are affixed with Velcro on the back.The patches were salvaged when the original Top Gun jumpsuits were prepped to be used on another film. They are in excellent overall condition with some slight signs of wear around the corners and some separation on the bottom corner of Jester's border. Dimensions: (each) 4 1/4" x 2" x 1/2" (10.75 cm x 5 cm x 1.25 cm)Estimate: $2,000 - 3,000 Δ

Leonard "Wolfman" Wolfe's (Barry Tubb) flight suit patch from Tony Scott's action drama Top Gun. Navy pilot Wolfe wore his ID patch while training at the Naval Air Station Miramar's elite "Top Gun" program under the instruction of Lt. Cmdr. Rick "Jester" Hetherly (Michael Ironside). This custom-made green and gold flight suit patch embroidered with a Naval symbol and "Henry Ruth 'Wolfman'", a reference to a name sometimes attributed to the character, was affixed with Velcro® by production, then stripped by the patchmaker and reused for production on Randal Kleiser's Flight of the Navigator. It is in excellent overall condition with minor fraying from use.Dimensions: 4 1/4" x 2" x 1/2" (10.75 cm x 5 cm x 1.25 cm)Estimate: $600 - 800 Δ

Maverick's (Tom Cruise) flight suit patch from Tony Scott's action drama Top Gun. Navy pilot Pete "Maverick" Mitchell wore his signature flight suit with ID patch while training at the Naval Air Station Miramar's elite "Top Gun" fighter program with his partner and radio intercept officer Nick "Goose" Bradshaw (Anthony Edwards).This flight suit patch features dark blue cloth stitched with crimson thread embroidery used to create a Naval graphic symbol along with the name "PETE MITCHELL" and the call sign "MAVERICK." It also features an embroidered border and is affixed with Velcro on the back. The patch was salvaged when the original Top Gun jumpsuits were prepped to be used on another film. It is in good overall condition with some slight signs of wear around the border and velcro.Dimensions: 4 1/4" x 2" x 1/4" (10.75 cm x 5 cm x.75 cm)Estimate: $3,000 - 5,000 Δ

Marty McFly's (Michael J. Fox) radiation suit from Robert Zemeckis' sci-fi adventure film Back to the Future. McFly wore his radiation suit while making the jump back in time to the year 1955, and later donned it again as "Darth Vader from Planet Vulcan" to scare his father George McFly (Crispin Glover) into asking his mother Lorraine Baines (Lea Thompson) to the "Enchantment Under the Sea" dance.This fluorescent yellow Tyvek jumpsuit features a zip on the front, Velcro fasteners on the wrists, two pieces of tape affixed to the shoulder blades, and orange highlights on the ankles. This radiation suit is in excellent overall condition and exhibits signs of wear and age throughout, including some minor staining and dirt.Estimate: $5,000 - 7,000

Harry Tasker's (Arnold Schwarzenegger) costume from James Cameron's action-comedy True Lies. Tasker, a United States government spy, wore his costume as he was trailed by a group of radical terrorists, which led him to a chase after their leader through downtown Washington D.C. on a horse.This costume consists of a gray fabric blend overcoat with several production-made slash marks on the front, a white cotton dress shirt with blue stripes, a pair of navy pinstripe dress pants, and a black leather belt. The shirt features as tag on the interior labeled "AS Sept. 1993" while the pants are labeled "ARNOLD #2 PANT JUNO SUIT" and the belt is labeled "STUNT" on the interior. This costume is in excellent overall condition with some production-made wear throughout and some staining on the shirt.Estimate: $3,000 - 5,000

Andrew Neimann's (Miles Teller) bloodied concert costume from Damien Chazelle's Oscar-winning jazz drama Whiplash. Neimann's costume was ruined in a car crash on his way to a concert being conducted by his abusive mentor, Fletcher (J.K. Simmons).This costume consists of a black silk-lined wool Vitto blazer, matching pants, a bloodied white polyester and cotton Lucasini suit shirt (size 34-35), a bloodied white cotton Hanes undershirt (size L), and a black silk Xuan Xuan tie. The costume is in good overall condition with additional dirt stains and lightly frayed fabric.Estimate: $600 - 800

OAK CARVED LINEN FOLD BEDROOM SUIT COMPRISING, GENTS WARDROBE, LADIES WARDROBE & DRESSING TABLE WITH MIRRORED BACK A/F

AUSTIN BEDROOM SUIT WITH DOUBLE WARDROBE, DRESSING TABLE WITH MIRRORED BACK & CHEST OF FIVE DRAWERS

EARLY 20TH CENTURY MOURNING SUIT, A DUNN AN CO. CALF TOP HAT AND VARIOUS SUITS

MILITARY CAMOUFLAGE SUIT ETC

Various mens' clothing - Orvis tweed breeches suit, wool and cashmere Camel coat and other items including YSL trench coat.

