JOHN WICK: CHAPTER 3 - PARABELLUM (2019) - John Wick's Bloodied Suit - John Wick's bloodied suit from Lionsgate's blockbuster hit John Wick: Chapter 3 - Parabellum. Wick wore his suit while running through Manhattan before his fight at the New York Public Library early in the film.This costume consists of a charcoal-color wool suit jacket and matching trousers (Size 42Wx36R); a white cotton-blend button-up shirt (Size 16 34/35) with red stage blood applied to the lower right abdomen; a black silk tie; a black leather belt with a metal buckle, and a pair of black leather lace-up dress shoes (Size 10M). A tag inside the jacket reads "New Ch 42" with "40" crossed out. The costume exhibits some wear from use, including light staining and scuffing to the shoes.Estimate: $6,000 - 12,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.
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LIFE (2017) - David Jordan's IVA Space Suit - David Jordan's IVA space suit from Daniel Espinosa's sci-fi horror Life. Jordan wore his suit as he and Miranda North entered the two remaining escape pods, fleeing the doomed International Space Station.The costume consists of a helmet, a brown leather skullcap with beige paneling, a beige cotton jumpsuit, beige boots, and a backpack with plastic tubing for internal air flow system (untested). The plastic tubing and rig features "J2" and "JORDAN 2" hand-marked in black marker on attached masking tape. A hand-marked "FAN BAR" bag includes seven rubber and plastic components.The helmet features metal banding, strips of boning at the back with visible stitching, a transparent plastic visor, and a black throat microphone positioned near the skullcap's chinstrap. The suit features a dual front-zip closure with embroidered hook-and-loop-adhered mission patches. Various components are adhered to the front, including metal buckled silver-color nylon straps, fabric-wrapped nylon mesh tubing with metal quick-attach waist connectors, blue strips on the arms, and a plastic gauge on the left sleeve. A gray utility strap runs across the chest, with "D. Jordan" namestrip with blue English and Cyrillic text. The backpack features mesh panels, two straps and a zip. Included are three pairs of unworn production-acquired beige cashmere gloves with original manufacturer's hang tags; one pair of worn like aforesaid type; and three pairs of white cotton gloves. The lot exhibits minimal staining, metal scratches, and scuff marks. Contains electronics; see electronics notice in the Buyer's Guide.Estimate: $10,000 - 20,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.
IRON MAN 3 (2013) - Iron Man's (Robert Downey, Jr.) Light-Up Distressed Mk42 Helmet - Iron Man's (Robert Downey, Jr.) light-up distressed Mk42 helmet from Shane Black's action adventure Iron Man 3. The Mandarin (Guy Pearce) destroyed Tony Stark's Malibu mansion, including his many Iron Man suit and helmet builds.This fiberglass helmet was likely never intended to be worn, and is believed to have been created for use on a puppet or as set decoration for the Stark Labs destruction scene. It is marked "CRASH MK42 HELMET" on the interior and painted red and gold. When powered via the interior toggle battery pack, this helmet's frosted acrylic lenses illuminate white. It is intentionally distressed throughout with nicks, scratches, and silver-color paint streaks to appear damaged.Contains electronics; see electronics notice in the Buyer's Guide.Estimate: $30,000 - 60,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.
BATMAN RETURNS (1992) - Batman's (Michael Keaton) Batsuit on Display - Batman's (Michael Keaton) Batsuit from Tim Burton's superhero sequel Batman Returns on a display. Batman wore his iconic Batsuit throughout the film as he battled with the Penguin (Danny DeVito) and Catwoman (Michelle Pfeiffer).While the suit for Burton's original Batman film featured muscular body armor, the second iteration of the Batsuit sculpted by Steve Wang and Jose Fernandez from design illustrations by Bob Ringwood featured a more industrial armored form. This costume consists of an original black foam latex cowl; an original black latex cape with fabric lining; an original foam rubber bodysuit with attached shoulder and upper arm armor; and a set of hip armor. The yellow and black cast resin bat chest emblem, the leather gloves (size XL), resin belt, lower leg foam armor, boots, and foam boot covers are all replicas added to complete the display. The cape is a particularly nice example, with the latex still soft and supple. This Batsuit comes mounted to a custom body form with a Michael Keaton lifecast for display. The cowl underwent sympathetic restoration to treat surface cracking and to patch cuts in the back where it was removed from a display head or actor previously, while he body armor components have also had minor restoration and stabilization. The costume remains in fragile but stable overall condition.Special shipping required; see notice in the Buyer's Guide.Estimate: $60,000 - 120,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.
ROBOCOP 2 (1990) - Robocop Promotional Costume - A Robocop promotional costume from Irvin Kershner's sci-fi-action film RoboCop 2. Robocop (Peter Weller) wore its costume as it protected the streets of Detroit and when it went against a new evil Robocop. Refurbished and refabricated by roboteam painter Danny Alvarado as a promotional suit, this costume consists of iridescent purple and blue fiberglass and urethane chest armor, leg coverings, boots, arm guards, a helmet with a black vellum visor with black foam padding throughout, black rubber gloves, all on a display mannequin mounted to a black-painted metal base. The lot exhibits a loose visor and a distressed left leg covering. Dimensions: 22" x 10" x 72" (56 cm x 25.5 cm x 183 cm)Special shipping required; see notice in the Buyer's Guide.Estimate: $6,000 - 12,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.
BATMAN FOREVER (1995) - Two-Face's (Tommy Lee Jones) Screen-Matched Costume - Two-Face's (Tommy Lee Jones) screen-matched costume from Joel Schumacher's superhero sequel Batman Forever. This costume screen-matches to when Two-Face shot his cannon at Batman (Val Kilmer) after escaping beneath the streets of Gotham. This costume consists of a black polyester suit jacket half covered in bright pink and purple paint splatters marked "3" in the interior right breast pocket; matching paint splatter trousers marked "TLJ #1"; a black polyester cumberbund with half featuring silver-color thread embroidered skulls; a matching black polyester skulls bowtie; a half-white, half-black with silver-color motif long-sleeve, button-down shirt; and a metal lapel pin with faux razor blade skulls arranged as a flower with leaves and wires to resemble thorns. This costume comes mounted to a black velvet mannequin. The lot exhibits tape residue to the bowtie backing.Estimate: $12,000 - 24,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.
