The Gotchagot-Automat von Frank NelsonPapierbezogene Holzfiguren, die einen Matrosen und eine Frau im Badeanzug darstellen, mit gefedertem Hebelmechanismus, rückseitig signiert "Frank Nelson", Höhe 24 cm. - Der Matrose streckt die Hand aus, um seine Begleiterin heimlich von hinten zu kneifen, ihr Haar und ihre Augenbrauen heben sich vor Erstaunen, ihr rechter Arm schießt hervor und sie schlägt dem Matrosen mit ihrer Handtasche den Hut vom Kopf - na bitte! - Frank Nelson (1930-2012), Künstler und Automatenbauer. Nelson besuchte von 1944 bis 1947 die Blackpool Art School. Seine unverwechselbaren Automaten aus geschnitztem und bemaltem Holz wurden von seiner Kindheit in Blackpool, seiner Liebe zur Kunst und zur Technik sowie von den "Tritten und Küssen des Lebens" beeinflußt. - Referenzen: Andrea Robertson, "Museum of Automata", 1992, S. 78; Frank Nelson, "Rude Mechanicals, a Moving Experience": https://www.youtube.com/watch?v=dVLrzu95IaI. Watch and Listen on:Youtube.com/AuctionTeamBreker Start Price: EUR 140 Zustand: (2-/2)The Gotchagot Automaton by Frank NelsonPaper-covered wood figures depicting a sailor and a woman in a bathing suit, with spring-loaded lever-mechanism, the reverse signed "Frank Nelson", ht. 9 ½ in. (24 cm). - The sailor reaches out to pinch his companion surreptitiously from behind, her hair and her eyebrows rise in astonishment, her right arm shoots out and she knocks the hat from the sailor’s head with her handbag - gotcha! - Note: Frank Nelson (1930-2012), artist and automaton-maker. Nelson attended the Blackpool Art School from 1944-1947. His distinctive automata of carved and painted wood were influenced by his childhood in Blackpool, a love of art and engineering and "flavoured by life’s kicks and kisses". - References: Andrea Robertson, "Museum of Automata", 1992, p. 78; Frank Nelson, "Rude Mechani- cals", a Moving Experience", please see https://www.youtube.com/watch?v=dVLrzu95IaI. Watch and Listen on:Youtube.com/AuctionTeamBreker Start Price: EUR 140 Condition: (2-/2)
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Astronaut John Glenn signed 10 x 8 orange space suit photo. Top border has been trimmed. American Marine Corps aviator, engineer, astronaut, businessman, and politician. He was the third American in space, and the first American to orbit the Earth, circling it three times in 1962. Following his retirement from NASA, he served from 1974 to 1999 as a U.S. Senator from Ohio; in 1998, he flew into space again at the age of 77. Before joining NASA, Glenn was a distinguished fighter pilot in World War II, the Chinese Civil War and the Korean War. He shot down three MiG-15s and was awarded six Distinguished Flying Crosses and eighteen Air Medals. In 1957, he made the first supersonic transcontinental flight across the United States. His on-board camera took the first continuous, panoramic photograph of the United States. He was one of the Mercury Seven, military test pilots selected in 1959 by NASA as the nation's first astronauts. On February 20, 1962, Glenn flew the Friendship 7 mission, becoming the first American to orbit the Earth, the third American and fifth person in history to be in space. He received the NASA Distinguished Service Medal in 1962, the Congressional Space Medal of Honor in 1978, was inducted into the U.S. Astronaut Hall of Fame in 1990 and received the Presidential Medal of Freedom in 2012. Glenn resigned from NASA in January 1964. A member of the Democratic Party, Glenn was first elected to the Senate in 1974 and served for 24 years, until January 1999. In 1998, at age 77, Glenn flew on Space Shuttle Discovery's STS-95 mission, making him the oldest person to enter Earth orbit, the only person to fly in both the Mercury and the Space Shuttle programs, and the first Member of Congress to visit space since Congressman Bill Nelson (D-FL) in 1986. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Debbie Reynolds actor signed white card along with lovely unsigned 10 x 8 inch colour photo. Sexy full length swim suit picture. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Pelham Puppet - a rare type SM Harlequin circa 1950s with painted black face mask, black felt hat, green ruff and red white chequered suit, H31cm; in original box with instructions Condition Report: Model appears complete, some scratches and wear to the paintwork. Small stain on the ruff. Joints move smoothly. The box is worn and has a significant tear in one corner.