Gentleman's cashmere overcoat, two blazers, 1950s wool suit and assorted trousers

Ladies Vintage West Riding Tweed coats one in blue and maroon the other blue and grey. Green and cream tweed suit by Derata and a navy wool belted coat.

A man's Saville Row suit and others

A Vintage Burton's Gents Suit

A Modern Wooden Gents Suit Stand

Enoch Fairhurst (British 1874-1945) - Three quarter length miniature portrait c.1920 of a blue eyed young boy in white and blue romper suit, seated and holding a ball, watercolour, probably on ivory (not removed from frame) signed and indistinctly dated, label with biographical details of the artist verso, of rectangular form, 13cm x 10cm, in moulded gilt metals frame with laurel wreath detail

A large contemporary wall mirror of rectangular form with simple stained wide mitred frame (AF), 191 cm x 95 cm, together with a quantity of framed and glazed prints, two sepia black and white examples, 'A Tug of War and His First Suit' after Fred Morgan, within oak frames, etc

Walter Percy Day (British 1878-1965) - Bust length portrait of a gentleman in suit and tie, oil on canvas, signed W Percy Day, dated, 1919, further dated verso, 60 x 50cm, in moulded gilt frame (Walter Percy Day was best known for his work as a matte artist and special effect technician in the British film industry)

An unusual oriental figure of a standing boy in polychrome painted suit (with restoration) 19.5cm tall approx

A left and right front greave plate from a suit of armour 39cm.

A reproduction suit of armour, height 180cm

Assorted 20th Century Costume and Theatrical Dress, comprising a black velvet evening jacket with smocked collar; 1920s brown drop waist dress with long sleeves, V-neck and collar, pleated skirt, floral embroidery in green silk to the front and a matching jacket lined with floral fabric with a belt and buckle; 1930s full length evening dress in purple with net mount to the top, large cut work flower heads to the hem; Jon Dor Couture Mayfair blue silk shift dress with low back and alternating blue velvet and silk large petals to the collar and back; a theatrical 18th century style frock coat in striped velvet, with gold metallic trims, gilt buttons, front pockets and vent to the reverse; a pair of pale blue breeches and similar waist coat with gold trim; red wool three piece theatrical 18th century style jacket with turn back cuffs, gilt trim and red wool frogging, a pink waist coat with net mount and gilt trim and a pair of later breeches (7). 1920s suit - couple of holes to the front of the jacket, and couple of holes towards the back of the dress, slight staining under the arms, split to the shoulder seam on the back, slight wear overall,. 1930s dress - very faded, some stitched repairs to net etc. Jon Dor dress - small spotting to the skirt on the front and back and some staining to the petals. Striped jacket - stitched repairs under both arms, trims are tarnished and probably re-stitched, turn back cuffs are both worn and shredded slightly, slight wear overall. Breeches and waistcoat - brown stains to the breeches and wear, slight wear to waistcoat. Red wool jacket - hole around the sleeve seams on each arm, stitched repairs around the neck, hole just near a pocket and slight wear, breeches split.

Circa 1940/50 Suits and Separates, comprising Hector Rowe London blue and white checked wool skirt suit with a straight skirt and fitted jacket with navy velvet trim to the collar, cuffs, patch pockets to the front trimmed in velvet, and a single button fastening; Alexon Size Right green pure worsted wool skirt suit, with a straight skirt and fitted jacket with three button fastening, pockets to the front with a little detail; Gunther Jaeckel New York navy and white wool jacket with peter pan collar, three button fastening, two pockets to the breast and black silk ribbon tie; navy blue wool tailored jacket with two pockets, three button fastening; light blue jacket with stylish pockets, four button fastening; yellow wool straight skirt; a navy wool A-line skirt; grey straight skirt; eight short and long sleeved shirts including embroidered detail, machine lace mounts, in silk, cotton etc (16) . Hector Rowe jacket - 31” bust, waist 26”, condition slight wear and mainly rubbing to the velvet. Alexon green suit - 36” waist wear especially to the lining, 40” bust to the jacket, lining very worn and wool ok. Gunther Jaeckel, slight bobbling and wear to the wool, 39” bust. Navy jacket - some wear, thread pull to the collar, 36'' chest. Light blue jacket - on ebutton damaged, small hole to one of the lapels, slight fading to the lining, 40'' chest. Yellow skirt - 25'' waist, slight wear to the waist band otherwise ok. Navy skirt - 26'' waist - condition appears ok. grey straight skirt - 26'' waist, slight wear.