BETTER CALL SAUL (T.V. SERIES, 2020) - Jimmy McGill's Distressed Stunt Desert Costume - Jimmy McGill's distressed stunt desert costume from Vince Gilligan and Peter Gould's prequel series Better Call Saul. In the Season 5 episode "Bagman," McGill (as played by Bob Odenkirk) wore his costume when he trekked through the desert after Mike Ehrmantraut (as played by Jonathan Banks) saved him from a shootout with Lalo Salamanca's (as played by Tony Dalton) bags of money.This costume consists of a white cotton bloodied and dirtied T-shirt fashioned into a headdress; a navy and red grid design polyester blend suit jacket (size 40) marked "Jimmy PD" on the right armpit; a matching vest (size 40) labeled "Jimmy Prop Vest"; matching bloodied pants (size 34R) marked "Jimmy"; a navy, goldenrod, and red striped wide tie; a bloodied salmon pink poly-cotton button-up shirt marked "XX" along the inside buttons; a pair of orange, black, and gray crew socks; black leather shoes with a green rubber insole (size 10) labeled "Stunt"'; a reversible dark brown and black leather belt; and a production tag labeled "STUNT: REECE FLEETWOOD." This costume exhibits intentional distressing throughout from production.Sony Pictures Television will be donating a portion of the sales proceeds from this lot to the Assistance League of Albuquerque and ABQ Mutual Aid of the SouthWest Organizing Project, two local charities located in Albuquerque, New Mexico where Better Call Saul was filmed.Estimate: $8,000 - 16,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.
WARCRAFT (2016) - Anduin Lothar's (Travis Fimmel) Distressed Troll Battle Armor - Anduin Lothar's (Travis Fimmel) distressed troll battle armor from Legendary Pictures' fantasy epic Warcraft. Lothar wore his armor in a deleted scene where he fought against King Llane (Dominic Cooper) in their younger days.This blue and silver-color suit of armor, made primarily of urethane and leather, consists of one cuirass with matching shoulder armor and vambraces; one belted fauld featuring a Stormwind lion; one set of aluminum-link chainmail with polyester-blend underpinnings; one pair of gloves with fastening strips; and one pair of armored boots. All of the elements are marked for "Lothar" with some including the name "Travis." The armor has been distressed by production, including simulated blood on the cuirass. The lot exhibits minimal signs of wear, including scuffing to the urethane and leather.Estimate: $8,000 - 16,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.
THE ADVENTURES OF PLUTO NASH (2002) - Pluto Nash's (Eddie Murphy) Helmet - Pluto Nash's (Eddie Murphy) helmet from Ron Underwood's sci-fi-comedy film The Adventures of Pluto Nash. Nash wore his helmet when he arrived at a prospecting dome on the Far Side of the Moon. This orange-painted urethane helmet features a clear acrylic visor and metal base to connect the helmet to a space suit. It opens by the dials on the sides, turned simultaneously, to activate the helmet's hydraulics and is black felt-lined. Included is a connector piece with an orange-painted urethane base, rubber tube, and a mesh covered cable. This lot exhibits minor scuffing and chipping paint. Contains mechanical and electrical components; see notice in the Buyer's Guide.Estimate: $1,000 - 2,000Bidding for this lot will end on Thursday, June 29th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Friday, June 30th.
AIRWOLF (T.V. SERIES,1984 - 1987) - Dr. Charles Henry Moffet's (David Hemmings) Flight Suit by Jean-Pierre Dorleac - Dr. Charles Henry Moffet's (David Hemmings) flight suit by Jean-Pierre Dorelac from Donald P. Bellisario's military drama series Airwolf. The deranged Dr. Moffet, inventor of the prototype supersonic stealth helicopter, absconded with the craft in the series' pilot. Designed by Emmy®- and Academy Award®-winning costume designer Jean-Pierre Dorleac, this custom-made medium gray cotton twill jumpsuit features full-length zip closure, a hook-and-loop closure stand collar and pockets, banded epaulets, black quilted nylon contrasting stripes on the outer sides and inner legs, embroidered "AIRWOLF" patches, a two-tone embroidered "MOFFET" nametape, and embroidered three-toned "MED" and arrow emblem next to a red embroidered arrow above the knee. It features the following hand-markings: a "1 DAVID HEMMINGS" on the inside of the gray cotton belt, and a faded hand-marked "D. HEMMINGS" neck tag. Included are brown-green cotton duck lace-up desert boots with black rubber toe cap, each hand-marked "D. HEMMINGS" on the interior. The lot exhibits color fading, discoloration and loose threads from use and conveyance.Estimate: $3,000 - 6,000Bidding for this lot will end on Thursday, June 29th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Friday, June 30th.
AUTOMAN (T.V. SERIES, 1983 - 1984) - Automan's (Chuck Wagner) Auto Suit with Breakaway AutoElectric Uniform - Automan's (Chuck Wagner) auto suit with breakaway AutoElectric uniform from the superhero series Automan. The holographic Automan, the "Automatic Man," wore his auto suit while fighting crime with the help of police officer and computer programmer Walter Nebicher (Desi Arnaz Jr.). The series' costumes were designed by Jean-Pierre Dorleac. This lot consists of a blue jumpsuit with boot stirrups, a rear zipper, and patches of special retroreflective sheeting throughout that allowed it to appear luminescent on screen; a pair of Fabrizio Los Angeles high-heeled leather boots with reflective patches; a polyester-cotton blend tan work shirt with red and white electricity-themed graphics adhered to it and fastening strip enclosures (hidden beneath the buttons) that allow it to quickly breakaway from the wearer; a matching pair of breakaway pants with fastening strips along the sides; a Bosweel After Six white cotton pleated long-sleeve dress shirt; and an H Bar C California Ranchwear tan permanent press western shirt with dark brown trimming and a faux pearl snap enclosure. The collars of all the shirts have had a silver-color synthetic material sewn in. Also included is a black and white promotional print featuring two photos from the series with a caption and 20th Century Fox copyright information. The lot exhibits wear from use and age, including staining, cracks in the adhered graphics, and rips and worn finish in some of the reflective patches.Estimate: $2,000 - 4,000Bidding for this lot will end on Thursday, June 29th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Friday, June 30th.