A Gents Daks Two Piece Grey Check Suit for Simpson Piccadilly, with single breasted jacket and twin vents; a Gents brown/green wool tweed three piece suit and a gents evening tail coat and trousers. (3)Brown/ Green tweed three piece suit with label to inside. Grey check suit measuring approx. 58cm pit to pit and 51cm w trousers when closed. Tailcoat approx. 47cm pit to pit and 44cm trousers when closed.
After Odoardo Tabacchi (Italian, 1836-1905)"La Tuffolina", a Parian Ware figurine of a young woman in a bathing suit poised as if to dive into water, late 19th / early 20th Century, height 27 cm[Tabacchi trained as a sculptor in the Brera Academy and went on to become a professor at the Albertina Academy of Fine Arts.]
Gents 20th Century Suits and Jackets comprising a black heavy cotton jacket, wool jacket, Longstaff Newcastle wool morning suit, evening suit and other items,two pairs of Loake brown leather shoes with laces, another pair in black, evening shoes, pair of ankle boots, grey wool spats, boxing gloves, evening shirts, shooting stick, umbrella etc,(part rail and two boxes)
Assorted Mid 20th Century Gents Costume, comprising Daks London checked dressing gown,a red wool dressing gown with checked lining, and another similar in blue checks,Tootal paisley silk type gents dressing gown, another similar in red paisley design, four other dressing robes, H Hunter Blackpool navy and white striped long night shirt, a pair of striped pyjama bottoms, Simon Deny two piece suit,Baronia brown wool herringbone coat, two pairs of black wool trousers and a pair in green striped wool, (16)Dressing Gown sizesDaks London - LRed wool - 118cmBlue wool - 136cmBrentfords black quilted - 38/40St Michaels (blue) - L 44-48St Michaels red paisley - Ex LPaisley silk type - Ex LGold colour silk type - 124cm
A gents vintage Yves Saint Laurent suit, A gents vintage Yves Saint Laurent suit, 100% wool, with double breasted jacket and trousers, size 38.Overall condition good to fairSigns of age and occasional wearInterior button possibly re sewn - area of loose threadingOne small snag to back of jacket, visible only with close inspectionTrousers have been turned up
Lewis Carroll. Wonderland Postage Stamp Case, with Eight or Nine Wise Words about Letter-Writing, first edition, 16mo, London: Emerlin and Son, 1890. AUTOGRAPH LETTER. Loose is a signed letter by John Tenniel to Mr F M Ball Esq, "My dear Ball. I shall be happy to see Mr Dugan any day this week except Friday- that's my very busy day. As to time- between 11 and 12 would suit me best, With kindest regards. Yours Sincerely, John Tenniel " dated March 3 1884, 10 Portsdown Road, Maida Hill, W, 1pp., folded.envelope worn otherwise good. autograph letter laid down on card.
A Charles II indenture manuscript, hand written with ornate title piece, on two sheets of vellum, each measuring, 68.5cm x 60cm, the reverse of the second sheet with a signature of H.R.H. George, Duke of York, dated April 21st 1899 whilst on a visit to Careysville, Ireland, rolled, with wax seal depicting a warrior on horse back in suit of armour.indenture soiled and with discoloured folds and creases, wax seal broken and crudely repaired with losses.