Assorted Early 20th Century Gentlemen's Suits, Jackets, Waistcoats, Trousers etc, comprising OHM & Webster of Manchester cream cotton slacks; pair of similar cream linen trousers; Hardy Amies Designed Tailored by Hepworths two piece suit; Burtons Tailoring wool mix suit jacket; a Smart Alex brown pin stripe wool two piece suit; a St Michael grey pin stripe suit; Taste of London light blue two piece suit; various wool and other waist coats; Harrisons of Hamilton black jacket; Redmayne double breasted blue checked jacket; pair of brown wool checked trousers with turn ups, and another pair in navy pin stripe; navy wool jacket (22) . Condition mixed, slight wear overall

Circa 1940s and Later Suits, Coats and Separates, comprising a Jeune Mama by Gail Fashions blue self striped straight skirt and jacket with elbow length sleeves, collar trimmed with a blue floral cotton mount (38); royal blue linen straight skirt and jacket with three quarter length sleeves, three button fastening, scalloped hem; KB in Moygashel green pleated skirt, jacket has short sleeves, three buttons, patch pockets to the breast, fabric belt (40/38); blue cotton day dress with white textured trimmed lapels, short sleeves, front pockets; Stretlaw Model pale mauve short sleeve dress, with a mauve and black textured woven geometric design overall (38); pale blue and grey wool dog tooth checked dress with three quarter length sleeves, boat shaped collar, tab to the waist with three buttons and belt; Sambo Fashions black, silver and grey woven dress with elbow length sleeves, two faux buttoned pockets to the chest, a white cotton collar, pleated skirt; navy and white striped short sleeved day dress, with buttons to the front, faux pocket tops to the chest, A-line skirt; a pale burgundy long sleeve velvet coat, double breasted style with wide lapels; a grey wool open jacket with long sleeves, side pockets, button detail to the shoulders; burgundy long sleeved striped and textured wool coat, with side pockets; Eastex cream linen jacket with buttons to the front, two large pockets, gingham trim to the shaped neckline (12). Jeune Mama suit - Mark to the front where a sticker has possibly been, other wise ok. Royal blue suit - some rubbing and wear, slight fading overall. KB green suit - waistband has been replaced/repaired, slight staining overall and wear to the edges and seams, cuffs etc. Blue dress - belt missing, some staining and slight wear. Stretlaw dress - belt is missing, fading and discolouration mainly to the back, sticker removed from inside the collar and left a mark, button holes are very worn, stitched repairs under both arms and slight wear overall. Checked dress - slight staining around the armholes and slight wear overall. Sambo Fashions dress - belt missing, staining to the white trims and slight wear overall. Navy and white dress - a later collar attached, missing belt, slight wear. Velvet coat - buttons changed position, rubbing and wear to the velvet, slight staining inside and slight wear overall. Grey jacket - small holes to one shoulder, couple of small holes to the lining, slight wear overall. Striped burgundy coat - slight wear. Cream linen jacket - good condition overall.

Assorted Items of Ladies' and Gentlemen's Clothing Bearing the CC41 Label, including a lady's brown wool jacket, single button fastening, decorative three tiered peplum trim edged in silk; navy wool pin stripe trouser suit comprising a double breasted jacket, trousers with turn ups, both with original paper label, (size 12); a stylish blue top with three-quarter length sleeves, a split peplum hem with pleated detailing and waist ties, buttons to the back, applique trim in cream to the top; Scout Shop navy short sleeved top, bearing various stitched badges with epaulettes (size 13.5); gentleman's navy double breasted blazer; The Ideal brown pin stripe single breasted jacket with three button fastening (6). Brown jacket - wear to the collar, some fading, wear to edge of cuff, buttons nearly off, holes to the inside of the jacket. Pinstripe suit - little bit of wear overall. Blue top - hole to one shoulder, one button missing, some thread pulls and wear overall. Scout top - fading and various wear. Gents blazer - some wear overall. Brown pinstripe - couple of small holes to the back of one shoulder and slight wear.

Assorted Early 20th Century Boys' Clothing, comprising a Rawcliffes of Leeds brown double breasted coat, Hardia blue and green checked tweed overcoat with side pockets; grey and white single breasted jacket with original paper labels; a French navy pin striped double breasted jacket; Marmair camel hair and wool double breasted coat; a green checked jacket; an E P Company navy wool double breasted jacket, with original labels; a cream wool suit; a black tail coat; a pair of grey herringbone and blue striped wool shorts with original labels; pair of brown wool shorts and another similar pair (12)

Mainly Early 20th Century Gentlemen's Clothing and Accessories, including a GA Dunn & Co black silk top hat in a card box, straw boater, cream canvas and wool lined hat bearing the military mark, sporting cap; cream wool under coat, pair of green stripe wool trousers; three piece gentleman's evening tail suit and morning jacket etc (rail and one box) . Silk top hat - 16.5cm by 20.5cm - slight rubbing and wear.