BOOGIE NIGHTS (1997) - Jack Horner's (Burt Reynolds) Costume - Jack Horner's (Burt Reynolds) costume from Paul Thomas Anderson's comedy-drama Boogie Nights. Horner wore his suit as he greeted Colonel James (Robert Ridgely) at his pool party.This costume consists of a cotton cream-color four-pocket button up shirt (size L) with colorful thread accents and wooden buttons; cream-color trousers with an internal tag on the waistband with "Burt Reynolds" printed on it; a gold-color chain bracelet; five production tags hand-marked "Boogie Nights," "Jack" "SC 49" and "SC 50-51." Also included are two pages of production printed wardrobe breakdown logs for Jack dated "6/27/96." This costume exhibits discoloration and notable rusting on the metal fasteners.Estimate: $800 - 1,600Bidding for this lot will end on Thursday, June 29th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Friday, June 30th.
BLADE RUNNER (1982) - Rick Deckard's (Harrison Ford) Screen-Matched and Photo-Matched Costume from Voight-Kampff and Roy Batty (Rutger Hauer) Fight Scenes - Rick Deckard's (Harrison Ford) screen-matched and photo-matched costume from Ridley Scott's sci-fi classic Blade Runner. Deckard administered the Voight-Kampff test to Rachel (Sean Young), and later fought Roy Batty (Rutger Hauer) before Batty ultimately saved him from falling. Among the most acclaimed and debated science-fiction films in history, Blade Runner has no fewer than seven different versions, including a 1992 director's cut and a so-called "final" cut overseen by Scott and released in 2007. Despite a lackluster theatrical release, the film's success on home-video helped inspire artistic movements in the neo-noir and cyberpunk genres and led to many additional adaptations of author Philip K. Dick's stories. Blade Runner was ultimately selected for preservation in the US National Film Registry in 1993. Blade Runner has become one of Ford's greatest roles alongside Han Solo and Indiana Jones. Designed by Michael Kaplan and originating from a private Hollywood collection, this costume contains both screen- and photo-matched components. The orange wool and cotton tweed jacket with a single button and three pockets screen-matches to the Voight-Kampff scene, though it was later bloodied by production with visible streaks on the lapel. Deckard also wore a different shirt and pants in the Voight-Kampff scene than appear in this lot.In fact, patterns on the blue poly-blend button-up shirt with two front pockets and red plastic buttons, specifically on the collar, match it to publicity photos from the Batty fight.This costume also includes a pair of orange wool and cotton tweed pants with an Ital Costume tag labeled "Ford Harrison" on the interior; brown leatherette lace-up shoes with rubber soles; and four wardrobe tags, including one hand-labeled "Condition of Suit when Deckard Returns After Batty Fight." One original shoelace from production is included, while the laces currently on the shoes are replicas. Also included are two production stills.This costume is intentionally distressed throughout by production to appear damaged and grimy with pilling to the tweed, fraying at the ankles, and various discolored stains.Estimate: $80,000 - 160,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.
BOOGIE NIGHTS (1997) - Dirk Diggler's (Mark Wahlberg) Photo-Matched Costume - Dirk Diggler's (Mark Wahlberg) photo-matched costume from Paul Thomas Anderson's drama film Boogie Nights. Diggler wore his costume as his character Brock Landers in the opening scene to his adult film Brock Landers: Angels Live in My Town. The striping on the lapel matches to publicity photos from the film.This lot consists of a brown pinstripe three-piece suit; dark brown briefs (size 36); blue and brown frame aviator sunglasses with brown lenses and a magenta case marked "DIRK"; a brown and white block polyester-blend scarf with brown fringe; a cream-color button-down shirt featuring people on a balcony across the chest and left arm; and six production tags. This lot exhibits minor loose threads on the scarf.Estimate: $4,000 - 8,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.
THE GAME (1997) - Conrad Van Orton's (Sean Penn) Costume - Conrad Van Orton's (Sean Penn) costume from David Fincher's thriller The Game. Conrad wore his suit to his brother Nicholas' (Michael Douglas ) birthday party.This costume consists of a black silk bow tie; a double-breasted, cream-color polyester blazer with three internal pockets; a white button-up shirt; black trousers with a black side stripe; two white silk cord cufflinks in an envelope; a white elastic strap with four buttons; three production tags hand-marked "Sean Penn" and "Take Clean Outfit" and an 8" x 10" (20.5 cm x 25.5 cm) wardrobe department inventory list of "Box 10" for "Conrad Sean Penn." This costume exhibits discoloration.Estimate: $1,000 - 2,000Bidding for this lot will end on Thursday, June 29th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Friday, June 30th.
THE HOLIDAY (2006) - Iris' (Kate Winslet) Bathing Suit - Iris' (Kate Winslet) bathing suit from Nancy Meyers' romantic comedy The Holiday. Iris wore her bathing suit when she gave Arthur Abbott (Eli Wallach) swimming lessons.Customized for production, this black Lycra Calvin Klein one-piece bathing suit features wide straps and a padded, pleated chest inset with underwire. It exhibits crinkling, light staining, and fraying along the bottom from production wear.Estimate: $400 - 800Bidding for this lot will end on Thursday, June 29th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Friday, June 30th.
JUPITER'S LEGACY (T.V. SERIES, 2021) - Full Battle-Damaged Blackstar Stunt Suit with Extra Hands - A complete battle-damaged Blackstar stunt suit from Steven S. DeKnight's television adaptation of Mark Millar's Jupiter's Legacy.The lot features full armor components, including two extra pairs of hands. The helmet, spaulders, full torso, arm, leg, and foot armor are rubberized foam painted silver-color, gray, bronze-color, rust, and green-gray atop a hammered texture to resemble metal. Three nylon, silicone, and rubber hand pairs (one set includes plastic hand inside) emulate fingerless gloves with knuckle- and backhand-mounted armor plates. The lot exhibits paint cracking, pitting, melting marks, paint chipping, scuffing, and scratching from use. Measures: 90" x 40" x 12" (228.75 cm x 101.75 cm x 30.5 cm)Special shipping required; see notice in the Buyer's Guide.Estimate: $1,500 - 3,000Bidding for this lot will end on Thursday, June 29th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Friday, June 30th.