FERDINAND (FRANZ, Archduke of Austria)Autograph letter signed ('Franz') to Rudiger, Baron Biegeleben in Cairo, in German, beginning with the usual pleasantries, glad the climate of Cairo is benefiting his health and mentioning the death of his son, going on to discuss the '...renewed struggle now with Hungary for unity... The army is still trying to completely wrest the power of the ruler!...' and internal politics ('...with the tearing up of the army, we will cease to be a great power...'), on the relationship with Germany ('... can now completely rely on Kaiser Wilhelm...'), and outlining hopes for the future ('...my ideal is not the current Triple Alliance but the old Three Emperors' Alliance and every effort should be made to restore this. I believe that this would also suit Kaiser Wilhelm very much, as, to my great joy, he is beginning to turn his back on Italy completely...'), commenting '...As always, England's behaviour is infamous. Our ambassador there is completely unsuitable in his position...', ending by hoping to meet him at the centenary celebrations in Tyrol; with autograph envelope (signature excised) bearing red wax seal, 6 pages on 3 bifolia, dust-staining, some small tears along folds, 8vo (203 x 127mm.), Vienna, 6 January 1909Footnotes:'MY IDEAL IS NOT THE CURRENT TRIPLE ALLIANCE BUT THE OLD THREE EMPERORS' ALLIANCE'.Archduke Franz Ferdinand discusses politics and his preference for the old alliance between Germany, Russia and the Austrian-Hungarian empires over the current alliance between Germany, Austria-Hungary and Italy ('...this would also suit Kaiser Wilhelm very much..'). '...Franz Ferdinand's most astute act in the run up to 1914, was his perpetual opposition to Franz Joseph's Chief of Staff, Franz Conrad von Hötzendorf. Conrad was determined to wage war on Serbia, especially after it opposed Austria's annexation of Bosnia-Herzegovina in 1908. Every few months, he would suggest it, every few months Franz Ferdinand would vehemently argue against it. The Archduke understood the bigger picture – if Austria went to war with Serbia, Russia would rush to support its Serb brothers and declare war on Austria. The treaties tying Europe together would create a pan-European war that would probably lead to the downfall of at least the Habsburg monarchy if not others too. If only Franz Ferdinand's warnings had been remembered in July 1914...' (Sue Woolmans, 'The Insignificant Archduke', article online). The recipient of our letter, Rudiger, Baron Biegeleben (1847-1912), was the son of Ludwig von Biegeleben, who had acted as advisor for German affairs in the Ministry of Foreign Affairs. Rudiger enjoyed a successful career in Austrian Imperial diplomacy in Europe and the Far East. On his retirement in 1894, he spent winters in Cairo, the dry climate of which, as alluded to here, helped ease his asthma. In 1902, the Biegelebens moved to Villa San Giorgio on the island of Gezira, which is now a school. Provenance: Private European collection formed by the owner's father some 50 years ago.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
• BERNARD MYERS (BRITISH 1925-2007) Bernard Myers (lots 139-158)Work and travel in the Middle East and India introduced me to a world of colour. Under the influence of Islamic tiles and textiles, and Indian and Tibetan painting I set out to teach myself colour. My work at this time was mainly abstract and loosely based on astronomical and optical diagrams. Gradually I turned to realism via still life, working very precisely... (Bernard Myers) IntroductionTrained as a gunner in the RAF during the Second World War, Bernard Myers studied at St Martin’s School of Art, Camberwell and the Royal College of Art. Fellow students included John Bratby and Jack Smith, Frank Auerbach and Leon Kossoff. After graduating ARCA in 1954, Myers taught, variously at Camberwell, Hammersmith and Ealing art schools, and was senior lecturer in drawing at the Architectural Association School. He returned to the RCA to teach for the following two decades, punctuated in 1968 and 1971 by stints as Visiting Professor at the Indian Institute of technology, New Delhi. His final teaching post was as Chair of Design Technology at Brunel University (1979-85). Students at the RCA treasured Myers’ good advice. James Dyson remembered him as ‘cheerful, irrepressible [and] rather dapper… with a tweed suit and bowtie…’ But as well as being upbeat Myers was also appreciated for his considerable range of mind and intellect. On being made a Fellow, in his welcome speech the Dean noted that Myers ‘…must without doubt be the most versatile graduate ever to emerge from the Painting School. Since joining the College in 1961 he has been, by virtue of an encyclopaedic knowledge which comfortably bestrides the boundaries between the humane and the technological, and of his superlative gifts as a teacher, in demand by virtually every School and Department within the College…’ The plus side for Myers was that teaching left him free to practise his own art exactly as he wished. As he noted: ‘Some artists find that teaching interferes with their work. I find it clarifies my work.’ Indeed, he had an unstoppable compulsion to paint, incessantly exploring a wide range of subject matter, in particular the landscapes he encountered on his varied travels (lots 151-156), the still-lifes he worked on in his studio (lots 143-150), the nudes he painted in weekly life-classes, and his not infrequent forays into abstraction, precipitated in part by his fascination with space (lots 139-142). He married Pamela Fildes, grand-daughter of the painter Sir Luke Fildes in the early 1950s; they lived first in Windsor and then in Kensington before moving in 1974 into one of the studios overlooking the Thames at St Peter’s Wharf, purpose built by Julian Trevelyan, next to Hammersmith Terrace (lots 157 &158). He had several one-man shows in the West End, the first at the New Art Centre in 1969; his last with Austin Desmond Fine Art in 1991. He wrote two books on Goya, others on the history of sculpture and How to Look at Art, and co-edited The Macmillan Encyclopedia of Art (1979). He also penned articles for The Artist (May 1988) on his highly original approach to pastel (lots 139-142 & 147-150), and Artists and Illustrators (1995) on his Venice views (lots 151- 154).139BERNARD MYERS (BRITISH 1925-2007)PLANETARY COMPOSITIONS I & IIoil pastel on thin paper(i) 56 x 43cm; 22 x 17in (ii) 43 x 56cm; 17 x 22in (both unframed)(2)
A DIAMOND SET CLUB BAR BROOCH FIRST HALF OF THE 20TH CENTURY The gold coloured knife edge bar brooch set with three claw set old European cut diamonds in the from of a club from a suit of cards, approximately 0.30 carats total, unmarked Size/dimensions: 3.5cm long Gross weight: 2.7 grams Condition Report: Some light wear, the diamonds are bright and lively, in an associated box, the lid inscribed C.M 1940 3/8, the interior stamped K. Anderson Stockholm Goteborg Condition Report Disclaimer
A collection of mens clothing comprising a Maggi evening suit of jacket and trousers, a Palzileri jacket, an Amadeus cashmere navy full length coat, a pair of Stefano Ricci jeans, a Hugo Boss suit comprising jacket and trousers, two Brioni suits comprising jackets and trousers (for sizes see images) (11)
A sleeveless cocktail dress by Caroline Charles Studio in midnight blue sequined fabric, lined with blue satin, labelled as UK size 16, a black day dress by Salvatore Ferragamo in jersey with a draped cross-over front, bust approx. 86 cm, a navy blue wool suit by Salvatore Ferragamo, the collarless jacket with pocket flaps, the pleated trousers with side pockets, both labelled as size 48, two pairs of wide-legged pleated cotton shorts by Katherine Hamnett London with buttoned side closures, one in rose pink, the other in aqua, both labelled as size Large, waist approx. 70 cm, a pair of Marni emerald green wide-legged pleated shorts with side pockets, labelled as size 12, waist approx. 76 cm, a black silk V-necked camisole top by Maria Grachvogel, a pair of vintage peach silk type cami knickers with lace inserts and buttoned side closure etc., together with two boxes of Amazon basics wooden coat hangers
A 1950s navy blue silk skirt suit, unlined, with white cotton detachable collar, button fastening, approx a UK size 12, a Jaeger printed cotton three piece, the full skirt with deep frill to hem and rick rack trim, as is on the waistcoat, UK size 8, a 1950s taffeta afternoon dress of black, lime and brown rose print, with a ‘Diana Dress’ label, UK size 16, a white linen floral printed evening dress, with ‘Mackerness’ label to interior, UK size 16, and a 1960s black and gold striped jersey day dress, with ‘Leygil’ label to interior, UK size 16 (Qty)