Assorted Circa 1950/60 Evening Wear, comprising Debett sleeveless shift dress with textured blue fabric and white bead trim to neckline; Carnegie Model two piece comprising a sleeveless shift dress in electric blue satin type fabric with applied trim and matching coat with elbow length sleeves; Global red sleeveless shift dress with satin mount to the neck and three satin bands to the skirt (18); a purple and pink jacket with purple applique trims to the front; Henri Model two piece in black and white leaf printed jacket and skirt; a ** Model pale pink shift dress with scooped neck embroidered with trailing flowers; Aileen Killen turquoise silk evening jacket, wriggle work trim to the collar and buttons; black and lace mounted cocktail dress with capped sleeves, straight skirt and silk waistband (size 16); a Badnel Model turquoise dress similar to the previous jacket with short sleeves and applied wriggle work embroidered trims in the form of three rows of diamonds; a Vogue Paris Original pale blue satin type shift dress; Kitty Copeland dress with high scooped neck, grecian style panels to the reverse; a Brodery black and silver jersey two piece comprising straight skirt, jacket with three quarter length sleeves (size 40); floral metallic dress with ruffle trim to the faux wrap skirt, (size 16); another similar sleeveless dress with multi pleated skirt (size 16); Coral Sea metallic sleeveless shift dress woven with brown and green large flower heads and leaves (size 18) (15). Debett dress - slight wear to the lining, otherwise ok. Carnegie Model two piece - trim is tarnished, some areas of discolouration to the dress and alterations made, staining under the arms, jacket in a better condition. Global dress - slight wear. Purple jacket - slight wear. Henri suit - slight wear overall and mark to the hem, and some staining under the arms of the jacket. Pink dress - hem has been altered and loose threads hanging from here, and discolouration to the shoulders and under the arms. NOT COMPLETE

Assorted Circa 1950/60 Ladies' Day Wear, comprising Maurice Henri burgundy velvet two piece skirt suit, with red trim to the neckline; brown and white patterned cotton double breasted sleeveless dress and belt; Marcourt Originals Miami natural coloured linen short sleeve day dress, quilted floral detail to the neck appliqued with faux pearls and paste stones (belt missing); Polmarks Model brown crepe sleeveless dress with notch neck and faux shell top, three diamante type buckles to the bodice, (size 38); Jane & Jane by Susan Small brown woven short sleeve dress with cream silk geometric detailing to the skirt and sleeves (size 18); grey and cream slubbed striped sleeveless shift dress; light brown lace mounted short sleeve shift dress, with brown satin mount to the collar; Peter Mann Model brown lace mounted dress with shawl neck, short sleeves, A-line skirt with velvet trims; black and white open weave checked day dress, scoop neck, short sleeves, pleated skirt with large black button detailing; black long sleeve dress printed overall with red poppies and leaves, long sleeves, multi buttons to the front, matching necktie, inverted pleats to the front; Ladies Pride black dress with long sleeves, shawl neck with black velvet mounted collar, textured stripe, gathered skirt (size 38); Roy Lynn Model white lace mounted short sleeve top with buttons to the reverse (size 46); another similar in cream by Sybille Claymar (size 40) (13). Maurice Henri suit - 28'' waist, 36'' bust, slight rubbing to the velvet, slight mark where the sticker has been. Brown and white dress - 42'' bust, slightly discoloured and rubbing to the trim; Marcourt Originals dress - 36'' bust and slight wear. Polmarks Model - slight wear. Jane & Jane dress - slight wear. Grey and cream striped dress - 37'' bust, slightly discoloured under the arms - slight wear. Peter Mann dress - 36'' bust, some slight staining overall and under the arms, some wear to the lace. Black and white dress - 38'' bust, slight wear and discolouring, restitched under one arm. Poppy dress - 38'' bust and slight wear. Ladies Pride black dress - slight wear. Roy Lynn dress - slight wear. Sybille Claymar dress - slight wear.