LIFE (2017) - David Jordan's Flight Suit - David Jordan's flight suit from Daniel Espinosa's sci-fi horror Life. Jordan became embroiled in a hostile alien discovery aboard the International Space Station.This brown polyester, one-piece jumpsuit features a full-length double zipper, pockets, painted metal "sensor" studs, and hook-and-loop strips on the legs. A navy-blue fabric namepatch in English and Cyrllic and flight wings in yellow-gold embroidery are sewn to the left breast. An embroidered Russian Space Agency assignment patch is sewn to the right chest. The left arm features an embroidered American flag, the right arm features two embroidered assignment patches, all sewn-on. The lot exhibits minor fraying around the neck and arm openings.Estimate: $800 - 1,600Bidding for this lot will end on Thursday, June 29th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Friday, June 30th.
MARVEL'S AGENTS OF S.H.I.E.L.D. (T.V. SERIES, 2017 - 2018) - Mike 'Deathlok' Peterson's Light-Up Season 5 Costume - Mike 'Deathlok' Peterson's light-up Season 5 costume from Marvel's Agents of S.H.I.E.L.D. Peterson aided Phil Coulson's sealing of the Fear Dimension portal. This costume features a multicolor zip-up compression suit with gray rubber shoulder and arm armor; a distressed gray and burgundy urethane and rubber vest marked "Stunt"; a battery-powered light-up belt ; a resin left gauntlet painted silver-color and gray, affixed with magnets and battery-powered lights; black leather gloves with gray rubber accents marked "H"; and a black nylon belt. The lot includes a light blue wardrobe tag and two wardrobe bags. The costume exhibits scuffing on the gauntlet and vest, staining to the compression suit, and holes in the gloves, with the fingers removed from the right glove.Contains electronics; see electronics notice in the Buyer's Guide.Estimate: $1,500 - 3,000Bidding for this lot will end on Thursday, June 29th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Friday, June 30th.
ODD COUPLE II, THE (1998) - Oscar Madison's (Walter Matthau) Suit with Promotional Photos - Oscar Madison's (Walter Matthau) suit with promotional photos from Neil Simon's comedy sequel The Odd Couple II. Madison reunited with Felix Ungar (Jack Lemmon) after discovering that their kids were marrying.This costume includes one polyester maroon blazer jacket with button closures and flap-pockets; one cream cotton button-down dress shirt featuring chest pockets and brown square patterning; a white cotton tank top; beige poly-cotton dress trousers hand-marked "OSCAR"; a brown leather belt with brass buckle; and beige cotton socks. Two glossy black-and-white promotional photos are included. It exhibits minor holes, loose threads, and pilling; the photo has a torn, missing corner. Dimensions: (photos) 8" x 10" (20.25 cm x 25.5 cm)Estimate: $600 - 1,200Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
PAYBACK (1999) - Porter's (Mel Gibson) Costume - Porter's (Mel Gibson) costume from Brian Helgeland's crime-action film Payback. Porter bought a new suit after he pickpocketed another man's wallet. This lot consists of a gray wool blend two-piece suit (38 regular) marked "4B" on the jacket's interior pocket production label; a gray stripe cotton button down (16 1/2 32-33); a white tank undershirt; a black and gray motif silk-wool tie; a black leather belt (36); black leather ankle boots (11 1/2); one production tag; one costume breakdown page with handwritten notes in pencil; and three continuity photos. This lot exhibits minor scuffing to the boots.Estimate: $1,500 - 3,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
A WELSH OAK DRESSER OR CWPWRDD TRIDARN PROBABLY DENBIGHSHIRE, MID 18TH CENTURY203cm high, 142.5cm wide, 55.5cm deep Provenance: Adams Antiques, 29th September 1996, £19,000 Condition Report: Old marks, scratches and abrasions, chips and splits comensurate with age and useSome old worm damage and old repairs, including fillets of timber as old honest repairs often expected for this age and type of furniture. Good colour and patina overall with some fading. There is variation in colour, most noticeably with sun fading to the front . This may also be the result of polishing/ dusting over time. Original surface overall. .Some additional old dark scratches and indentation as expected for age and use. Nails of various date used to secure elements. (see images)The brass handles have age and suit the piece well but are very likely replacements. There are larger markings from previous handles to areas adjacent to the current handles. The rear panels all appear original throughout. No obvious splicing to feet. Some planks forming 'floor' of drawers vary from each other but appear to be of period, some may be honest old replacements. There is some division between elements forming the floors of the drawers (as expected). Some elements of drawer runners may be old replacements. Of solid structure overall. Please refer to all additional images available by email for visual reference to condition.Condition Report Disclaimer
A GEORGE III MAHOGANY CHEST OF DRAWERS CIRCA 1770Of breakfront outline 82cm wide, 80.5cm high, 49cm deep Provenance: John Thompson Antiques, 7th July 1999, £10,500, where the receipt notes 'from Rolston Hall, East Yorkshire'Condition Report: There are scratches, marks, knocks, cracks and abrasions consistent with age and use.There are losses, observations and restorations including: overall in cleaned and restored condition; some losses including small veneers, fillets to some drawer runners, replaced mouldings to drawers, later blocks to the feet ; some cracks and indentations with some filler and repaired stringing; some dark staining to the upper area of the sides; the locks are later, there is a key that operates the locks; the handles are almost certainly later, though fit the holes from the original handles; the handles suit the chest well. The oak drawer linings with some splits, cloth taped and some fillets as expected.Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer
A GEORGE III WELSH OAK DRESSER OR CWPWRDD TRIDARN MID 18TH CENTURY With inlaid panel initialled IA197cm high, 124cm wide, 48cm deepProvenance: Adams Antiques, 20th February 2010, £15,500, where provenance noted 'A House Sale, Baumaris, Anglesey, North Wales in the early 1970's. Featured in 'Welsh Furniture 1250 - 1950 by Richard Bebb (Volume II, page 97)Condition Report: Old marks, scratches and abrasions, chips and splits comensurate with age and useSome old repairs, including fillets of timber as old honest repairs often expected for this age and type of furniture. some small old losses. some old worm damage as expected for age and type. Some small nails of various date used to secure some elements. (see images)Good colour and patina overall but with fading to the front in particular. . Original surface overall.Some additional old dark scratches and indentation as expected for age and use. Some partial dark old ring marks to the 'shelf' of the lower part. The brass handles have age and suit the piece well but are later replacements. There are disguised/ plugged holes from a previous/ original set of handles (see images) many are disguised by very well matched square shaped sections of matching timber. There are circular marks surrounding them caused by the previous/ original sets of handles. The brass escutcheons are equally very likely later additions or replacements. One of the upper door escutcheons is false and there is no lock, the other lock looks to be an addition but has age. The lock to the longer drawer of the lower section appears original or atleast to be of the period. Lacking keys. To the lower cupboard, it appears that there was previously a shelf there that is now lacking (see images) Rather charmingly, one rear panel visible from inside the cupbaord is a re-use of a 17th century panel as it is carved with initial and partial date '168' (see additional images) The rear panels all appear original throughout, as do the drawer linings and timbers forming the lings of the cupboards. No obvious splicing to feet. Some planks forming 'floor' of drawers vary from each other but appear to be of period, some may be honest old replacements. There is some division between elements forming the floors of the drawers (as expected)Of solid structure overall. The rear panels all appear original. Please refer to all additional images available by email for visual reference to condition.Condition Report Disclaimer
A GEORGE III WELSH OAK POTBOARD DRESSER BASE POSSIBLY NEATH VALLEY, LATE 18TH CENTURYWith four drawers above pierced apron 168.5cm wide, 83.5cm high to the sides, 48cm deep Condition Report: Old marks, scratches and abrasions, chips and splits comensurate with age and useFading overall, to some areas particularly to the top and front this is to a pale colour. (see additional images available via email)Some old repairs, some old worm damage as expected for age and type. Some small old nails used to secure elements (as often seen with items of this age and type. Some additional old dark scratches and indentation as expected for age and use. Some partial dark old ring marks, particularly to areas of the top.Previously with a plate rack but now lacking. The apertures to the rear moulded corners of the top where the rack would have fitted are now neatly filled with fillets of timber The brass handles have age (likely late 18th century) and suit the piece well but are very likely associated replacements. The screw elements of the handles appear to have been replaced as they protrude into the drawer interiors. These could be reduced in length for greater practicality and appearance. (see images) The lock to the central larger drawer is lacking and the escutcheon loose as one pin is lacking. The other locks are 18th century replacements , they vary from eachother and one is smaller than the aperture previously cut for a lock. one key aperture has been filled. The other has remnants of filler inside the aperture (see images) . The escutcheon to the very small drawer is false, there is no lock there and never has been. Lacking keys. The rear panels all appear original throughout, as do the drawer linings. Some division between the elements forming the floors of the linings as expected for age and type. No obvious splicing to feet. Of solid structure overall. The rear panels all appear original. Please refer to all additional images available by email for visual reference to condition. Condition Report Disclaimer
Title: Wenda in Hardy Ames Suit in Hyde Park Corner, c. 1951. Silver Gelatin photograph. Depicts a striking photograph of model and author Wenda Parkinson staring downward at a revolver with three boys in the background. Norman Parkinson was a revolutionary fashion photographer with a long-lived and illustrious career. White matte border with black and silver bordered frame. Pencil signed by artist in lower left corner. Sight size: 13"H x 9.75"W; frame: 21"H x 17"W x 0.75"D. Condition: Age related wear.
Charlie Chaplin - a large lifesize 1/1 scale statue of Chaplin, depicted in his trademark suit with bowler hat. Fibreglass construction, mounted on a rounded base. Free standing. Complete with an antique walking stick cane. Measures approx: 189cm tall. Sir Charles Spencer Chaplin KBE (1889-1977) was an English comic actor, filmmaker, and composer who rose to fame in the era of silent film. He became a worldwide icon through his screen persona, the Tramp, and is considered one of the film industry's most important figures. His career spanned more than 75 years, from childhood in the Victorian era until a year before his death in 1977.
A LARGE CHARLES II OAK DRESSER BASE CIRCA 1680 84cm high, 242cm wide, 54cm deep Condition Report: Old marks, scratches and abrasions, chips and splits comensurate with age and use. Some losses, some old repairs and small replaced sections. Some fading in areas of the top but as expected for age. The dresser has a very good original surface, colour and patina. Some old repairs, some old worm damage as expected for age and type. Some additional old scratches and indentation as expected for age and use. Some partial dark old ring marks, to the top.The brass handles have age (likely 18th century) and suit the piece well but are very likely associated replacements. small elements of timber assist in securing the handles from the reverse side of the drawers. One of the handles is a slight variation of the others (with a beaded slender collar to it) . The brass key escutcheons are later associated, in mid 18th century style. Two drawer locks are lacking, one is an 18th century replacement, the only other drawer has never had a lock fitted to it. This would likely indicate that any apertures for locks and the existing lock were all added int he 18th century. Lacking keys. Some replacement drawer runners and some additional later timber applied to old drawer runners to strengthen. The The rear panels all appear original throughout, The drawer linings appear largely original (with some small later nails to secure joins) however the floor panels of two of the drawers are likely 18th or 19th century replacements as they are cleaner in appearance and pine rather than oak. Some division between the elements forming the floors of the linings as expected for age and type and some old tape to join the meeting of some of these panels . No obvious splicing to legs or feet but the front feet have thin timber pads to the base of them and the rear feet have a section of re-tipping at the base of them (see images) Of solid structure overall. The rear panels all appear original. Please refer to all additional images available by email for visual reference to condition.Condition Report Disclaimer