An ivory silk kaftan with gold and turquoise embroidery to neck, sleeves and hem, 32 inch bust, 88cm pit to pit, together with a 1970s black lurex trouser suit, with gold and silver bands to centre front, label 'Madison Avenue London', 90cm pit to pit (34 inch bust), trousers, approximately 77cm waist (at fault), a princess line turquoise dress and coat, imitation silk, the centre front of dress and collar of coat with turquoise lace trimming highlighted with pearls, label 'Alfred Werber New York Los Angeles', a sleeveless 1950s summer dress, printed in various shades of green, an aqua and gold cocktail dress, a 1950s evening dress and bolero, of heavy raspberry satin with a chinoiserie printed design, and a cream crochet poncho (7)
A COLLECTION OF 12 INCH DOCTOR WHO ACTION FIGURES AND OTHER LOOSE AND BOXED FIGURES, to include a 12 Martha Jones action figure, 02407, a 12 Judoon Captain set, 02408, 12 Dalek Sec Hybrid, 02485, 30cm the Doctor & Space Suit, 02317, a 10 Eleventh Doctor, 271834, and a boxed Doctor Who Character Walkie-Talkies, 01633, many of the boxes discoloured as are their plastic windows with some damage to the cardboard, together with a selection of unboxed figures such as a moving Cyberman on plinth, not working, Cyberman moneybox, an electronic Tardis, not working, a selection of smaller Dalek figures, a selection of BBC TV retro Doctor Who poster collection - series 8, all inside a BBC labelled folder, with A K-9 keyring and Doctor who Cufflinks
Period Fishing Tackle Collection to include a canvas leather edged game bag, an extendable gaff with brass square pole and fine turned wooden handle (gaff tip guard is in need of repair), Japanned fly tins by Hardy and Malloch and a Wheatley slim alloy tin, with a section of Salmon/Trout flies, a Cofton cast tin (loose lid) and a pair of metal heal grips Talonnette M R, a leather case that would suit a reel (most likely has an instrument inside
Corgi Stunt Motorcycle No. 681, generally excellent in good plus to good window box (cellophane crushing, black marking to front, black felt tip pen scribble to one end), gold-plated finish stunt cycle on red plastic base and yellow helmet/blue suit rider. Contents unchecked for completeness or correctness and viewing recommended.
Four high quality bespoke gentleman's suits. In checked fabric, with matching trousers, three with waistcoats, unlabelled, various sizes, some on Savile Row hangers Condition Report: Suit 1 (centre back)Chest 122cm (buttoned up), back length 80cm, sleeve length 63cm. Trousers 86cm, inside leg 62cm. Waistcoat, chest 113cm (buttoned up), back length 60cmSuit 2 (front right)Chest 114cm (buttoned up), back length 81cm, sleeve length 62cm. Trousers 90cm, inside leg 64cm. Waistcoat, chest 114cm, (buttoned up) back length 66cmSuit 3 (second left)Chest 109cm (buttoned up), back length 81cm, sleeve length 63cm. Trousers 93cm, inside leg 60cm. Waistcoat chest 100cm (buttoned up), back length 56cmSuit 4: Chest 113cm (buttoned up), back length 84cm, sleeve length 61cm. Trousers 90cm, inside leg 70cm
1960's turquoise linen shift dress, sleeveless, (stained) with broderie anglaise detail to the skirt, emerald green cocktail dress, bow detail to the waist, cross over bodice, lace coat and matching dress in cream, the dress with chiffon ruched cummerbund, labelled Mandell Couture, 1950's figured satin full length evening dress, labelled 'London Town Mayfair', 1970's turquoise, lame jump suit, sleeveless, elasticated waist and bodice, and a late 1950's full length evening dress, pleated chiffon, printed with sprays of flowers, pleated and boned bodice, with spaghetti straps, blue ribbon at the waist (7)
A black satin cocktail dress labelled Pattullo-Jo Copeland, fitted at the waist with cream grosgrain detail to the neckline with hook and eye fastening and similar cuffs with a buckle belt, a 1940's skirt suit black and white printed floral detail on a very pale pink ground, padded shoulders with pleats to the shoulders fitted at the waist slight peplum, 1930's bias cut evening gown, cream shoulders with strap detail embroidered with beads hook and eye fastening at the back, a fitted jacquard blouse button back fastening with a rust coloured bow to the neckline and rust colour embroidered detail and buttons to the hem, a 1930's full length evening gown, flowers printed on a black ground with a capelet (5)