Circa 1940/50 Suits, Dresses, Evening Coats, including a royal blue crepe dress with a looped fringing to the hem and matching top; Delwood Model pewter coloured skirt suit with a white geometric design on, comprising a straight skirt and jacket with three-quarter length sleeves; Victor Josselyn Retailed by Jenners purple and red brocade dress with capped sleeves: Norman Linton London caramel coloured short sleeved dress with draped detail to the front belt to the reverse; a Wrenval pale green halter neck evening dress woven with green, silver, pink metallic threads overall; Gilleric Gown yellow silk taffeta sleeveless dress, multi pleated detail to the top of the bust, part pleated skirt (size 14B); lavender coloured woven dress with elbow length sleeves, wide collar, multi pleated skirt (12); a brown gold metallic sleeveless shift dress and matching jacket with elbow length sleeves; Elizabeth Arden New York pale blue wool coat with white collar, stylish pockets and stitching; cream Elgee London ribbed coat with patch pockets and trim, fold back cuffs; Sylvia Mills London red and black grosgrain short sleeved cocktail dress with floral pattern; turquoise silk type evening with short pleated sleeves, wide collar, one button fastening (12). Victor Josselyn dress - missing belt and slight wear overall. Norman Linton dress - some wear and pulling to the seams on the back. Wrenval dress - halter neck has been re-stitched, loose threads and wear to the top of the zip and slight staining to the hem. Gilleric Gown - slight wear and discolouration overall. Lavender dress - belt missing, some discolouration, fading. Brown gold suit - slight discolouration overall. Elizabeth Arden coat - small mark to the hem, and one shoulder - slight wear overall. Elgee coat - some damage to the lining and some discolouration, pockets been re-attached. Sylvia Mills dress - slight wear overall. Turquoise coat - belt missing, slight rubbing to the silk and wear to the lining.

Mid 20th Century and Later Gentlemen's Costume, comprising McGee green checked wool jacket; Dunn & Co wool jacket; Braeburn Thornproof Tweed; checked tweed suit; pair of green wool trousers with red and black stripes, pair of black and white checked trousers; pair of checked shooting breeches, various waistcoats; two navy blazers; together with a Quantity of Gentlemen's Shoes including brown brogues, AR Ross & Co Lairg brown leather golfing shoes and another pair, black leather shoes, black patent dancing shoes, black leather Scottish dancing shoes (some with buckles) etc (part rail and three boxes)

A Group of Assorted 20th Century Costume, comprising a silver and green brocade evening dress, with green pleated detail to the bust and matching belt; white slubbed linen sleeveless tennis dress with pleated shorts, buttons to bodice and embroidered detail to the chest; Crompton Perry gold satin halter neck dress with full skirt and sequin and bead decoration to the top of the bodice; Aquascutum pale peach wool coat woven with green and brown threads, two large patch pockets; Tricosa two piece suit in a yellow with blue stripe, comprising a straight skirt and matching panelled jacket with round neck and buttons to the front; Jaeger loosely woven jacket with black trim, two pockets to the front, button fastening (6). White tennis dress - three of the button holes have ripped, staining around the sleeve holes, slight wear. Crompton Perry dress - some fading and staining, quilte a lot of rubbing to silk. Aquascutum coat - slight discolouration to one arm, a-line in shape, slight wear overall. Tricosa suit - buttons missing and slight wear. Jaeger jacket - slight rubbing and wear to the wool.

Chanel Navy Blue Crepe Short Sleeved Shift Dress, faux double breasted with buttons and black trim (size 42); Chanel Black Long Sleeved Dress with tiered/pleated horizontal detail, scooped neck (size 42); David Pallat Paris Black and Wool Two Piece Suit, with straight skirt, jacket with long sleeves, shaped front, trimmed with fur (3)

Chanel Grey Flecked Cashmere Two Piece Skirt Suit, comprising a straight skirt with grosgrain trim to the zip, loose fitting long jacket with long sleeves, collar, single button fastening to the side (size 42); and a Chanel Stone Coloured Silk Two Piece, comprising a flippy skirt and top with capped sleeves, scoop neck and button fastening to the reverse (label partially cut) (size 42) (2)

Chanel Grey Wool Two Piece Suit, comprising grey wrap skirt and jacket with black contrasting lapels, black leather cuffs, both have leather and metal fasteners (size 42); Chanel Identification Black A-Line Skirt, quilted into graduating squares with sequins (size 42) (2)

Chanel Black Wool Mix Two Piece Skirt Suit, straight skirt and loose fitting jacket, long sleeves, patch pockets and collar, thick threads woven onto a net base and loose silk strands (size 42); Chanel Black and Cream Wool Ribbed Short Sleeve Dress, with pleated skirt, cream wool stripes to the hem, scoop neck, and sleeve ends bound with cream silk, (label missing but bears Chanel buttons (2)