A WILLIAM & MARY OLIVEWOOD, WALNUT AND FRUITWOOD OYSTER VENEERED CHEST OF DRAWERSCIRCA 1690The geometrically inlaid top above two short and three graduated long drawers with demi-cylindrical veneer borders, the sides also oyster decorated and having walnut cross-banding88cm high, 104.5cm wide, 61cm deepProvenance:Kenneth Neame, LondonA closely related chest sold Sotheby's, European Silver and Furniture, property of a private collector, 20th October 2021, lot 19 $18,900.Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. The expected old chips and splits. Neatly executed old veneer and moulding repairs - see images for details. Surface has some fading in areas and has a polished appearance. Backboards are old replacements and have some strips of later tape applied to them. Locks are 18th century replacements and vary from each other. Four keys are present and operate four of the locks. Handles and escutcheons are replacements but are in period taste and suit the piece well. Bun feet are later replacements. There are also later corner blocks and cross batons to the underside of the chest. Some old but later nails used to help secure joins of drawer linings. One drawer with old paper lining to the base. Other drawers have some thin elements of later timber used to the bases and strips of old tape over join lines. Some very minor evidence of old worm to the interior of the carcass. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Quantity of Funko Pop! vinyl figures x seventeen includes Judge Dredd #48, V for Vendetta #10, Forbidden Planet Robby the Robot #89, Pirates of the Caribbean Davy Jones #174, Pirates of the Caribbean Cursed Barbosa #208 2016 Summer Convention Exclusive, Conan The Barbarian #381, Battlestar Galactica #231 New York Comic Con Limited Edition, Battlestar Galactica Cylon Centurion #231, Independence Day Alien #283 Chase Limited Edition, Harry Potter Albus Dumbledore #04, Harry Potter Severus Snape #05, Harry Potter 3 pack (Cornish Pixie, Mandrake & Grindylow) 2016 Summer Convention Exclusive, The Rocky Horror Show Dr. Frank-N-Furter #209, Hellboy Anung Un Rama #15 Specialty Series Limited Edition Exclusive, Hellboy Hellyboy in Suit #18 2018 Summer Convention Limited Edition, G.I.JOE Cobra Commander #44, Aliens Alien Queen #346 (large size), All Excellent to Near Mint, within Good to Excellent packaging. (17)
Gaming related vinyl figures x eight includes Good Smile Company Overwatch Nenoroid Series Hanzo Classic Skin Edition #839, Soldier:76 Classic Skin Edition #976, Genji Classic Skin Edition #838, Blizzard Entertainment Overwatch Halloween Terror Cute but Deadly Demon Hanzo, Blizzard Entertainment Overwatch Cute but Deadly Reinhardt, Jinx The Witcher III Wild Hunt Geralt of Rivia Butcher of Blaviken variant, Good Smile Company Metal Gear Solid V The Phantom Pain Venom Snake: Sneaking Suit variant #565, Metal Gear Solid Solid Snake #447, all generally Excellent to Near Mint, within Excellent packaging with most being sealed. (8)
A French Art Deco bronzed spelter and marble figure of a bathing beauty, kneeling with a seashell held to her ear, on stepped marble plinth, 58cm wide, 15cm deep, 53cm high***CONDITION REPORT***Honest untouched condition, a greenish patination to most of the figure with the decorated black swim suit and scarf, all of which is slightly dull and oxidised with some slight rubbing from polishing over the years, plinth with some minor fritting around the edges.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Mixed vintage clothing including gold coloured coat with wide shawl collar and ¾ length sleeves by 'Miss Bergdorf' (New York), a 2 piece suit with 'Martha' and 'Christian Dior' labels with silk lined double breasted jacket, a bespoke made silk patterned sleeveless dress (approx size 8-10), a lined short sleeved dress in nasturtium print with low zipped back, bespoke made approx size10, a pink jacket by Orvis size 6 and a wool mix knitted jacket by 'Zucchero', appears unused, in box with detached tags
A GROUP OF LARGE CHRISTMAS DECORATIONS, to include light up snowman and squirrel, two standing teddy bears approximately 50cm tall, a rustic wooden church and lantern, both with lights, a reindeer and sleigh, together with a red plush Santa suit (Qty) (Condition Report: generally appear ok, sd, untested)
A QUANTITY OF LADIES CLOTHING, HANDBAGS, HATS AND SUITCASES, comprising a Mountain Warehouse full length wet suit size 11-12, four overcoats, a raincoat, a two piece suite, two suitcases, a cream vanity case, three hats, boots and a quantity of assorted handbags, etc. (3 boxes +7 items on rail)
A GROUP OF SIXTEEN PIECES OF VINTAGE CLOTHING, comprising two light brown real sheepskin jackets, an apricot coloured fur coat, UK size 12, a red overcoat, cream raincoat, a men's black dinner suit, UK size 44, a red crêpe dress, a black sequinned cocktail dress, both UK size 12, two evening bags, etc. (16+ 2 bags)
A SUPERB WW2 MEDAL GROUP AND ARCHIVE OF PERSONAL EFFECTS BELONGING TO THE LATE FLIGHT LIEUTENANT ALBERT GEORGE ROACH DFC RAF The medal group comprising Distinguished Flying Cross (engraved 1943 verso and retaining its fitted case and accompanying royal letter), India General Service Medal with North West Frontier 1937-39 clasp, 1939-1945 Star (with later issued Bomber Command clasp), Air Crew Europe Star, Italy Star, Defence Medal, War Medal, Elizabeth II Coronation Medal and George VI Long Service and Good Conduct Medal, all with corresponding miniatures. In addition: Flt. Lt. Roach's Observer's brevets, dress uniform shirt/collar studs, enamel RAFA lapel badge, Iraq 1936 embroidered cloth patch, headset and accompanying mouthpiece/respirator, 1941 pattern sheepskin flying boots, early-war Irvin sheepskin flying jacket, Beadon flying suit (size no. 6), Observer's and Air Gunner's Flying Log Book (when non-commissioned officer), Flying Log Book for Navigators, Air Bombers, Air Gunners, Flight Engineers (when commissioned officer), a Birmingham silver monogrammed cigarette case engraved internally "Presented to W/O Albert George Roach RAF by his friends at Rangeworthy upon the occasion of his receiving the award of the Distinguished Flying Cross, 1943", together with accompanying citation, documents - to include a telegram announcing the then Warrant Officer Roach's being awarded the D.F.C., reproduced photographs, service records etc. - and a large collection of paper and canvas maps and charts, including a Star Recognition chart by Francis Chichester Condition Report:Available upon request