1940's shawl collared teal wool coat with matching fabric-coloured buttons, collar detail has been removed, a Harlee children's coat, style 443, size 30 with original label, fawn and cream tweed with side pockets with button detail, half-belt with two-button detail and pleated back, the back of the collar has a foldover satin detail, a Ray wool 1940's skirt suit with pleated skirt, Peter Pan collar, fitted waist, shoulder pads, with red gros grain trim to the jacket and collar, labelled 'by petti', a black crepe coat, with wide padded shoulders, labelled 'V Higbee Company, Cleveland', full sleeves with button detail, blouson top with a full skirt and side pockets, pleated detail to the bodice and the half-buckle belt to the front, a 1940's grey wool dress, A-line skirt and three-quarter length sleeves, front button fastening, grey and abstract pattern design, a Moseley black raincoat with hood, lacking belt, tweed lining, and a 1940's black wool coat, full skirted, deep shawl collar and button fastening, blouson sleeves (7)
A red and white check shift dress with applique daisy detail to the drop waist and to a single pocket, a yellow linen skirt suit labelled Arkay Models of London, white detail to the scalloped hem of the top,with bow detail, a yellow silk blouse with pussy bow tie collar with deep cuffs, a linen dress labelled Ravin Model London W1, a printed sleeveless jumpsuit in browns, reds, greys etc. with fabric covered buttons, a pink full length sleeveless dress printed with vibrant colours with a tie belt,
Mary Donan No.5 Stratford Place, London, W1 pale fawn and grey tweed skirt suit, five button fastening to the collar, a matching shift dress and knee length skirt, a Tinero made in Italy knitted wool coat with white ribbed detail to the collar, the waist and cuffs, a Ms Sugar size 12 check blouse with black skirt, a 1960's nylon high-necked blouse labelled 'Lennara', back button fastening, nylon chiffon balloon sleeves with double button cuffs and a tweed jacket labelled 'Futrofsky, 62 Grafton Way, W1' (7)
Emporio Armani pin striped trouser suit, probably size 8, with spare buttons, a Max Mara silk shirt in black ground with pink and white abstract designs, size 10/12, Georgio Armani Classico black and white tweed jacket, size 38, a pair of grey Emporio Armani trousers, size 8/10, a Mani brown speckled jacket, labelled size 38, a black Mani trouser suit labelled 38 (6)
Various 1940s/50s items, a wool pink and grey tweed fitted jacket, slight pleat to the back, double breasted, a brown check skirt suit, the skirt is pleated the jacket with side button detail, a blue and grey check skirt suit, a mulberry coloured jacket with mulberry and cream tweed panels cuffs three button fastening and button detail to the pockets with matching belt, and a mulberry and grey striped fitted jacket three button fastening, and a 1940s dusty pink skirt suit, full length skirt cuff detail to the sleeves chevron button detail to the jacket (6)
A 1950s/early 60s skirt suit, pale blue double breasted with double diamante fastening, with a straight skirt, a yellow satin evening gown heavily embroidered with faux pearls small bugle beads and translucent sequins V neck sleeveless slim fitting, a cream satin evening dress heavily embroidered with faux pearls, bell skirt slim fitting, and a brocade cocktail dress slim fitting (4)
Thierry Mugler red and dark red chevron striped jacket and skirt, with Couture labels, possibly size 8, the pencil skirt has a mark on the front which probably would dry clean off, the black and red pinstriped jacket labelled 'Mugler', shawl collar with a buckle and strap side fastening ( amendment - the strap fastening is with poppers to keep the line smooth ), a black crepe jacket labelled 'Thierry Mugler Couture' with bakelite clip buttons, the jacket has a slight glitter thread in it, collarless with red lining, a brown skirt suit labelled 'Mugler' with fitted waisted jacket and six front button fastening, the buttons with the M logo, probably size 8 (4) Condition ReportRed suit the jacket appears in good condition with no damage. The skirt has a mark on the front (please see added picture in catalogue). The rest of the lot seem in excellent condition with minimal wear. The red chevron jacket measures 17.5 ins under armpit to armpit the waist of the jacket 27/28ins - the waist is nipped in the skirt waist is 25.5 ins the skirt length from base of waistband is 24 ins with a split at the front
A 1940's skirt suit grey, with a printed abstract design, the shoulders with fold-over detail short sleeves the jacket long and fitted, a navy blue crepe dress fitted drop waist with a pleated skirt pintuck details, capped sleeves, a blue skirt suit, five various vintage skirts and a fitted blouse with diamante and faux jet buttons and a peter pan collar with a white overlay collar, missing belt.(9)
1940's printed cotton dress with medieval style figures and castles, turquoise V neck short sleeves, a yellow and black polka dot dress with smocking to the waist, padded shoulders and diamante detail to the neck with a tie waist, a brown wool dress with full circle skirt and stitch detail, back zip fastening, a tweed wool dress with velvet insert to the bodice and black faux jet buttons labelled Mr Ric Holiday, a black crepe 1940's jacket with pintuck and button detail to the peplum, a light brown skirt suit, the fitted jacket in a riding style, full length skirt, eight button front fastening (6)
Cousins of Cheltenham tweed maxi coat, brown velvet trim to the collar, brown velvet buttons, double-breasted, similar buttons to the sleeves and six-button detail to the back, suitable for Cheltenham Races!, a Musto lady's tweed three-quarter length jacket, zip and button fastening, labelled 'Sporting Ladies', size 8, a pink wool skirt suit labelled 'Renato Nucci', pink gros grain ribbon detail to the jacket, sleeves and hem of the skirt, size 38, a Ronit Zilkha full skirt, green tweed with embroidered detail and velvet ribbon detail to the waistband, a Penny Black green and black tweed skirt suit, wrap skirt, leather and button detail to the jacket, probably size 38 and a Burberry knee-length mac (6) Condition ReportCousins of Cheltenham tweed maxi coat is a size 10
Selection of various vintage jackets and suits to include a mustard and black check jacket labelled 'Windsmoor', with velvet collar and pocket detail, fitted waist, a blue and black tweed skirt suit, labelled 'Grace's Nashville', the box jacket with gros grain detail to the pockets, collar and edges and buttons, a blue and green check jacket, with a frilled turned down collar, button detail to the sleeves and faux half-belt, a blue and black check skirt suit, labelled 'Harry B Popper, London', box jacket with faux-pockets to the front, a blue short moygashel jacket with half-belt and button detail, a black speckled tweed skirt suit, the jacket without buttons and a black twill dress with cap sleeves (7)
Gents Louis Feraud suit labelled 'Trabaldo Togna, made in Italy', black with a very faint maroon stripe, broad lapel, double-breasted, breast pocket, a gents tweed suit labelled 'Mr Harry Classic Edition', single-breasted, size large, with double flap back, a pinstripe suit labelled 'Mr Harry Standard Collection', single-breasted, and a camel wool sports jacket, double-flap to the back, single breasted (4) Condition Report Louis Feraud suit - approx 22" across chest from armpit to armpit, trousers waist approx 38", length approx 30".Brown wool jacket - 21" across chest from armpit to armpitMr Harry Classic Edition tweed suit - chest approx 21" across from armpit to armpit. trousers approx 36" waist, lemgth approx 30"Mr Harry Standard suit - approx 22" across chest from armpit to armpit, trousers approx 38", length approx 30"
1930's - a full-length evening gown, bold pattern in red, turquoise and yellow, printed onto a white silk ground, draped and ruched bodice, sleeveless, with pleated shoulder straps, full skirt with a matching belt, a silk dress and matching jacket, the dress with square neck, pintucked detail to the bodice, short sleeves, the silk jacket with button fastening, fall front collar, plain black detail, with faux-jet button fastening, the dress with pleated detail to one side, the jacket with slight peplum detail, a red skirt suit with fitted jacket, four button faux mother-of-pearl buttons, short sleeves, and a cotton printed short bolero-style shirt with rickrack detail to the hem and white bakelite three button fastening, collarless and cap sleeves (4) Condition ReportThe 1930's evening dress has various splits and wear to the hem of the skirt - heels catching probably. Please see detail images. The other garments are in good condition, the red skirt suit has a front button coming loose , see image
Late 50's/60's cocktail/party dress labelled 'Young Lady' in black, spaghetti straps, embroidered panels in pink, black and turquoise to the front, pink detail to the bodice, back zip fastening, a pink satin evening/cocktail dress, wrap detail with a bow detail attached belt, sleeveless with a bell skirt, a green wool day dress with cap sleeves, labelled 'Joan Miller for Glen', a blue wool skirt suit labelled 'Rothmoor', front button fastening to the jacket, a boucle wool capelet with shawl fall front collar, labelled 'By Timely(?)', a boucle grey/brown wool shawl (6)
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