RAOUL DUFY (1877-1953)La baie de Sainte-Adressesigné et daté « Raoul Dufy 1906 » (en bas à droite)huile sur toilepeint en 1906signed and dated 'Raoul Dufy 1906' (lower right)oil on canvaspainted in 190665 x 81.3 cm (25 9/16 x 32 in)Footnotes拉乌尔·杜菲(1877-1953)圣阿德雷斯海岸油画，画于1906年ProvenanceCollection Maurice Denis.Acquis auprès de l'artiste au Salon des Indépendants de 1906.Collection particulière, France.Vente, Paris, Poulain Le Fur.ExpositionsParis, Grand Palais, Salon d'Automne, Société des Artistes Indépendants, 22° exposition, octobre - novembre 1906, n° 1574.Paris, Didier Imbert Fine Arts, Paris Capitale des Arts, 28 avril - 14 juillet 1989, lot 4, ill.Paris, Didier Imbert Fine Art, 20 ans de Passion Alain Delon, Peintures, 1990, no 26, ill.Los Angeles, Metropolitan, Royal Academy, The Fauve Landscape, 4 octobre - 30 décembre 1991, lot 5, ill.Paris, Musée d'Art Moderne de la Ville de Paris, Passions privées, 18 décembre 1995 - 24 mars 1996.Lyon, Musée des Beaux arts - Musée de l'imprimerie, Raoul Dufy , 28 janvier - 18 avril 1999, n° 20, ill.Barcelone, Museu Picasso - Museu Tèxtil i d'Indumentària, Raoul Dufy , 29 avril - 11 juillet 1999, n° 20, ill.Paris, Musée d'Art Moderne de la ville de Paris, Raoul Dufy, Le Plaisir, 2008 - 2009, n° 9, ill.Avant de découvrir le chef-d'œuvre de Matisse Luxe, calme et volupté lors du Salon des Indépendants de 1905, Dufy avait travaillé dans un style impressionniste, connaissant déjà la technique divisionniste utilisée, après avoir vu la grande exposition de Signac à la Galerie Druet en décembre 1904. Rendue par une mosaïque de pigments purs et libérée de toute représentation descriptive, c'est l'étonnante utilisation de la couleur par Matisse, plutôt que la technique néo-impressionniste, qui frappe Dufy le plus profondément et qui révolutionna son style par la suite. Vingt ans plus tard, Dufy reconnaît cette dette envers Matisse et l'effet catalyseur sur sa peinture : « toutes les nouvelles raisons de peindre, et le réalisme impressionniste ont perdu tout leur charme pour moi, lorsque j'ai contemplé le miracle de l'imagination qui avait pénétré à la fois la ligne et la couleur. Je compris immédiatement le mécanisme de la nouvelle peinture » (D. Perez-Tibi, ibid, p. 19).En 1905, Dufy était revenu dans sa ville natale pour une courte période après plusieurs années passées à Paris. Doué d'un talent prodigieux dès son plus jeune âge, il s'inscrit à quinze ans dans une école d'art locale, mais obtient rapidement une bourse municipale pour étudier à l'École des Beaux-Arts de Paris. Dufy se montre cependant réfractaire à la formation académique qu'il y reçoit et, en 1903, décide d'exposer pour la première fois au Salon des Indépendants, un salon d'avant-garde, travaillant principalement dans un style dérivé des impressionnistes jusqu'en 1904. Appartenant à la génération qui suit Eugène Boudin et Claude Monet, Raoul Dufy fait partie d'un groupe d'artistes havrais qui émerge à la fin du XIXe et au début du XXe siècle, parmi lesquels on trouve Othon Friesz et Georges Braque.L'année 1905, et plus particulièrement l'expérience transformatrice du paysage arcadien de Matisse, provoque un changement décisif dans la peinture de Dufy. Tout en revenant à des motifs familiers tels que les ports et les régions côtières de son enfance, Dufy a également rendu ses sujets préférés avec une palette revigorée et un traitement nouvellement moderniste de la forme : « Vers 1905-1906, je peignais sur la plage de Sainte-Adresse, j'avais déjà peint des plages à la manière des impressionnistes, j'étais arrivé à saturation et je me rendais compte que cette méthode de copie de la nature m'entraînait vers l'infini, avec ses tours et ses détours, ses détails les plus subtils et les plus fugitifs. Je me trouvais moi-même à l'extérieur du tableau. Arrivé à un sujet de plage ou à un autre, je m'asseyais et commençais à regarder mes tubes de peinture et mes pinceaux. Comment, avec ces choses, pourrais-je réussir à transmettre non pas ce que je vois, mais ce qui est, ce qui existe pour moi, ma réalité ? C'est là tout le problème [...] J'ai alors commencé à dessiner, en choisissant la nature qui me convenait [...] À partir de ce jour, je n'ai plus pu revenir à mes luttes stériles avec les éléments visibles à mon regard. Il n'était plus possible de les montrer sous leur forme extérieure » (D. Perez-Tibi, ibid, pp. 22-23).S'adressant plus tard à l'historien et critique d'art Pierre Courthion, Dufy a rappelé la source des principaux leitmotivs qui apparaissent dans l'ensemble de son œuvre : « Ma jeunesse a été bercée par la musique et la mer » (D. Perez-Tibi, ibid, p. 12). Dufy, empreint à nouveau de ce souvenir, dépeint la digue Nord avec une vitalité intense et cette scène joyeuse et animée a Sainte Adresse. Il ne cherche pas à imiter cette vision et surtout cette lumière qu'il peine à reproduire. A cette époque, il adopte et expérimente pleinement les préceptes du fauvisme. Tout en couleurs et en luminosité, Dufy ponctue les tons pastel de l'impressionnisme par des taches vives de pigments purs : jaune, noir, rouge et bleu - des couleurs qui galvanisent la surface de la toile, insufflent du dynamisme au tableau et font écho au mouvement implicite des danseurs et des joueurs. Conformément à la technique fauve, Dufy réduit également les formes à l'essentiel, distillant les personnages et leur environnement en blocs presque géométriques de couleurs juxtaposées, un effet qui est encore accentué par le point de vue surélevé et la perspective délibérément annulée qui servent à aplatir l'espace pictural.« Quand je parle de couleur », expliquera plus tard l'artiste, « on comprendra que je ne parle pas des couleurs de la nature, mais des couleurs des palettes, des mots à partir desquels nous formons notre langage pictural [...] Je considère la couleur elle-même comme un moyen de communication. Je considère que la couleur elle-même n'est rien d'autre qu'un générateur de lumière » (D. Perez-Tibi, ibid, p. 24).La naissance du fauvisme scandalise le public français et l'establishment, remettant en question les fondements mêmes de l'expression visuelle, et la critique n'épargnera pas Dufy. Réagissant au tumulte de l'exposition, au cours de laquelle le terme « Fauve » ou « Wild Beast » a été inventé, le critique contemporain Camille Mauclair a décrié : « Un pot de peinture a été jeté à la face du public ». L'écrivaine et collectionneuse d'art Gertrude Stein a rapporté que des visiteurs consternés ont griffé les toiles des tableaux en signe de mépris. En 1905, le fauvisme a lancé le mouvement le plus expérimental et le plus audacieux que le monde de l'art n'ait jamais connu. Exécuté en 1906, La baie de Sainte Adresse illustre ce moment révolutionnaire de l'art moderne et de la carrière de l'artiste.Bien que l'étape fauve de Dufy ait été brève, elle lui a inculqué un goût pour la simplification, la couleur et le pigment pur qu'il n'a jamais perdu. Des trois fauves normands : Raoul Dufy, Georges Braque et Othon Friesz, Dufy en fut le plus ardent défenseur, et c'est dans l'œuvre de ces trois artistes que l'on peut déceler l'évolution du fauvisme à travers le style impressionniste : « Être fauve dans l'esprit, ce n'est pas seulement peindre avec des couleurs vives . For further information on this lot please visit Bonhams.com
James Bond Ursula Andress signed stunning 10 x 8 colour photo in swim suit on the beach as Honey Rider in Dr No. Swiss-German actress, former model and sex symbol who has appeared in American, British and Italian films. Her breakthrough role was as Bond girl Honey Ryder in the first James Bond film, Dr. No (1962). She later starred as Vesper Lynd in the 1967 Bond parody Casino Royale. Other credits include Fun in Acapulco (1963), 4 for Texas (1963), She (1965), The 10th Victim (1965), The Blue Max (1966), The Southern Star (1969), Perfect Friday (1970), Red Sun (1971), The Sensuous Nurse (1975), Slave of the Cannibal God (1978), The Fifth Musketeer (1979), Clash of the Titans (1981), and Peter the Great (1986). Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
White collar; brown waistcoat; dark green coat; black robe.This is an excellent example of the literary character designs of early character jugs. In Dickens' Pickwick Papers, Sergeant Buzfuz was the counsel of Mrs. Bardell in the breach of promise suit she brought against Mr. Pickwick.Royal Doulton backstamp. Artist: Leslie Harradine and Harry FentonIssued: 1948 - 1960Dimensions: 3.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Henry- Grey hair; yellow cravat; Michael- Brown hair; dark blue suit; white shirt; light blue tie. Signed by Michael Doulton.This two-faced jug was a special edition jug issued to mark Michael Doulton's personal appearances at retail locations. This piece is one of the few two-faced jugs made in the small size. Royal Doulton backstamp. Artist: William K. HarperIssued: 1992Dimensions: 4.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Style Three; lifebuoy, anchor, rope, and ocean waves handle. Navy and white sailor's hat and suit. Royal Doulton backstamp. Includes original box, 9"L x 7"W x 6.75"H. Issued: 2006Dimensions: 6"L x 3"W x 5"HEdition Number: 93 of 250Manufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Brown suit, black cap, white shirt, grey tie.December 17th, 2003 was the centenary of the first powered air flight by the Wright brothers in Kitty Hawk, North Carolina. Issued 2003 in a limited edition of 1,000 each. Royal Doulton backstamp. Artist: David B. BiggsIssued: 2003Dimensions: 7"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
1932 Bentley 4/8-Litre TourerRegistration Number: GT 8776Chassis Number: VF4008Engine Number: WK2665With their ultra-desirable running gear based on the 8-Litre chassis, many 4-Litre Bentleys were converted into specials using the more traditional and often more powerful WO Bentley engines. GT 8776 is one such car, having started life as a standard 4-Litre in January 1932, it originally wore HJ Mulliner saloon coachwork. Many decades ago, this body was removed and, according to Michael Hay, reinstated on a Rolls-Royce Phantom II. Apparently dismantled by the late 1960s, it was later rejuvenated and rebodied with a curvaceous Vanden Plas body, in which form Alex Tanner bought the car.Discovering the coachwork was not best suited to his intended trips overseas and with the 4-Litre running gear widely regarded as the ultimate 'blank canvas' for the basis of that mythical beast, the 'Le Mans-style 8-Litre', Alex Tanner instructed specialists, VBE Restorations, to create for him such a car from VF4008. The 4-Litre's major components have remained together, but with the addition of a powerhouse of an 8-Litre engine.The engine is based on a 6 ½-Litre, formerly fitted to a William Arnold saloon, and had been on loan to, and displayed at the BDC HQ. A rebuild to 8-Litre specification, with a new crankshaft with modern shells, special rods, crankcase conversion and opening up the crankcase to suit 110mm pistons, was carried out by Elmdon Vintage Automobiles Ltd.Clearly constructed to a very high specification, the 8-Litre has been used since 2010 for extensive touring on the Continent, including almost annual trips on the 'Downs' Vintage Bentley Tours of France.Finished in very dark British Racing Green, the coachwork is in Vanden Plas-style 'Le Mans' four-seat tourer configuration, with fabric-covered body, cycle wings, leather bonnet straps and quick-release radiator cap. Headlights are large diameter, top-quality Carl Zeiss.The green leather interior with green carpeting is in lovely condition and just starting to mellow. The rear seats were removed to provide extra luggage space and, now refitted, show hardly any use. Matching door cards feature a raised 'B' detail and the steering wheel is string-bound.The engine bay is in wonderfully presented condition and obviously dominated by the near-monolithic triple-carburettored engine. Bills on file refer to further engine work being undertaken to the cam damper and to improve the cooling system by NDR Ltd. in 2017.A small quantity of paperwork is present with the car together with a current V5C Registration Certificate.
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